1.
Rea PW, Irving DK. Producing and Directing the Short Film and Video. 5th Edition. Focal Press; 2015.
2.
Irving DK, Rea PW. Producing and Directing the Short Film and Video. 4th Edition. Taylor and Francis; 2013. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=535000
3.
Cleve B. Film Production Management. 3rd Edition. Focal; 2006.
4.
Cleve B. Film Production Management. 3rd Edition. Taylor and Francis; 2012. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=255231
5.
Harrison S. Adaptations: From Short Story to Big Screen : 35 Great Stories That Have Inspired Great Films. Three Rivers Press; 2005.
6.
Cowgill LJ. Writing Short Films: Structure and Content for Screenwriters. 2nd Edition. Lone Eagle Pub; 2005.
7.
Egri L. The Art of Dramatic Writing: Its Basis in the Creative Interpretation of Human Motives. 1st Touchstone Edition. Simon & Schuster; 2004.
8.
Egri L. The Art of Dramatic Writing. Touchstone; 1972. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=5658397
9.
Eberts J, Ilott T. My Indecision Is Final: The Rise and Fall of Goldcrest Films. Faber; 1990.
10.
Finney A, Triana E. The International Film Business: A Market Guide Beyond Hollywood. 2nd Edition. Routledge; 2015.
11.
Finney A. The International Film Business: A Market Guide Beyond Hollywood. Routledge; 2010. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=515374
12.
Tharp T, Reiter M. The Creative Habit: Learn It and Use It for Life. 1st Simon & Schuster Paperback Edition. Simon & Schuster; 2006.
13.
Vachon C, Edelstein D. Shooting to Kill: How an Independent Producer Blasts Through the Barriers to Make Movies That Matter. Quill; 2002.
14.
Vachon C, Bunn A. A Killer Life: How an Independent Film Producer Survives Deals and Disasters in Hollywood and Beyond. Limelight Editions; 2007.
15.
Kerrigan F. Film Marketing. 1st Edition. Elsevier/Butterworth-Heinemann; 2010.
16.
Kerrigan F. Film Marketing. Butterworth-Heinemann; 2010. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=472907
17.
Parks S. The Insider’s Guide to Independent Film Distribution. 2nd Edition. Elsevier/Focal Press; 2012.
18.
Parks S. The Insider’s Guide to Independent Film Distribution. 2nd Edition. Taylor and Francis; 2012. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=850699
19.
Mamet D. On Directing Film. Penguin; 1992.
20.
Ondaatje M. The Conversations: Walter Murch and the Art of Editing Film. Bloomsbury; 2002.
21.
Singleton RS, Silver A, Koster R. Film Budgeting: Or, How Much Will It Cost to Shoot Your Movie? Lone Eagle; 1996.
22.
Stanislavsky KS. An Actor Prepares. Methuen Drama; 1980.
23.
Stanislavsky KS. An Actor Prepares. Routledge; 2003. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=668654
24.
Variety. http://search.proquest.com/fiaf/publication/publications_31545?accountid=11455
25.
Screen International.
26.
Deadline | Hollywood Entertainment Breaking News. http://deadline.com/
27.
Bach S. Final Cut: Dreams and Disaster in the Making of Heaven’s Gate. Revised Edition. Pimlico; 1996.
28.
Biskind P. Easy Riders, Raging Bulls: How the Sex-Drugs-and Rock ‘N’ Roll Generation Changed Hollywood. Bloomsbury; 1998.
29.
Bondanella PE. The Films of Federico Fellini. Cambridge University Press; 2002. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=217860
30.
Bondanella PE. The Films of Federico Fellini. Cambridge University Press; 2002. https://www.proquest.com/docview/2131811065/$N?accountid=11455
31.
Bordwell D, Thompson K, Smith J. Film Art: An Introduction. 11th Edition. McGraw-Hill Education; 2017.
32.
Carney R. The Films of John Cassavetes: Pragmatism, Modernism, and the Movies. Vol Cambridge film classics. Cambridge University Press; 1994.
33.
Carringer RL. The Making of Citizen Kane. Revised and Updated Edition. University of California Press; 1996.
34.
Lowenstein S. My First Movie. Faber and Faber; 2000.
35.
