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J. Butler, Gender Trouble: Feminism and the Subversion of Identity, vol. Routledge classics. New York: Routledge, 2006.
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J. Butler, Gender Trouble: Feminism and the Subversion of Identity, 2nd ed., vol. Routledge classics. New York: Routledge, 2006 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=710077
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R. W. Connell, Gender. Cambridge: Polity, 2002.
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J. Dolan, Theatre & Sexuality, vol. Theatre&. Basingstoke: Palgrave Macmillan, 2010.
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L. Goodman and J. De Gay, The Routledge Reader in Gender and Performance. New York: Routledge, 1998.
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L. Goodman and J. De Gay, The Routledge Reader in Gender and Performance. London: Routledge, 1998 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=169236
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A. Pellegrini, Performance Anxieties: Staging Psychoanalysis, Staging Race. New York: Routledge, 1997.
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A. Pellegrini, Performance Anxieties: Staging Psychoanalysis, Staging Race. New York: Routledge, 1997 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203699911
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R. Schneider, The Explicit Body in Performance. London: Routledge, 1997.
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R. Schneider, The Explicit Body in Performance, 1st ed. London: Taylor and Francis, 1997 [Online]. Available: http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=170366
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A. Sprinkle, Hardcore From the Heart: The Pleasures, Profits and Politics of Creative Sexual Expression - Annie Sprinkle Solo. Continuum International Publishing Group Ltd, 2001.
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A. Wyllie, Sex on Stage: Gender and Sexuality in Post-War British Theatre. Bristol: Intellect, 2009.
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A. Wyllie, Sex on Stage: Gender and Sexuality in Post-War British Theatre. Bristol: Intellect, 2009 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=435036
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J. Butler, Gender trouble: feminism and the subversion of identity, 2nd ed. New York: Routledge, 2006.
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J. Butler, Gender Trouble: Feminism and the Subversion of Identity, 2nd ed. New York: Routledge, 2006 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=710077
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A. Wyllie, Sex on stage: gender and sexuality in post-war British theatre. Bristol: Intellect, 2009.
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A. Wyllie, Sex on Stage: Gender and Sexuality in Post-War British Theatre. Bristol: Intellect, 2009 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=435036
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Jess and Joe Forever. [Online]. Available: http://www.dramaonlinelibrary.com/plays/jess-and-joe-forever-iid-177455
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R. W. Connell, Gender. Cambridge: Polity, 2002.
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S. Daniels, Neaptide. London: Methuen, 1986.
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Neaptide. [Online]. Available: http://www.dramaonlinelibrary.com/plays/neaptide-iid-115851
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John Osborne 1929-, Look back in anger : a play in three acts. Faber and Faber, 1957 [Online]. Available: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2130339410002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,Look%20Back%20in%20Anger%20osborne&sortby=date&facet=frbrgroupid,include,1288097756&offset=0
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Look Back in Anger. [Online]. Available: http://www.dramaonlinelibrary.com/plays/look-back-in-anger-iid-129957
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H. Pinter, The homecoming, 2nd ed. London: Methuen, 1966.
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The Homecoming. [Online]. Available: http://www.dramaonlinelibrary.com/plays/the-homecoming-iid-129802
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J. Dolan, Theatre & Sexuality. Basingstoke: Palgrave Macmillan, 2010.
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C. Dowie, Why is John Lennon wearing a skirt: and other stand-up theatre plays. London: Methuen Drama, 1996.
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C. Dowie, Why is John Lennon wearing a skirt: and other stand-up theatre plays. London: Methuen Drama, 1996 [Online]. Available: http://www.dramaonlinelibrary.com/plays/why-is-john-lennon-wearing-a-skirt-iid-18088
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G. Leondar, L. Weaver, P. Shaw, B. Bourne, and P. Pearl, ‘Belle Reprieve’, Theatre Journal, vol. 43, no. 3, Oct. 1991, doi: 10.2307/3207596.
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M. B. Gale and V. Gardner, Auto/biography and identity: women, theatre and performance. Manchester: Manchester University Press, 2004.
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L. Goodman and J. De Gay, The Routledge reader in gender and performance. New York: Routledge, 1998.
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L. Goodman and J. De Gay, The Routledge Reader in Gender and Performance. London: Routledge, 1998 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=169236
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A. Wyllie, Sex on stage: gender and sexuality in post-war British theatre. Bristol: Intellect, 2009.
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A. Wyllie, Sex on Stage: Gender and Sexuality in Post-War British Theatre. Bristol: Intellect, 2009 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=435036
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S.-L. Parks, Fucking A in Red Letter Plays. New York: Theatre Communications Group Inc.,U.S., 2002.
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‘The Dispute Between Radical Feminism and Transgenderism | The New Yorker’. [Online]. Available: https://www.newyorker.com/magazine/2014/08/04/woman-2
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E. Munro, ‘Feminism: A Fourth Wave?’, Political Insight, vol. 4, no. 2. pp. 22–25, Sep. 2013.
