Adam, Ken, and Christopher Frayling. Ken Adam Designs the Movies: James Bond and Beyond. London: Thames & Hudson, 2008. Print.
Adler, Tim. The Producers: Money, Movies and Who Really Calls the Shots. London: Methuen, 2004. Print.
Alberstat, Philip. The Insider’s Guide to Film Finance. Amsterdam: Focal, 2004. Print.
---. The Insider’s Guide to Film Finance. Amsterdam: Focal Press, 2004. Web. <https://www.proquest.com/legacydocview/EBC/226844?accountid=11455>.
Altman, Robert, and David Thompson. Altman on Altman. London: Faber and Faber, 2006. Print.
---. Altman on Altman. London: Faber and Faber, 2006. Print.
Anderson, Gary H. Video Editing and Post-Production: A Professional Guide. Knowledge Industry Publications Inc, 1984. Print.
Arijon, Daniel. Grammar of the Film Language. Los Angeles: Silman-James, 1976. Print.
Aronson, Linda. Screenwriting Updated: New (And Conventional) Ways of Writing for the Screen. 1st Silman-James Edition. Los Angeles, California: Silman-James Press, 2001. Print.
Arundale, Scott, and Tashi Trieu. Modern Post: Postproduction Workflows and Techniques for Digital Filmmakers. Burlington, MA: Focal Press, 2014. Print.
---. Modern Post: Postproduction Workflows and Techniques for Digital Filmmakers. Burlington, MA: Focal Press, 2014. Web. <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1757878>.
Ascher, Steven, and Edward Pincus. The Filmmaker’s Handbook: A Comprehensive Guide for the Digital Age. 3rd Edition. New York: Plume, 2007. Print.
Atchity, Kenneth John, and Chi-Li Wong. Writing Treatments That Sell: How to Create and Market Your Story Ideas to the Motion Picture and TV Industry. 2nd Edition. New York: Henry Holt, 2003. Print.
Aumont, J. Montage Eisenstein. London: BFI Publishing, 1987. Print.
Bach, Steven. Final Cut: Dreams and Disaster in the Making of Heaven’s Gate. Revised Edition. London: Pimlico, 1996. Print.
---. Final Cut: Dreams and Disaster in the Making of Heaven’s Gate. Revised Edition. London: Pimlico, 1996. Print.
Badal, Sharon. Swimming Upstream: A Lifesaving Guide to Short Film Distribution. Amsterdam: Focal Press, 2008. Print.
Bainbridge, David I. Intellectual Property. 9th Edition. Harlow: Pearson, 2012. Print.
---. Intellectual Property. 9th Edition. Harlow: Pearson, 2012. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5137221>.
Baker, Rhonda. Media Law: A User’s Guide for Film and Programme Makers. London: Routledge, 1997. Print.
---. Media Law: A User’s Guide for Film and Programme Makers. London: Routledge, 1997. Web. <https://ebookcentral-proquest-com.royalholloway.idm.oclc.org/lib/rhul/detail.action?docID=1520914>.
Barnwell, Jane. Production Design: Architects of the Screen. Short cuts. London: Wallflower, 2004. Print.
Baumgarten, Paul A., Donald C. Farber, and Mark Fleischer. Producing, Financing and Distributing Film. 2nd ed. New York: Limelight Editions, 1992. Print.
Bazin, André. What Is Cinema?: Vol. I. New ed. Berkeley: University of California Press, 2005. Print.
---. What Is Cinema?: Vol. I. New ed. Berkeley: University of California Press, 2005. Print.
Benedetti, Robert. Creative Postproduction: Editing, Sound, Visual Effects, and Music for Film and Video. Boston; London: Pearson, 2003. Print.
Berg, A. Scott. Goldwyn: A Biography. London: Simon & Schuster, 2013. Print.
Berger, John. Ways of Seeing. London: Penguin, 2008. Print.
Bernstein, Steven. Film Production. 2nd Edition. Oxford: Focal, 1994. Print.
Bignell, Jonathan, Jeremy Orlebar, and Patricia Holland. The Television Handbook. 3rd ed. London: Routledge, 2005. Print.
---. The Television Handbook. London: Routledge, 2005. Print.