Cooper D. The Cinema of Satyajit Ray: Between Tradition and Modernity. Vol Cambridge studies in film. Cambridge University Press; 2000.
36.
Deppman HC. Adapted for the Screen: The Cultural Politics of Modern Chinese Fiction & Film. University of Hawaiʻi Press; 2010.
37.
Eberts J, Ilott T. My Indecision Is Final: The Rise and Fall of Goldcrest Films. Faber; 1990.
38.
Burstein N, Morgen B. The Kid Stays in the Picture. Published online 2003.
39.
Evans R. The Kid Stays in the Picture. Faber; 2004.
40.
Goldman W. Adventures in the Screen Trade: A Personal View of Hollywood and Screenwriting. Grand Central Publishing; 1984.
41.
Goldman W. Which Lie Did I Tell?: More Adventures in the Screen Trade. Bloomsbury; 2000.
42.
Gopalan L. The Cinema of India (24 Frames). Columbia University Press; 2010.
43.
Harmon R, Lawrence J. The Beginning Filmmaker’s Guide to a Successful First Film. Walker and Co; 1997.
44.
Kezich T, Levantesi A. Dino: The Life and Films of Dino De Laurentiis. 1st Edition. Miramax Books/Hyperion; 2004.
45.
Mottram J. The Sundance Kids: How the Mavericks Took Back Hollywood. Faber and Faber; 2006.
46.
Movshovitz H. Mike Leigh, Interviews. Vol Conversations with filmmakers. University Press of Mississippi; 2000.
47.
Obst LR. Hello, He Lied: And Other Truths From the Hollywood Trenches. Broadway Books; 1997.
48.
Phillips J. You’ll Never Eat Lunch in This Town Again. Mandarin; 1992.
49.
Pierson J. Spike, Mike, Slackers & Dykes: A Guided Tour Across a Decade of American Independent Cinema. Faber; 1996.
50.
Priggé S. Movie Moguls Speak: Interviews With Top Film Producers. McFarland & Co; 2004.
51.
Pye M, Myles L. The Movie Brats: How the Film Generation Took Over Hollywood. Faber and Faber; 1979.
52.
Quandt J. Apichatpong Weerasethakul. Vol FilmmuseumSynemaPublikationen. SYNEMA - Gesellschaft fr Film und Medien; 2009.
53.
Ryan MA. Producer to Producer: A Step-by-Step Guide to Low-Budget Independent Film Producing. Michael Wiese Productions; 2010.
54.
Ṣadr HR. Iranian Cinema: A Political History. Vol International Library of Iranian Studies. I.B. Tauris; 2006.
55.
Reza RS. Iranian Cinema: A Political History. I.B.Tauris; 2006. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=677023
56.
Schreibman MA. The Indie Producers Handbook: Creative Producing From A to Z. Lone Eagle; 2001.
57.
Selznick DO, Behlmer R. Memo from David O. Selznick. Macmillan; 1973.
58.
Shone T. Blockbuster: How the Jaws and Jedi Generation Turned Hollywood Into a Boom-Town. Scribner; 2005.
59.
Tharp T, Reiter M. The Creative Habit: Learn It and Use It for Life. 1st Simon & Schuster Paperback Edition. Simon & Schuster; 2006.
60.
Altman R, Thompson D. Altman on Altman. Faber and Faber; 2006.
61.
Truffaut F, Scott HG. Hitchcock. Vol A touchstone book. Rev. ed. Simon & Schuster; 1984.
62.
Vachon C, Edelstein D. Shooting to Kill: How an Independent Producer Blasts Through the Barriers to Make Movies That Matter. Quill; 2002.
63.
Vachon C, Bunn A. A Killer Life: How an Independent Film Producer Survives Deals and Disasters in Hollywood and Beyond. Limelight Editions; 2007.
64.
Alberstat P. The Insider’s Guide to Film Finance. Focal; 2004.
65.
Alberstat P. The Insider’s Guide to Film Finance. Focal Press; 2004. https://www.proquest.com/legacydocview/EBC/226844?accountid=11455
66.
Badal S. Swimming Upstream: A Lifesaving Guide to Short Film Distribution. Focal Press; 2008.
67.
