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2.
Irving DK, Rea PW. Producing and Directing the Short Film and Video [Internet]. 4th Edition. Hoboken: Taylor and Francis; 2013. Available from: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=535000
3.
Cleve B. Film Production Management. 3rd Edition. Amsterdam: Focal; 2006.
4.
Cleve B. Film Production Management [Internet]. 3rd Edition. Hoboken: Taylor and Francis; 2012. Available from: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=255231
5.
Harrison S. Adaptations: From Short Story to Big Screen : 35 Great Stories That Have Inspired Great Films. New York: Three Rivers Press; 2005.
6.
Cowgill LJ. Writing Short Films: Structure and Content for Screenwriters. 2nd Edition. Los Angeles: Lone Eagle Pub; 2005.
7.
Egri L. The Art of Dramatic Writing: Its Basis in the Creative Interpretation of Human Motives. 1st Touchstone Edition. New York: Simon & Schuster; 2004.
8.
Egri L. The Art of Dramatic Writing [Internet]. Touchstone; 1972. Available from: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=5658397
9.
Eberts J, Ilott T. My Indecision Is Final: The Rise and Fall of Goldcrest Films. London: Faber; 1990.
10.
Finney A, Triana E. The International Film Business: A Market Guide Beyond Hollywood. 2nd Edition. London: Routledge; 2015.
11.
Finney A. The International Film Business: A Market Guide Beyond Hollywood [Internet]. London: Routledge; 2010. Available from: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=515374
12.
Tharp T, Reiter M. The Creative Habit: Learn It and Use It for Life. 1st Simon & Schuster Paperback Edition. New York: Simon & Schuster; 2006.
13.
Vachon C, Edelstein D. Shooting to Kill: How an Independent Producer Blasts Through the Barriers to Make Movies That Matter. New York: Quill; 2002.
14.
Vachon C, Bunn A. A Killer Life: How an Independent Film Producer Survives Deals and Disasters in Hollywood and Beyond. New York: Limelight Editions; 2007.
15.
Kerrigan F. Film Marketing. 1st Edition. Amsterdam: Elsevier/Butterworth-Heinemann; 2010.
16.
Kerrigan F. Film Marketing [Internet]. Amsterdam: Butterworth-Heinemann; 2010. Available from: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=472907
17.
Parks S. The Insider’s Guide to Independent Film Distribution. 2nd Edition. Amsterdam: Elsevier/Focal Press; 2012.
18.
Parks S. The Insider’s Guide to Independent Film Distribution [Internet]. 2nd Edition. Hoboken: Taylor and Francis; 2012. Available from: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=850699
19.
Mamet D. On Directing Film. London: Penguin; 1992.
20.
Ondaatje M. The Conversations: Walter Murch and the Art of Editing Film. London: Bloomsbury; 2002.
21.
Singleton RS, Silver A, Koster R. Film Budgeting: Or, How Much Will It Cost to Shoot Your Movie? Los Angeles, California: Lone Eagle; 1996.
22.
Stanislavsky KS. An Actor Prepares. London: Methuen Drama; 1980.
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24.
Variety. Available from: http://search.proquest.com/fiaf/publication/publications_31545?accountid=11455
25.
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27.
Bach S. Final Cut: Dreams and Disaster in the Making of Heaven’s Gate. Revised Edition. London: Pimlico; 1996.
28.
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29.
Bondanella PE. The Films of Federico Fellini [Internet]. Cambridge, UK: Cambridge University Press; 2002. Available from: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=217860
30.
Bondanella PE. The Films of Federico Fellini [Internet]. New York: Cambridge University Press; 2002. Available from: https://www.proquest.com/docview/2131811065/$N?accountid=11455
31.
Bordwell D, Thompson K, Smith J. Film Art: An Introduction. 11th Edition. New York, NY: McGraw-Hill Education; 2017.
32.
Carney R. The Films of John Cassavetes: Pragmatism, Modernism, and the Movies. Vol. Cambridge film classics. Cambridge: Cambridge University Press; 1994.
33.
Carringer RL. The Making of Citizen Kane. Revised and Updated Edition. London: University of California Press; 1996.
34.
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35.
Cooper D. The Cinema of Satyajit Ray: Between Tradition and Modernity. Vol. Cambridge studies in film. New York: Cambridge University Press; 2000.
36.
Deppman HC. Adapted for the Screen: The Cultural Politics of Modern Chinese Fiction & Film. Honolulu: University of Hawaiʻi Press; 2010.
37.
Eberts J, Ilott T. My Indecision Is Final: The Rise and Fall of Goldcrest Films. London: Faber; 1990.
