Bibliography for DT2406: Theatre & Ideas: The Ideas of Gender & Sexuality BETA

7 Reasons I Use ‘Queer’ Instead of Lesbian (no date). Available at: https://www.bustle.com/articles/170551-7-reasons-i-use-queer-instead-of-lesbian.

Albert Innaurato (no date) Gemini.

Angels in America on iTunes (no date). Available at: https://itunes.apple.com/gb/tv-season/angels-in-america/id640160306.

Annie Sprinkle (2001a) ‘Herstory of Porn’, in Hardcore from the Heart: The Pleasures, Profits and Politics of Creative Sexual Expression - Annie Sprinkle Solo. Continuum International Publishing Group Ltd.

Annie Sprinkle (2001b) ‘Metamorphosexual Mud Bath’, in Hardcore from the Heart: The Pleasures, Profits and Politics of Creative Sexual Expression - Annie Sprinkle Solo. Continuum International Publishing Group Ltd, pp. 27–31.

Attwood, F. (2006) ‘Sexed Up: Theorizing the Sexualization of Culture’, Sexualities, 9(1), pp. 77–94. Available at: https://doi.org/10.1177/1363460706053336.

Baker, A. (2009) Body awareness. New York: Samuel French.

Bartleet, C. (2010) ‘Sarah Daniels: Feminist Enque(e)ry within the Mainstream’, New Theatre Quarterly, 26(02), pp. 145–160. Available at: https://doi.org/10.1017/S0266464X1000028X.

Beautiful Thing (no date). Available at: https://doi.org/10.5040/9781408164549.00000005.

Bennett, A. (2004a) The History Boys. London: Faber.

Bennett, A. (2004b) ‘The History Boys’. Available at: http://dx.doi.org/10.5040/9780571289325.00000008.

Bent (no date). Available at: https://doi.org/10.5040/9781408168899.00000014.

Blackman, L. (2009) ‘The Re-Making of Sexual Kinds: Queer Subjects and the Limits of Representation’, Journal of Lesbian Studies, 13(2), pp. 122–135. Available at: https://doi.org/10.1080/10894160802695312.

Brendan Healy (2016) ‘Seven Reasons Why I Believe We (Still) Need a Queer Theatre’, Canadian Theatre Review, 165(165), pp. 84–86. Available at: https://muse.jhu.edu/article/609626.

Brittain, J. (2017a) Rotterdam. London: Bloomsbury Methuen Drama, an imprint of Bloomsbury Publishing.

Brittain, J. (2017b) ‘Rotterdam’, Modern plays. Available at: http://dx.doi.org/10.5040/9781350018358.00000004.

Butler, J. (2006a) Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge.

Butler, J. (2006b) Gender Trouble: Feminism and the Subversion of Identity [electronic book]. 2nd ed. New York: Routledge. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=710077.

Butler, J. (2006c) Gender trouble: feminism and the subversion of identity. 2nd ed. New York: Routledge.

Butler, J. (2006d) Gender Trouble: Feminism and the Subversion of Identity [electronic book]. 2nd ed. New York: Routledge. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=710077.

Campbell, A.K. (2013) The pride. New edition. London: Nick Hern Books.

Campbell, A.K. (2015) ‘The Pride’. Available at: http://dx.doi.org/10.5040/9781784600167.40000004.

Carol Schafer (2008) ‘Staging a New Literary History: Suzan-Lori Parks’s Venus, In the Blood, and Fucking A’, Comparative Drama, 42(2). Available at: https://www.jstor.org/stable/23038019?seq=1#metadata_info_tab_contents.

Chambers, J. (1982) Last summer at Bluefish Cove: a play in two acts. New York, N.Y.: JH Press.

Christina Cauterucci (2016) ‘Lesbian No Longer Works for Many Young Queer Women. But Can a Community Exist Without a Name?’, Slate Magazine [Preprint]. Available at: http://www.slate.com/blogs/outward/2016/12/20/young_queer_women_don_t_like_lesbian_as_a_name_here_s_why.html?via=gdpr-consent.

Churchill, C. (1989) Cloud Nine. London: Hern.

Churchill, C. (2013) Cloud 9 [electronic resource]. Reprinted with revisions. London: Nick Hern Books. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1359691.