Biskind, Peter. Easy Riders, Raging Bulls: How the Sex-Drugs-and Rock ‘N’ Roll Generation Changed Hollywood. Bloomsbury, 1998. Print.
---. Easy Riders, Raging Bulls: How the Sex-Drugs-and Rock ‘N’ Roll Generation Changed Hollywood. Bloomsbury, 1998. Print.
Block, Bruce. The Visual Story: Creating the Visual Structure of Film, TV and Digital Media. 2nd Edition. Oxford: Focal, 2008. Print.
Boal, Augusto. Theatre of the Oppressed. New ed. London: Pluto Press, 2008. Print.
---. Theatre of the Oppressed. Get political. London: Pluto Press, 2008. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=200610>.
Bolter, J. David, and Richard Grusin. Remediation: Understanding New Media. Cambridge, Mass: MIT, 1999. Print.
Bondanella, Peter E. The Films of Federico Fellini. Cambridge, UK: Cambridge University Press, 2002. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=217860>.
---. The Films of Federico Fellini. New York: Cambridge University Press, 2002. Web. <https://www.proquest.com/docview/2131811065/$N?accountid=11455>.
Boozer, Jack. Authorship in Film Adaptation. 1st Edition. Austin: University of Texas Press, 2008. Print.
Bordwell, David. Film Art: An Introduction. Eleventh edition. New York, NY: McGraw-Hill Education, 2017. Web. <https://www-vlebooks-com.ezproxy01.rhul.ac.uk/Vleweb/Product/Index/1993344?page=0>.
---. The Cinema of Eisenstein. Cambridge, Mass: Harvard University Press, 1993. Print.
---. The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. London: Routledge & Kegan Paul, 1985. Print.
---. The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. London: Routledge, 1988. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=5910>.
Bordwell, David, Janet Staiger, and Kristin Thompson. The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. London: Routledge & Kegan Paul, 1985. Print.
Bordwell, David, Kristin Thompson, and Jeff Smith. Film Art: An Introduction. 11th Edition. New York, NY: McGraw-Hill Education, 2017. Print.
Bordwell, David, Kristin Thompson, and Janet Staiger. The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. London: Routledge, 1988. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=5910>.
Braudy, Leo, and Marshall Cohen. Film Theory and Criticism: Introductory Readings. 7th ed. New York: Oxford University Press, 2009. Print.
Brook, Peter. The Empty Space. 1st Touchstone ed. New York: Simon & Schuster, 1996. Print.
Broughton, Irv. Producers on Producing: The Making of Film and Television. Jefferson, N.C: McFarland, 1986. Print.
Browne, Steven E. High Definition Postproduction: Editing and Delivering HD Video. Amsterdam: Focal, 2007. Print.
---. High Definition Postproduction: Editing and Delivering HD Video. Amsterdam: Focal, 2007. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=287936>.
Bruzzi, Stella. Undressing Cinema: Clothing and Identity in the Movies. London: Routledge, 1997. Print.
---. Undressing Cinema: Clothing and Identity in the Movies. London: Routledge, 1997. Web. <https://www.taylorfrancis.com/books/9780203132203>.
Burch, Noël, and Helen R. Lane. Theory of Film Practice. London: Secker and Warburg, 1973. Print.
Burch, Noël, and Annette Michelson. To the Distant Observer: Form and Meaning in the Japanese Cinema. London: Scolar, 1979. Print.
Burder, John. Technique of Editing 16mm Film, The (Library of Communication Techniques). Focal P., 1988. Print.
Burstein, Nanette, and Brett Morgen. ‘The Kid Stays in the Picture’. 2003 : n. pag. Print.
---. ‘The Kid Stays in the Picture’. 2003 : n. pag. Print.
Cardullo, Bert. Playing to the Camera: Film Actors Discuss Their Craft. New Haven: Yale University Press, 1998. Print.
Carney, Raymond. The Films of John Cassavetes: Pragmatism, Modernism, and the Movies. Cambridge film classics. Cambridge: Cambridge University Press, 1994. Print.
Carrière, Jean-Claude. The Secret Language of Film. New York: Pantheon Books, 1994. Print.
Carringer, Robert L. The Making of Citizen Kane. Revised and Updated Edition. London: University of California Press, 1996. Print.