Bainbridge DI. Intellectual Property. 9th Edition. Pearson; 2012.
68.
Bainbridge DI. Intellectual Property. 9th Edition. Pearson; 2012. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5137221
69.
Baker R. Media Law: A User’s Guide for Film and Programme Makers. Routledge; 1997.
70.
Baker R. Media Law: A User’s Guide for Film and Programme Makers. Routledge; 1997. https://ebookcentral-proquest-com.royalholloway.idm.oclc.org/lib/rhul/detail.action?docID=1520914
71.
Baumgarten PA, Farber DC, Fleischer M. Producing, Financing and Distributing Film. 2nd ed. Limelight Editions; 1992.
72.
Clapperton G. This Is Social Media: How to Tweet, Post, Link and Blog Your Way to Business Success. Capstone; 2009.
73.
Clapperton G. This Is Social Media: How to Tweet, Post, Link and Blog Your Way to Business Success. Capstone; 2009. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=589202
74.
Cones JW. 43 Ways to Finance Your Feature Film: A Comprehensive Analysis of Film Finance. 3rd Edition. Southern Illinois University Press; 2008.
75.
Cones JW. 43 Ways to Finance Your Feature Film: A Comprehensive Analysis of Film Finance. 3rd Edition. Southern Illinois University Press; 2008. http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1365221
76.
Durie J, Pham A, Watson N. Marketing and Selling Your Film Around the World: Guide for Independent Filmmakers. 1st ed. Silman-James Press; 2000.
77.
Erickson G, Tulchin H, Halloran ME. The Independent Film Producer’s Survival Guide: A Business and Legal Sourcebook. 2nd Edition. Schirmer Trade Books; 2005.
78.
Finney A, Triana E. The International Film Business: A Market Guide Beyond Hollywood. 2nd Edition. Routledge; 2015.
79.
Finney A. The International Film Business: A Market Guide Beyond Hollywood. Routledge; 2010. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=515374
80.
Halligan B, Shah D. Inbound Marketing: Get Found Using Google, Social Media, and Blogs. Vol The new rules of social media series. Wiley; 2010.
81.
Kerrigan F, Ozbilgin M, Fraser P. Arts Marketing. Elsevier Butterworth-Heinemann; 2004.
82.
Kerrigan F, Ozbilgin M, Fraser P. Arts Marketing. Elsevier Butterworth-Heinemann; 2004. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=288907
83.
Kerrigan F. Film Marketing. 1st Edition. Elsevier/Butterworth-Heinemann; 2010.
84.
Kerrigan F. Film Marketing. Butterworth-Heinemann; 2010. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=472907
85.
Lee JJ. The Producer’s Business Handbook. Focal; 2000.
86.
Lee JJ, Gillen AM. The Producer’s Business Handbook. Focal; 2011. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=622182
87.
Levison L. Filmmakers and Financing: Business Plans for Independents. 5th Edition. Focal Press; 2007.
88.
Levison L. Filmmakers and Financing: Business Plans for Independents. Focal Press; 2016. https://www.proquest.com/legacydocview/EBC/4748582?accountid=11455
89.
Lukk T. Movie Marketing: Opening the Picture and Giving It Legs. Silman-James Press; 1997.
90.
Miller P. Media Law for Producers. 3rd Edition. Focal Press; 1998.
91.
Parks S. The Insider’s Guide to Independent Film Distribution. 2nd Edition. Elsevier/Focal Press; 2012.
92.
Parks S. The Insider’s Guide to Independent Film Distribution. 2nd Edition. Taylor and Francis; 2012. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=850699
93.
Rowse D, Garrett C. Problogger: Secrets for Blogging Your Way to a Six-Figure Income. 2nd ed. Wiley
94.
Ulin J. The Business of Media Distribution: Monetizing Film, TV, and Video Content in an Online World. Focal Press; 2014. https://royalholloway.idm.oclc.org/login?url=https://www.vlebooks.com/vleweb/product/openreader?id=Holloway&isbn=9780240824543&uid=^u
95.
Davies AP, Wistreich N, MacGregor J, et al. The Film Finance Handbook: How to Fund Your Film. Netribution
96.
Ulin J. The Business of Media Distribution: Monetizing Film, TV, and Video Content in an Online World. Focal Press; 2014.