Collins, P.H. (2000) Black feminist thought: knowledge, consciousness, and the politics of empowerment. 2nd ed. New York: Routledge.

Connell, R.W. (2002a) Gender. Cambridge: Polity.

Connell, R.W. (2002b) Gender. Cambridge: Polity.

Daniels, S. (1986a) Neaptide. London: Methuen.

Daniels, S. (1986b) Neaptide. London: Methuen.

Dolan, J. (1987a) ‘The Dynamics of Desire: Sexuality and Gender in Pornography and Performance’, Theatre Journal, 39(2). Available at: https://doi.org/10.2307/3207686.

Dolan, J. (1987b) ‘“The Dynamics of Desire: Sexuality and Gender in Pornography and Performance” in Theatre Journal’, Theatre Journal, 39(2). Available at: https://doi.org/10.2307/3207686.

Dolan, J. (2010a) Theatre & Sexuality. Basingstoke: Palgrave Macmillan.

Dolan, J. (2010b) Theatre & Sexuality. Basingstoke: Palgrave Macmillan.

Dowie, C. (1996a) Why is John Lennon wearing a skirt: and other stand-up theatre plays. London: Methuen Drama.

Dowie, C. (1996b) Why is John Lennon wearing a skirt: and other stand-up theatre plays. London: Methuen Drama. Available at: http://www.dramaonlinelibrary.com/plays/why-is-john-lennon-wearing-a-skirt-iid-18088.

Dymkowski, C. (1996) ‘Breaking the rules: The plays of Sarah Daniels’, Contemporary Theatre Review, 5(1–2), pp. 63–75. Available at: https://doi.org/10.1080/10486809608568382.

Elyot, K. (1994) My Night With Reg. London: Hern.

Elyot, K. (2015) ‘My Night With Reg’. Available at: http://dx.doi.org/10.5040/9781784600822.00000007.

Elyot, K. (no date) My Night with Reg. Available at: https://doi.org/10.5040/9781784600822.00000007.

Fisher, James (2008) ‘From Tolerance to Liberation: Gay Drama in the Mainstream from “Torch Song Trilogy” and “The Normal Heart” to “Angels in America”, “Love! Valour! Compassion!” and “Take Me Out”’, in ‘We Will Be Citizens’: New Essays on Gay and Lesbian Theatre. Jefferson, N.C.: McFarland & Company, pp. 7–31.

Fisher, J. (2008) ‘We will be citizens’: new essays on gay and lesbian theatre. Jefferson, N.C.: McFarland & Company.

Fisher, J. (2009) ‘We Will Be Citizens’: New Essays on Gay and Lesbian Theatre [electronic resource]. Jefferson, N.C.: McFarland & Company. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1594725.

Foster, Verna A. (2007) ‘Nurturing and Murderous Mothers in Suzan-Lori Parks’s In the Blood and Fucking A’, American Drama [Preprint]. Available at: https://literature.proquest.com/searchFullrec.do?id=R03887510&area=abell&forward=critref_fr&DurUrl=Yes.

Freeman, S. (2014a) ‘Gay Sweatshop, Alternative Theatre, and Strategies for New Writing’, New Theatre Quarterly, 30(02), pp. 136–153. Available at: https://doi.org/10.1017/S0266464X14000256.

Freeman, S. (2014b) ‘Gay Sweatshop, Alternative Theatre, and Strategies for New Writing’, New Theatre Quarterly, 30(02), pp. 136–153. Available at: https://doi.org/10.1017/S0266464X14000256.

Freeman, S. (2014c) ‘Gay Sweatshop, Alternative Theatre, and Strategies for New Writing’, New Theatre Quarterly, 30(02), pp. 136–153. Available at: https://doi.org/10.1017/S0266464X14000256.

Fuchs, E. (1989a) ‘Staging the Obscene Body’, TDR (1988-), 33(1). Available at: https://doi.org/10.2307/1145943.

Fuchs, E. (1989b) ‘Staging the Obscene Body’, TDR, 33(1). Available at: https://doi.org/10.2307/1145943.

Fun Home Script (no date). Available at: https://drive.google.com/file/d/0BznEdG6hnlWpR1RtN0R1QXJKWmc/view.

Gale, M.B. and Gardner, V. (2004) Auto/biography and identity: women, theatre and performance. Manchester: Manchester University Press.

