‘7 Reasons I Use “Queer” Instead of Lesbian’. N.p., n.d. Web. <https://www.bustle.com/articles/170551-7-reasons-i-use-queer-instead-of-lesbian>.
Albert Innaurato. Gemini. N.p. Print.
‘Angels in America on iTunes’. N.p., n.d. Web. <https://itunes.apple.com/gb/tv-season/angels-in-america/id640160306>.
Annie Sprinkle. ‘Herstory of Porn’. Hardcore from the Heart: The Pleasures, Profits and Politics of Creative Sexual Expression - Annie Sprinkle Solo. Continuum International Publishing Group Ltd, 2001. Print.
---. ‘Metamorphosexual Mud Bath’. Hardcore from the Heart: The Pleasures, Profits and Politics of Creative Sexual Expression - Annie Sprinkle Solo. Continuum International Publishing Group Ltd, 2001. 27–31. Print.
Attwood, Feona. ‘Sexed Up: Theorizing the Sexualization of Culture’. Sexualities 9.1 (2006): 77–94. Web.
Baker, Annie. Body Awareness. New York: Samuel French, 2009. Print.
Bartleet, Carina. ‘Sarah Daniels: Feminist Enque(e)Ry within the Mainstream’. New Theatre Quarterly 26.02 (2010): 145–160. Web.
Beautiful Thing. N.p. Web. <http://www.dramaonlinelibrary.com/plays/beautiful-thing-iid-15454>.
Bennett, Alan. The History Boys. London: Faber, 2004. Print.
---. ‘The History Boys’. (2004): n. pag. Web. <http://dx.doi.org/10.5040/9780571289325.00000008>.
Bent. N.p. Web. <http://www.dramaonlinelibrary.com/plays/bent-iid-131657>.
Blackman, Lisa. ‘The Re-Making of Sexual Kinds: Queer Subjects and the Limits of Representation’. Journal of Lesbian Studies 13.2 (2009): 122–135. Web.
Brendan Healy. ‘Seven Reasons Why I Believe We (Still) Need a Queer Theatre’. Canadian Theatre Review 165.165 (2016): 84–86. Web. <https://muse.jhu.edu/article/609626>.
Brittain, Jon. Rotterdam. Methuen modern plays. London: Bloomsbury Methuen Drama, an imprint of Bloomsbury Publishing, 2017. Print.
---. ‘Rotterdam’. Modern plays (2017): n. pag. Web. <http://dx.doi.org/10.5040/9781350018358.00000004>.
Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. Routledge classics. New York: Routledge, 2006. Print.
---. Gender Trouble: Feminism and the Subversion of Identity. 2nd ed. Routledge classics. New York: Routledge, 2006. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=710077>.
---. Gender Trouble: Feminism and the Subversion of Identity. 2nd ed. New York: Routledge, 2006. Print.
---. Gender Trouble: Feminism and the Subversion of Identity. 2nd ed. New York: Routledge, 2006. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=710077>.
Campbell, Alexi Kaye. The Pride. New edition. London: Nick Hern Books, 2013. Print.
---. ‘The Pride’. (2015): n. pag. Web. <http://dx.doi.org/10.5040/9781784600167.40000004>.
Carol Schafer. ‘Staging a New Literary History: Suzan-Lori Parks’s Venus, In the Blood, and Fucking A’. Comparative Drama 42.2 (2008): n. pag. Web. <https://www.jstor.org/stable/23038019?seq=1#metadata_info_tab_contents>.
Chambers, Jane. Last Summer at Bluefish Cove: A Play in Two Acts. JH Press gay play script series. New York, N.Y.: JH Press, 1982. Print.
Christina Cauterucci. ‘Lesbian No Longer Works for Many Young Queer Women. But Can a Community Exist Without a Name?’ Slate Magazine (2016): n. pag. Web. <http://www.slate.com/blogs/outward/2016/12/20/young_queer_women_don_t_like_lesbian_as_a_name_here_s_why.html?via=gdpr-consent>.
Churchill, Caryl. Cloud 9. Reprinted with revisions. London: Nick Hern Books, 2013. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1359691>.
