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P. W. Rea and D. K. Irving, Producing and Directing the Short Film and Video, 5th Edition. New York: Focal Press, 2015.
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D. K. Irving and P. W. Rea, Producing and Directing the Short Film and Video, 4th Edition. Hoboken: Taylor and Francis, 2013 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=535000
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B. Cleve, Film Production Management, 3rd Edition. Amsterdam: Focal, 2006.
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B. Cleve, Film Production Management, 3rd Edition. Hoboken: Taylor and Francis, 2012 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=255231
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S. Harrison, Adaptations: From Short Story to Big Screen : 35 Great Stories That Have Inspired Great Films. New York: Three Rivers Press, 2005.
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L. J. Cowgill, Writing Short Films: Structure and Content for Screenwriters, 2nd Edition. Los Angeles: Lone Eagle Pub, 2005.
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L. Egri, The Art of Dramatic Writing. Touchstone, 1972 [Online]. Available: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=5658397
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J. Eberts and T. Ilott, My Indecision Is Final: The Rise and Fall of Goldcrest Films. London: Faber, 1990.
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A. Finney and E. Triana, The International Film Business: A Market Guide Beyond Hollywood, 2nd Edition. London: Routledge, 2015.
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A. Finney, The International Film Business: A Market Guide Beyond Hollywood. London: Routledge, 2010 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=515374
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T. Tharp and M. Reiter, The Creative Habit: Learn It and Use It for Life, 1st Simon & Schuster Paperback Edition. New York: Simon & Schuster, 2006.
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C. Vachon and A. Bunn, A Killer Life: How an Independent Film Producer Survives Deals and Disasters in Hollywood and Beyond. New York: Limelight Editions, 2007.
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F. Kerrigan, Film Marketing, 1st Edition. Amsterdam: Elsevier/Butterworth-Heinemann, 2010.
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F. Kerrigan, Film Marketing. Amsterdam: Butterworth-Heinemann, 2010 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=472907
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S. Parks, The Insider’s Guide to Independent Film Distribution, 2nd Edition. Amsterdam: Elsevier/Focal Press, 2012.
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S. Parks, The Insider’s Guide to Independent Film Distribution, 2nd Edition. Hoboken: Taylor and Francis, 2012 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=850699
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D. Mamet, On Directing Film. London: Penguin, 1992.
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M. Ondaatje, The Conversations: Walter Murch and the Art of Editing Film. London: Bloomsbury, 2002.
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R. S. Singleton, A. Silver, and R. Koster, Film Budgeting: Or, How Much Will It Cost to Shoot Your Movie? Los Angeles, California: Lone Eagle, 1996.
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K. S. Stanislavsky, An Actor Prepares. London: Methuen Drama, 1980.
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K. S. Stanislavsky, An Actor Prepares. New York: Routledge, 2003 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=668654
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‘Variety’ [Online]. Available: http://search.proquest.com/fiaf/publication/publications_31545?accountid=11455
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‘Screen International’.
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S. Bach, Final Cut: Dreams and Disaster in the Making of Heaven’s Gate, Revised Edition. London: Pimlico, 1996.
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P. Biskind, Easy Riders, Raging Bulls: How the Sex-Drugs-and Rock ‘N’ Roll Generation Changed Hollywood. Bloomsbury, 1998.
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P. E. Bondanella, The Films of Federico Fellini. Cambridge, UK: Cambridge University Press, 2002 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=217860
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P. E. Bondanella, The Films of Federico Fellini. New York: Cambridge University Press, 2002 [Online]. Available: https://www.proquest.com/docview/2131811065/$N?accountid=11455
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D. Bordwell, K. Thompson, and J. Smith, Film Art: An Introduction, 11th Edition. New York, NY: McGraw-Hill Education, 2017.
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R. Carney, The Films of John Cassavetes: Pragmatism, Modernism, and the Movies, vol. Cambridge film classics. Cambridge: Cambridge University Press, 1994.
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R. L. Carringer, The Making of Citizen Kane, Revised and Updated Edition. London: University of California Press, 1996.
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S. Lowenstein, My First Movie. London: Faber and Faber, 2000.
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D. Cooper, The Cinema of Satyajit Ray: Between Tradition and Modernity, vol. Cambridge studies in film. New York: Cambridge University Press, 2000.
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H.-C. Deppman, Adapted for the Screen: The Cultural Politics of Modern Chinese Fiction & Film. Honolulu: University of Hawaiʻi Press, 2010.
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J. Eberts and T. Ilott, My Indecision Is Final: The Rise and Fall of Goldcrest Films. London: Faber, 1990.