---. The Making of Citizen Kane. Revised and Updated Edition. London: University of California Press, 1996. Print.
Chandler, Gael. Cut by Cut: Editing Your Film or Video. 2nd Edition. Studio City, California: Michael Wiese, 2012. Print.
---. Film Editing: Great Cuts Every Filmmaker and Movie Lover Must Know. Studio City, California: Michael Wiese, 2009. Print.
Christie, Ian. The Art of Film: John Box and Production Design. London: Wallflower, 2009. Print.
Christie, Ian, and Richard Taylor. Eisenstein Rediscovered. London: Routledge, 1993. Print.
---. Eisenstein Rediscovered. London: Routledge, 1993. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=14161>.
Ciecko, Anne Tereska. Contemporary Asian Cinema: Popular Culture in a Global Frame. English ed. Oxford: Berg, 2006. Print.
Clapperton, Guy. This Is Social Media: How to Tweet, Post, Link and Blog Your Way to Business Success. Mankato, Minn: Capstone, 2009. Print.
---. This Is Social Media: How to Tweet, Post, Link and Blog Your Way to Business Success. Chichester, U.K.: Capstone, 2009. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=589202>.
Clark, Barbara, and Susan J. Spohr. Guide to Postproduction for TV and Film: Managing the Process. 2nd Edition. Amsterdam: Focal Press, 2002. Print.
---. Guide to Postproduction for TV and Film: Managing the Process. Amsterdam: Focal Press, 2002. Web. <https://www.proquest.com/legacydocview/EBC/294708?accountid=11455>.
Clark, Barbara, and Susan J Spohr. Guide to Postproduction for TV and Film: Managing the Process. 2nd ed. Amsterdam: Focal Press, 2002. Print.
Clark, Barbara, and Susan J. Spohr. Guide to Postproduction for TV and Film: Managing the Process. Amsterdam: Focal Press, 2002. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=100579>.
Cleve, Bastian. Film Production Management. 3rd Edition. Amsterdam: Focal, 2006. Print.
---. Film Production Management. 3rd Edition. Hoboken: Taylor and Francis, 2012. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=255231>.
---. Film Production Management. 3rd Edition. Amsterdam: Focal, 2006. Print.
---. Film Production Management. 3rd Edition. Hoboken: Taylor and Francis, 2012. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=255231>.
Coleman, Lori Jane, and Diana Friedberg. Make the Cut: A Guide to Becoming a Successful Assistant Editor in Film and TV. Amsterdam: Focal, 2010. Print.
---. Make the Cut: A Guide to Becoming a Successful Assistant Editor in Film and TV. Amsterdam: Focal, 2010. Web. <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=566645>.
Compesi, Ronald J. Video Field Production and Editing. 7th Edition. New York: Focal Press, 2017. Print.
---. Video Field Production and Editing. 7th Edition. Boston, MA: Pearson Allyn and Bacon, 2007. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4186105>.
Cones, John W. 43 Ways to Finance Your Feature Film: A Comprehensive Analysis of Film Finance. 3rd Edition. Carbondale: Southern Illinois University Press, 2008. Print.
---. 43 Ways to Finance Your Feature Film: A Comprehensive Analysis of Film Finance. 3rd Edition. Carbondale: Southern Illinois University Press, 2008. Web. <http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1365221>.
Cooper, Darius. The Cinema of Satyajit Ray: Between Tradition and Modernity. Cambridge studies in film. New York: Cambridge University Press, 2000. Print.
Cowgill, Linda J. Writing Short Films: Structure and Content for Screenwriters. 2nd Edition. Los Angeles: Lone Eagle Pub, 2005. Print.
---. Writing Short Films: Structure and Content for Screenwriters. 2nd Edition. Los Angeles: Lone Eagle Pub, 2005. Print.
Crary, Jonathan. Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. Cambridge, Mass: MIT Press, 1990. Print.
Crittenden, Roger. Film and Video Editing. 2nd Edition. London: Blueprint, 1995. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=181680>.
---. Fine Cuts: The Art of European Film Editing. Oxford: Focal, 2006. Print.
---. Fine Cuts: The Art of European Film Editing. Oxford: Focal, 2006. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=269878>.
