Adam, Ken, and Christopher Frayling, Ken Adam Designs the Movies: James Bond and Beyond (London: Thames & Hudson, 2008)
Adler, Tim, The Producers: Money, Movies and Who Really Calls the Shots (London: Methuen, 2004)
Alberstat, Philip, The Insider’s Guide to Film Finance (Amsterdam: Focal, 2004)
———, The Insider’s Guide to Film Finance (Amsterdam: Focal Press, 2004) <https://www.proquest.com/legacydocview/EBC/226844?accountid=11455>
Altman, Robert, and David Thompson, Altman on Altman (London: Faber and Faber, 2006)
———, Altman on Altman (London: Faber and Faber, 2006)
Anderson, Gary H., Video Editing and Post-Production: A Professional Guide (Knowledge Industry Publications Inc, 1984)
Arijon, Daniel, Grammar of the Film Language (Los Angeles: Silman-James, 1976)
Aronson, Linda, Screenwriting Updated: New (And Conventional) Ways of Writing for the Screen, 1st Silman-James Edition (Los Angeles, California: Silman-James Press, 2001)
Arundale, Scott, and Tashi Trieu, Modern Post: Postproduction Workflows and Techniques for Digital Filmmakers (Burlington, MA: Focal Press, 2014)
———, Modern Post: Postproduction Workflows and Techniques for Digital Filmmakers (Burlington, MA: Focal Press, 2014) <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1757878>
Ascher, Steven, and Edward Pincus, The Filmmaker’s Handbook: A Comprehensive Guide for the Digital Age, 3rd Edition (New York: Plume, 2007)
Atchity, Kenneth John, and Chi-Li Wong, Writing Treatments That Sell: How to Create and Market Your Story Ideas to the Motion Picture and TV Industry, 2nd Edition (New York: Henry Holt, 2003)
Aumont, J., Montage Eisenstein (London: BFI Publishing, 1987)
Bach, Steven, Final Cut: Dreams and Disaster in the Making of Heaven’s Gate, Revised Edition (London: Pimlico, 1996)
———, Final Cut: Dreams and Disaster in the Making of Heaven’s Gate, Revised Edition (London: Pimlico, 1996)
Badal, Sharon, Swimming Upstream: A Lifesaving Guide to Short Film Distribution (Amsterdam: Focal Press, 2008)
Bainbridge, David I., Intellectual Property, 9th Edition (Harlow: Pearson, 2012)
———, Intellectual Property, 9th Edition (Harlow: Pearson, 2012) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5137221>
Baker, Rhonda, Media Law: A User’s Guide for Film and Programme Makers (London: Routledge, 1997)
———, Media Law: A User’s Guide for Film and Programme Makers (London: Routledge, 1997) <https://ebookcentral-proquest-com.royalholloway.idm.oclc.org/lib/rhul/detail.action?docID=1520914>
Barnwell, Jane, Production Design: Architects of the Screen (London: Wallflower, 2004), Short cuts
Baumgarten, Paul A., Donald C. Farber, and Mark Fleischer, Producing, Financing and Distributing Film, 2nd ed (New York: Limelight Editions, 1992)
Bazin, André, What Is Cinema?: Vol. I, New ed (Berkeley: University of California Press, 2005)
———, What Is Cinema?: Vol. I, New ed (Berkeley: University of California Press, 2005)
Benedetti, Robert, Creative Postproduction: Editing, Sound, Visual Effects, and Music for Film and Video (Boston; London: Pearson, 2003)
Berg, A. Scott, Goldwyn: A Biography (London: Simon & Schuster, 2013)
Berger, John, Ways of Seeing (London: Penguin, 2008)
Bernstein, Steven, Film Production, 2nd Edition (Oxford: Focal, 1994)
Bignell, Jonathan, Jeremy Orlebar, and Patricia Holland, The Television Handbook, 3rd ed (London: Routledge, 2005)
———, The Television Handbook (London: Routledge, 2005)
Biskind, Peter, Easy Riders, Raging Bulls: How the Sex-Drugs-and Rock ‘N’ Roll Generation Changed Hollywood (Bloomsbury, 1998)
———, Easy Riders, Raging Bulls: How the Sex-Drugs-and Rock ‘N’ Roll Generation Changed Hollywood (Bloomsbury, 1998)
Block, Bruce, The Visual Story: Creating the Visual Structure of Film, TV and Digital Media, 2nd Edition (Oxford: Focal, 2008)
Boal, Augusto, Theatre of the Oppressed, New ed (London: Pluto Press, 2008)
Boal, Augusto, Maria-Odilia Leal-McBride, Charles A. Leal McBride, and Emily Fryer, Theatre of the Oppressed (London: Pluto Press, 2008), Get political <http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=200610>
Bolter, J. David, and Richard Grusin, Remediation: Understanding New Media (Cambridge, Mass: MIT, 1999)
Bondanella, Peter E., The Films of Federico Fellini (Cambridge, UK: Cambridge University Press, 2002) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=217860>
———, The Films of Federico Fellini (New York: Cambridge University Press, 2002) <https://www.proquest.com/docview/2131811065/$N?accountid=11455>