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N. Burstein and B. Morgen, ‘The Kid Stays in the Picture’. Momentum Pictures, 2003.
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R. Evans, The Kid Stays in the Picture. London: Faber, 2004.
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W. Goldman, Adventures in the Screen Trade: A Personal View of Hollywood and Screenwriting. London New York: Grand Central Publishing, 1984.
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W. Goldman, Which Lie Did I Tell?: More Adventures in the Screen Trade. London: Bloomsbury, 2000.
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L. Gopalan, The Cinema of India (24 Frames). Columbia University Press, 2010.
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R. Harmon and J. Lawrence, The Beginning Filmmaker’s Guide to a Successful First Film. New York: Walker and Co, 1997.
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T. Kezich and A. Levantesi, Dino: The Life and Films of Dino De Laurentiis, 1st Edition. New York: Miramax Books/Hyperion, 2004.
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J. Mottram, The Sundance Kids: How the Mavericks Took Back Hollywood. New York: Faber and Faber, 2006.
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H. Movshovitz, Mike Leigh, Interviews, vol. Conversations with filmmakers. Jackson, Miss: University Press of Mississippi, 2000.
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L. R. Obst, Hello, He Lied: And Other Truths From the Hollywood Trenches. New York: Broadway Books, 1997.
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J. Phillips, You’ll Never Eat Lunch in This Town Again. London: Mandarin, 1992.
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J. Pierson, Spike, Mike, Slackers & Dykes: A Guided Tour Across a Decade of American Independent Cinema. London: Faber, 1996.
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S. Priggé, Movie Moguls Speak: Interviews With Top Film Producers. Jefferson, N.C.: McFarland & Co, 2004.
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M. Pye and L. Myles, The Movie Brats: How the Film Generation Took Over Hollywood. London: Faber and Faber, 1979.
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J. Quandt, Apichatpong Weerasethakul, vol. FilmmuseumSynemaPublikationen. Wien: SYNEMA - Gesellschaft fr Film und Medien, 2009.
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M. A. Ryan, Producer to Producer: A Step-by-Step Guide to Low-Budget Independent Film Producing. Studio City, CA: Michael Wiese Productions, 2010.
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H. R. Ṣadr, Iranian Cinema: A Political History, vol. International Library of Iranian Studies. London: I.B. Tauris, 2006.
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R. S. Reza, Iranian Cinema: A Political History. London: I.B.Tauris, 2006 [Online]. Available: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=677023
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M. A. Schreibman, The Indie Producers Handbook: Creative Producing From A to Z. New York: Lone Eagle, 2001.
[57]
D. O. Selznick and R. Behlmer, Memo from David O. Selznick. London: Macmillan, 1973.
[58]
T. Shone, Blockbuster: How the Jaws and Jedi Generation Turned Hollywood Into a Boom-Town. London: Scribner, 2005.
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T. Tharp and M. Reiter, The Creative Habit: Learn It and Use It for Life, 1st Simon & Schuster Paperback Edition. New York: Simon & Schuster, 2006.
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R. Altman and D. Thompson, Altman on Altman. London: Faber and Faber, 2006.
[61]
F. Truffaut and H. G. Scott, Hitchcock, Rev. ed., vol. A touchstone book. New York: Simon & Schuster, 1984.
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C. Vachon and D. Edelstein, Shooting to Kill: How an Independent Producer Blasts Through the Barriers to Make Movies That Matter. New York: Quill, 2002.
[63]
C. Vachon and A. Bunn, A Killer Life: How an Independent Film Producer Survives Deals and Disasters in Hollywood and Beyond. New York: Limelight Editions, 2007.
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P. Alberstat, The Insider’s Guide to Film Finance. Amsterdam: Focal, 2004.
[65]
P. Alberstat, The Insider’s Guide to Film Finance. Amsterdam: Focal Press, 2004 [Online]. Available: https://www.proquest.com/legacydocview/EBC/226844?accountid=11455
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S. Badal, Swimming Upstream: A Lifesaving Guide to Short Film Distribution. Amsterdam: Focal Press, 2008.
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D. I. Bainbridge, Intellectual Property, 9th Edition. Harlow: Pearson, 2012.
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[69]
R. Baker, Media Law: A User’s Guide for Film and Programme Makers. London: Routledge, 1997.
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R. Baker, Media Law: A User’s Guide for Film and Programme Makers. London: Routledge, 1997 [Online]. Available: https://ebookcentral-proquest-com.royalholloway.idm.oclc.org/lib/rhul/detail.action?docID=1520914
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P. A. Baumgarten, D. C. Farber, and M. Fleischer, Producing, Financing and Distributing Film, 2nd ed. New York: Limelight Editions, 1992.
