Bibliography for MA3006: Producing Film and TV BETA

Adam, K., & Frayling, C. (2008). Ken Adam Designs the Movies: James Bond and Beyond. Thames & Hudson.

Adler, T. (2004). The Producers: Money, Movies and Who Really Calls the Shots. Methuen.

Alberstat, P. (2004a). The Insider’s Guide to Film Finance. Focal.

Alberstat, P. (2004b). The Insider’s Guide to Film Finance. Focal Press. https://www.proquest.com/legacydocview/EBC/226844?accountid=11455

Altman, R., & Thompson, D. (2006a). Altman on Altman. Faber and Faber.

Altman, R., & Thompson, D. (2006b). Altman on Altman. Faber and Faber.

Anderson, G. H. (1984). Video Editing and Post-Production: A Professional Guide. Knowledge Industry Publications Inc.

Arijon, D. (1976). Grammar of the Film Language. Silman-James.

Aronson, L. (2001). Screenwriting Updated: New (And Conventional) Ways of Writing for the Screen (1st Silman-James Edition). Silman-James Press.

Arundale, S., & Trieu, T. (2014a). Modern Post: Postproduction Workflows and Techniques for Digital Filmmakers. Focal Press.

Arundale, S., & Trieu, T. (2014b). Modern Post: Postproduction Workflows and Techniques for Digital Filmmakers. Focal Press. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1757878

Ascher, S., & Pincus, E. (2007). The Filmmaker’s Handbook: A Comprehensive Guide for the Digital Age (3rd Edition). Plume.

Atchity, K. J., & Wong, C.-L. (2003). Writing Treatments That Sell: How to Create and Market Your Story Ideas to the Motion Picture and TV Industry (2nd Edition). Henry Holt.

Aumont, J. (1987). Montage Eisenstein. BFI Publishing.

Bach, S. (1996a). Final Cut: Dreams and Disaster in the Making of Heaven’s Gate (Revised Edition). Pimlico.

Bach, S. (1996b). Final Cut: Dreams and Disaster in the Making of Heaven’s Gate (Revised Edition). Pimlico.

Badal, S. (2008). Swimming Upstream: A Lifesaving Guide to Short Film Distribution. Focal Press.

Bainbridge, D. I. (2012a). Intellectual Property (9th Edition). Pearson.

Bainbridge, D. I. (2012b). Intellectual Property (9th Edition). Pearson. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5137221

Baker, R. (1997a). Media Law: A User’s Guide for Film and Programme Makers. Routledge.

Baker, R. (1997b). Media Law: A User’s Guide for Film and Programme Makers. Routledge. https://ebookcentral-proquest-com.royalholloway.idm.oclc.org/lib/rhul/detail.action?docID=1520914

Barnwell, J. (2004). Production Design: Architects of the Screen: Vol. Short cuts. Wallflower.

Baumgarten, P. A., Farber, D. C., & Fleischer, M. (1992). Producing, Financing and Distributing Film (2nd ed). Limelight Editions.

Bazin, A. (2005a). What Is Cinema?: Vol. I (New ed). University of California Press.

Bazin, A. (2005b). What Is Cinema?: Vol. I (New ed). University of California Press.

Benedetti, R. (2003). Creative Postproduction: Editing, Sound, Visual Effects, and Music for Film and Video. Pearson.

Berg, A. S. (2013). Goldwyn: a Biography. Simon & Schuster.

Berger, J. (2008). Ways of Seeing. Penguin.

Bernstein, S. (1994). Film Production (2nd Edition). Focal.

Bignell, J., Orlebar, J., & Holland, P. (2005a). The Television Handbook (3rd ed). Routledge.

Bignell, J., Orlebar, J., & Holland, P. (2005b). The Television Handbook. Routledge.

Biskind, P. (1998a). Easy Riders, Raging Bulls: How the Sex-Drugs-and Rock ‘N’ Roll Generation Changed Hollywood. Bloomsbury.

Biskind, P. (1998b). Easy Riders, Raging Bulls: How the Sex-Drugs-and Rock ‘N’ Roll Generation Changed Hollywood. Bloomsbury.

Block, B. (2008). The Visual Story: Creating the Visual Structure of Film, TV and Digital Media (2nd Edition). Focal.

Boal, A. (2008). Theatre of the Oppressed (New ed). Pluto Press.