Boozer, Jack, Authorship in Film Adaptation, 1st Edition (Austin: University of Texas Press, 2008)
Bordwell, David, Film Art: An Introduction, Eleventh edition (New York, NY: McGraw-Hill Education, 2017) <https://www-vlebooks-com.ezproxy01.rhul.ac.uk/Vleweb/Product/Index/1993344?page=0>
———, The Cinema of Eisenstein (Cambridge, Mass: Harvard University Press, 1993)
———, The Classical Hollywood Cinema: Film Style & Mode of Production to 1960 (London: Routledge & Kegan Paul, 1985)
———, The Classical Hollywood Cinema: Film Style & Mode of Production to 1960 (London: Routledge, 1988) <http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=5910>
Bordwell, David, Janet Staiger, and Kristin Thompson, The Classical Hollywood Cinema: Film Style & Mode of Production to 1960 (London: Routledge & Kegan Paul, 1985)
Bordwell, David, Kristin Thompson, and Jeff Smith, Film Art: An Introduction, 11th Edition (New York, NY: McGraw-Hill Education, 2017)
Bordwell, David, Kristin Thompson, and Janet Staiger, The Classical Hollywood Cinema: Film Style & Mode of Production to 1960 (London: Routledge, 1988) <http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=5910>
Braudy, Leo, and Marshall Cohen, Film Theory and Criticism: Introductory Readings, 7th ed (New York: Oxford University Press, 2009)
Brook, Peter, The Empty Space, 1st Touchstone ed (New York: Simon & Schuster, 1996)
Broughton, Irv, Producers on Producing: The Making of Film and Television (Jefferson, N.C: McFarland, 1986)
Browne, Steven E., High Definition Postproduction: Editing and Delivering HD Video (Amsterdam: Focal, 2007)
———, High Definition Postproduction: Editing and Delivering HD Video (Amsterdam: Focal, 2007) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=287936>
Bruzzi, Stella, Undressing Cinema: Clothing and Identity in the Movies (London: Routledge, 1997)
———, Undressing Cinema: Clothing and Identity in the Movies (London: Routledge, 1997) <https://www.taylorfrancis.com/books/9780203132203>
Burch, Noël, and Helen R. Lane, Theory of Film Practice (London: Secker and Warburg, 1973)
Burch, Noël, and Annette Michelson, To the Distant Observer: Form and Meaning in the Japanese Cinema (London: Scolar, 1979)
Burder, John, Technique of Editing 16mm Film, The (Library of Communication Techniques) (Focal P., 1988)
Burstein, Nanette, and Brett Morgen, ‘The Kid Stays in the Picture’ (Momentum Pictures, 2003)
———, ‘The Kid Stays in the Picture’ (Momentum Pictures, 2003)
Cardullo, Bert, Playing to the Camera: Film Actors Discuss Their Craft (New Haven: Yale University Press, 1998)
Carney, Raymond, The Films of John Cassavetes: Pragmatism, Modernism, and the Movies (Cambridge: Cambridge University Press, 1994), Cambridge film classics
Carrière, Jean-Claude, The Secret Language of Film (New York: Pantheon Books, 1994)
Carringer, Robert L, The Making of Citizen Kane, Revised and Updated Edition (London: University of California Press, 1996)
———, The Making of Citizen Kane, Revised and Updated Edition (London: University of California Press, 1996)
Chandler, Gael, Cut by Cut: Editing Your Film or Video, 2nd Edition (Studio City, California: Michael Wiese, 2012)
———, Film Editing: Great Cuts Every Filmmaker and Movie Lover Must Know (Studio City, California: Michael Wiese, 2009)
Christie, Ian, The Art of Film: John Box and Production Design (London: Wallflower, 2009)
Christie, Ian, and Richard Taylor, Eisenstein Rediscovered (London: Routledge, 1993)
———, Eisenstein Rediscovered (London: Routledge, 1993) <http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=14161>
Ciecko, Anne Tereska, Contemporary Asian Cinema: Popular Culture in a Global Frame, English ed (Oxford: Berg, 2006)
Clapperton, Guy, This Is Social Media: How to Tweet, Post, Link and Blog Your Way to Business Success (Mankato, Minn: Capstone, 2009)
———, This Is Social Media: How to Tweet, Post, Link and Blog Your Way to Business Success (Chichester, U.K.: Capstone, 2009) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=589202>
Clark, Barbara, and Susan J. Spohr, Guide to Postproduction for TV and Film: Managing the Process, 2nd Edition (Amsterdam: Focal Press, 2002)
———, Guide to Postproduction for TV and Film: Managing the Process (Amsterdam: Focal Press, 2002) <https://www.proquest.com/legacydocview/EBC/294708?accountid=11455>