Gardiner, J.K. (2011) ‘Queering Genre: Alison Bechdel’s Fun Home: A Family Tragicomic and The Essential Dykes to Watch Out For’, Contemporary Women’s Writing, 5(3), pp. 188–207. Available at: https://doi.org/10.1093/cww/vpr015.

Gay theatre (no date). Bloomsbury PublishingNick Hern BooksBloomsbury PublishingPlaywrights Canada PressBloomsbury PublishingAurora Metro BooksBloomsbury PublishingAurora Metro BooksFaber and FaberNick Hern Books. Available at: http://www.dramaonlinelibrary.com/genres/gay-theatre-iid-2486.

Goodman, L. and De Gay, J. (1998a) The Routledge Reader in Gender and Performance. New York: Routledge.

Goodman, L. and De Gay, J. (1998b) The Routledge Reader in Gender and Performance [electronic book]. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=169236.

Goodman, L. and De Gay, J. (1998c) The Routledge reader in gender and performance. New York: Routledge.

Goodman, L. and De Gay, J. (1998d) The Routledge Reader in Gender and Performance [electronic book]. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=169236.

GREER, S. (2015) ‘Queer Exceptions’, Theatre Research International, 40(01), pp. 92–95. Available at: https://doi.org/10.1017/S0307883314000625.

Harvey, J. (1994a) Beautiful thing. London: Methuen.

Harvey, J. (1994b) Beautiful Thing. London: Methuen.

Harvey, J. and Harvey, J. (2013) ‘Beautiful Thing’. Available at: http://dx.doi.org/10.5040/9781408164549.00000005.

Hedwig and the Angry Inch (1999 Script) (no date). Available at: http://www.rockymusic.org/showdoc/hedwig-play-script.php.

Hellman, L. (1981) The Children’s Hour. New York: Dramatists Play Service.

Henry, M. (2016) ‘A One-Inch Mound of Flesh: Troubling Queer Identity in’, The Journal of American Culture, 39(1), pp. 64–77. Available at: https://doi.org/10.1111/jacc.12524.

Hill Collins, P. and Bilge, S. (2016) Intersectionality. Cambridge: Polity.

Hooks, B. (2000) Feminist Theory: From Margin to Center. 2nd ed. London: Pluto. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1811030.

Jess and Joe Forever (no date). Available at: https://doi.org/10.5040/9781350025424.00000002.

John Osborne 1929- (1957) Look back in anger : a play in three acts. Faber and Faber. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2130339410002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,Look%20Back%20in%20Anger%20osborne&sortby=date&facet=frbrgroupid,include,1288097756&offset=0.

Kaufman, M., Fondakowski, L., and Tectonic Theater Project (2001) The Laramie Project. New York: Vintage Books.

Kennedy, D. (2010a) The Oxford companion to theatre and performance. Oxford: Oxford University Press.

Kennedy, D. (2010b) The Oxford companion to theatre and performance [electronic resource]. [Oxford]: Oxford University Press. Available at: http://www.oxfordreference.com/view/10.1093/acref/9780199574193.001.0001/acref-9780199574193.

Kennedy, D. (2010c) The Oxford Companion to Theatre and Performance. Oxford: Oxford University Press.

Kennedy, D. (2010d) The Oxford Companion to Theatre and Performance [electronic resource]. [Oxford]: Oxford University Press. Available at: http://www.oxfordreference.com/view/10.1093/acref/9780199574193.001.0001/acref-9780199574193.

Kramer, L. (1993) The Normal Heart. London: Hern.

Kron, L. (2015) Fun Home: Based on the Acclaimed Graphic Novel by Alison Bechdel. Theatre Communications Group.

Kushner, T. (1993) Angels in America: A Gay Fantasia on National Themes, Pt. 1: Millenium Approaches. New York: Theatre Communications Group.

Kushner, T. (1994a) Angels in America: a gay fantasia on national themes, Pt. 2: Perestroika. London: Royal National Theatre.

Kushner, T. (1994b) Angels in America: A Gay Fantasia on National Themes, Pt. 2: Perestroika. London: Royal National Theatre.

Kushner, T. (1996) Slavs! Broadway Play Pub.