97.
Culhane S. Animation: From Script to Screen. Columbus; 1989.
98.
Bolter JD, Grusin R. Remediation: Understanding New Media. MIT; 1999.
99.
Gore C. The Ultimate Film Festival Survival Guide. 3rd ed. Lone Eagle Pub; 2004.
100.
Langer A. The Film Festival Guide: For Filmmakers, Film Buffs, and Industry Professionals. Rev. ed. Chicago Review Press; 2000.
101.
Ascher S, Pincus E. The Filmmaker’s Handbook: A Comprehensive Guide for the Digital Age. 3rd Edition. Plume; 2007.
102.
Broughton I. Producers on Producing: The Making of Film and Television. McFarland; 1986.
103.
Bernstein S. Film Production. 2nd Edition. Focal; 1994.
104.
Bignell J, Orlebar J, Holland P. The Television Handbook. 3rd ed. Routledge; 2005.
105.
Bignell J, Orlebar J, Holland P. The Television Handbook. Routledge; 2005.
106.
Clark B, Spohr SJ. Guide to Postproduction for TV and Film: Managing the Process. 2nd Edition. Focal Press; 2002.
107.
Clark B, Spohr SJ. Guide to Postproduction for TV and Film: Managing the Process. Focal Press; 2002. https://www.proquest.com/legacydocview/EBC/294708?accountid=11455
108.
Cleve B. Film Production Management. 3rd Edition. Focal; 2006.
109.
Cleve B. Film Production Management. 3rd Edition. Taylor and Francis; 2012. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=255231
110.
Gates R. Production Management for Film and Video. 3rd ed. Focal; 1999.
111.
Goodell G. Independent Feature Film Production: A Complete Guide From Concept Through Distribution. Rev. ed. St. Martin’s Griffin; 1998.
112.
Grove E. Raindance Producers’ Lab: Lo-to-No Budget Filmmaking. Focal; 2013.
113.
Grove E. Raindance Producers’ Lab: Lo-to-No Budget Filmmaking. 2nd Edition. Focal Press; 2014. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1546810
114.
Jones C, Jolliffe G. The Guerilla Film Makers Handbook. Vol Guerilla guides. 3rd Edition. Continuum; 2006.
115.
Koster R. The On Production Budget Book. Vol Variety’s on production series. Focal; 1997.
116.
Keating P. Hollywood Lighting From the Silent Era to Film Noir. Vol Film and Culture. Columbia University Press; 2010.
117.
Kellison C, Morrow D, Morrow K. Producing for TV and New Media. 3rd Edition. Focal Press; 2015.
118.
Mamet D. On Directing Film. Penguin; 1992.
119.
Miller PP. Script Supervising and Film Continuity. 3rd Edition. Focal; 1999.
120.
Miller PP. Script Supervising and Film Continuity. 3rd Edition. Focal Press; 1999. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1366569
121.
Millerson G, Owens J. Television Production. 14th Edition. Focal; 2009.
122.
Millerson G. Lighting for Television and Film. Vol The library of communication techniques. 3rd Edition. Focal; 1991.
123.
Ondaatje M. The Conversations: Walter Murch and the Art of Editing Film. Bloomsbury; 2002.
124.
Orlebar J. Digital Television Production: A Handbook. Arnold; 2002.
125.
Orlebar J. The Practical Media Dictionary. Arnold; 2003.
126.
Patz DS. Film Production Management 101: Management and Coordination in a Digital Age. 2nd Edition. Michael Wiese Productions; 2010.
127.
Rea PW, Irving DK. Producing and Directing the Short Film and Video. 5th Edition. Focal Press; 2015.
128.
Irving DK, Rea PW. Producing and Directing the Short Film and Video. 4th Edition. Taylor and Francis; 2013. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=535000
129.
Reiss J. Think Outside the Box Office: The Ultimate Guide to Film Distribution in the Digital Era. Hybrid Cinema; 2010.
130.
Russo J. Making Movies: The Inside Guide to Independent Movie Production. Dell; 1989.
131.
Singleton RS, Silver A, Koster R. Film Budgeting: Or, How Much Will It Cost to Shoot Your Movie? Lone Eagle; 1996.