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G. Clapperton, This Is Social Media: How to Tweet, Post, Link and Blog Your Way to Business Success. Mankato, Minn: Capstone, 2009.
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G. Clapperton, This Is Social Media: How to Tweet, Post, Link and Blog Your Way to Business Success. Chichester, U.K.: Capstone, 2009 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=589202
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J. W. Cones, 43 Ways to Finance Your Feature Film: A Comprehensive Analysis of Film Finance, 3rd Edition. Carbondale: Southern Illinois University Press, 2008.
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J. W. Cones, 43 Ways to Finance Your Feature Film: A Comprehensive Analysis of Film Finance, 3rd Edition. Carbondale: Southern Illinois University Press, 2008 [Online]. Available: http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1365221
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J. Durie, A. Pham, and N. Watson, Marketing and Selling Your Film Around the World: Guide for Independent Filmmakers, 1st ed. Los Angeles: Silman-James Press, 2000.
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G. Erickson, H. Tulchin, and M. E. Halloran, The Independent Film Producer’s Survival Guide: A Business and Legal Sourcebook, 2nd Edition. New York: Schirmer Trade Books, 2005.
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A. Finney and E. Triana, The International Film Business: A Market Guide Beyond Hollywood, 2nd Edition. London: Routledge, 2015.
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A. Finney, The International Film Business: A Market Guide Beyond Hollywood. London: Routledge, 2010 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=515374
[80]
B. Halligan and D. Shah, Inbound Marketing: Get Found Using Google, Social Media, and Blogs, vol. The new rules of social media series. Hoboken, N.J.: Wiley, 2010.
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F. Kerrigan, M. Ozbilgin, and P. Fraser, Arts Marketing. Oxford: Elsevier Butterworth-Heinemann, 2004.
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F. Kerrigan, Film Marketing, 1st Edition. Amsterdam: Elsevier/Butterworth-Heinemann, 2010.
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F. Kerrigan, Film Marketing. Amsterdam: Butterworth-Heinemann, 2010 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=472907
[85]
J. J. Lee, The Producer’s Business Handbook. Boston: Focal, 2000.
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J. J. Lee and A. M. Gillen, The Producer’s Business Handbook. Amesterdam: Focal, 2011 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=622182
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L. Levison, Filmmakers and Financing: Business Plans for Independents, 5th Edition. Amsterdam: Focal Press, 2007.
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L. Levison, Filmmakers and Financing: Business Plans for Independents. Amsterdam: Focal Press, 2016 [Online]. Available: https://www.proquest.com/legacydocview/EBC/4748582?accountid=11455
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T. Lukk, Movie Marketing: Opening the Picture and Giving It Legs. Los Angeles: Silman-James Press, 1997.
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P. Miller, Media Law for Producers, 3rd Edition. Boston: Focal Press, 1998.
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S. Parks, The Insider’s Guide to Independent Film Distribution, 2nd Edition. Amsterdam: Elsevier/Focal Press, 2012.
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[93]
D. Rowse and C. Garrett, Problogger: Secrets for Blogging Your Way to a Six-Figure Income, 2nd ed. Indianapolis, IN: Wiley.
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J. Ulin, The business of media distribution: monetizing film, TV, and video content in an online world. New York: Focal Press, 2014 [Online]. Available: https://royalholloway.idm.oclc.org/login?url=https://www.vlebooks.com/vleweb/product/openreader?id=Holloway&isbn=9780240824543&uid=^u
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A. P. Davies et al., The film finance handbook: how to fund your film. London: Netribution.
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J. Ulin, The Business of Media Distribution: Monetizing Film, TV, and Video Content in an Online World. New York: Focal Press, 2014.
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S. Culhane, Animation: From Script to Screen. London: Columbus, 1989.
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J. D. Bolter and R. Grusin, Remediation: Understanding New Media. Cambridge, Mass: MIT, 1999.
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C. Gore, The Ultimate Film Festival Survival Guide, 3rd ed. Hollywood, CA: Lone Eagle Pub, 2004.
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A. Langer, The film festival guide: for filmmakers, film buffs, and industry professionals, Rev. ed. Chicago: Chicago Review Press, 2000.
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S. Ascher and E. Pincus, The Filmmaker’s Handbook: A Comprehensive Guide for the Digital Age, 3rd Edition. New York: Plume, 2007.
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I. Broughton, Producers on Producing: The Making of Film and Television. Jefferson, N.C: McFarland, 1986.
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S. Bernstein, Film Production, 2nd Edition. Oxford: Focal, 1994.