Culhane, Shamus. Animation: From Script to Screen. London: Columbus, 1989. Print.
Dancyger, Ken. The Technique of Film and Video Editing: History, Theory, and Practice. 5th Edition. Amsterdam: Focal, 2011. Print.
Davies, Adam P. et al. The Film Finance Handbook: How to Fund Your Film. London: Netribution. Print.
‘Deadline | Hollywood Entertainment Breaking News’. N.p., n.d. Web. <http://deadline.com/>.
Deleuze, Gilles. Cinema 1: The Movement-Image. London: Athlone, 1992. Print.
---. Cinema 1: The Movement-Image. London: Continuum, 2005. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=742682>.
---. Cinema 2: The Time-Image. London: Athlone, 1989. Print.
Deppman, Hsiu-Chuang. Adapted for the Screen: The Cultural Politics of Modern Chinese Fiction & Film. Honolulu: University of Hawaiʻi Press, 2010. Print.
Dmytryk, Edward. On Film Editing: An Introduction to the Art of Film Construction. Boston: Focal Press, 1984. Web. <https://librarysearch.royalholloway.ac.uk/permalink/f/c63g94/44ROY_ALMA_DS5188346440002671>.
Douin, Jean-Luc. Jean-Luc Godard. édition augmentée. Paris: Rivages, 1994. Print.
Durie, John, Annika Pham, and Neil Watson. Marketing and Selling Your Film Around the World: Guide for Independent Filmmakers. 1st ed. Los Angeles: Silman-James Press, 2000. Print.
Eberts, Jake, and Terry Ilott. My Indecision Is Final: The Rise and Fall of Goldcrest Films. London: Faber, 1990. Print.
---. My Indecision Is Final: The Rise and Fall of Goldcrest Films. London: Faber, 1990. Print.
---. My Indecision Is Final: The Rise and Fall of Goldcrest Films. London: Faber, 1990. Print.
Egri, Lajos. The Art of Dramatic Writing. Touchstone, 1972. Web. <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=5658397>.
---. The Art of Dramatic Writing. Touchstone, 1972. Web. <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=5658397>.
---. The Art of Dramatic Writing: Its Basis in the Creative Interpretation of Human Motives. 1st Touchstone Edition. New York: Simon & Schuster, 2004. Print.
---. The Art of Dramatic Writing: Its Basis in the Creative Interpretation of Human Motives. 1st Touchstone Edition. New York: Simon & Schuster, 2004. Print.
Eisenstein, Sergei. The Eisenstein Reader. B.F.I., 1998. Print.
Eisenstein, Sergei, and Jay Leyda. Film Form: Essays in Film Theory. San Diego, [Calif.]: Harvest, 1977. Print.
---. The Film Sense. [Rev. ed.]. New York: Harcourt Brace Jovanovich, 1975. Print.
Eisenstein, Sergei, and Richard Taylor. Selected Works: Vol. 1. London: BFI, 1988. Print.
---. Selected Works: Vol. 2: Towards a Theory of Montage / Edited by Michael Glenny and Richard Taylor. London: BFI, 1991. Print.
---. Selected Works: Vol. 3: Writings, 1934-47. London: BFI, 1996. Print.
Elsässer, T., and Adam Barker. Early Cinema: Space, Frame, Narrative. London: BFI, 1990. Print.
Erickson, Gunnar, Harris Tulchin, and Mark E. Halloran. The Independent Film Producer’s Survival Guide: A Business and Legal Sourcebook. 2nd Edition. New York: Schirmer Trade Books, 2005. Print.
Ettedgui, Peter. Production Design & Art Direction. Screencraft. Hove: RotoVision, 1999. Print.
Evans, Robert. The Kid Stays in the Picture. London: Faber, 2004. Print.
---. The Kid Stays in the Picture. London: Faber, 2004. Print.
Fairservice, Don. Film Editing: History, Theory, and Practice - Looking at the Invisible. Manchester: Manchester University Press, 2001. Print.
Field, Syd. The Screenwriter’s Workbook. New York: Dell, 1984. Print.
Finney, Angus. The International Film Business: A Market Guide Beyond Hollywood. London: Routledge, 2010. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=515374>.
---. The International Film Business: A Market Guide Beyond Hollywood. London: Routledge, 2010. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=515374>.