Clark, Barbara, and Susan J Spohr, Guide to Postproduction for TV and Film: Managing the Process, 2nd ed (Amsterdam: Focal Press, 2002)
Clark, Barbara, and Susan J. Spohr, Guide to Postproduction for TV and Film: Managing the Process (Amsterdam: Focal Press, 2002) <http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=100579>
Cleve, Bastian, Film Production Management, 3rd Edition (Amsterdam: Focal, 2006)
———, Film Production Management, 3rd Edition (Hoboken: Taylor and Francis, 2012) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=255231>
———, Film Production Management, 3rd Edition (Amsterdam: Focal, 2006)
———, Film Production Management, 3rd Edition (Hoboken: Taylor and Francis, 2012) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=255231>
Coleman, Lori Jane, and Diana Friedberg, Make the Cut: A Guide to Becoming a Successful Assistant Editor in Film and TV (Amsterdam: Focal, 2010)
———, Make the Cut: A Guide to Becoming a Successful Assistant Editor in Film and TV (Amsterdam: Focal, 2010) <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=566645>
Compesi, Ronald J., Video Field Production and Editing, 7th Edition (New York: Focal Press, 2017)
———, Video Field Production and Editing, 7th Edition (Boston, MA: Pearson Allyn and Bacon, 2007) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4186105>
Cones, John W., 43 Ways to Finance Your Feature Film: A Comprehensive Analysis of Film Finance, 3rd Edition (Carbondale: Southern Illinois University Press, 2008)
———, 43 Ways to Finance Your Feature Film: A Comprehensive Analysis of Film Finance, 3rd Edition (Carbondale: Southern Illinois University Press, 2008) <http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1365221>
Cooper, Darius, The Cinema of Satyajit Ray: Between Tradition and Modernity (New York: Cambridge University Press, 2000), Cambridge studies in film
Cowgill, Linda J., Writing Short Films: Structure and Content for Screenwriters, 2nd Edition (Los Angeles: Lone Eagle Pub, 2005)
———, Writing Short Films: Structure and Content for Screenwriters, 2nd Edition (Los Angeles: Lone Eagle Pub, 2005)
Crary, Jonathan, Techniques of the Observer: On Vision and Modernity in the Nineteenth Century (Cambridge, Mass: MIT Press, 1990)
Crittenden, Roger, Film and Video Editing, 2nd Edition (London: Blueprint, 1995) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=181680>
———, Fine Cuts: The Art of European Film Editing (Oxford: Focal, 2006)
———, Fine Cuts: The Art of European Film Editing (Oxford: Focal, 2006) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=269878>
Culhane, Shamus, Animation: From Script to Screen (London: Columbus, 1989)
Dancyger, Ken, The Technique of Film and Video Editing: History, Theory, and Practice, 5th Edition (Amsterdam: Focal, 2011)
Davies, Adam P., Nic Wistreich, James MacGregor, Catharine Allen, Hiu Wan Au-Yeung, Stephen Applebaum, and others, The Film Finance Handbook: How to Fund Your Film (London: Netribution)
‘Deadline | Hollywood Entertainment Breaking News’ <http://deadline.com/>
Deleuze, Gilles, Cinema 1: The Movement-Image (London: Athlone, 1992)
———, Cinema 1: The Movement-Image (London: Continuum, 2005) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=742682>
———, Cinema 2: The Time-Image (London: Athlone, 1989)
Deppman, Hsiu-Chuang, Adapted for the Screen: The Cultural Politics of Modern Chinese Fiction & Film (Honolulu: University of Hawaiʻi Press, 2010)
Dmytryk, Edward, On Film Editing: An Introduction to the Art of Film Construction (Boston: Focal Press, 1984) <https://librarysearch.royalholloway.ac.uk/permalink/f/c63g94/44ROY_ALMA_DS5188346440002671>
Douin, Jean-Luc, Jean-Luc Godard, édition augmentée (Paris: Rivages, 1994)
Durie, John, Annika Pham, and Neil Watson, Marketing and Selling Your Film Around the World: Guide for Independent Filmmakers, 1st ed (Los Angeles: Silman-James Press, 2000)
Eberts, Jake, and Terry Ilott, My Indecision Is Final: The Rise and Fall of Goldcrest Films (London: Faber, 1990)
———, My Indecision Is Final: The Rise and Fall of Goldcrest Films (London: Faber, 1990)
———, My Indecision Is Final: The Rise and Fall of Goldcrest Films (London: Faber, 1990)
Egri, Lajos, The Art of Dramatic Writing (Touchstone, 1972) <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=5658397>
———, The Art of Dramatic Writing (Touchstone, 1972) <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=5658397>