Kushner, T. and Royal National Theatre (1993) Angels in America: a gay fantasia on national themes, Pt. 1: Millenium approaches. New York: Theatre Communications Group.

von Ledebur, R.F. (1996) ‘Gender Politics and Female Characters in Edward Bond’s Plays’, Contemporary Theatre Review, 5(1–2), pp. 51–61. Available at: https://doi.org/10.1080/10486809608568381.

Lenkiewicz, R. (2008a) Her Naked Skin. London: Faber and Faber.

Lenkiewicz, R. (2008b) Her Naked Skin [electronic resource]. London: Faber. Available at: http://dx.doi.org/10.5040/9780571284962.00000008.

Leondar, G. et al. (1991) ‘Belle Reprieve’, Theatre Journal, 43(3). Available at: https://doi.org/10.2307/3207596.

Look Back in Anger (no date). Available at: https://doi.org/10.5040/9780571285990.00000006.

Mamet, D. (2001) Boston Marriage. London: Methuen.

McNally, T. (1992) Lips Together, Teeth Apart. Josef Weinberger Plays.

McNally, T. (1998) Corpus Christi: A Play. First edition. New York: Grove Press.

McNicholas Smith, K. (2017) ‘Sexualisation, or the queer feminist provocations of Miley Cyrus’, Feminist Theory, 18(3), pp. 281–298. Available at: https://doi.org/10.1177/1464700117721880.

Menard, P. (2008) ‘The (Fe)Male Gays: Split Britches and the Redressing of Dyke Camp’, in ‘We Will Be Citizens’: New Essays on Gay and Lesbian Theatre. Jefferson, N.C.: McFarland & Company, pp. 185–193.

Mihaylova, S. (2015) ‘The Radical Formalism of Suzan-Lori Parks and Sarah Kane’, Theatre Survey, 56(02), pp. 213–231. Available at: https://doi.org/10.1017/S0040557415000083.

Mitchell, J. (1982) Another country. Ambergate: Amber Lane Press.

Munro, E. (2013) ‘Feminism: A Fourth Wave?’, Political Insight. Available at: https://doi.org/10.1111/2041-9066.12021.

Neaptide (no date a). Available at: https://doi.org/10.5040/9781408182758.00000061.

Neaptide (no date b). Available at: https://doi.org/10.5040/9781408182758.00000061.

Niles, R. (2004) ‘Wigs, Laughter, and Subversion’, Journal of Homosexuality, 46(3–4), pp. 35–53. Available at: https://doi.org/10.1300/J082v46n03_03.

Orton, J. (1967) Loot. London: Methuen.

Orton, J. and Mayne, A. (2006) ‘Loot’, Methuen student editions. Available at: http://dx.doi.org/10.5040/9781408168158.00000032.

Parks, S.-L. (2002) Fucking A in Red Letter Plays. New York: Theatre Communications Group Inc.,U.S.

Pellegrini, A. (1997a) Performance Anxieties: Staging Psychoanalysis, Staging Race. New York: Routledge.

Pellegrini, A. (1997b) Performance Anxieties: Staging Psychoanalysis, Staging Race [electronic book]. New York: Routledge. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203699911.

Pinter, H. (1966) The homecoming. 2nd ed. London: Methuen.

Pramaggiore, M.T. (1992) ‘Resisting/Performing/Femininity: Words, Flesh, and Feminism in Karen Finley’s “The Constant State of Desire”’, Theatre Journal, 44(3). Available at: https://doi.org/10.2307/3208549.

Queer women on stage: Representation v. exploitation - Exeunt Magazine (no date). Available at: http://exeuntmagazine.com/features/queer-women-stage-representation-v-exploitation/.

Rapi, N. (1993a) ‘Hide and Seek: the Search for a Lesbian Theatre Aesthetic’, New Theatre Quarterly, 9(34). Available at: https://doi.org/10.1017/S0266464X00007739.

Rapi, N. (1993b) ‘Hide and Seek: the Search for a Lesbian Theatre Aesthetic’, New Theatre Quarterly, 9(34). Available at: https://doi.org/10.1017/S0266464X00007739.

Review: Everybody’s Talking About Jamie at the Apollo Theatre - Exeunt Magazine (no date). Available at: http://exeuntmagazine.com/reviews/review-everybodys-talking-jamie-apollo-theatre/.