Boal, A., Leal-McBride, M.-O., Leal McBride, C. A., & Fryer, E. (2008). Theatre of the Oppressed: Vol. Get political. Pluto Press. http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=200610

Bolter, J. D., & Grusin, R. (1999). Remediation: Understanding New Media. MIT.

Bondanella, P. E. (2002a). The Films of Federico Fellini. Cambridge University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=217860

Bondanella, P. E. (2002b). The Films of Federico Fellini. Cambridge University Press. https://www.proquest.com/docview/2131811065/$N?accountid=11455

Boozer, J. (2008). Authorship in Film Adaptation (1st Edition). University of Texas Press.

Bordwell, D. (1985). The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. Routledge & Kegan Paul.

Bordwell, D. (1988). The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=5910

Bordwell, D. (1993). The Cinema of Eisenstein. Harvard University Press.

Bordwell, D. (2017). Film Art: An Introduction (Eleventh edition). McGraw-Hill Education. https://www-vlebooks-com.ezproxy01.rhul.ac.uk/Vleweb/Product/Index/1993344?page=0

Bordwell, D., Staiger, J., & Thompson, K. (1985). The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. Routledge & Kegan Paul.

Bordwell, D., Thompson, K., & Smith, J. (2017). Film Art: An Introduction (11th Edition). McGraw-Hill Education.

Bordwell, D., Thompson, K., & Staiger, J. (1988). The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=5910

Braudy, L., & Cohen, M. (2009). Film Theory and Criticism: Introductory Readings (7th ed). Oxford University Press.

Brook, P. (1996). The Empty Space (1st Touchstone ed). Simon & Schuster.

Broughton, I. (1986). Producers on Producing: The Making of Film and Television. McFarland.

Browne, S. E. (2007a). High Definition Postproduction: Editing and Delivering HD Video. Focal.

Browne, S. E. (2007b). High Definition Postproduction: Editing and Delivering HD Video. Focal. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=287936

Bruzzi, S. (1997a). Undressing Cinema: Clothing and Identity in the Movies. Routledge.

Bruzzi, S. (1997b). Undressing Cinema: Clothing and Identity in the Movies. Routledge. https://www.taylorfrancis.com/books/9780203132203

Burch, N., & Lane, H. R. (1973). Theory of Film Practice. Secker and Warburg.

Burch, N., & Michelson, A. (1979). To the Distant Observer: Form and Meaning in the Japanese Cinema. Scolar.

Burder, J. (1988). Technique of Editing 16mm Film, The (Library of Communication Techniques). Focal P.

Burstein, N., & Morgen, B. (2003a). The Kid Stays in the Picture. Momentum Pictures.

Burstein, N., & Morgen, B. (2003b). The Kid Stays in the Picture. Momentum Pictures.

Cardullo, B. (1998). Playing to the Camera: Film Actors Discuss Their Craft. Yale University Press.

Carney, R. (1994). The Films of John Cassavetes: Pragmatism, Modernism, and the Movies: Vol. Cambridge film classics. Cambridge University Press.

Carrière, J.-C. (1994). The Secret Language of Film. Pantheon Books.

Carringer, R. L. (1996a). The Making of Citizen Kane (Revised and Updated Edition). University of California Press.

Carringer, R. L. (1996b). The Making of Citizen Kane (Revised and Updated Edition). University of California Press.

Chandler, G. (2009). Film Editing: Great Cuts Every Filmmaker and Movie Lover Must Know. Michael Wiese.

Chandler, G. (2012). Cut by Cut: Editing Your Film or Video (2nd Edition). Michael Wiese.

Christie, I. (2009). The Art of Film: John Box and Production Design. Wallflower.

Christie, I., & Taylor, R. (1993a). Eisenstein Rediscovered. Routledge.

Christie, I., & Taylor, R. (1993b). Eisenstein Rediscovered. Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=14161

Ciecko, A. T. (2006). Contemporary Asian Cinema: Popular Culture in a Global Frame (English ed). Berg.

Clapperton, G. (2009a). This Is Social Media: How to Tweet, Post, Link and Blog Your Way to Business Success. Capstone.

Clapperton, G. (2009b). This Is Social Media: How to Tweet, Post, Link and Blog Your Way to Business Success. Capstone. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=589202

Clark, B., & Spohr, S. J. (2002a). Guide to Postproduction for TV and Film: Managing the Process (2nd Edition). Focal Press.