38.
Burstein N, Morgen B. The Kid Stays in the Picture. Momentum Pictures; 2003.
39.
Evans R. The Kid Stays in the Picture. London: Faber; 2004.
40.
Goldman W. Adventures in the Screen Trade: A Personal View of Hollywood and Screenwriting. London New York: Grand Central Publishing; 1984.
41.
Goldman W. Which Lie Did I Tell?: More Adventures in the Screen Trade. London: Bloomsbury; 2000.
42.
Gopalan L. The Cinema of India (24 Frames). Columbia University Press; 2010.
43.
Harmon R, Lawrence J. The Beginning Filmmaker’s Guide to a Successful First Film. New York: Walker and Co; 1997.
44.
Kezich T, Levantesi A. Dino: The Life and Films of Dino De Laurentiis. 1st Edition. New York: Miramax Books/Hyperion; 2004.
45.
Mottram J. The Sundance Kids: How the Mavericks Took Back Hollywood. New York: Faber and Faber; 2006.
46.
Movshovitz H. Mike Leigh, Interviews. Vol. Conversations with filmmakers. Jackson, Miss: University Press of Mississippi; 2000.
47.
Obst LR. Hello, He Lied: And Other Truths From the Hollywood Trenches. New York: Broadway Books; 1997.
48.
Phillips J. You’ll Never Eat Lunch in This Town Again. London: Mandarin; 1992.
49.
Pierson J. Spike, Mike, Slackers & Dykes: A Guided Tour Across a Decade of American Independent Cinema. London: Faber; 1996.
50.
Priggé S. Movie Moguls Speak: Interviews With Top Film Producers. Jefferson, N.C.: McFarland & Co; 2004.
51.
Pye M, Myles L. The Movie Brats: How the Film Generation Took Over Hollywood. London: Faber and Faber; 1979.
52.
Quandt J. Apichatpong Weerasethakul. Vol. FilmmuseumSynemaPublikationen. Wien: SYNEMA - Gesellschaft fr Film und Medien; 2009.
53.
Ryan MA. Producer to Producer: A Step-by-Step Guide to Low-Budget Independent Film Producing. Studio City, CA: Michael Wiese Productions; 2010.
54.
Ṣadr HR. Iranian Cinema: A Political History. Vol. International Library of Iranian Studies. London: I.B. Tauris; 2006.
55.
Reza RS. Iranian Cinema: A Political History [Internet]. London: I.B.Tauris; 2006. Available from: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=677023
56.
Schreibman MA. The Indie Producers Handbook: Creative Producing From A to Z. New York: Lone Eagle; 2001.
57.
Selznick DO, Behlmer R. Memo from David O. Selznick. London: Macmillan; 1973.
58.
Shone T. Blockbuster: How the Jaws and Jedi Generation Turned Hollywood Into a Boom-Town. London: Scribner; 2005.
59.
Tharp T, Reiter M. The Creative Habit: Learn It and Use It for Life. 1st Simon & Schuster Paperback Edition. New York: Simon & Schuster; 2006.
60.
Altman R, Thompson D. Altman on Altman. London: Faber and Faber; 2006.
61.
Truffaut F, Scott HG. Hitchcock. Rev. ed. Vol. A touchstone book. New York: Simon & Schuster; 1984.
62.
Vachon C, Edelstein D. Shooting to Kill: How an Independent Producer Blasts Through the Barriers to Make Movies That Matter. New York: Quill; 2002.
63.
Vachon C, Bunn A. A Killer Life: How an Independent Film Producer Survives Deals and Disasters in Hollywood and Beyond. New York: Limelight Editions; 2007.
64.
Alberstat P. The Insider’s Guide to Film Finance. Amsterdam: Focal; 2004.
65.
Alberstat P. The Insider’s Guide to Film Finance [Internet]. Amsterdam: Focal Press; 2004. Available from: https://www.proquest.com/legacydocview/EBC/226844?accountid=11455
66.
Badal S. Swimming Upstream: A Lifesaving Guide to Short Film Distribution. Amsterdam: Focal Press; 2008.
67.
Bainbridge DI. Intellectual Property. 9th Edition. Harlow: Pearson; 2012.
68.
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69.
Baker R. Media Law: A User’s Guide for Film and Programme Makers. London: Routledge; 1997.
70.
Baker R. Media Law: A User’s Guide for Film and Programme Makers [Internet]. London: Routledge; 1997. Available from: https://ebookcentral-proquest-com.royalholloway.idm.oclc.org/lib/rhul/detail.action?docID=1520914
71.