---. Cloud Nine. London: Hern, 1989. Print.
Collins, Patricia Hill. Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. 2nd ed. New York: Routledge, 2000. Print.
Connell, R. W. Gender. Cambridge: Polity, 2002. Print.
---. Gender. Cambridge: Polity, 2002. Print.
Daniels, Sarah. Neaptide. London: Methuen, 1986. Print.
---. Neaptide. London: Methuen, 1986. Print.
Dolan, Jill. ‘The Dynamics of Desire: Sexuality and Gender in Pornography and Performance’. Theatre Journal 39.2 (1987): n. pag. Web.
---. ‘“The Dynamics of Desire: Sexuality and Gender in Pornography and Performance” in Theatre Journal’. Theatre Journal 39.2 (1987): n. pag. Web.
---. Theatre & Sexuality. Theatre&. Basingstoke: Palgrave Macmillan, 2010. Print.
---. Theatre & Sexuality. Basingstoke: Palgrave Macmillan, 2010. Print.
Dowie, Claire. Why Is John Lennon Wearing a Skirt: And Other Stand-up Theatre Plays. London: Methuen Drama, 1996. Print.
---. Why Is John Lennon Wearing a Skirt: And Other Stand-up Theatre Plays. London: Methuen Drama, 1996. Web. <http://www.dramaonlinelibrary.com/plays/why-is-john-lennon-wearing-a-skirt-iid-18088>.
Dymkowski, Christine. ‘Breaking the Rules: The Plays of Sarah Daniels’. Contemporary Theatre Review 5.1–2 (1996): 63–75. Web.
Elyot, Kevin. My Night with Reg. N.p. Web. <http://www.dramaonlinelibrary.com/plays/my-night-with-reg-iid-152219>.
---. My Night With Reg. London: Hern, 1994. Print.
---. ‘My Night With Reg’. (2015): n. pag. Web. <http://dx.doi.org/10.5040/9781784600822.00000007>.
Fisher, J. ‘We Will Be Citizens’: New Essays on Gay and Lesbian Theatre. Jefferson, N.C.: McFarland & Company, 2008. Print.
Fisher, James. ‘From Tolerance to Liberation: Gay Drama in the Mainstream from “Torch Song Trilogy” and “The Normal Heart” to “Angels in America”, “Love! Valour! Compassion!” and “Take Me Out”’. ‘We Will Be Citizens’: New Essays on Gay and Lesbian Theatre. Jefferson, N.C.: McFarland & Company, 2008. 7–31. Print.
---. ‘We Will Be Citizens’: New Essays on Gay and Lesbian Theatre. Jefferson, N.C.: McFarland & Company, 2009. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1594725>.
Foster, Verna A. ‘Nurturing and Murderous Mothers in Suzan-Lori Parks’s In the Blood and Fucking A’. American Drama (2007): n. pag. Web. <https://literature.proquest.com/searchFullrec.do?id=R03887510&amp;area=abell&amp;forward=critref_fr&amp;DurUrl=Yes>.
Freeman, Sara. ‘Gay Sweatshop, Alternative Theatre, and Strategies for New Writing’. New Theatre Quarterly 30.02 (2014): 136–153. Web.
---. ‘Gay Sweatshop, Alternative Theatre, and Strategies for New Writing’. New Theatre Quarterly 30.02 (2014): 136–153. Web.
---. ‘Gay Sweatshop, Alternative Theatre, and Strategies for New Writing’. New Theatre Quarterly 30.02 (2014): 136–153. Web.
Fuchs, Elinor. ‘Staging the Obscene Body’. TDR (1988-) 33.1 (1989): n. pag. Web.
---. ‘Staging the Obscene Body’. TDR 33.1 (1989): n. pag. Web.
‘Fun Home Script’. N.p., n.d. Web. <https://drive.google.com/file/d/0BznEdG6hnlWpR1RtN0R1QXJKWmc/view>.
Gale, Maggie B., and Viv Gardner. Auto/Biography and Identity: Women, Theatre and Performance. Manchester: Manchester University Press, 2004. Print.
