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Brendan Healy. (2016). Seven Reasons Why I Believe We (Still) Need a Queer Theatre. Canadian Theatre Review, 165(165), 84–86. https://muse.jhu.edu/article/609626
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Brittain, J. (2017b). Rotterdam: Vol. Methuen modern plays. Bloomsbury Methuen Drama, an imprint of Bloomsbury Publishing.
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Butler, J. (2006c). Gender Trouble: Feminism and the Subversion of Identity: Vol. Routledge classics. Routledge.
Butler, J. (2006d). Gender Trouble: Feminism and the Subversion of Identity: Vol. Routledge classics (2nd ed) [Electronic book]. Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=710077
Campbell, A. K. (2013). The pride (New edition). Nick Hern Books.
Campbell, A. K. (2015). The Pride. http://dx.doi.org/10.5040/9781784600167.40000004
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Churchill, C. (1989). Cloud Nine. Hern.
Churchill, C. (2013). Cloud 9 (Reprinted with revisions) [Electronic resource]. Nick Hern Books. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1359691
Collins, P. H. (2000). Black feminist thought: knowledge, consciousness, and the politics of empowerment (2nd ed). Routledge.
Connell, R. W. (2002a). Gender. Polity.
Connell, R. W. (2002b). Gender. Polity.
Daniels, S. (1986a). Neaptide. Methuen.
Daniels, S. (1986b). Neaptide. Methuen.
Dolan, J. (1987a). ‘The Dynamics of Desire: Sexuality and Gender in Pornography and Performance’ in Theatre Journal. Theatre Journal, 39(2). https://doi.org/10.2307/3207686
Dolan, J. (1987b). The Dynamics of Desire: Sexuality and Gender in Pornography and Performance. Theatre Journal, 39(2). https://doi.org/10.2307/3207686
Dolan, J. (2010a). Theatre & Sexuality. Palgrave Macmillan.
Dolan, J. (2010b). Theatre & Sexuality: Vol. Theatre&. Palgrave Macmillan.
Dowie, C. (1996a). Why is John Lennon wearing a skirt: and other stand-up theatre plays. Methuen Drama.
Dowie, C. (1996b). Why is John Lennon wearing a skirt: and other stand-up theatre plays. Methuen Drama. http://www.dramaonlinelibrary.com/plays/why-is-john-lennon-wearing-a-skirt-iid-18088
Dymkowski, C. (1996). Breaking the rules: The plays of Sarah Daniels. Contemporary Theatre Review, 5(1–2), 63–75. https://doi.org/10.1080/10486809608568382
Elyot, K. (n.d.). My Night with Reg. https://doi.org/10.5040/9781784600822.00000007
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Elyot, K. (2015). My Night With Reg. http://dx.doi.org/10.5040/9781784600822.00000007
Fisher, J. (2008a). From Tolerance to Liberation: Gay Drama in the Mainstream from ‘Torch Song Trilogy’ and ‘The Normal Heart’ to ‘Angels in America’, ‘Love! Valour! Compassion!’ and ‘Take Me Out’. In ‘We Will Be Citizens’: New Essays on Gay and Lesbian Theatre (pp. 7–31). McFarland & Company.
Fisher, J. (2008b). ‘We will be citizens’: new essays on gay and lesbian theatre. McFarland & Company.
Fisher, J. (2009). ‘We Will Be Citizens’: New Essays on Gay and Lesbian Theatre [Electronic resource]. McFarland & Company. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1594725
Foster, Verna A. (2007). Nurturing and Murderous Mothers in Suzan-Lori Parks’s In the Blood and Fucking A. American Drama. https://literature.proquest.com/searchFullrec.do?id=R03887510&area=abell&forward=critref_fr&DurUrl=Yes
Freeman, S. (2014a). Gay Sweatshop, Alternative Theatre, and Strategies for New Writing. New Theatre Quarterly, 30(02), 136–153. https://doi.org/10.1017/S0266464X14000256
Freeman, S. (2014b). Gay Sweatshop, Alternative Theatre, and Strategies for New Writing. New Theatre Quarterly, 30(02), 136–153. https://doi.org/10.1017/S0266464X14000256
Freeman, S. (2014c). Gay Sweatshop, Alternative Theatre, and Strategies for New Writing. New Theatre Quarterly, 30(02), 136–153. https://doi.org/10.1017/S0266464X14000256
Fuchs, E. (1989a). Staging the Obscene Body. TDR (1988-), 33(1). https://doi.org/10.2307/1145943
Fuchs, E. (1989b). Staging the Obscene Body. TDR, 33(1). https://doi.org/10.2307/1145943
Fun Home Script. (n.d.). https://drive.google.com/file/d/0BznEdG6hnlWpR1RtN0R1QXJKWmc/view
Gale, M. B., & Gardner, V. (2004). Auto/biography and identity: women, theatre and performance. Manchester University Press.