Clark, B., & Spohr, S. J. (2002b). Guide to Postproduction for TV and Film: Managing the Process. Focal Press. https://www.proquest.com/legacydocview/EBC/294708?accountid=11455

Clark, B., & Spohr, S. J. (2002c). Guide to Postproduction for TV and Film: Managing the Process (2nd ed). Focal Press.

Clark, B., & Spohr, S. J. (2002d). Guide to Postproduction for TV and Film: Managing the Process. Focal Press. http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=100579

Cleve, B. (2006a). Film Production Management (3rd Edition). Focal.

Cleve, B. (2006b). Film Production Management (3rd Edition). Focal.

Cleve, B. (2012a). Film Production Management (3rd Edition). Taylor and Francis. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=255231

Cleve, B. (2012b). Film Production Management (3rd Edition). Taylor and Francis. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=255231

Coleman, L. J., & Friedberg, D. (2010a). Make the Cut: A Guide to Becoming a Successful Assistant Editor in Film and TV. Focal.

Coleman, L. J., & Friedberg, D. (2010b). Make the Cut: A Guide to Becoming a Successful Assistant Editor in Film and TV. Focal. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=566645

Compesi, R. J. (2007). Video Field Production and Editing (7th Edition). Pearson Allyn and Bacon. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4186105

Compesi, R. J. (2017). Video Field Production and Editing (7th Edition). Focal Press.

Cones, J. W. (2008a). 43 Ways to Finance Your Feature Film: A Comprehensive Analysis of Film Finance (3rd Edition). Southern Illinois University Press.

Cones, J. W. (2008b). 43 Ways to Finance Your Feature Film: A Comprehensive Analysis of Film Finance (3rd Edition). Southern Illinois University Press. http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1365221

Cooper, D. (2000). The Cinema of Satyajit Ray: Between Tradition and Modernity: Vol. Cambridge studies in film. Cambridge University Press.

Cowgill, L. J. (2005a). Writing Short Films: Structure and Content for Screenwriters (2nd Edition). Lone Eagle Pub.

Cowgill, L. J. (2005b). Writing Short Films: Structure and Content for Screenwriters (2nd Edition). Lone Eagle Pub.

Crary, J. (1990). Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. MIT Press.

Crittenden, R. (1995). Film and Video Editing (2nd Edition). Blueprint. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=181680

Crittenden, R. (2006a). Fine cuts: the art of European film editing. Focal.

Crittenden, R. (2006b). Fine Cuts: The Art of European Film Editing. Focal. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=269878

Culhane, S. (1989). Animation: From Script to Screen. Columbus.

Dancyger, K. (2011). The Technique of Film and Video Editing: History, Theory, and Practice (5th Edition). Focal.

Davies, A. P., Wistreich, N., MacGregor, J., Allen, C., Au-Yeung, H. W., Applebaum, S., & Fogg, T. (n.d.). The film finance handbook: how to fund your film. Netribution.

Deadline | Hollywood Entertainment Breaking News. (n.d.). http://deadline.com/

Deleuze, G. (1989). Cinema 2: The Time-Image. Athlone.

Deleuze, G. (1992). Cinema 1: The Movement-Image. Athlone.

Deleuze, G. (2005). Cinema 1: The Movement-Image. Continuum. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=742682

Deppman, H.-C. (2010). Adapted for the Screen: The Cultural Politics of Modern Chinese Fiction & Film. University of Hawaiʻi Press.

Dmytryk, E. (1984). On Film Editing: An Introduction to the Art of Film Construction. Focal Press. https://librarysearch.royalholloway.ac.uk/permalink/f/c63g94/44ROY_ALMA_DS5188346440002671

Douin, J.-L. (1994). Jean-Luc Godard (édition augmentée). Rivages.

Durie, J., Pham, A., & Watson, N. (2000). Marketing and Selling Your Film Around the World: Guide for Independent Filmmakers (1st ed). Silman-James Press.

Eberts, J., & Ilott, T. (1990a). My Indecision Is Final: The Rise and Fall of Goldcrest Films. Faber.

Eberts, J., & Ilott, T. (1990b). My Indecision Is Final: The Rise and Fall of Goldcrest Films. Faber.

Eberts, J., & Ilott, T. (1990c). My Indecision Is Final: The Rise and Fall of Goldcrest Films. Faber.

Egri, L. (1972a). The Art of Dramatic Writing. Touchstone. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=5658397

Egri, L. (1972b). The Art of Dramatic Writing. Touchstone. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=5658397

Egri, L. (2004a). The Art of Dramatic Writing: Its Basis in the Creative Interpretation of Human Motives (1st Touchstone Edition). Simon & Schuster.