132.
Smith IH. International Film Guide 2010: The Definitive Annual Review of World Cinema. Wallflower; 2010.
133.
Adam K, Frayling C. Ken Adam Designs the Movies: James Bond and Beyond. Thames & Hudson; 2008.
134.
Barnwell J. Production Design: Architects of the Screen. Vol Short cuts. Wallflower; 2004.
135.
Bruzzi S. Undressing Cinema: Clothing and Identity in the Movies. Routledge; 1997.
136.
Bruzzi S. Undressing Cinema: Clothing and Identity in the Movies. Routledge; 1997. https://www.taylorfrancis.com/books/9780203132203
137.
Christie I. The Art of Film: John Box and Production Design. Wallflower; 2009.
138.
Ettedgui P. Production Design & Art Direction. Vol Screencraft. RotoVision; 1999.
139.
Landis DN. Dressed: A Century of Hollywood Costume Design. Collins; 2007.
140.
Rizzo M. The Art Direction Handbook for Film & Television. 2nd Edition. Focal Press; 2015.
141.
Rizzo M. The Art Direction Handbook for Film & Television. 2nd Edition. Focal Press; 2015. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1734170
142.
Adler T. The Producers: Money, Movies and Who Really Calls the Shots. Methuen; 2004.
143.
Bach S. Final Cut: Dreams and Disaster in the Making of Heaven’s Gate. Revised Edition. Pimlico; 1996.
144.
Berg AS. Goldwyn: A Biography. Simon & Schuster; 2013.
145.
Biskind P. Easy Riders, Raging Bulls: How the Sex-Drugs-and Rock ‘N’ Roll Generation Changed Hollywood. Bloomsbury; 1998.
146.
Carringer RL. The Making of Citizen Kane. Revised and Updated Edition. University of California Press; 1996.
147.
Eberts J, Ilott T. My Indecision Is Final: The Rise and Fall of Goldcrest Films. Faber; 1990.
148.
Burstein N, Morgen B. The Kid Stays in the Picture. Published online 2003.
149.
Evans R. The Kid Stays in the Picture. Faber; 2004.
150.
Goldman W. Adventures in the Screen Trade: A Personal View of Hollywood and Screenwriting. Grand Central Publishing; 1984.
151.
Goldman W. Which Lie Did I Tell?: More Adventures in the Screen Trade. Bloomsbury; 2000.
152.
Linson A. A Pound of Flesh: Perilous Tales of How to Produce Movies in Hollywood. Grove Press; 1993.
153.
Mottram J. The Sundance Kids: How the Mavericks Took Back Hollywood. Faber and Faber; 2006.
154.
Murch W. In the Blink of an Eye: A Perspective on Film Editing. 2nd Edition. Silman-James; 2001.
155.
Obst LR. Hello, He Lied: And Other Truths From the Hollywood Trenches. Broadway Books; 1997.
156.
Phillips J. You’ll Never Eat Lunch in This Town Again. Mandarin; 1992.
157.
Pierson J. Spike, Mike, Slackers & Dykes: A Guided Tour Across a Decade of American Independent Cinema. Faber; 1996.
158.
Priggé S. Movie Moguls Speak: Interviews With Top Film Producers. McFarland & Co; 2004.
159.
Pye M, Myles L. The Movie Brats: How the Film Generation Took Over Hollywood. Faber and Faber; 1979.
160.
Selznick DO, Behlmer R. Memo from David O. Selznick. Macmillan; 1973.
161.
Shone T. Blockbuster: How the Jaws and Jedi Generation Turned Hollywood Into a Boom-Town. Scribner; 2005.
162.
Altman R, Thompson D. Altman on Altman. Faber and Faber; 2006.
163.
Truffaut F, Scott HG. Hitchcock. Vol A touchstone book. Rev. ed. Simon & Schuster; 1984.
164.
Von Sternberg J. Fun in a Chinese Laundry. Macmillan; 1965.
165.
Aronson L. Screenwriting Updated: New (And Conventional) Ways of Writing for the Screen. 1st Silman-James Edition. Silman-James Press; 2001.
166.
Atchity KJ, Wong CL. Writing Treatments That Sell: How to Create and Market Your Story Ideas to the Motion Picture and TV Industry. 2nd Edition. Henry Holt; 2003.