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J. Bignell, J. Orlebar, and P. Holland, The Television Handbook, 3rd ed. London: Routledge, 2005.
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J. Bignell, J. Orlebar, and P. Holland, The Television Handbook. London: Routledge, 2005.
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B. Clark and S. J. Spohr, Guide to Postproduction for TV and Film: Managing the Process, 2nd Edition. Amsterdam: Focal Press, 2002.
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B. Clark and S. J. Spohr, Guide to Postproduction for TV and Film: Managing the Process. Amsterdam: Focal Press, 2002 [Online]. Available: https://www.proquest.com/legacydocview/EBC/294708?accountid=11455
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B. Cleve, Film Production Management, 3rd Edition. Amsterdam: Focal, 2006.
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R. Gates, Production Management for Film and Video, 3rd ed. Oxford: Focal, 1999.
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G. Goodell, Independent Feature Film Production: A Complete Guide From Concept Through Distribution, Rev. ed. New York: St. Martin’s Griffin, 1998.
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E. Grove, Raindance Producers’ Lab: Lo-to-No Budget Filmmaking. Oxford: Focal, 2013.
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C. Jones and G. Jolliffe, The Guerilla Film Makers Handbook, 3rd Edition., vol. Guerilla guides. New York: Continuum, 2006.
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R. Koster, The On Production Budget Book, vol. Variety’s on production series. Boston: Focal, 1997.
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P. Keating, Hollywood Lighting From the Silent Era to Film Noir, vol. Film and Culture. New York: Columbia University Press, 2010.
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C. Kellison, D. Morrow, and K. Morrow, Producing for TV and New Media, 3rd Edition. New York: Focal Press, 2015.
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D. Mamet, On Directing Film. London: Penguin, 1992.
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P. P. Miller, Script Supervising and Film Continuity, 3rd Edition. Oxford: Focal, 1999.
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G. Millerson and J. Owens, Television Production, 14th Edition. Amsterdam: Focal, 2009.
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G. Millerson, Lighting for Television and Film, 3rd Edition., vol. The library of communication techniques. London: Focal, 1991.
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M. Ondaatje, The Conversations: Walter Murch and the Art of Editing Film. London: Bloomsbury, 2002.
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J. Orlebar, Digital Television Production: A Handbook. London: Arnold, 2002.
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J. Orlebar, The Practical Media Dictionary. London: Arnold, 2003.
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D. S. Patz, Film Production Management 101: Management and Coordination in a Digital Age, 2nd Edition. Studio City, CA: Michael Wiese Productions, 2010.
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D. K. Irving and P. W. Rea, Producing and Directing the Short Film and Video, 4th Edition. Hoboken: Taylor and Francis, 2013 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=535000
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J. Reiss, Think Outside the Box Office: The Ultimate Guide to Film Distribution in the Digital Era. Denver, Colo: Hybrid Cinema, 2010.
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R. S. Singleton, A. Silver, and R. Koster, Film Budgeting: Or, How Much Will It Cost to Shoot Your Movie? Los Angeles, California: Lone Eagle, 1996.
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I. H. Smith, International Film Guide 2010: The Definitive Annual Review of World Cinema. London: Wallflower, 2010.
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K. Adam and C. Frayling, Ken Adam Designs the Movies: James Bond and Beyond. London: Thames & Hudson, 2008.
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J. Barnwell, Production Design: Architects of the Screen, vol. Short cuts. London: Wallflower, 2004.
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S. Bruzzi, Undressing Cinema: Clothing and Identity in the Movies. London: Routledge, 1997.
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S. Bruzzi, Undressing Cinema: Clothing and Identity in the Movies. London: Routledge, 1997 [Online]. Available: https://www.taylorfrancis.com/books/9780203132203
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I. Christie, The Art of Film: John Box and Production Design. London: Wallflower, 2009.
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P. Ettedgui, Production Design & Art Direction, vol. Screencraft. Hove: RotoVision, 1999.
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D. N. Landis, Dressed: A Century of Hollywood Costume Design. New York: Collins, 2007.
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M. Rizzo, The Art Direction Handbook for Film & Television, 2nd Edition. New York: Focal Press, 2015.
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M. Rizzo, The Art Direction Handbook for Film & Television, 2nd Edition. Burlington, MA: Focal Press, 2015 [Online]. Available: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1734170
[142]
T. Adler, The Producers: Money, Movies and Who Really Calls the Shots. London: Methuen, 2004.
[143]
S. Bach, Final Cut: Dreams and Disaster in the Making of Heaven’s Gate, Revised Edition. London: Pimlico, 1996.
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A. S. Berg, Goldwyn: a Biography. London: Simon & Schuster, 2013.