Finney, Angus, and Eugenio Triana. The International Film Business: A Market Guide Beyond Hollywood. 2nd Edition. London: Routledge, 2015. Print.
---. The International Film Business: A Market Guide Beyond Hollywood. 2nd Edition. London: Routledge, 2015. Print.
Fowler, Jaime. Editing Digital Film: Integrating Final Cut Pro, Avid, and Media 100. Boston: Focal Press, 2001. Web. <https://librarysearch.royalholloway.ac.uk/permalink/f/1cm8pdv/TN_cdi_proquest_ebookcentral_EBC1074611>.
Gates, Richard. Production Management for Film and Video. 3rd ed. Oxford: Focal, 1999. Print.
Giorgianni, Edward J., and Thomas E. Madden. Digital Color Management: Encoding Solutions. 2nd ed. Chichester: Wiley, 2008. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=406492>.
Goldman, William. Adventures in the Screen Trade: A Personal View of Hollywood and Screenwriting. London New York: Grand Central Publishing, 1984. Print.
---. Adventures in the Screen Trade: A Personal View of Hollywood and Screenwriting. London New York: Grand Central Publishing, 1984. Print.
---. Which Lie Did I Tell?: More Adventures in the Screen Trade. London: Bloomsbury, 2000. Print.
---. Which Lie Did I Tell?: More Adventures in the Screen Trade. London: Bloomsbury, 2000. Print.
Goodell, Gregory. Independent Feature Film Production: A Complete Guide From Concept Through Distribution. Rev. ed. New York: St. Martin’s Griffin, 1998. Print.
Gopalan, Lalitha. The Cinema of India (24 Frames). Columbia University Press, 2010. Print.
Gore, Chris. The Ultimate Film Festival Survival Guide. 3rd ed. Hollywood, CA: Lone Eagle Pub, 2004. Print.
Grant, Barry Keith. Auteurs and Authorship: A Film Reader. Malden, Mass: Blackwell, 2008. Print.
Gripsrud, Jostein. Understanding Media Culture. London: Arnold, 2002. Print.
Grotowski, Jerzy, and Eugenio Barba. Towards a Poor Theatre. 1st Routledge ed. New York: Routledge, 2002. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1075038>.
Grove, Elliot. Raindance Producers’ Lab: Lo-to-No Budget Filmmaking. Oxford: Focal, 2013. Print.
---. Raindance Producers’ Lab: Lo-to-No Budget Filmmaking. 2nd Edition. New York: Focal Press, 2014. Web. <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1546810>.
Halligan, Brian, and Dharmesh Shah. Inbound Marketing: Get Found Using Google, Social Media, and Blogs. The new rules of social media series. Hoboken, N.J.: Wiley, 2010. Print.
Halperin, Michael. Writing the Killer Treatment: Selling Your Story Without a Script. Studio City, Calif: Michael Wiese, 2002. Print.
Hanson, Matt. The End of Celluloid: Film Futures in the Digital Age. RotoVision, 2014. Print.
Harmon, Renee, and Jim Lawrence. The Beginning Filmmaker’s Guide to a Successful First Film. New York: Walker and Co, 1997. Print.
Harrison, Stephanie. Adaptations: From Short Story to Big Screen : 35 Great Stories That Have Inspired Great Films. New York: Three Rivers Press, 2005. Print.
---. Adaptations: From Short Story to Big Screen : 35 Great Stories That Have Inspired Great Films. New York: Three Rivers Press, 2005. Print.
Hollyn, Norman. The Film Editing Room Handbook: How to Tame the Chaos of the Editing Room. Peachpit Press, 2009. Web. <https://librarysearch.royalholloway.ac.uk/permalink/f/1ivluo0/44ROY_ALMA_DS2147962090002671>.
Hullfish, Steve. The Art and Technique of Digital Color Correction. 2nd Edition. Amsterdam: Focal, 2012. Print.
Indick, William. Psychology for Screenwriters: Building Conflict in Your Script. Studio City, Ca: Michael Wiese Productions, 2004. Print.
Irving, David K., and Peter W. Rea. Producing and Directing the Short Film and Video. 4th Edition. Hoboken: Taylor and Francis, 2013. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=535000>.