Baumgarten PA, Farber DC, Fleischer M. Producing, Financing and Distributing Film. 2nd ed. New York: Limelight Editions; 1992.
72.
Clapperton G. This Is Social Media: How to Tweet, Post, Link and Blog Your Way to Business Success. Mankato, Minn: Capstone; 2009.
73.
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74.
Cones JW. 43 Ways to Finance Your Feature Film: A Comprehensive Analysis of Film Finance. 3rd Edition. Carbondale: Southern Illinois University Press; 2008.
75.
Cones JW. 43 Ways to Finance Your Feature Film: A Comprehensive Analysis of Film Finance [Internet]. 3rd Edition. Carbondale: Southern Illinois University Press; 2008. Available from: http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1365221
76.
Durie J, Pham A, Watson N. Marketing and Selling Your Film Around the World: Guide for Independent Filmmakers. 1st ed. Los Angeles: Silman-James Press; 2000.
77.
Erickson G, Tulchin H, Halloran ME. The Independent Film Producer’s Survival Guide: A Business and Legal Sourcebook. 2nd Edition. New York: Schirmer Trade Books; 2005.
78.
Finney A, Triana E. The International Film Business: A Market Guide Beyond Hollywood. 2nd Edition. London: Routledge; 2015.
79.
Finney A. The International Film Business: A Market Guide Beyond Hollywood [Internet]. London: Routledge; 2010. Available from: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=515374
80.
Halligan B, Shah D. Inbound Marketing: Get Found Using Google, Social Media, and Blogs. Vol. The new rules of social media series. Hoboken, N.J.: Wiley; 2010.
81.
Kerrigan F, Ozbilgin M, Fraser P. Arts Marketing. Oxford: Elsevier Butterworth-Heinemann; 2004.
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83.
Kerrigan F. Film Marketing. 1st Edition. Amsterdam: Elsevier/Butterworth-Heinemann; 2010.
84.
Kerrigan F. Film Marketing [Internet]. Amsterdam: Butterworth-Heinemann; 2010. Available from: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=472907
85.
Lee JJ. The Producer’s Business Handbook. Boston: Focal; 2000.
86.
Lee JJ, Gillen AM. The Producer’s Business Handbook [Internet]. Amesterdam: Focal; 2011. Available from: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=622182
87.
Levison L. Filmmakers and Financing: Business Plans for Independents. 5th Edition. Amsterdam: Focal Press; 2007.
88.
Levison L. Filmmakers and Financing: Business Plans for Independents [Internet]. Amsterdam: Focal Press; 2016. Available from: https://www.proquest.com/legacydocview/EBC/4748582?accountid=11455
89.
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90.
Miller P. Media Law for Producers. 3rd Edition. Boston: Focal Press; 1998.
91.
Parks S. The Insider’s Guide to Independent Film Distribution. 2nd Edition. Amsterdam: Elsevier/Focal Press; 2012.
92.
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93.
Rowse D, Garrett C. Problogger: Secrets for Blogging Your Way to a Six-Figure Income. 2nd ed. Indianapolis, IN: Wiley;
94.
Ulin J. The business of media distribution: monetizing film, TV, and video content in an online world [Internet]. New York: Focal Press; 2014. Available from: https://royalholloway.idm.oclc.org/login?url=https://www.vlebooks.com/vleweb/product/openreader?id=Holloway&isbn=9780240824543&uid=^u
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Davies AP, Wistreich N, MacGregor J, Allen C, Au-Yeung HW, Applebaum S, et al. The film finance handbook: how to fund your film. London: Netribution;
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Ulin J. The Business of Media Distribution: Monetizing Film, TV, and Video Content in an Online World. New York: Focal Press; 2014.
97.
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Langer A. The film festival guide: for filmmakers, film buffs, and industry professionals. Rev. ed. Chicago: Chicago Review Press; 2000.
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Clark B, Spohr SJ. Guide to Postproduction for TV and Film: Managing the Process. 2nd Edition. Amsterdam: Focal Press; 2002.
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108.
Cleve B. Film Production Management. 3rd Edition. Amsterdam: Focal; 2006.
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Cleve B. Film Production Management [Internet]. 3rd Edition. Hoboken: Taylor and Francis; 2012. Available from: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=255231
110.
Gates R. Production Management for Film and Video. 3rd ed. Oxford: Focal; 1999.
111.
Goodell G. Independent Feature Film Production: A Complete Guide From Concept Through Distribution. Rev. ed. New York: St. Martin’s Griffin; 1998.
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Jones C, Jolliffe G. The Guerilla Film Makers Handbook. 3rd Edition. Vol. Guerilla guides. New York: Continuum; 2006.