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P. Biskind, Easy Riders, Raging Bulls: How the Sex-Drugs-and Rock ‘N’ Roll Generation Changed Hollywood. Bloomsbury, 1998.
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R. L. Carringer, The Making of Citizen Kane, Revised and Updated Edition. London: University of California Press, 1996.
[147]
J. Eberts and T. Ilott, My Indecision Is Final: The Rise and Fall of Goldcrest Films. London: Faber, 1990.
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N. Burstein and B. Morgen, ‘The Kid Stays in the Picture’. Momentum Pictures, 2003.
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R. Evans, The Kid Stays in the Picture. London: Faber, 2004.
[150]
W. Goldman, Adventures in the Screen Trade: A Personal View of Hollywood and Screenwriting. London New York: Grand Central Publishing, 1984.
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W. Goldman, Which Lie Did I Tell?: More Adventures in the Screen Trade. London: Bloomsbury, 2000.
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A. Linson, A Pound of Flesh: Perilous Tales of How to Produce Movies in Hollywood. New York: Grove Press, 1993.
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J. Mottram, The Sundance Kids: How the Mavericks Took Back Hollywood. New York: Faber and Faber, 2006.
[154]
W. Murch, In the Blink of an Eye: A Perspective on Film Editing, 2nd Edition. Los Angeles: Silman-James, 2001.
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L. R. Obst, Hello, He Lied: And Other Truths From the Hollywood Trenches. New York: Broadway Books, 1997.
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J. Phillips, You’ll Never Eat Lunch in This Town Again. London: Mandarin, 1992.
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J. Pierson, Spike, Mike, Slackers & Dykes: A Guided Tour Across a Decade of American Independent Cinema. London: Faber, 1996.
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S. Priggé, Movie Moguls Speak: Interviews With Top Film Producers. Jefferson, N.C.: McFarland & Co, 2004.
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M. Pye and L. Myles, The Movie Brats: How the Film Generation Took Over Hollywood. London: Faber and Faber, 1979.
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D. O. Selznick and R. Behlmer, Memo from David O. Selznick. London: Macmillan, 1973.
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T. Shone, Blockbuster: How the Jaws and Jedi Generation Turned Hollywood Into a Boom-Town. London: Scribner, 2005.
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R. Altman and D. Thompson, Altman on Altman. London: Faber and Faber, 2006.
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F. Truffaut and H. G. Scott, Hitchcock, Rev. ed., vol. A touchstone book. New York: Simon & Schuster, 1984.
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L. Aronson, Screenwriting Updated: New (And Conventional) Ways of Writing for the Screen, 1st Silman-James Edition. Los Angeles, California: Silman-James Press, 2001.
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J. Boozer, Authorship in Film Adaptation, 1st Edition. Austin: University of Texas Press, 2008.
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L. J. Cowgill, Writing Short Films: Structure and Content for Screenwriters, 2nd Edition. Los Angeles: Lone Eagle Pub, 2005.
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L. Egri, The Art of Dramatic Writing: Its Basis in the Creative Interpretation of Human Motives, 1st Touchstone Edition. New York: Simon & Schuster, 2004.
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L. Egri, The Art of Dramatic Writing. Touchstone, 1972 [Online]. Available: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=5658397
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S. Field, The Screenwriter’s Workbook. New York: Dell, 1984.
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S. Harrison, Adaptations: From Short Story to Big Screen : 35 Great Stories That Have Inspired Great Films. New York: Three Rivers Press, 2005.
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W. Indick, Psychology for Screenwriters: Building Conflict in Your Script. Studio City, Ca: Michael Wiese Productions, 2004.
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V. King, How to Write a Movie in 21 Days: The Inner Movie Method. Harper, 1988.
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R. W. Krevolin, Screenwriting From the Soul: Letters to an Aspiring Screenwriter, 1st Edition. Los Angeles: Renaissance Books, 1998.
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G. Orwell, Why I Write, vol. 20. London: Penguin, 2004.
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M. Rabiger, Developing Story Ideas. Oxford: Focal, 1998.
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K. Rotcop, The Perfect Pitch: How to Sell Yourself and Your Movie Idea to Hollywood, 2nd Edition. Studio City, CA: Michael Wiese Productions, 2009.
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L. Seger, The Art of Adaptation: Turning Fact and Fiction Into Film. New York: H. Holt, 1992.
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L. Seger, Making a Good Writer Great: A Creativity Workbook for Screenwriters. Los Angeles, CA: Silman-James Press, 1999.