Egri, L. (2004b). The Art of Dramatic Writing: Its Basis in the Creative Interpretation of Human Motives (1st Touchstone Edition). Simon & Schuster.

Eisenstein, S. (1998). The Eisenstein Reader. B.F.I.

Eisenstein, S., & Leyda, J. (1975). The Film Sense ([Rev. ed.]). Harcourt Brace Jovanovich.

Eisenstein, S., & Leyda, J. (1977). Film Form: Essays in Film Theory. Harvest.

Eisenstein, S., & Taylor, R. (1988). Selected Works: Vol. 1. BFI.

Eisenstein, S., & Taylor, R. (1991). Selected Works: Vol. 2: Towards a Theory of Montage / Edited by Michael Glenny and Richard Taylor. BFI.

Eisenstein, S., & Taylor, R. (1996). Selected Works: Vol. 3: Writings, 1934-47. BFI.

Elsässer, T., & Barker, A. (1990). Early Cinema: Space, Frame, Narrative. BFI.

Erickson, G., Tulchin, H., & Halloran, M. E. (2005). The Independent Film Producer’s Survival Guide: A Business and Legal Sourcebook (2nd Edition). Schirmer Trade Books.

Ettedgui, P. (1999). Production Design & Art Direction: Vol. Screencraft. RotoVision.

Evans, R. (2004a). The Kid Stays in the Picture. Faber.

Evans, R. (2004b). The Kid Stays in the Picture. Faber.

Fairservice, D. (2001). Film Editing: History, Theory, and Practice - Looking at the Invisible. Manchester University Press.

Field, S. (1984). The Screenwriter’s Workbook. Dell.

Finney, A. (2010a). The International Film Business: A Market Guide Beyond Hollywood. Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=515374

Finney, A. (2010b). The International Film Business: A Market Guide Beyond Hollywood. Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=515374

Finney, A., & Triana, E. (2015a). The International Film Business: A Market Guide Beyond Hollywood (2nd Edition). Routledge.

Finney, A., & Triana, E. (2015b). The International Film Business: A Market Guide Beyond Hollywood (2nd Edition). Routledge.

Fowler, J. (2001). Editing Digital Film: Integrating Final Cut Pro, Avid, and Media 100. Focal Press. https://librarysearch.royalholloway.ac.uk/permalink/f/1cm8pdv/TN_cdi_proquest_ebookcentral_EBC1074611

Gates, R. (1999). Production Management for Film and Video (3rd ed). Focal.

Giorgianni, E. J., & Madden, T. E. (2008). Digital color management: encoding solutions (2nd ed). Wiley. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=406492

Goldman, W. (1984a). Adventures in the Screen Trade: A Personal View of Hollywood and Screenwriting. Grand Central Publishing.

Goldman, W. (1984b). Adventures in the Screen Trade: A Personal View of Hollywood and Screenwriting. Grand Central Publishing.

Goldman, W. (2000a). Which Lie Did I Tell?: More Adventures in the Screen Trade. Bloomsbury.

Goldman, W. (2000b). Which Lie Did I Tell?: More Adventures in the Screen Trade. Bloomsbury.

Goodell, G. (1998). Independent Feature Film Production: A Complete Guide From Concept Through Distribution (Rev. ed). St. Martin’s Griffin.

Gopalan, L. (2010). The Cinema of India (24 Frames). Columbia University Press.

Gore, C. (2004). The Ultimate Film Festival Survival Guide (3rd ed). Lone Eagle Pub.

Grant, B. K. (2008). Auteurs and Authorship: A Film Reader. Blackwell.

Gripsrud, J. (2002). Understanding Media Culture. Arnold.

Grotowski, J., & Barba, E. (2002). Towards a Poor Theatre (1st Routledge ed). Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1075038

Grove, E. (2013). Raindance Producers’ Lab: Lo-to-No Budget Filmmaking. Focal.

Grove, E. (2014). Raindance Producers’ Lab: Lo-to-No Budget Filmmaking (2nd Edition). Focal Press. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1546810

Halligan, B., & Shah, D. (2010). Inbound Marketing: Get Found Using Google, Social Media, and Blogs: Vol. The new rules of social media series. Wiley.

Halperin, M. (2002). Writing the Killer Treatment: Selling Your Story Without a Script. Michael Wiese.