———, The Art of Dramatic Writing: Its Basis in the Creative Interpretation of Human Motives, 1st Touchstone Edition (New York: Simon & Schuster, 2004)
———, The Art of Dramatic Writing: Its Basis in the Creative Interpretation of Human Motives, 1st Touchstone Edition (New York: Simon & Schuster, 2004)
Eisenstein, Sergei, The Eisenstein Reader (B.F.I., 1998)
Eisenstein, Sergei, and Jay Leyda, Film Form: Essays in Film Theory (San Diego, [Calif.]: Harvest, 1977)
———, The Film Sense, [Rev. ed.] (New York: Harcourt Brace Jovanovich, 1975)
Eisenstein, Sergei, and Richard Taylor, Selected Works: Vol. 1 (London: BFI, 1988)
———, Selected Works: Vol. 2: Towards a Theory of Montage / Edited by Michael Glenny and Richard Taylor (London: BFI, 1991)
———, Selected Works: Vol. 3: Writings, 1934-47 (London: BFI, 1996)
Elsässer, T., and Adam Barker, Early Cinema: Space, Frame, Narrative (London: BFI, 1990)
Erickson, Gunnar, Harris Tulchin, and Mark E. Halloran, The Independent Film Producer’s Survival Guide: A Business and Legal Sourcebook, 2nd Edition (New York: Schirmer Trade Books, 2005)
Ettedgui, Peter, Production Design & Art Direction (Hove: RotoVision, 1999), Screencraft
Evans, Robert, The Kid Stays in the Picture (London: Faber, 2004)
———, The Kid Stays in the Picture (London: Faber, 2004)
Fairservice, Don, Film Editing: History, Theory, and Practice - Looking at the Invisible (Manchester: Manchester University Press, 2001)
Field, Syd, The Screenwriter’s Workbook (New York: Dell, 1984)
Finney, Angus, The International Film Business: A Market Guide Beyond Hollywood (London: Routledge, 2010) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=515374>
———, The International Film Business: A Market Guide Beyond Hollywood (London: Routledge, 2010) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=515374>
Finney, Angus, and Eugenio Triana, The International Film Business: A Market Guide Beyond Hollywood, 2nd Edition (London: Routledge, 2015)
———, The International Film Business: A Market Guide Beyond Hollywood, 2nd Edition (London: Routledge, 2015)
Fowler, Jaime, Editing Digital Film: Integrating Final Cut Pro, Avid, and Media 100 (Boston: Focal Press, 2001) <https://librarysearch.royalholloway.ac.uk/permalink/f/1cm8pdv/TN_cdi_proquest_ebookcentral_EBC1074611>
Gates, Richard, Production Management for Film and Video, 3rd ed (Oxford: Focal, 1999)
Giorgianni, Edward J., and Thomas E. Madden, Digital Color Management: Encoding Solutions, 2nd ed (Chichester: Wiley, 2008) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=406492>
Goldman, William, Adventures in the Screen Trade: A Personal View of Hollywood and Screenwriting (London New York: Grand Central Publishing, 1984)
———, Adventures in the Screen Trade: A Personal View of Hollywood and Screenwriting (London New York: Grand Central Publishing, 1984)
———, Which Lie Did I Tell?: More Adventures in the Screen Trade (London: Bloomsbury, 2000)
———, Which Lie Did I Tell?: More Adventures in the Screen Trade (London: Bloomsbury, 2000)
Goodell, Gregory, Independent Feature Film Production: A Complete Guide From Concept Through Distribution, Rev. ed (New York: St. Martin’s Griffin, 1998)
Gopalan, Lalitha, The Cinema of India (24 Frames) (Columbia University Press, 2010)
Gore, Chris, The Ultimate Film Festival Survival Guide, 3rd ed (Hollywood, CA: Lone Eagle Pub, 2004)
Grant, Barry Keith, Auteurs and Authorship: A Film Reader (Malden, Mass: Blackwell, 2008)
Gripsrud, Jostein, Understanding Media Culture (London: Arnold, 2002)
Grotowski, Jerzy, and Eugenio Barba, Towards a Poor Theatre, 1st Routledge ed (New York: Routledge, 2002) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1075038>
Grove, Elliot, Raindance Producers’ Lab: Lo-to-No Budget Filmmaking (Oxford: Focal, 2013)
———, Raindance Producers’ Lab: Lo-to-No Budget Filmmaking, 2nd Edition (New York: Focal Press, 2014) <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1546810>
Halligan, Brian, and Dharmesh Shah, Inbound Marketing: Get Found Using Google, Social Media, and Blogs (Hoboken, N.J.: Wiley, 2010), The new rules of social media series
Halperin, Michael, Writing the Killer Treatment: Selling Your Story Without a Script (Studio City, Calif: Michael Wiese, 2002)
Hanson, Matt, The End of Celluloid: Film Futures in the Digital Age (RotoVision, 2014)
Harmon, Renee, and Jim Lawrence, The Beginning Filmmaker’s Guide to a Successful First Film (New York: Walker and Co, 1997)