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Carol Schafer, ‘Staging a New Literary History: Suzan-Lori Parks’s Venus, In the Blood, and Fucking A’, Comparative Drama, vol. 42, no. 2, 2008 [Online]. Available: https://www.jstor.org/stable/23038019?seq=1#metadata_info_tab_contents
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S. Mihaylova, ‘The Radical Formalism of Suzan-Lori Parks and Sarah Kane’, Theatre Survey, vol. 56, no. 02, pp. 213–231, May 2015, doi: 10.1017/S0040557415000083.
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Foster, Verna A., ‘Nurturing and Murderous Mothers in Suzan-Lori Parks’s In the Blood and Fucking A’, American Drama, 2007 [Online]. Available: https://literature.proquest.com/searchFullrec.do?id=R03887510&area=abell&forward=critref_fr&DurUrl=Yes
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P. H. Collins, Black feminist thought: knowledge, consciousness, and the politics of empowerment, 2nd ed. New York: Routledge, 2000.
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P. Hill Collins and S. Bilge, Intersectionality. Cambridge: Polity, 2016.
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B. Hooks, Feminist Theory: From Margin to Center, 2nd ed. London: Pluto, 2000 [Online]. Available: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1811030
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S. Daniels, Neaptide. London: Methuen, 1986.
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Neaptide. [Online]. Available: http://www.dramaonlinelibrary.com/plays/neaptide-iid-115851
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N. Rapi, ‘Hide and Seek: the Search for a Lesbian Theatre Aesthetic’, New Theatre Quarterly, vol. 9, no. 34, May 1993, doi: 10.1017/S0266464X00007739.
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E. L. Sisley, ‘Notes on Lesbian Theatre’, The Drama Review: TDR, vol. 25, no. 1, Mar. 1981, doi: 10.2307/1145343.
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Christina Cauterucci, ‘Lesbian No Longer Works for Many Young Queer Women. But Can a Community Exist Without a Name?’, Slate Magazine, 2016 [Online]. Available: http://www.slate.com/blogs/outward/2016/12/20/young_queer_women_don_t_like_lesbian_as_a_name_here_s_why.html?via=gdpr-consent
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‘7 Reasons I Use “Queer” Instead of Lesbian’. [Online]. Available: https://www.bustle.com/articles/170551-7-reasons-i-use-queer-instead-of-lesbian
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C. Bartleet, ‘Sarah Daniels: Feminist Enque(e)ry within the Mainstream’, New Theatre Quarterly, vol. 26, no. 02, pp. 145–160, May 2010, doi: 10.1017/S0266464X1000028X.
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C. Dymkowski, ‘Breaking the rules: The plays of Sarah Daniels’, Contemporary Theatre Review, vol. 5, no. 1–2, pp. 63–75, Jan. 1996, doi: 10.1080/10486809608568382.
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S. Freeman, ‘Gay Sweatshop, Alternative Theatre, and Strategies for New Writing’, New Theatre Quarterly, vol. 30, no. 02, pp. 136–153, May 2014, doi: 10.1017/S0266464X14000256.
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T. Kushner and Royal National Theatre, Angels in America: a gay fantasia on national themes, Pt. 1: Millenium approaches. New York: Theatre Communications Group, 1993.
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‘Tony Kushner’s Angels in America: Histories, Futures, and Queer Lives’. [Online]. Available: http://jadtjournal.org/2014/11/17/tony-kushners-angels-in-america-histories-futures-and-queer-lives/
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T. Kushner, Angels in America: a gay fantasia on national themes, Pt. 2: Perestroika. London: Royal National Theatre, 1994.
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D. Savran, ‘Ambivalence, Utopia, and a Queer Sort of Materialism: How “Angels in America” Reconstructs the Nation’, Theatre Journal, vol. 47, no. 2, May 1995, doi: 10.2307/3208484.
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A. Solomon and F. Minwalla, The queerest art: essays on lesbian and gay theater. New York: New York University Press, 2002.
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‘Angels in America on iTunes’. [Online]. Available: https://itunes.apple.com/gb/tv-season/angels-in-america/id640160306
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K. Elyot, My Night with Reg. [Online]. Available: http://www.dramaonlinelibrary.com/plays/my-night-with-reg-iid-152219
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Bent. [Online]. Available: http://www.dramaonlinelibrary.com/plays/bent-iid-131657
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J. Harvey, Beautiful thing. London: Methuen, 1994.
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E. Fuchs, ‘Staging the Obscene Body’, TDR (1988-), vol. 33, no. 1, Spring 1989, doi: 10.2307/1145943.
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R. Schneider, The explicit body in performance. London: Routledge, 1997.
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Annie Sprinkle, ‘Metamorphosexual Mud Bath’, in Hardcore from the Heart: The Pleasures, Profits and Politics of Creative Sexual Expression - Annie Sprinkle Solo, Continuum International Publishing Group Ltd, 2001, pp. 27–31.
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Annie Sprinkle, ‘Herstory of Porn’, in Hardcore from the Heart: The Pleasures, Profits and Politics of Creative Sexual Expression - Annie Sprinkle Solo, Continuum International Publishing Group Ltd, 2001.
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J. Dolan, ‘The Dynamics of Desire: Sexuality and Gender in Pornography and Performance’, Theatre Journal, vol. 39, no. 2, May 1987, doi: 10.2307/3207686.