Gardiner, J. K. ‘Queering Genre: Alison Bechdel’s Fun Home: A Family Tragicomic and The Essential Dykes to Watch Out For’. Contemporary Women’s Writing 5.3 (2011): 188–207. Web.
Gay Theatre. Bloomsbury PublishingNick Hern BooksBloomsbury PublishingPlaywrights Canada PressBloomsbury PublishingAurora Metro BooksBloomsbury PublishingAurora Metro BooksFaber and FaberNick Hern Books. Web. <http://www.dramaonlinelibrary.com/genres/gay-theatre-iid-2486>.
Goodman, Lizbeth, and Jane De Gay. The Routledge Reader in Gender and Performance. New York: Routledge, 1998. Print.
---. The Routledge Reader in Gender and Performance. London: Routledge, 1998. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=169236>.
---. The Routledge Reader in Gender and Performance. New York: Routledge, 1998. Print.
---. The Routledge Reader in Gender and Performance. London: Routledge, 1998. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=169236>.
GREER, STEPHEN. ‘Queer Exceptions’. Theatre Research International 40.01 (2015): 92–95. Web.
Harvey, Jonathan. Beautiful Thing. London: Methuen, 1994. Print.
---. Beautiful Thing. London: Methuen, 1994. Print.
Harvey, Jonathan, and Jonathan Harvey. ‘Beautiful Thing’. (2013): n. pag. Web. <http://dx.doi.org/10.5040/9781408164549.00000005>.
‘Hedwig and the Angry Inch (1999 Script)’. N.p., n.d. Web. <http://www.rockymusic.org/showdoc/hedwig-play-script.php>.
Hellman, Lillian. The Children’s Hour. New York: Dramatists Play Service, 1981. Print.
Henry, Matthew. ‘A One-Inch Mound of Flesh: Troubling Queer Identity In’. The Journal of American Culture 39.1 (2016): 64–77. Web.
Hill Collins, Patricia, and Sirma Bilge. Intersectionality. Cambridge: Polity, 2016. Print.
Hooks, Bell. Feminist Theory: From Margin to Center. 2nd ed. London: Pluto, 2000. Web. <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1811030>.
Jess and Joe Forever. N.p. Web. <http://www.dramaonlinelibrary.com/plays/jess-and-joe-forever-iid-177455>.
John Osborne 1929-. Look Back in Anger : A Play in Three Acts. Faber and Faber, 1957. Web. <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2130339410002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,Look%20Back%20in%20Anger%20osborne&sortby=date&facet=frbrgroupid,include,1288097756&offset=0>.
Kaufman, Moises, Leigh Fondakowski, and Tectonic Theater Project. The Laramie Project. New York: Vintage Books, 2001. Print.
Kennedy, Dennis. The Oxford Companion to Theatre and Performance. Oxford: Oxford University Press, 2010. Print.
---. The Oxford Companion to Theatre and Performance. [Oxford]: Oxford University Press, 2010. Web. <http://www.oxfordreference.com/view/10.1093/acref/9780199574193.001.0001/acref-9780199574193>.
---. The Oxford Companion to Theatre and Performance. Oxford: Oxford University Press, 2010. Print.
---. The Oxford Companion to Theatre and Performance. [Oxford]: Oxford University Press, 2010. Web. <http://www.oxfordreference.com/view/10.1093/acref/9780199574193.001.0001/acref-9780199574193>.
Kramer, Larry. The Normal Heart. London: Hern, 1993. Print.
Kron, Lisa. Fun Home: Based on the Acclaimed Graphic Novel by Alison Bechdel. Theatre Communications Group, 2015. Print.
Kushner, Tony. Angels in America: A Gay Fantasia on National Themes, Pt. 1: Millenium Approaches. New York: Theatre Communications Group, 1993. Print.
---. Angels in America: A Gay Fantasia on National Themes, Pt. 2: Perestroika. London: Royal National Theatre, 1994. Print.
---. Angels in America: A Gay Fantasia on National Themes, Pt. 2: Perestroika. London: Royal National Theatre, 1994. Print.
---. Slavs! Broadway Play Pub, 1996. Print.