Harrison, Stephanie, Adaptations: From Short Story to Big Screen : 35 Great Stories That Have Inspired Great Films (New York: Three Rivers Press, 2005)
———, Adaptations: From Short Story to Big Screen : 35 Great Stories That Have Inspired Great Films (New York: Three Rivers Press, 2005)
Hollyn, Norman, The Film Editing Room Handbook: How to Tame the Chaos of the Editing Room (Peachpit Press, 2009) <https://librarysearch.royalholloway.ac.uk/permalink/f/1ivluo0/44ROY_ALMA_DS2147962090002671>
Hullfish, Steve, The Art and Technique of Digital Color Correction, 2nd Edition (Amsterdam: Focal, 2012)
Indick, William, Psychology for Screenwriters: Building Conflict in Your Script (Studio City, Ca: Michael Wiese Productions, 2004)
Irving, David K., and Peter W. Rea, Producing and Directing the Short Film and Video, 4th Edition (Hoboken: Taylor and Francis, 2013) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=535000>
———, Producing and Directing the Short Film and Video, 4th Edition (Hoboken: Taylor and Francis, 2013) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=535000>
Izod, John, Screen, Culture, Psyche: A Post-Jungian Approach to Working With the Audience (London: Routledge, 2006)
———, Screen, Culture, Psyche: A Post-Jungian Approach to Working With the Audience (London, [England]: Routledge, 2016) <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=4391195>
James, Jack, Digital Intermediates for Film and Video (New York: Focal Press, 2016)
———, Fix It in Post: Solutions for Post Production Problems (Amsterdam: Focal, 2009)
———, Fix It in Post: Solutions for Post Production Problems (Amsterdam: Focal, 2009) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=421181>
Johnstone, Keith, Impro for Storytellers: Theatresports and the Art of Making Things Happen (London: Faber, 1999)
Jones, Chris, and Geneviere Jolliffe, The Guerilla Film Makers Handbook, 3rd Edition (New York: Continuum, 2006), Guerilla guides
Keating, Patrick, Hollywood Lighting From the Silent Era to Film Noir (New York: Columbia University Press, 2010), Film and Culture
Kellison, Cathrine, Dustin Morrow, and Kacey Morrow, Producing for TV and New Media, 3rd Edition (New York: Focal Press, 2015)
Kennel, Glenn, Color and Mastering for Digital Cinema (Amsterdam: Focal, 2006)
Kerner, Marvin, The Art of the Sound Effects Editor (Focal Press, 1989)
Kerrigan, Finola, Film Marketing, 1st Edition (Amsterdam: Elsevier/Butterworth-Heinemann, 2010)
———, Film Marketing (Amsterdam: Butterworth-Heinemann, 2010) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=472907>
———, Film Marketing, 1st Edition (Amsterdam: Elsevier/Butterworth-Heinemann, 2010)
———, Film Marketing (Amsterdam: Butterworth-Heinemann, 2010) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=472907>
Kerrigan, Finola, Mustafa Ozbilgin, and Peter Fraser, Arts Marketing (Oxford: Elsevier Butterworth-Heinemann, 2004)
———, Arts Marketing (Oxford: Elsevier Butterworth-Heinemann, 2004) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=288907>
Kezich, Tullio, and Alessandra Levantesi, Dino: The Life and Films of Dino De Laurentiis, 1st Edition (New York: Miramax Books/Hyperion, 2004)
King, Viki, How to Write a Movie in 21 Days: The Inner Movie Method (Harper, 1988)
Koster, Robert, The On Production Budget Book (Boston: Focal, 1997), Variety’s on production series
Krevolin, Richard W., Screenwriting From the Soul: Letters to an Aspiring Screenwriter, 1st Edition (Los Angeles: Renaissance Books, 1998)
Landis, Deborah Nadoolman, Dressed: A Century of Hollywood Costume Design (New York: Collins, 2007)
Langer, Adam, The Film Festival Guide: For Filmmakers, Film Buffs, and Industry Professionals, Rev. ed (Chicago: Chicago Review Press, 2000)
LaValley, Albert J., Eisenstein at 100: A Reconsideration (Rutgers University Press, 2001)
Lee, John J., The Producer’s Business Handbook (Boston: Focal, 2000)
Lee, John J., and Anne Marie Gillen, The Producer’s Business Handbook (Amesterdam: Focal, 2011) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=622182>
Levin, C. Melinda, Post: The Theory and Technique of Digital Nonlinear Motion Picture Editing (Pearson, 2002)
Levison, Louise, Filmmakers and Financing: Business Plans for Independents, 5th Edition (Amsterdam: Focal Press, 2007)
———, Filmmakers and Financing: Business Plans for Independents (Amsterdam: Focal Press, 2016) <https://www.proquest.com/legacydocview/EBC/4748582?accountid=11455>