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K. Thompson, Storytelling in the New Hollywood: Understanding Classical Narrative Technique. Cambridge, Mass: Harvard University Press, 1999.
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M. Tierno, Aristotle’s Poetics for Screenwriters: Storytelling Secrets From the Greatest Mind in Western Civilization. New York: Hyperion, 2002.
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D. Trottier, The Screenwriter’s Bible: A Complete Guide to Writing, Formatting and Selling Your Script, 3rd Edition Expanded & Updated. Los Angeles: Silman-James, 1998.
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C. Vogler, The Writer’s Journey: Mythic Structure for Writers, 3rd ed. Studio City, CA: Michael Wiese Productions, 2007.
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A. Boal, Theatre of the Oppressed, New ed. London: Pluto Press, 2008.
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A. Boal, M.-O. Leal-McBride, C. A. Leal McBride, and E. Fryer, Theatre of the Oppressed, vol. Get political. London: Pluto Press, 2008 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=200610
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P. Brook, The Empty Space, 1st Touchstone ed. New York: Simon & Schuster, 1996.
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B. Cardullo, Playing to the Camera: Film Actors Discuss Their Craft. New Haven: Yale University Press, 1998.
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K. S. Stanislavsky, An Actor Prepares. London: Methuen Drama, 1980.
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K. S. Stanislavsky, An Actor Prepares. New York: Routledge, 2003 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=668654
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A. T. Ciecko, Contemporary Asian Cinema: Popular Culture in a Global Frame, English ed. Oxford: Berg, 2006.
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L. Braudy and M. Cohen, Film Theory and Criticism: Introductory Readings, 7th ed. New York: Oxford University Press, 2009.
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D. Bordwell, J. Staiger, and K. Thompson, The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. London: Routledge & Kegan Paul, 1985.
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B. K. Grant, Auteurs and Authorship: A Film Reader. Malden, Mass: Blackwell, 2008.
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J. Gripsrud, Understanding Media Culture. London: Arnold, 2002.
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J. Izod, Screen, Culture, Psyche: A Post-Jungian Approach to Working With the Audience. London: Routledge, 2006.
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L. Mulvey, ‘Visual Pleasure and Narrative Cinema’, in Issues in Feminist Film Criticism, Bloomington: Indiana University Press, 1990.
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D. Thomson, The Whole Equation: A History of Hollywood. London: Abacus, 2006.
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G. H. Anderson, Video Editing and Post-Production: A Professional Guide. Knowledge Industry Publications Inc, 1984.
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S. Arundale and T. Trieu, Modern Post: Postproduction Workflows and Techniques for Digital Filmmakers. Burlington, MA: Focal Press, 2014.
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J. Aumont, Montage Eisenstein. London: BFI Publishing, 1987.
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G. Staten, The Avid Handbook: Advanced Techniques, Strategies, and Survival Information for Avid Editing Systems, 5th Edition. Focal Press, 2008.
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A. Bazin, What Is Cinema?: Vol. I, New ed. Berkeley: University of California Press, 2005.
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R. Benedetti, Creative Postproduction: Editing, Sound, Visual Effects, and Music for Film and Video. Boston; London: Pearson, 2003.
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B. Block, The Visual Story: Creating the Visual Structure of Film, TV and Digital Media, 2nd Edition. Oxford: Focal, 2008.
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D. Bordwell, The Cinema of Eisenstein. Cambridge, Mass: Harvard University Press, 1993.
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D. Bordwell, The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. London: Routledge, 1988 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=5910
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D. Bordwell, Film Art: An Introduction, Eleventh edition. New York, NY: McGraw-Hill Education, 2017 [Online]. Available: https://www-vlebooks-com.ezproxy01.rhul.ac.uk/Vleweb/Product/Index/1993344?page=0
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R. Thompson, Grammar of the Edit. Oxford: Focal, 1993.
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S. E. Browne, High Definition Postproduction: Editing and Delivering HD Video. Amsterdam: Focal, 2007.
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N. Burch and H. R. Lane, Theory of Film Practice. London: Secker and Warburg, 1973.
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N. Burch and A. Michelson, To the Distant Observer: Form and Meaning in the Japanese Cinema. London: Scolar, 1979.
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J. Burder, Technique of Editing 16mm Film, The (Library of Communication Techniques). Focal P., 1988.
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J.-C. Carrière, The Secret Language of Film. New York: Pantheon Books, 1994.
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G. Chandler, Cut by Cut: Editing Your Film or Video, 2nd Edition. Studio City, California: Michael Wiese, 2012.