167.
Boozer J. Authorship in Film Adaptation. 1st Edition. University of Texas Press; 2008.
168.
Cowgill LJ. Writing Short Films: Structure and Content for Screenwriters. 2nd Edition. Lone Eagle Pub; 2005.
169.
Egri L. The Art of Dramatic Writing: Its Basis in the Creative Interpretation of Human Motives. 1st Touchstone Edition. Simon & Schuster; 2004.
170.
Egri L. The Art of Dramatic Writing. Touchstone; 1972. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=5658397
171.
Field S. The Screenwriter’s Workbook. Dell; 1984.
172.
Harrison S. Adaptations: From Short Story to Big Screen : 35 Great Stories That Have Inspired Great Films. Three Rivers Press; 2005.
173.
Halperin M. Writing the Killer Treatment: Selling Your Story Without a Script. Michael Wiese; 2002.
174.
Indick W. Psychology for Screenwriters: Building Conflict in Your Script. Michael Wiese Productions; 2004.
175.
Johnstone K. Impro for Storytellers: Theatresports and the Art of Making Things Happen. Faber; 1999.
176.
King V. How to Write a Movie in 21 Days: The Inner Movie Method. Harper; 1988.
177.
Krevolin RW. Screenwriting From the Soul: Letters to an Aspiring Screenwriter. 1st Edition. Renaissance Books; 1998.
178.
McKee R. Story: Substance, Structure, Style, and the Principles of Screenwriting. Methuen; 1999.
179.
Orwell G. Why I Write. Vol 20. Penguin; 2004.
180.
Rabiger M. Developing Story Ideas. Focal; 1998.
181.
Rotcop K. The Perfect Pitch: How to Sell Yourself and Your Movie Idea to Hollywood. 2nd Edition. Michael Wiese Productions; 2009.
182.
Seger L. The Art of Adaptation: Turning Fact and Fiction Into Film. H. Holt; 1992.
183.
Seger L. Making a Good Writer Great: A Creativity Workbook for Screenwriters. Silman-James Press; 1999.
184.
Thompson K. Storytelling in the New Hollywood: Understanding Classical Narrative Technique. Harvard University Press; 1999.
185.
Tierno M. Aristotle’s Poetics for Screenwriters: Storytelling Secrets From the Greatest Mind in Western Civilization. Hyperion; 2002.
186.
Trottier D. The Screenwriter’s Bible: A Complete Guide to Writing, Formatting and Selling Your Script. 3rd Edition Expanded & Updated. Silman-James; 1998.
187.
Vogler C. The Writer’s Journey: Mythic Structure for Writers. 3rd ed. Michael Wiese Productions; 2007.
188.
Boal A. Theatre of the Oppressed. New ed. Pluto Press; 2008.
189.
Boal A, Leal-McBride MO, Leal McBride CA, Fryer E. Theatre of the Oppressed. Vol Get political. Pluto Press; 2008. http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=200610
190.
Brook P. The Empty Space. 1st Touchstone ed. Simon & Schuster; 1996.
191.
Cardullo B. Playing to the Camera: Film Actors Discuss Their Craft. Yale University Press; 1998.
192.
Grotowski J, Barba E. Towards a Poor Theatre. 1st Routledge ed. Routledge; 2002. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1075038
193.
Stanislavsky KS. An Actor Prepares. Methuen Drama; 1980.
194.
Stanislavsky KS. An Actor Prepares. Routledge; 2003. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=668654
195.
Ciecko AT. Contemporary Asian Cinema: Popular Culture in a Global Frame. English ed. Berg; 2006.
196.
Braudy L, Cohen M. Film Theory and Criticism: Introductory Readings. 7th ed. Oxford University Press; 2009.
197.
Bazin A. What Is Cinema?: Vol. I. New ed. University of California Press; 2005.
198.
Berger J. Ways of Seeing. Penguin; 2008.
199.
Bordwell D, Staiger J, Thompson K. The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. Routledge & Kegan Paul; 1985.
200.
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201.
Grant BK. Auteurs and Authorship: A Film Reader. Blackwell; 2008.
202.