Linson, Art, A Pound of Flesh: Perilous Tales of How to Produce Movies in Hollywood (New York: Grove Press, 1993)
LoBrutto, Vincent, Selected Takes: Film Editors on Editing (New York: Praeger, 1991)
Lowenstein, Stephen, My First Movie (London: Faber and Faber, 2000)
Lukk, Tiiu, Movie Marketing: Opening the Picture and Giving It Legs (Los Angeles: Silman-James Press, 1997)
Lustig, Milton, Music Editing for Motion Pictures (Communication Arts Books, 1980)
Mamet, David, On Directing Film (London: Penguin, 1992)
———, On Directing Film (London: Penguin, 1992)
Manovich, Lev, The Language of New Media (Cambridge, Mass: MIT Press, 2001)
———, The Language of New Media, 1st MIT Press Paperback Edition (Cambridge, Mass: MIT Press, 2002) <http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=138702>
McAlister, Michael J., The Language of Visual Effects (Lone Eagle Publishing Co, 1993)
McGrath, Declan, Editing & Post-Production (Boston: Focal Press, 2001)
McKee, Robert, Story: Substance, Structure, Style, and the Principles of Screenwriting (London: Methuen, 1999)
Miller, Pat P., Script Supervising and Film Continuity, 3rd Edition (Oxford: Focal, 1999)
———, Script Supervising and Film Continuity, 3rd Edition (Boston: Focal Press, 1999) <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1366569>
———, Script Supervising and Film Continuity, 3rd Edition (Oxford: Focal, 1999)
———, Script Supervising and Film Continuity, 3rd Edition (Boston: Focal Press, 1999) <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1366569>
Miller, Philip, Media Law for Producers, 3rd Edition (Boston: Focal Press, 1998)
Millerson, Gerald, Lighting for Television and Film, 3rd Edition (London: Focal, 1991), The library of communication techniques
Millerson, Gerald, and Jim Owens, Television Production, 14th Edition (Amsterdam: Focal, 2009)
Mottram, James, The Sundance Kids: How the Mavericks Took Back Hollywood (New York: Faber and Faber, 2006)
———, The Sundance Kids: How the Mavericks Took Back Hollywood (New York: Faber and Faber, 2006)
Movshovitz, Howie, Mike Leigh, Interviews (Jackson, Miss: University Press of Mississippi, 2000), Conversations with filmmakers
Mulvey, Laura, ‘Visual Pleasure and Narrative Cinema’, in Issues in Feminist Film Criticism (Bloomington: Indiana University Press, 1990)
Murch, Walter, In the Blink of an Eye: A Perspective on Film Editing, 2nd Edition (Los Angeles: Silman-James, 2001)
Newton, Dale, and John Gaspard, Digital Filmmaking 101 (Studio City, Calif: Michael Wiese, 2001)
Nizhnii, V, Lessons with Eisenstein, 1st paperback ed (New York: Da Capo Press, 1979)
Obst, Lynda Rosen, Hello, He Lied: And Other Truths From the Hollywood Trenches (New York: Broadway Books, 1997)
———, Hello, He Lied: And Other Truths From the Hollywood Trenches (New York: Broadway Books, 1997)
Ohanian, Thomas A., Digital Nonlinear Editing: New Approaches to Editing Film and Video (Boston: Focal, 1993)
Oldham, Gabriella, First Cut 2: More Conversations With Film Editors (London: University of California Press, 2012)
———, First Cut: Conversations with Film Editors (Los Angeles: University of California Press, 1992)
Ondaatje, Michael, The Conversations: Walter Murch and the Art of Editing Film (London: Bloomsbury, 2002)
———, The Conversations: Walter Murch and the Art of Editing Film (London: Bloomsbury, 2002)
———, The Conversations: Walter Murch and the Art of Editing Film (London: Bloomsbury, 2002)
Orlebar, Jeremy, Digital Television Production: A Handbook (London: Arnold, 2002)
———, The Practical Media Dictionary (London: Arnold, 2003)
Orwell, George, Why I Write (London: Penguin, 2004), xx
Parks, Stacey, The Insider’s Guide to Independent Film Distribution, 2nd Edition (Amsterdam: Elsevier/Focal Press, 2012)
———, The Insider’s Guide to Independent Film Distribution, 2nd Edition (Hoboken: Taylor and Francis, 2012) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=850699>
———, The Insider’s Guide to Independent Film Distribution, 2nd Edition (Amsterdam: Elsevier/Focal Press, 2012)
———, The Insider’s Guide to Independent Film Distribution, 2nd Edition (Hoboken: Taylor and Francis, 2012) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=850699>
Patz, Deborah S., Film Production Management 101: Management and Coordination in a Digital Age, 2nd Edition (Studio City, CA: Michael Wiese Productions, 2010)
Pearlman, Karen, Cutting Rhythms: Shaping the Film Edit (Amsterdam: Focal, 2009)