---. Producing and Directing the Short Film and Video. 4th Edition. Hoboken: Taylor and Francis, 2013. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=535000>.
Izod, John. Screen, Culture, Psyche: A Post-Jungian Approach to Working With the Audience. London: Routledge, 2006. Print.
---. Screen, Culture, Psyche: A Post-Jungian Approach to Working With the Audience. London, [England]: Routledge, 2016. Web. <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=4391195>.
James, Jack. Digital Intermediates for Film and Video. New York: Focal Press, 2016. Print.
---. Fix It in Post: Solutions for Post Production Problems. Amsterdam: Focal, 2009. Print.
---. Fix It in Post: Solutions for Post Production Problems. Amsterdam: Focal, 2009. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=421181>.
Johnstone, Keith. Impro for Storytellers: Theatresports and the Art of Making Things Happen. London: Faber, 1999. Print.
Jones, Chris, and Geneviere Jolliffe. The Guerilla Film Makers Handbook. 3rd Edition. Guerilla guides. New York: Continuum, 2006. Print.
Keating, Patrick. Hollywood Lighting From the Silent Era to Film Noir. Film and Culture. New York: Columbia University Press, 2010. Print.
Kellison, Cathrine, Dustin Morrow, and Kacey Morrow. Producing for TV and New Media. 3rd Edition. New York: Focal Press, 2015. Print.
Kennel, Glenn. Color and Mastering for Digital Cinema. Amsterdam: Focal, 2006. Print.
Kerner, Marvin. The Art of the Sound Effects Editor. Focal Press, 1989. Print.
Kerrigan, Finola. Film Marketing. 1st Edition. Amsterdam: Elsevier/Butterworth-Heinemann, 2010. Print.
---. Film Marketing. Amsterdam: Butterworth-Heinemann, 2010. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=472907>.
---. Film Marketing. 1st Edition. Amsterdam: Elsevier/Butterworth-Heinemann, 2010. Print.
---. Film Marketing. Amsterdam: Butterworth-Heinemann, 2010. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=472907>.
Kerrigan, Finola, Mustafa Ozbilgin, and Peter Fraser. Arts Marketing. Oxford: Elsevier Butterworth-Heinemann, 2004. Print.
---. Arts Marketing. Oxford: Elsevier Butterworth-Heinemann, 2004. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=288907>.
Kezich, Tullio, and Alessandra Levantesi. Dino: The Life and Films of Dino De Laurentiis. 1st Edition. New York: Miramax Books/Hyperion, 2004. Print.
King, Viki. How to Write a Movie in 21 Days: The Inner Movie Method. Harper, 1988. Print.
Koster, Robert. The On Production Budget Book. Variety’s on production series. Boston: Focal, 1997. Print.
Krevolin, Richard W. Screenwriting From the Soul: Letters to an Aspiring Screenwriter. 1st Edition. Los Angeles: Renaissance Books, 1998. Print.
Landis, Deborah Nadoolman. Dressed: A Century of Hollywood Costume Design. New York: Collins, 2007. Print.
Langer, Adam. The Film Festival Guide: For Filmmakers, Film Buffs, and Industry Professionals. Rev. ed. Chicago: Chicago Review Press, 2000. Print.
LaValley, Albert J. Eisenstein at 100: A Reconsideration. Rutgers University Press, 2001. Print.
Lee, John J. The Producer’s Business Handbook. Boston: Focal, 2000. Print.
Lee, John J., and Anne Marie Gillen. The Producer’s Business Handbook. Amesterdam: Focal, 2011. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=622182>.
Levin, C. Melinda. Post: The Theory and Technique of Digital Nonlinear Motion Picture Editing. Pearson, 2002. Print.
Levison, Louise. Filmmakers and Financing: Business Plans for Independents. 5th Edition. Amsterdam: Focal Press, 2007. Print.
---. Filmmakers and Financing: Business Plans for Independents. Amsterdam: Focal Press, 2016. Web. <https://www.proquest.com/legacydocview/EBC/4748582?accountid=11455>.
Linson, Art. A Pound of Flesh: Perilous Tales of How to Produce Movies in Hollywood. New York: Grove Press, 1993. Print.