Roberts, B. (2000) ‘Whatever Happened to Gay Theatre?’, New Theatre Quarterly, 16(02). Available at: https://doi.org/10.1017/S0266464X00013695.

Sandell, J. (2016) ‘Hedwig revisited’, Gender, Place & Culture, 23(7), pp. 1071–1076. Available at: https://doi.org/10.1080/0966369X.2015.1073700.

Savran, D. (1995) ‘Ambivalence, Utopia, and a Queer Sort of Materialism: How “Angels in America” Reconstructs the Nation’, Theatre Journal, 47(2). Available at: https://doi.org/10.2307/3208484.

Schneider, R. (1997a) The Explicit Body in Performance. London: Routledge.

Schneider, R. (1997b) The Explicit Body in Performance. 1st ed. London: Taylor and Francis. Available at: http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=170366.

Schneider, R. (1997c) The explicit body in performance. London: Routledge.

Schneider, R. (1997d) The Explicit Body in Performance. 1st ed. London: Taylor and Francis. Available at: http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=170366.

Senelick, L. (2002) ‘The Queer Root of Theater’, in The Queerest Art: Essays on Lesbian and Gay Theater. New York: New York University Press, pp. 21–39.

Sherman, M. (2004) Plays 1. London: Methuen.

Sherman, M. (2013) ‘Bent’. Available at: http://dx.doi.org/10.5040/9781408168899.00000014.

Sisley, E.L. (1981a) ‘Notes on Lesbian Theatre’, The Drama Review: TDR, 25(1). Available at: https://doi.org/10.2307/1145343.

Sisley, E.L. (1981b) ‘Notes on Lesbian Theatre’, The Drama Review: TDR, 25(1). Available at: https://doi.org/10.2307/1145343.

Solomon, A. (2002) ‘Great Sparkles of Lust: Homophobia and the Antithetical Tradition’, in The Queerest Art: Essays on Lesbian and Gay Theater. New York: New York University Press, pp. 9–20.

Solomon, A. and Minwalla, F. (2002a) The queerest art: essays on lesbian and gay theater. New York: New York University Press.

Solomon, A. and Minwalla, F. (2002b) The queerest art: essays on lesbian and gay theater. New York: New York University Press.

Son, D. (2000) Stop Kiss. Dramatists Play Service.

Sprinkle, A. (2001) Hardcore From the Heart: The Pleasures, Profits and Politics of Creative Sexual Expression - Annie Sprinkle Solo. Continuum International Publishing Group Ltd.

The Dispute Between Radical Feminism and Transgenderism | The New Yorker (no date). Available at: https://www.newyorker.com/magazine/2014/08/04/woman-2.

The Homecoming (no date). Available at: https://doi.org/10.5040/9780571291786.00000005.

Tony Kushner’s Angels in America: Histories, Futures, and Queer Lives (no date). Available at: http://jadtjournal.org/2014/11/17/tony-kushners-angels-in-america-histories-futures-and-queer-lives/.

Wade, L. and Waters, S. (2015) Tipping the velvet: based on the book by Sarah Waters. London: Oberon Books.

West, M. (1997) Sex, The Drag, The Pleasure Man. Nick Hern Books.

Wilson, L. (1973) The Hot L Baltimore: A Play. New York: Noonday.

Wilson, L. (1988) Balm in Gilead: And Other Plays. New York: Noonday.

Wyllie, A. (2009a) Sex on Stage: Gender and Sexuality in Post-War British Theatre. Bristol: Intellect.

Wyllie, A. (2009b) Sex on Stage: Gender and Sexuality in Post-War British Theatre [electronic book]. Bristol: Intellect. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=435036.

Wyllie, A. (2009c) Sex on stage: gender and sexuality in post-war British theatre. Bristol: Intellect.

Wyllie, A. (2009d) Sex on Stage: Gender and Sexuality in Post-War British Theatre [electronic resource]. Bristol: Intellect. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=435036.

Wyllie, A. (2009e) Sex on stage: gender and sexuality in post-war British theatre. Bristol: Intellect.

Wyllie, A. (2009f) Sex on Stage: Gender and Sexuality in Post-War British Theatre [electronic resource]. Bristol: Intellect. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=435036.