———, Cutting Rhythms: Shaping the Film Edit (Amsterdam: Focal, 2009) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=421208>
Phillips, Julia, You’ll Never Eat Lunch in This Town Again (London: Mandarin, 1992)
———, You’ll Never Eat Lunch in This Town Again (London: Mandarin, 1992)
Pierson, John, Spike, Mike, Slackers & Dykes: A Guided Tour Across a Decade of American Independent Cinema (London: Faber, 1996)
———, Spike, Mike, Slackers & Dykes: A Guided Tour Across a Decade of American Independent Cinema (London: Faber, 1996)
Priggé, Steven, Movie Moguls Speak: Interviews With Top Film Producers (Jefferson, N.C.: McFarland & Co, 2004)
———, Movie Moguls Speak: Interviews With Top Film Producers (Jefferson, N.C.: McFarland & Co, 2004)
Pudovkin, V.I., Film Technique and Film Acting (Philadelphia, PA: Richard West, 1975)
Purcell, John, Dialogue Editing for Motion Pictures: A Guide to the Invisible Art (Amsterdam: Focal, 2007)
———, Dialogue Editing for Motion Pictures: A Guide to the Invisible Art (Amsterdam: Focal, 2007) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=297078>
Pye, Michael, and Lynda Myles, The Movie Brats: How the Film Generation Took Over Hollywood (London: Faber and Faber, 1979)
———, The Movie Brats: How the Film Generation Took Over Hollywood (London: Faber and Faber, 1979)
Quandt, James, Apichatpong Weerasethakul (Wien: SYNEMA - Gesellschaft fr Film und Medien, 2009), FilmmuseumSynemaPublikationen
Rabiger, Michael, Developing Story Ideas (Oxford: Focal, 1998)
Ratcliff, J. D., Timecode: A User’s Guide, 3rd ed (Boston: Focal Press, 1999)
———, Timecode: A User’s Guide, 3rd ed (Boston: Focal Press, 1999) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4185736>
Rea, Peter W., and David K. Irving, Producing and Directing the Short Film and Video, 5th Edition (New York: Focal Press, 2015)
———, Producing and Directing the Short Film and Video, 5th Edition (New York: Focal Press, 2015)
Reiss, Jon, Think Outside the Box Office: The Ultimate Guide to Film Distribution in the Digital Era (Denver, Colo: Hybrid Cinema, 2010)
Reisz, Karel, and Gavin Millar, The Technique of Film Editing, 2nd Edition (Oxford: Focal Press, 1999)
Reza, Reza Sadr, Iranian Cinema: A Political History (London: I.B.Tauris, 2006) <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=677023>
Rizzo, Michael, The Art Direction Handbook for Film & Television, 2nd Edition (New York: Focal Press, 2015)
———, The Art Direction Handbook for Film & Television, 2nd Edition (Burlington, MA: Focal Press, 2015) <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1734170>
Rose, Jay, and Jay Rose, Audio Postproduction for Film and Video, 2nd Edition (Amsterdam: Focal, 2009)
Rosenblum, Ralph, and Robert Karen, When the Shooting Stops, the Cutting Begins: A Film Editor’s Story (New York: Da Capo, 1986)
Rotcop, Ken, The Perfect Pitch: How to Sell Yourself and Your Movie Idea to Hollywood, 2nd Edition (Studio City, CA: Michael Wiese Productions, 2009)
Rowlands, Avril, Continuity in Film and Video: A Handbook for Directors, Script Supervisors and PAs (Focal Press, 1989)
Rowse, Darren, and Chris Garrett, Problogger: Secrets for Blogging Your Way to a Six-Figure Income, 2nd ed (Indianapolis, IN: Wiley)
Rubin, Michael, and Ron Diamond, Nonlinear: A Field Guide to Digital Video and Film Editing, 4th ed (Gainesville, Fla: Triad, 2000)
Russo, John, Making Movies: The Inside Guide to Independent Movie Production (New York, N.Y.: Dell, 1989)
Ryan, Maureen A., Producer to Producer: A Step-by-Step Guide to Low-Budget Independent Film Producing (Studio City, CA: Michael Wiese Productions, 2010)
Ryan, Roderick T., History of Motion Picture Colour Technology (Focal Press, 1977)
Ṣadr, Ḥamīd Riz̤ā, Iranian Cinema: A Political History (London: I.B. Tauris, 2006), International Library of Iranian Studies
Salt, Barry, Film Style and Technology: History and Analysis, 3rd ed (London: Starword, 2009)
Schneider, Arthur, Electronic Post-Production and Videotape Editing (Focal Press, 1989)
Schreibman, Myrl A., The Indie Producers Handbook: Creative Producing From A to Z (New York: Lone Eagle, 2001)
‘Screen International’
Seger, Linda, Making a Good Writer Great: A Creativity Workbook for Screenwriters (Los Angeles, CA: Silman-James Press, 1999)
———, The Art of Adaptation: Turning Fact and Fiction Into Film (New York: H. Holt, 1992)