Gripsrud J. Understanding Media Culture. Arnold; 2002.
203.
Izod J. Screen, Culture, Psyche: A Post-Jungian Approach to Working With the Audience. Routledge; 2006.
204.
Izod J. Screen, Culture, Psyche: A Post-Jungian Approach to Working With the Audience. Routledge; 2016. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=4391195
205.
Mulvey L. Visual Pleasure and Narrative Cinema. In: Issues in Feminist Film Criticism. Indiana University Press; 1990.
206.
Thomson D. The Whole Equation: A History of Hollywood. Abacus; 2006.
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Anderson GH. Video Editing and Post-Production: A Professional Guide. Knowledge Industry Publications Inc; 1984.
208.
Arijon D. Grammar of the Film Language. Silman-James; 1976.
209.
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210.
Arundale S, Trieu T. Modern Post: Postproduction Workflows and Techniques for Digital Filmmakers. Focal Press; 2014. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1757878
211.
Aumont J. Montage Eisenstein. BFI Publishing; 1987.
212.
Staten G. The Avid Handbook: Advanced Techniques, Strategies, and Survival Information for Avid Editing Systems. 5th Edition. Focal Press; 2008.
213.
Bazin A. What Is Cinema?: Vol. I. New ed. University of California Press; 2005.
214.
Benedetti R. Creative Postproduction: Editing, Sound, Visual Effects, and Music for Film and Video. Pearson; 2003.
215.
Block B. The Visual Story: Creating the Visual Structure of Film, TV and Digital Media. 2nd Edition. Focal; 2008.
216.
Bordwell D. The Cinema of Eisenstein. Harvard University Press; 1993.
217.
Bordwell D. The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. Routledge & Kegan Paul; 1985.
218.
Bordwell D. The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. Routledge; 1988. http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=5910
219.
Bordwell D. Film Art: An Introduction. Eleventh edition. McGraw-Hill Education; 2017. https://www-vlebooks-com.ezproxy01.rhul.ac.uk/Vleweb/Product/Index/1993344?page=0
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Thompson R. Grammar of the Edit. Focal; 1993.
221.
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Dancyger K. The Technique of Film and Video Editing: History, Theory, and Practice. 5th Edition. Focal; 2011.
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Deleuze G. Cinema 2: The Time-Image. Athlone; 1989.
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Dmytryk E. On Film Editing: An Introduction to the Art of Film Construction. Focal Press; 1984. https://librarysearch.royalholloway.ac.uk/permalink/f/c63g94/44ROY_ALMA_DS5188346440002671
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Giorgianni EJ, Madden TE. Digital Color Management: Encoding Solutions. 2nd ed. Wiley; 2008. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=406492
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Douin JL. Jean-Luc Godard. édition augmentée. Rivages; 1994.
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Hanson M. The End of Celluloid: Film Futures in the Digital Age. RotoVision; 2014.
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Kennel G. Color and Mastering for Digital Cinema. Focal; 2006.
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Kerner M. The Art of the Sound Effects Editor. Focal Press; 1989.
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LaValley AJ. Eisenstein at 100: A Reconsideration. Rutgers University Press; 2001.
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Newton D, Gaspard J. Digital Filmmaking 101. Michael Wiese; 2001.
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Pearlman K. Cutting Rhythms: Shaping the Film Edit. Focal; 2009.
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Pudovkin VI. Film Technique and Film Acting. Richard West; 1975.
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Purcell J. Dialogue Editing for Motion Pictures: A Guide to the Invisible Art. Focal; 2007.
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Ratcliff JD. Timecode: A User’s Guide. 3rd ed. Focal Press; 1999.
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Ratcliff JD. Timecode: A User’s Guide. 3rd ed. Focal Press; 1999. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4185736
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Reisz K, Millar G. The Technique of Film Editing. 2nd Edition. Focal Press; 1999.
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Rose J, Rose J. Audio Postproduction for Film and Video. 2nd Edition. Focal; 2009.
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Rosenblum R, Karen R. When the Shooting Stops, the Cutting Begins: A Film Editor’s Story. Da Capo; 1986.
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Rowlands A. Continuity in Film and Video: A Handbook for Directors, Script Supervisors and PAs. Focal Press; 1989.
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