Kushner, Tony and Royal National Theatre. Angels in America: A Gay Fantasia on National Themes, Pt. 1: Millenium Approaches. New York: Theatre Communications Group, 1993. Print.
Lenkiewicz, Rebecca. Her Naked Skin. FF plays. London: Faber and Faber, 2008. Print.
---. Her Naked Skin. Faber plays. London: Faber, 2008. Web. <http://dx.doi.org/10.5040/9780571284962.00000008>.
Leondar, Gail et al. ‘Belle Reprieve’. Theatre Journal 43.3 (1991): n. pag. Web.
Look Back in Anger. N.p. Web. <http://www.dramaonlinelibrary.com/plays/look-back-in-anger-iid-129957>.
Mamet, David. Boston Marriage. London: Methuen, 2001. Print.
McNally, Terrence. Corpus Christi: A Play. First edition. New York: Grove Press, 1998. Print.
---. Lips Together, Teeth Apart. Josef Weinberger Plays, 1992. Print.
McNicholas Smith, Kate. ‘Sexualisation, or the Queer Feminist Provocations of Miley Cyrus’. Feminist Theory 18.3 (2017): 281–298. Web.
Menard, Paul. ‘The (Fe)Male Gays: Split Britches and the Redressing of Dyke Camp’. ‘We Will Be Citizens’: New Essays on Gay and Lesbian Theatre. Jefferson, N.C.: McFarland & Company, 2008. 185–193. Print.
Mihaylova, Stefka. ‘The Radical Formalism of Suzan-Lori Parks and Sarah Kane’. Theatre Survey 56.02 (2015): 213–231. Web.
Mitchell, Julian. Another Country. Ambergate: Amber Lane Press, 1982. Print.
Munro, Ealasaid. ‘Feminism: A Fourth Wave?’ Political Insight Sept. 2013 : 22–25. Web.
Neaptide. N.p. Web. <http://www.dramaonlinelibrary.com/plays/neaptide-iid-115851>.
---. N.p. Web. <http://www.dramaonlinelibrary.com/plays/neaptide-iid-115851>.
Niles, Richard. ‘Wigs, Laughter, and Subversion’. Journal of Homosexuality 46.3–4 (2004): 35–53. Web.
Orton, Joe. Loot. London: Methuen, 1967. Print.
Orton, Joe, and Andrew Mayne. ‘Loot’. Methuen student editions (2006): n. pag. Web. <http://dx.doi.org/10.5040/9781408168158.00000032>.
Parks, Suzan-Lori. Fucking A in Red Letter Plays. New York: Theatre Communications Group Inc.,U.S., 2002. Print.
Pellegrini, Ann. Performance Anxieties: Staging Psychoanalysis, Staging Race. New York: Routledge, 1997. Print.
---. Performance Anxieties: Staging Psychoanalysis, Staging Race. New York: Routledge, 1997. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203699911>.
Pinter, Harold. The Homecoming. 2nd ed. London: Methuen, 1966. Print.
Pramaggiore, Maria T. ‘Resisting/Performing/Femininity: Words, Flesh, and Feminism in Karen Finley’s “The Constant State of Desire”’. Theatre Journal 44.3 (1992): n. pag. Web.
‘Queer Women on Stage: Representation v. Exploitation - Exeunt Magazine’. N.p., n.d. Web. <http://exeuntmagazine.com/features/queer-women-stage-representation-v-exploitation/>.
Rapi, Nina. ‘Hide and Seek: The Search for a Lesbian Theatre Aesthetic’. New Theatre Quarterly 9.34 (1993): n. pag. Web.
---. ‘Hide and Seek: The Search for a Lesbian Theatre Aesthetic’. New Theatre Quarterly 9.34 (1993): n. pag. Web.
‘Review: Everybody’s Talking About Jamie at the Apollo Theatre - Exeunt Magazine’. N.p., n.d. Web. <http://exeuntmagazine.com/reviews/review-everybodys-talking-jamie-apollo-theatre/>.
Roberts, Brian. ‘Whatever Happened to Gay Theatre?’ New Theatre Quarterly 16.02 (2000): n. pag. Web.
Sandell, Jillian. ‘Hedwig Revisited’. Gender, Place & Culture 23.7 (2016): 1071–1076. Web.