Hanson, M. (2014). The End of Celluloid: Film Futures in the Digital Age. RotoVision.

Harmon, R., & Lawrence, J. (1997). The Beginning Filmmaker’s Guide to a Successful First Film. Walker and Co.

Harrison, S. (2005a). Adaptations: From Short Story to Big Screen : 35 Great Stories That Have Inspired Great Films. Three Rivers Press.

Harrison, S. (2005b). Adaptations: From Short Story to Big Screen : 35 Great Stories That Have Inspired Great Films. Three Rivers Press.

Hollyn, N. (2009). The Film Editing Room Handbook: How to Tame the Chaos of the Editing Room. Peachpit Press. https://librarysearch.royalholloway.ac.uk/permalink/f/1ivluo0/44ROY_ALMA_DS2147962090002671

Hullfish, S. (2012). The Art and Technique of Digital Color Correction (2nd Edition). Focal.

Indick, W. (2004). Psychology for Screenwriters: Building Conflict in Your Script. Michael Wiese Productions.

Irving, D. K., & Rea, P. W. (2013a). Producing and Directing the Short Film and Video (4th Edition). Taylor and Francis. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=535000

Irving, D. K., & Rea, P. W. (2013b). Producing and Directing the Short Film and Video (4th Edition). Taylor and Francis. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=535000

Izod, J. (2006). Screen, Culture, Psyche: A Post-Jungian Approach to Working With the Audience. Routledge.

Izod, J. (2016). Screen, Culture, Psyche: A Post-Jungian Approach to Working With the Audience. Routledge. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=4391195

James, J. (2009a). Fix It in Post: Solutions for Post Production Problems. Focal.

James, J. (2009b). Fix It in Post: Solutions for Post Production Problems. Focal. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=421181

James, J. (2016). Digital Intermediates for Film and Video. Focal Press.

Johnstone, K. (1999). Impro for Storytellers: Theatresports and the Art of Making Things Happen. Faber.

Jones, C., & Jolliffe, G. (2006). The Guerilla Film Makers Handbook: Vol. Guerilla guides (3rd Edition). Continuum.

Keating, P. (2010). Hollywood Lighting From the Silent Era to Film Noir: Vol. Film and Culture. Columbia University Press.

Kellison, C., Morrow, D., & Morrow, K. (2015). Producing for TV and New Media (3rd Edition). Focal Press.

Kennel, G. (2006). Color and Mastering for Digital Cinema. Focal.

Kerner, M. (1989). The Art of the Sound Effects Editor. Focal Press.

Kerrigan, F. (2010a). Film Marketing (1st Edition). Elsevier/Butterworth-Heinemann.

Kerrigan, F. (2010b). Film Marketing. Butterworth-Heinemann. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=472907

Kerrigan, F. (2010c). Film Marketing (1st Edition). Elsevier/Butterworth-Heinemann.

Kerrigan, F. (2010d). Film Marketing. Butterworth-Heinemann. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=472907

Kerrigan, F., Ozbilgin, M., & Fraser, P. (2004a). Arts Marketing. Elsevier Butterworth-Heinemann.

Kerrigan, F., Ozbilgin, M., & Fraser, P. (2004b). Arts Marketing. Elsevier Butterworth-Heinemann. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=288907

Kezich, T., & Levantesi, A. (2004). Dino: The Life and Films of Dino De Laurentiis (1st Edition). Miramax Books/Hyperion.

King, V. (1988). How to Write a Movie in 21 Days: The Inner Movie Method. Harper.

Koster, R. (1997). The On Production Budget Book: Vol. Variety’s on production series. Focal.

Krevolin, R. W. (1998). Screenwriting From the Soul: Letters to an Aspiring Screenwriter (1st Edition). Renaissance Books.

Landis, D. N. (2007). Dressed: A Century of Hollywood Costume Design. Collins.

Langer, A. (2000). The film festival guide: for filmmakers, film buffs, and industry professionals (Rev. ed). Chicago Review Press.

LaValley, A. J. (2001). Eisenstein at 100: A Reconsideration. Rutgers University Press.

Lee, J. J. (2000). The Producer’s Business Handbook. Focal.

Lee, J. J., & Gillen, A. M. (2011). The Producer’s Business Handbook. Focal. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=622182

Levin, C. M. (2002). Post: The Theory and Technique of Digital Nonlinear Motion Picture Editing. Pearson.

Levison, L. (2007). Filmmakers and Financing: Business Plans for Independents (5th Edition). Focal Press.