LoBrutto, Vincent. Selected Takes: Film Editors on Editing. New York: Praeger, 1991. Print.
Lowenstein, Stephen. My First Movie. London: Faber and Faber, 2000. Print.
Lukk, Tiiu. Movie Marketing: Opening the Picture and Giving It Legs. Los Angeles: Silman-James Press, 1997. Print.
Lustig, Milton. Music Editing for Motion Pictures. Communication Arts Books, 1980. Print.
Mamet, David. On Directing Film. London: Penguin, 1992. Print.
---. On Directing Film. London: Penguin, 1992. Print.
Manovich, Lev. The Language of New Media. Cambridge, Mass: MIT Press, 2001. Print.
---. The Language of New Media. 1st MIT Press Paperback Edition. Cambridge, Mass: MIT Press, 2002. Web. <http://search.ebscohost.com/login.aspx?direct=true&amp;scope=site&amp;db=nlebk&amp;db=nlabk&amp;AN=138702>.
McAlister, Michael J. The Language of Visual Effects. Lone Eagle Publishing Co, 1993. Print.
McGrath, Declan. Editing & Post-Production. Boston: Focal Press, 2001. Print.
McKee, Robert. Story: Substance, Structure, Style, and the Principles of Screenwriting. London: Methuen, 1999. Print.
Miller, Pat P. Script Supervising and Film Continuity. 3rd Edition. Oxford: Focal, 1999. Print.
---. Script Supervising and Film Continuity. 3rd Edition. Boston: Focal Press, 1999. Web. <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1366569>.
---. Script Supervising and Film Continuity. 3rd Edition. Oxford: Focal, 1999. Print.
---. Script Supervising and Film Continuity. 3rd Edition. Boston: Focal Press, 1999. Web. <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1366569>.
Miller, Philip. Media Law for Producers. 3rd Edition. Boston: Focal Press, 1998. Print.
Millerson, Gerald. Lighting for Television and Film. 3rd Edition. The library of communication techniques. London: Focal, 1991. Print.
Millerson, Gerald, and Jim Owens. Television Production. 14th Edition. Amsterdam: Focal, 2009. Print.
Mottram, James. The Sundance Kids: How the Mavericks Took Back Hollywood. New York: Faber and Faber, 2006. Print.
---. The Sundance Kids: How the Mavericks Took Back Hollywood. New York: Faber and Faber, 2006. Print.
Movshovitz, Howie. Mike Leigh, Interviews. Conversations with filmmakers. Jackson, Miss: University Press of Mississippi, 2000. Print.
Mulvey, Laura. ‘Visual Pleasure and Narrative Cinema’. Issues in Feminist Film Criticism. Bloomington: Indiana University Press, 1990. Print.
Murch, Walter. In the Blink of an Eye: A Perspective on Film Editing. 2nd Edition. Los Angeles: Silman-James, 2001. Print.
Newton, Dale, and John Gaspard. Digital Filmmaking 101. Studio City, Calif: Michael Wiese, 2001. Print.
Nizhnii, V. Lessons with Eisenstein. 1st paperback ed. New York: Da Capo Press, 1979. Print.
Obst, Lynda Rosen. Hello, He Lied: And Other Truths From the Hollywood Trenches. New York: Broadway Books, 1997. Print.
---. Hello, He Lied: And Other Truths From the Hollywood Trenches. New York: Broadway Books, 1997. Print.
Ohanian, Thomas A. Digital Nonlinear Editing: New Approaches to Editing Film and Video. Boston: Focal, 1993. Print.
Oldham, Gabriella. First Cut 2: More Conversations With Film Editors. London: University of California Press, 2012. Print.
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Ondaatje, Michael. The Conversations: Walter Murch and the Art of Editing Film. London: Bloomsbury, 2002. Print.
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Orlebar, Jeremy. Digital Television Production: A Handbook. London: Arnold, 2002. Print.
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Orwell, George. Why I Write. Vol. 20. London: Penguin, 2004. Print.
Parks, Stacey. The Insider’s Guide to Independent Film Distribution. 2nd Edition. Amsterdam: Elsevier/Focal Press, 2012. Print.
---. The Insider’s Guide to Independent Film Distribution. 2nd Edition. Hoboken: Taylor and Francis, 2012. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=850699>.