Selznick, David O., and Rudy Behlmer, Memo from David O. Selznick (London: Macmillan, 1973)
———, Memo from David O. Selznick (London: Macmillan, 1973)
Shone, Tom, Blockbuster: How the Jaws and Jedi Generation Turned Hollywood Into a Boom-Town (London: Scribner, 2005)
———, Blockbuster: How the Jaws and Jedi Generation Turned Hollywood Into a Boom-Town (London: Scribner, 2005)
Singleton, Ralph S., Alain Silver, and Robert Koster, Film Budgeting: Or, How Much Will It Cost to Shoot Your Movie? (Los Angeles, California: Lone Eagle, 1996)
———, Film Budgeting: Or, How Much Will It Cost to Shoot Your Movie? (Los Angeles, California: Lone Eagle, 1996)
Smith, Ian Haydn, International Film Guide 2010: The Definitive Annual Review of World Cinema (London: Wallflower, 2010)
Solomons, Tony, The Avid Digital Editing Room Handbook (Silman-James Press, 1999)
Stanislavsky, K. S, An Actor Prepares (London: Methuen Drama, 1980)
———, An Actor Prepares (New York: Routledge, 2003) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=668654>
———, An Actor Prepares (London: Methuen Drama, 1980)
———, An Actor Prepares (New York: Routledge, 2003) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=668654>
Staten, Greg, The Avid Handbook: Advanced Techniques, Strategies, and Survival Information for Avid Editing Systems, 5th Edition (Focal Press, 2008)
Tarkovskiĭ, Andreĭ Arsenʹevich, Sculpting in Time: Reflections on the Cinema, Revised edition (London: Faber, 1989)
———, Sculpting in Time: Reflections on the Cinema (Austin, [Tex.]: University of Texas Press, 1989)
Tharp, Twyla, and Mark Reiter, The Creative Habit: Learn It and Use It for Life, 1st Simon & Schuster Paperback Edition (New York: Simon & Schuster, 2006)
———, The Creative Habit: Learn It and Use It for Life, 1st Simon & Schuster Paperback Edition (New York: Simon & Schuster, 2006)
Thompson, Kristin, Storytelling in the New Hollywood: Understanding Classical Narrative Technique (Cambridge, Mass: Harvard University Press, 1999)
Thompson, Roy, Grammar of the Edit (Oxford: Focal, 1993)
Thomson, David, The Whole Equation: A History of Hollywood (London: Abacus, 2006)
Tierno, Michael, Aristotle’s Poetics for Screenwriters: Storytelling Secrets From the Greatest Mind in Western Civilization (New York: Hyperion, 2002)
Trottier, David, The Screenwriter’s Bible: A Complete Guide to Writing, Formatting and Selling Your Script, 3rd Edition Expanded & Updated (Los Angeles: Silman-James, 1998)
Truffaut, Francois, and Helen Scott, Hitchcock ([S.l.]: Ramsay, 1985)
Truffaut, Francois, and Helen G. Scott, Hitchcock, Rev. ed (New York: Simon & Schuster, 1984), A touchstone book
———, Hitchcock, Rev. ed (New York: Simon & Schuster, 1984), A touchstone book
Ulin, Jeff, The Business of Media Distribution: Monetizing Film, TV, and Video Content in an Online World (New York: Focal Press, 2014) <https://royalholloway.idm.oclc.org/login?url=https://www.vlebooks.com/vleweb/product/openreader?id=Holloway&isbn=9780240824543&uid=^u>
———, The Business of Media Distribution: Monetizing Film, TV, and Video Content in an Online World (New York: Focal Press, 2014)
Vachon, Christine, and Austin Bunn, A Killer Life: How an Independent Film Producer Survives Deals and Disasters in Hollywood and Beyond (New York: Limelight Editions, 2007)
———, A Killer Life: How an Independent Film Producer Survives Deals and Disasters in Hollywood and Beyond (New York: Limelight Editions, 2007)
Vachon, Christine, and David Edelstein, Shooting to Kill: How an Independent Producer Blasts Through the Barriers to Make Movies That Matter (New York: Quill, 2002)
———, Shooting to Kill: How an Independent Producer Blasts Through the Barriers to Make Movies That Matter (New York: Quill, 2002)
Van Sijll, Jennifer, Cinematic Storytelling: The 100 Most Powerful Film Conventions Every Filmmaker Must Know (Studio City, California: Michael Wiese, 2005)
‘Variety’ <http://search.proquest.com/fiaf/publication/publications_31545?accountid=11455>
Vaughan, Dai, Portrait of an Invisible Man: Working Life of Stewart McAllister, Film Editor (BFI Publishing, 1983)
Vertov, Dziga, and Annette Michelson, Kino-Eye (Berkeley: California University Press, 1984)
Vogler, Christopher, The Writer’s Journey: Mythic Structure for Writers, 3rd ed (Studio City, CA: Michael Wiese Productions, 2007)
Von Sternberg, Josef, Fun in a Chinese Laundry (New York: Macmillan, 1965)
Walter, Ernest, The Technique of the Film Cutting Room (Focal Press, 1982)