115.
Koster R. The On Production Budget Book. Vol. Variety’s on production series. Boston: Focal; 1997.
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Keating P. Hollywood Lighting From the Silent Era to Film Noir. Vol. Film and Culture. New York: Columbia University Press; 2010.
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119.
Miller PP. Script Supervising and Film Continuity. 3rd Edition. Oxford: Focal; 1999.
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121.
Millerson G, Owens J. Television Production. 14th Edition. Amsterdam: Focal; 2009.
122.
Millerson G. Lighting for Television and Film. 3rd Edition. Vol. The library of communication techniques. London: Focal; 1991.
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Irving DK, Rea PW. Producing and Directing the Short Film and Video [Internet]. 4th Edition. Hoboken: Taylor and Francis; 2013. Available from: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=535000
129.
Reiss J. Think Outside the Box Office: The Ultimate Guide to Film Distribution in the Digital Era. Denver, Colo: Hybrid Cinema; 2010.
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Singleton RS, Silver A, Koster R. Film Budgeting: Or, How Much Will It Cost to Shoot Your Movie? Los Angeles, California: Lone Eagle; 1996.
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Adam K, Frayling C. Ken Adam Designs the Movies: James Bond and Beyond. London: Thames & Hudson; 2008.
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142.
Adler T. The Producers: Money, Movies and Who Really Calls the Shots. London: Methuen; 2004.
143.
Bach S. Final Cut: Dreams and Disaster in the Making of Heaven’s Gate. Revised Edition. London: Pimlico; 1996.
144.
Berg AS. Goldwyn: a Biography. London: Simon & Schuster; 2013.
145.
Biskind P. Easy Riders, Raging Bulls: How the Sex-Drugs-and Rock ‘N’ Roll Generation Changed Hollywood. Bloomsbury; 1998.
146.
Carringer RL. The Making of Citizen Kane. Revised and Updated Edition. London: University of California Press; 1996.
147.
Eberts J, Ilott T. My Indecision Is Final: The Rise and Fall of Goldcrest Films. London: Faber; 1990.
148.
Burstein N, Morgen B. The Kid Stays in the Picture. Momentum Pictures; 2003.
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Evans R. The Kid Stays in the Picture. London: Faber; 2004.
150.
Goldman W. Adventures in the Screen Trade: A Personal View of Hollywood and Screenwriting. London New York: Grand Central Publishing; 1984.
151.
Goldman W. Which Lie Did I Tell?: More Adventures in the Screen Trade. London: Bloomsbury; 2000.
152.
Linson A. A Pound of Flesh: Perilous Tales of How to Produce Movies in Hollywood. New York: Grove Press; 1993.
153.
Mottram J. The Sundance Kids: How the Mavericks Took Back Hollywood. New York: Faber and Faber; 2006.
154.
Murch W. In the Blink of an Eye: A Perspective on Film Editing. 2nd Edition. Los Angeles: Silman-James; 2001.
155.
Obst LR. Hello, He Lied: And Other Truths From the Hollywood Trenches. New York: Broadway Books; 1997.
156.
Phillips J. You’ll Never Eat Lunch in This Town Again. London: Mandarin; 1992.
157.
Pierson J. Spike, Mike, Slackers & Dykes: A Guided Tour Across a Decade of American Independent Cinema. London: Faber; 1996.
158.
Priggé S. Movie Moguls Speak: Interviews With Top Film Producers. Jefferson, N.C.: McFarland & Co; 2004.
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Pye M, Myles L. The Movie Brats: How the Film Generation Took Over Hollywood. London: Faber and Faber; 1979.
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Harrison S. Adaptations: From Short Story to Big Screen : 35 Great Stories That Have Inspired Great Films. New York: Three Rivers Press; 2005.
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Brook P. The Empty Space. 1st Touchstone ed. New York: Simon & Schuster; 1996.
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Stanislavsky KS. An Actor Prepares. London: Methuen Drama; 1980.
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Stanislavsky KS. An Actor Prepares [Internet]. New York: Routledge; 2003. Available from: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=668654
195.
Ciecko AT. Contemporary Asian Cinema: Popular Culture in a Global Frame. English ed. Oxford: Berg; 2006.
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Braudy L, Cohen M. Film Theory and Criticism: Introductory Readings. 7th ed. New York: Oxford University Press; 2009.
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Douin JL. Jean-Luc Godard. édition augmentée. Paris: Rivages; 1994.
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Kennel G. Color and Mastering for Digital Cinema. Amsterdam: Focal; 2006.
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