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D. Kennedy, The Oxford companion to theatre and performance. Oxford: Oxford University Press, 2010.
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A. Solomon and F. Minwalla, The queerest art: essays on lesbian and gay theater. New York: New York University Press, 2002.
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S. GREER, ‘Queer Exceptions’, Theatre Research International, vol. 40, no. 01, pp. 92–95, Mar. 2015, doi: 10.1017/S0307883314000625.
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Brendan Healy, ‘Seven Reasons Why I Believe We (Still) Need a Queer Theatre’, Canadian Theatre Review, vol. 165, no. 165, pp. 84–86, 2016 [Online]. Available: https://muse.jhu.edu/article/609626
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K. McNicholas Smith, ‘Sexualisation, or the queer feminist provocations of Miley Cyrus’, Feminist Theory, vol. 18, no. 3, pp. 281–298, Dec. 2017, doi: 10.1177/1464700117721880.
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‘Queer women on stage: Representation v. exploitation - Exeunt Magazine’. [Online]. Available: http://exeuntmagazine.com/features/queer-women-stage-representation-v-exploitation/
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F. Attwood, ‘Sexed Up: Theorizing the Sexualization of Culture’, Sexualities, vol. 9, no. 1, pp. 77–94, Feb. 2006, doi: 10.1177/1363460706053336.
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M. Henry, ‘A One-Inch Mound of Flesh: Troubling Queer Identity in’, The Journal of American Culture, vol. 39, no. 1, pp. 64–77, Mar. 2016, doi: 10.1111/jacc.12524.
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J. K. Gardiner, ‘Queering Genre: Alison Bechdel’s Fun Home: A Family Tragicomic and The Essential Dykes to Watch Out For’, Contemporary Women’s Writing, vol. 5, no. 3, pp. 188–207, Nov. 2011, doi: 10.1093/cww/vpr015.
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J. Sandell, ‘Hedwig revisited’, Gender, Place & Culture, vol. 23, no. 7, pp. 1071–1076, Jul. 2016, doi: 10.1080/0966369X.2015.1073700.
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‘Fun Home Script’. [Online]. Available: https://drive.google.com/file/d/0BznEdG6hnlWpR1RtN0R1QXJKWmc/view
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‘Hedwig and the Angry Inch (1999 Script)’. [Online]. Available: http://www.rockymusic.org/showdoc/hedwig-play-script.php
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J. Fisher, ‘We will be citizens’: new essays on gay and lesbian theatre. Jefferson, N.C.: McFarland & Company, 2008.
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J. Fisher, ‘From Tolerance to Liberation: Gay Drama in the Mainstream from “Torch Song Trilogy” and “The Normal Heart” to “Angels in America”, “Love! Valour! Compassion!” and “Take Me Out”’, in ‘We Will Be Citizens’: New Essays on Gay and Lesbian Theatre, Jefferson, N.C.: McFarland & Company, 2008, pp. 7–31.
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P. Menard, ‘The (Fe)Male Gays: Split Britches and the Redressing of Dyke Camp’, in ‘We Will Be Citizens’: New Essays on Gay and Lesbian Theatre, Jefferson, N.C.: McFarland & Company, 2008, pp. 185–193.
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A. Solomon, ‘Great Sparkles of Lust: Homophobia and the Antithetical Tradition’, in The Queerest Art: Essays on Lesbian and Gay Theater, vol. Sexual cultures, New York: New York University Press, 2002, pp. 9–20.
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L. Senelick, ‘The Queer Root of Theater’, in The Queerest Art: Essays on Lesbian and Gay Theater, vol. Sexual cultures, New York: New York University Press, 2002, pp. 21–39.
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B. Roberts, ‘Whatever Happened to Gay Theatre?’, New Theatre Quarterly, vol. 16, no. 02, 2000, doi: 10.1017/S0266464X00013695.
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N. Rapi, ‘Hide and Seek: the Search for a Lesbian Theatre Aesthetic’, New Theatre Quarterly, vol. 9, no. 34, 1993, doi: 10.1017/S0266464X00007739.
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E. L. Sisley, ‘Notes on Lesbian Theatre’, The Drama Review: TDR, vol. 25, no. 1, 1981, doi: 10.2307/1145343.
[103]
T. Kushner, Angels in America: A Gay Fantasia on National Themes, Pt. 1: Millenium Approaches. New York: Theatre Communications Group, 1993.
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T. Kushner, Angels in America: A Gay Fantasia on National Themes, Pt. 2: Perestroika. London: Royal National Theatre, 1994.
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T. Kushner, Slavs! Broadway Play Pub, 1996.
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L. Kramer, The Normal Heart. London: Hern, 1993.
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L. Wilson, Balm in Gilead: And Other Plays. New York: Noonday, 1988.
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J. Brittain, Rotterdam, vol. Methuen modern plays. London: Bloomsbury Methuen Drama, an imprint of Bloomsbury Publishing, 2017.
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L. Kron, Fun Home: Based on the Acclaimed Graphic Novel by Alison Bechdel. Theatre Communications Group, 2015.
