Aldrich, Robert, Whatever Happened to Baby Jane?, 1962
Archer, W., ‘Masks and Faces’, in Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words (Crown, 1970), pp. 340–46
Archer, William, Masks or Faces: A Study in the Psychology of Acting (Forgotten Books, 2017)
Attenborough, Richard, Chaplin, 1992 <https://learningonscreen.ac.uk/ondemand/index.php/prog/004EEF69?bcast=113951582>
Bancroft, M., ‘Reality of Emotion’, in Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words (Crown, 1970), pp. 323–323
Barton, John, Playing Shakespeare (Methuen Drama, 2009)
——, Playing Shakespeare (Methuen Drama, 2009)
Benedetti, Jean, Stanislavski and the Actor (Methuen Drama, 1998)
Berger, John, Why Look at Animals? (Penguin, 2009), lxxx
Booth, Michael R., English Melodrama (Jenkins, 1965)
——, ‘Melodramatic Acting’, in English Melodrama (Jenkins, 1965), pp. 190–211
Cole, Toby, and Helen Krich Chinoy, Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words (Crown, 1970)
——, and Helen Krich Chinoy, Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words (Crown, 1970)
Cronenberg, David, Maps to the Stars, 2014
Diderot, Denis, Walter Herries Pollock, and Henry Irving, The Paradox of Acting (Andesite, 2015)
——, Walter Herries Pollock, and Henry Irving, The Paradox of Acting (Andesite, 2015)
Douglas, Christopher, and Nigel Planer, I, An Actor, Rev ed (Methuen, 2001)
During, Simon, Modern Enchantments: The Cultural Power of Secular Magic (Harvard University Press, 2002)
——, Modern Enchantments: The Cultural Power of Secular Magic (Harvard University Press, 2002) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3300571>
——, Modern Enchantments: The Cultural Power of Secular Magic (Harvard University Press, 2002)
——, Modern Enchantments: The Cultural Power of Secular Magic (Harvard University Press, 2002) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3300571>
Garrick, D., ‘An Essay on Acting’, in Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words (Crown, 1970), pp. 133–36
Goffman, Erving, The Presentation of Self in Everyday Life (Penguin, 1990)
——, The Presentation of Self in Everyday Life (Penguin, 1990)
‘Her Tears Were Sincere: Kate McCann and the Paradox of Mourning’, Contemporary Theatre Review, 18.2 (2008), pp. 269–86, doi:10.1080/10486800802067228
——, Contemporary Theatre Review, 18.2 (2008), pp. 269–86, doi:10.1080/10486800802067228
Hess, Amanda, ‘Are Animals Getting Better at Acting? - The New York Times’, 2019 <https://www.nytimes.com/2019/01/02/movies/animals-acting-movies-tv.html>
Hussey, S. S., The Literary Language of Shakespeare, 2nd Edition (Longman, 1992)
——, The Literary Language of Shakespeare, 2nd Edition (Longman, 1992)
Kean, E., ‘Feeling Without Rhetoric’, in Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words (Crown, 1970), pp. 299–299
Kendal, M., ‘Should We Shed Real Tears?’, in Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words (Crown, 1970), pp. 337–337
Mitter, Shomit, Systems of Rehearsal: Stanislavsky, Brecht, Grotowski and Brook (Routledge, 1992)
——, Systems of Rehearsal: Stanislavsky, Brecht, Grotowski and Brook (Routledge, 1992)
——, Systems of Rehearsal: Stanislavsky, Brecht, Grotowski and Brook (Routledge, 1992) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=165711>
——, Systems of Rehearsal: Stanislavsky, Brecht, Grotowski, and Brook (Taylor and Francis, 2012)
Pollack, Sydney, Tootsie, 1982 <https://learningonscreen.ac.uk/ondemand/index.php/prog/0002F764?bcast=70518712>
Powell, Michael, and Emeric Pressburger, The Red Shoes, 1948 <https://learningonscreen.ac.uk/ondemand/index.php/prog/010F42F7?bcast=125798958>
Richardson, Tony, The Entertainer, 1960 <https://learningonscreen.ac.uk/ondemand/index.php/prog/013B4A7C?bcast=40202753>
Ridout, Nicolas, ‘The Animal on Stage’, in Stage Fright, Animals, and Other Theatrical Problems (Cambridge University Press, 2006), pp. 96–128
Roach, J., ‘Diderot’, in The Player’s Passion: Studies in the Science of Acting (University of Michigan Press, 1993), pp. 116–59
Roach, Joseph R., The Player’s Passion: Studies in the Science of Acting (University of Michigan Press, 1993)
——, The Player’s Passion: Studies in the Science of Acting (University of Michigan Press, 1993)
Siddons, S., ‘On the Character of Lady Macbeth’, in Actors on Acting: The Theories, Techniques, and Practices of the World’s Great Actors, Told in Their Own Words (Crown, 1970), pp. 142–142
Stanislavsky, K. S., An Actor Prepares (Methuen Drama, 1980)
Stanislavsky, K. S, An Actor Prepares (Methuen Drama, 1980)
Stanislavsky, K. S., An Actor Prepares (Routledge, 2003) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=668654>
Stanislavsky, K. S, An Actor Prepares (Routledge, 2003) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=668654>
Weir, Peter, The Truman Show, Paramount, 2007
——, The Truman Show, Kanopy Streaming, 2015 <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS5166456900002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_ALL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab1&query=any,contains,The%20Truman%20Show&sortby=date&facet=frbrgroupid,include,750118470&offset=0>
West, Shearer, The Image of the Actor: Verbal and Visual Representation in the Age of Garrick and Kemble (Pinter, 1991)
——, The Image of the Actor: Verbal and Visual Representation in the Age of Garrick and Kemble (Pinter, 1991)
Wilder, Billy, Sunset Boulevard, 1950 <https://learningonscreen.ac.uk/ondemand/index.php/prog/0000F7F8?bcast=94110708>
Yates, Peter, The Dresser, 1982