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G. Chandler, Film Editing: Great Cuts Every Filmmaker and Movie Lover Must Know. Studio City, California: Michael Wiese, 2009.
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I. Christie and R. Taylor, Eisenstein Rediscovered. London: Routledge, 1993.
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I. Christie and R. Taylor, Eisenstein Rediscovered. London: Routledge, 1993 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=14161
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B. Clark and S. J. Spohr, Guide to Postproduction for TV and Film: Managing the Process, 2nd ed. Amsterdam: Focal Press, 2002.
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L. J. Coleman and D. Friedberg, Make the Cut: A Guide to Becoming a Successful Assistant Editor in Film and TV. Amsterdam: Focal, 2010.
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R. J. Compesi, Video Field Production and Editing, 7th Edition. New York: Focal Press, 2017.
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J. Crary, Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. Cambridge, Mass: MIT Press, 1990.
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R. Crittenden, Film and Video Editing, 2nd Edition. London: Blueprint, 1995 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=181680
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R. Crittenden, Fine cuts: the art of European film editing. Oxford: Focal, 2006.
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R. Crittenden, Fine Cuts: The Art of European Film Editing. Oxford: Focal, 2006 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=269878
[241]
K. Dancyger, The Technique of Film and Video Editing: History, Theory, and Practice, 5th Edition. Amsterdam: Focal, 2011.
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G. Deleuze, Cinema 1: The Movement-Image. London: Athlone, 1992.
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G. Deleuze, Cinema 1: The Movement-Image. London: Continuum, 2005 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=742682
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G. Deleuze, Cinema 2: The Time-Image. London: Athlone, 1989.
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E. Dmytryk, On Film Editing: An Introduction to the Art of Film Construction. Boston: Focal Press, 1984 [Online]. Available: https://librarysearch.royalholloway.ac.uk/permalink/f/c63g94/44ROY_ALMA_DS5188346440002671
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S. Eisenstein and J. Leyda, Film Form: Essays in Film Theory. San Diego, [Calif.]: Harvest, 1977.
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S. Eisenstein and J. Leyda, The Film Sense, [Rev. ed.]. New York: Harcourt Brace Jovanovich, 1975.
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S. Eisenstein and R. Taylor, Selected Works: Vol. 1. London: BFI, 1988.
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S. Eisenstein and R. Taylor, Selected Works: Vol. 2: Towards a Theory of Montage / Edited by Michael Glenny and Richard Taylor. London: BFI, 1991.
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S. Eisenstein and R. Taylor, Selected Works: Vol. 3: Writings, 1934-47. London: BFI, 1996.
[251]
T. Elsässer and A. Barker, Early Cinema: Space, Frame, Narrative. London: BFI, 1990.
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D. Fairservice, Film Editing: History, Theory, and Practice - Looking at the Invisible. Manchester: Manchester University Press, 2001.
[253]
J. Fowler, Editing Digital Film: Integrating Final Cut Pro, Avid, and Media 100. Boston: Focal Press, 2001 [Online]. Available: https://librarysearch.royalholloway.ac.uk/permalink/f/1cm8pdv/TN_cdi_proquest_ebookcentral_EBC1074611
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E. J. Giorgianni and T. E. Madden, Digital color management: encoding solutions, 2nd ed. Chichester: Wiley, 2008 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=406492
[255]
J.-L. Douin, Jean-Luc Godard, Édition augmentée. Paris: Rivages, 1994.
[256]
M. Hanson, The End of Celluloid: Film Futures in the Digital Age. RotoVision, 2014.
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N. Hollyn, The Film Editing Room Handbook: How to Tame the Chaos of the Editing Room. Peachpit Press, 2009 [Online]. Available: https://librarysearch.royalholloway.ac.uk/permalink/f/1ivluo0/44ROY_ALMA_DS2147962090002671
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S. Hullfish, The Art and Technique of Digital Color Correction, 2nd Edition. Amsterdam: Focal, 2012.
[259]
J. James, Digital Intermediates for Film and Video. New York: Focal Press, 2016.
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J. James, Fix It in Post: Solutions for Post Production Problems. Amsterdam: Focal, 2009.
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J. James, Fix It in Post: Solutions for Post Production Problems. Amsterdam: Focal, 2009 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=421181
[262]
G. Kennel, Color and Mastering for Digital Cinema. Amsterdam: Focal, 2006.
[263]
M. Kerner, The Art of the Sound Effects Editor. Focal Press, 1989.
[264]
A. J. LaValley, Eisenstein at 100: A Reconsideration. Rutgers University Press, 2001.
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C. M. Levin, Post: The Theory and Technique of Digital Nonlinear Motion Picture Editing. Pearson, 2002.