Gardiner, J. K. (2011). Queering Genre: Alison Bechdel’s Fun Home: A Family Tragicomic and The Essential Dykes to Watch Out For. Contemporary Women’s Writing, 5(3), 188–207. https://doi.org/10.1093/cww/vpr015
Gay theatre. (n.d.). Bloomsbury PublishingNick Hern BooksBloomsbury PublishingPlaywrights Canada PressBloomsbury PublishingAurora Metro BooksBloomsbury PublishingAurora Metro BooksFaber and FaberNick Hern Books. http://www.dramaonlinelibrary.com/genres/gay-theatre-iid-2486
Goodman, L., & De Gay, J. (1998a). The Routledge Reader in Gender and Performance. Routledge.
Goodman, L., & De Gay, J. (1998b). The Routledge Reader in Gender and Performance [Electronic book]. Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=169236
Goodman, L., & De Gay, J. (1998c). The Routledge reader in gender and performance. Routledge.
Goodman, L., & De Gay, J. (1998d). The Routledge Reader in Gender and Performance [Electronic book]. Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=169236
GREER, S. (2015). Queer Exceptions. Theatre Research International, 40(01), 92–95. https://doi.org/10.1017/S0307883314000625
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Harvey, J. (1994b). Beautiful Thing. Methuen.
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Jess and Joe Forever. (n.d.). https://doi.org/10.5040/9781350025424.00000002
John Osborne 1929-. (1957). Look back in anger : a play in three acts. Faber and Faber. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2130339410002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,Look%20Back%20in%20Anger%20osborne&sortby=date&facet=frbrgroupid,include,1288097756&offset=0
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Kennedy, D. (2010c). The Oxford Companion to Theatre and Performance. Oxford University Press.
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Kron, L. (2015). Fun Home: Based on the Acclaimed Graphic Novel by Alison Bechdel. Theatre Communications Group.
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Kushner, T. (1994a). Angels in America: a gay fantasia on national themes, Pt. 2: Perestroika. Royal National Theatre.
Kushner, T. (1994b). Angels in America: A Gay Fantasia on National Themes, Pt. 2: Perestroika. Royal National Theatre.
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Rapi, N. (1993b). Hide and Seek: the Search for a Lesbian Theatre Aesthetic. New Theatre Quarterly, 9(34). https://doi.org/10.1017/S0266464X00007739
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Schneider, R. (1997b). The Explicit Body in Performance (1st ed). Taylor and Francis. http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=170366
Schneider, R. (1997c). The explicit body in performance. Routledge.
Schneider, R. (1997d). The Explicit Body in Performance (1st ed). Taylor and Francis. http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=170366
Senelick, L. (2002). The Queer Root of Theater. In The Queerest Art: Essays on Lesbian and Gay Theater: Vol. Sexual cultures (pp. 21–39). New York University Press.
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Sisley, E. L. (1981b). Notes on Lesbian Theatre. The Drama Review: TDR, 25(1). https://doi.org/10.2307/1145343
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Solomon, A., & Minwalla, F. (2002b). The queerest art: essays on lesbian and gay theater. New York University Press.
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Wyllie, A. (2009b). Sex on Stage: Gender and Sexuality in Post-War British Theatre [Electronic book]. Intellect. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=435036
Wyllie, A. (2009c). Sex on stage: gender and sexuality in post-war British theatre. Intellect.
Wyllie, A. (2009d). Sex on Stage: Gender and Sexuality in Post-War British Theatre [Electronic resource]. Intellect. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=435036
Wyllie, A. (2009e). Sex on stage: gender and sexuality in post-war British theatre. Intellect.
Wyllie, A. (2009f). Sex on Stage: Gender and Sexuality in Post-War British Theatre [Electronic resource]. Intellect. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=435036