Levison, L. (2016). Filmmakers and Financing: Business Plans for Independents. Focal Press. https://www.proquest.com/legacydocview/EBC/4748582?accountid=11455

Linson, A. (1993). A Pound of Flesh: Perilous Tales of How to Produce Movies in Hollywood. Grove Press.

LoBrutto, V. (1991). Selected Takes: Film Editors on Editing. Praeger.

Lowenstein, S. (2000). My First Movie. Faber and Faber.

Lukk, T. (1997). Movie Marketing: Opening the Picture and Giving It Legs. Silman-James Press.

Lustig, M. (1980). Music Editing for Motion Pictures. Communication Arts Books.

Mamet, D. (1992a). On Directing Film. Penguin.

Mamet, D. (1992b). On Directing Film. Penguin.

Manovich, L. (2001). The Language of New Media. MIT Press.

Manovich, L. (2002). The Language of New Media (1st MIT Press Paperback Edition). MIT Press. http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=138702

McAlister, M. J. (1993). The Language of Visual Effects. Lone Eagle Publishing Co.

McGrath, D. (2001). Editing & Post-Production. Focal Press.

McKee, R. (1999). Story: Substance, Structure, Style, and the Principles of Screenwriting. Methuen.

Miller, P. (1998). Media Law for Producers (3rd Edition). Focal Press.

Miller, P. P. (1999a). Script Supervising and Film Continuity (3rd Edition). Focal.

Miller, P. P. (1999b). Script Supervising and Film Continuity (3rd Edition). Focal Press. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1366569

Miller, P. P. (1999c). Script Supervising and Film Continuity (3rd Edition). Focal.

Miller, P. P. (1999d). Script Supervising and Film Continuity (3rd Edition). Focal Press. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1366569

Millerson, G. (1991). Lighting for Television and Film: Vol. The library of communication techniques (3rd Edition). Focal.

Millerson, G., & Owens, J. (2009). Television Production (14th Edition). Focal.

Mottram, J. (2006a). The Sundance Kids: How the Mavericks Took Back Hollywood. Faber and Faber.

Mottram, J. (2006b). The Sundance Kids: How the Mavericks Took Back Hollywood. Faber and Faber.

Movshovitz, H. (2000). Mike Leigh, Interviews: Vol. Conversations with filmmakers. University Press of Mississippi.

Mulvey, L. (1990). Visual Pleasure and Narrative Cinema. In Issues in Feminist Film Criticism. Indiana University Press.

Murch, W. (2001). In the Blink of an Eye: A Perspective on Film Editing (2nd Edition). Silman-James.

Newton, D., & Gaspard, J. (2001). Digital filmmaking 101. Michael Wiese.

Nizhnii, V. (1979). Lessons with Eisenstein (1st paperback ed). Da Capo Press.

Obst, L. R. (1997a). Hello, He Lied: And Other Truths From the Hollywood Trenches. Broadway Books.

Obst, L. R. (1997b). Hello, He Lied: And Other Truths From the Hollywood Trenches. Broadway Books.

Ohanian, T. A. (1993). Digital Nonlinear Editing: New Approaches to Editing Film and Video. Focal.

Oldham, G. (1992). First cut: conversations with film editors. University of California Press.

Oldham, G. (2012). First Cut 2: More Conversations With Film Editors. University of California Press.

Ondaatje, M. (2002a). The Conversations: Walter Murch and the Art of Editing Film. Bloomsbury.

Ondaatje, M. (2002b). The Conversations: Walter Murch and the Art of Editing Film. Bloomsbury.

Ondaatje, M. (2002c). The Conversations: Walter Murch and the Art of Editing Film. Bloomsbury.

Orlebar, J. (2002). Digital Television Production: A Handbook. Arnold.

Orlebar, J. (2003). The Practical Media Dictionary. Arnold.

Orwell, G. (2004). Why I Write (Vol. 20). Penguin.

Parks, S. (2012a). The Insider’s Guide to Independent Film Distribution (2nd Edition). Elsevier/Focal Press.

Parks, S. (2012b). The Insider’s Guide to Independent Film Distribution (2nd Edition). Taylor and Francis. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=850699

Parks, S. (2012c). The Insider’s Guide to Independent Film Distribution (2nd Edition). Elsevier/Focal Press.

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Ulin, J. (2014b). The Business of Media Distribution: Monetizing Film, TV, and Video Content in an Online World. Focal Press.

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