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V. LoBrutto, Selected Takes: Film Editors on Editing. New York: Praeger, 1991.
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M. Lustig, Music Editing for Motion Pictures. Communication Arts Books, 1980.
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L. Manovich, The Language of New Media. Cambridge, Mass: MIT Press, 2001.
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L. Manovich, The Language of New Media, 1st MIT Press Paperback Edition. Cambridge, Mass: MIT Press, 2002 [Online]. Available: http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=138702
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M. J. McAlister, The Language of Visual Effects. Lone Eagle Publishing Co, 1993.
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D. McGrath, Editing & Post-Production. Boston: Focal Press, 2001.
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D. Vertov and A. Michelson, Kino-Eye. Berkeley: California University Press, 1984.
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P. P. Miller, Script Supervising and Film Continuity, 3rd Edition. Oxford: Focal, 1999.
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P. P. Miller, Script Supervising and Film Continuity, 3rd Edition. Boston: Focal Press, 1999 [Online]. Available: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1366569
[275]
D. Newton and J. Gaspard, Digital filmmaking 101. Studio City, Calif: Michael Wiese, 2001.
[276]
V. Nizhnii, Lessons with Eisenstein, 1st paperback ed. New York: Da Capo Press, 1979.
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T. A. Ohanian, Digital Nonlinear Editing: New Approaches to Editing Film and Video. Boston: Focal, 1993.
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G. Oldham, First cut: conversations with film editors. Los Angeles: University of California Press, 1992.
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G. Oldham, First Cut 2: More Conversations With Film Editors. London: University of California Press, 2012.
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M. Ondaatje, The Conversations: Walter Murch and the Art of Editing Film. London: Bloomsbury, 2002.
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K. Pearlman, Cutting Rhythms: Shaping the Film Edit. Amsterdam: Focal, 2009.
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K. Pearlman, Cutting Rhythms: Shaping the Film Edit. Amsterdam: Focal, 2009 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=421208
[283]
V. I. Pudovkin, Film Technique and Film Acting. Philadelphia, PA: Richard West, 1975.
[284]
J. Purcell, Dialogue Editing for Motion Pictures: A Guide to the Invisible Art. Amsterdam: Focal, 2007.
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J. Purcell, Dialogue Editing for Motion Pictures: A Guide to the Invisible Art. Amsterdam: Focal, 2007 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=297078
[286]
J. D. Ratcliff, Timecode: a user’s guide, 3rd ed. Boston: Focal Press, 1999.
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J. D. Ratcliff, Timecode: a user’s guide, 3rd ed. Boston: Focal Press, 1999 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4185736
[288]
K. Reisz and G. Millar, The Technique of Film Editing, 2nd Edition. Oxford: Focal Press, 1999.
[289]
J. Rose and J. Rose, Audio Postproduction for Film and Video, 2nd Edition. Amsterdam: Focal, 2009.
[290]
R. Rosenblum and R. Karen, When the Shooting Stops, the Cutting Begins: A Film Editor’s Story. New York: Da Capo, 1986.
[291]
A. Rowlands, Continuity in Film and Video: A Handbook for Directors, Script Supervisors and PAs. Focal Press, 1989.
[292]
M. Rubin and R. Diamond, Nonlinear: a field guide to digital video and film editing, 4th ed. Gainesville, Fla: Triad, 2000.
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R. T. Ryan, History of Motion Picture Colour Technology. Focal Press, 1977.
[294]
B. Salt, Film Style and Technology: History and Analysis, 3rd ed. London: Starword, 2009.
[295]
A. Schneider, Electronic Post-Production and Videotape Editing. Focal Press, 1989.
[296]
J. Van Sijll, Cinematic Storytelling: The 100 Most Powerful Film Conventions Every Filmmaker Must Know. Studio City, California: Michael Wiese, 2005.
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T. Solomons, The Avid Digital Editing Room Handbook. Silman-James Press, 1999.
[298]
S. Eisenstein, The Eisenstein Reader. B.F.I., 1998.
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A. A. Tarkovskiĭ, Sculpting in Time: Reflections on the Cinema, Revised edition. London: Faber, 1989.
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A. A. Tarkovskiĭ, Sculpting in time: reflections on the cinema. Austin, [Tex.]: University of Texas Press, 1989.
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F. Truffaut and H. Scott, Hitchcock. [S.l.]: Ramsay, 1985.
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D. Vaughan, Portrait of an Invisible Man: Working Life of Stewart McAllister, Film Editor. BFI Publishing, 1983.
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E. Walter, The Technique of the Film Cutting Room. Focal Press, 1982.