Savran, David. ‘Ambivalence, Utopia, and a Queer Sort of Materialism: How “Angels in America” Reconstructs the Nation’. Theatre Journal 47.2 (1995): n. pag. Web.
Schneider, Rebecca. The Explicit Body in Performance. London: Routledge, 1997. Print.
---. The Explicit Body in Performance. 1st ed. London: Taylor and Francis, 1997. Web. <http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=170366>.
---. The Explicit Body in Performance. London: Routledge, 1997. Print.
---. The Explicit Body in Performance. 1st ed. London: Taylor and Francis, 1997. Web. <http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=170366>.
Senelick, Laurence. ‘The Queer Root of Theater’. The Queerest Art: Essays on Lesbian and Gay Theater. Sexual cultures. New York: New York University Press, 2002. 21–39. Print.
Sherman, Martin. ‘Bent’. (2013): n. pag. Web. <http://dx.doi.org/10.5040/9781408168899.00000014>.
---. Plays 1. London: Methuen, 2004. Print.
Sisley, Emily L. ‘Notes on Lesbian Theatre’. The Drama Review: TDR 25.1 (1981): n. pag. Web.
---. ‘Notes on Lesbian Theatre’. The Drama Review: TDR 25.1 (1981): n. pag. Web.
Solomon, Alisa. ‘Great Sparkles of Lust: Homophobia and the Antithetical Tradition’. The Queerest Art: Essays on Lesbian and Gay Theater. Sexual cultures. New York: New York University Press, 2002. 9–20. Print.
Solomon, Alisa, and Framji Minwalla. The Queerest Art: Essays on Lesbian and Gay Theater. New York: New York University Press, 2002. Print.
---. The Queerest Art: Essays on Lesbian and Gay Theater. New York: New York University Press, 2002. Print.
Son, Diana. Stop Kiss. Dramatists Play Service, 2000. Print.
Sprinkle, Annie. Hardcore From the Heart: The Pleasures, Profits and Politics of Creative Sexual Expression - Annie Sprinkle Solo. Continuum International Publishing Group Ltd, 2001. Print.
‘The Dispute Between Radical Feminism and Transgenderism | The New Yorker’. N.p., n.d. Web. <https://www.newyorker.com/magazine/2014/08/04/woman-2>.
The Homecoming. N.p. Web. <http://www.dramaonlinelibrary.com/plays/the-homecoming-iid-129802>.
‘Tony Kushner’s Angels in America: Histories, Futures, and Queer Lives’. N.p., n.d. Web. <http://jadtjournal.org/2014/11/17/tony-kushners-angels-in-america-histories-futures-and-queer-lives/>.
von Ledebur, Ruth Freifrau. ‘Gender Politics and Female Characters in Edward Bond’s Plays’. Contemporary Theatre Review 5.1–2 (1996): 51–61. Web.
Wade, Laura, and Sarah Waters. Tipping the Velvet: Based on the Book by Sarah Waters. Oberon modern plays. London: Oberon Books, 2015. Print.
West, Mae. Sex, The Drag, The Pleasure Man. Nick Hern Books, 1997. Print.
Wilson, Lanford. Balm in Gilead: And Other Plays. New York: Noonday, 1988. Print.
---. The Hot L Baltimore: A Play. New York: Noonday, 1973. Print.
Wyllie, Andrew. Sex on Stage: Gender and Sexuality in Post-War British Theatre. Bristol: Intellect, 2009. Print.
---. Sex on Stage: Gender and Sexuality in Post-War British Theatre. Bristol: Intellect, 2009. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=435036>.
---. Sex on Stage: Gender and Sexuality in Post-War British Theatre. Bristol: Intellect, 2009. Print.
---. Sex on Stage: Gender and Sexuality in Post-War British Theatre. Bristol: Intellect, 2009. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=435036>.
---. Sex on Stage: Gender and Sexuality in Post-War British Theatre. Bristol: Intellect, 2009. Print.
---. Sex on Stage: Gender and Sexuality in Post-War British Theatre. Bristol: Intellect, 2009. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=435036>.