---. The Insider’s Guide to Independent Film Distribution. 2nd Edition. Amsterdam: Elsevier/Focal Press, 2012. Print.
---. The Insider’s Guide to Independent Film Distribution. 2nd Edition. Hoboken: Taylor and Francis, 2012. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=850699>.
Patz, Deborah S. Film Production Management 101: Management and Coordination in a Digital Age. 2nd Edition. Studio City, CA: Michael Wiese Productions, 2010. Print.
Pearlman, Karen. Cutting Rhythms: Shaping the Film Edit. Amsterdam: Focal, 2009. Print.
---. Cutting Rhythms: Shaping the Film Edit. Amsterdam: Focal, 2009. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=421208>.
Phillips, Julia. You’ll Never Eat Lunch in This Town Again. London: Mandarin, 1992. Print.
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Pierson, John. Spike, Mike, Slackers & Dykes: A Guided Tour Across a Decade of American Independent Cinema. London: Faber, 1996. Print.
---. Spike, Mike, Slackers & Dykes: A Guided Tour Across a Decade of American Independent Cinema. London: Faber, 1996. Print.
Priggé, Steven. Movie Moguls Speak: Interviews With Top Film Producers. Jefferson, N.C.: McFarland & Co, 2004. Print.
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Pudovkin, V.I. Film Technique and Film Acting. Philadelphia, PA: Richard West, 1975. Print.
Purcell, John. Dialogue Editing for Motion Pictures: A Guide to the Invisible Art. Amsterdam: Focal, 2007. Print.
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Pye, Michael, and Lynda Myles. The Movie Brats: How the Film Generation Took Over Hollywood. London: Faber and Faber, 1979. Print.
---. The Movie Brats: How the Film Generation Took Over Hollywood. London: Faber and Faber, 1979. Print.
Quandt, James. Apichatpong Weerasethakul. FilmmuseumSynemaPublikationen. Wien: SYNEMA - Gesellschaft fr Film und Medien, 2009. Print.
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Ratcliff, J. D. Timecode: A User’s Guide. 3rd ed. Boston: Focal Press, 1999. Print.
---. Timecode: A User’s Guide. 3rd ed. Boston: Focal Press, 1999. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4185736>.
Rea, Peter W., and David K. Irving. Producing and Directing the Short Film and Video. 5th Edition. New York: Focal Press, 2015. Print.
---. Producing and Directing the Short Film and Video. 5th Edition. New York: Focal Press, 2015. Print.
Reiss, Jon. Think Outside the Box Office: The Ultimate Guide to Film Distribution in the Digital Era. Denver, Colo: Hybrid Cinema, 2010. Print.
Reisz, Karel, and Gavin Millar. The Technique of Film Editing. 2nd Edition. Oxford: Focal Press, 1999. Print.
Reza, Reza Sadr. Iranian Cinema: A Political History. London: I.B.Tauris, 2006. Web. <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=677023>.
Rizzo, Michael. The Art Direction Handbook for Film & Television. 2nd Edition. New York: Focal Press, 2015. Print.
---. The Art Direction Handbook for Film & Television. 2nd Edition. Burlington, MA: Focal Press, 2015. Web. <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1734170>.
Rose, Jay, and Jay Rose. Audio Postproduction for Film and Video. 2nd Edition. Amsterdam: Focal, 2009. Print.
Rosenblum, Ralph, and Robert Karen. When the Shooting Stops, the Cutting Begins: A Film Editor’s Story. New York: Da Capo, 1986. Print.
Rotcop, Ken. The Perfect Pitch: How to Sell Yourself and Your Movie Idea to Hollywood. 2nd Edition. Studio City, CA: Michael Wiese Productions, 2009. Print.
Rowlands, Avril. Continuity in Film and Video: A Handbook for Directors, Script Supervisors and PAs. Focal Press, 1989. Print.
Rowse, Darren, and Chris Garrett. Problogger: Secrets for Blogging Your Way to a Six-Figure Income. 2nd ed. Indianapolis, IN: Wiley. Print.
Rubin, Michael, and Ron Diamond. Nonlinear: A Field Guide to Digital Video and Film Editing. 4th ed. Gainesville, Fla: Triad, 2000. Print.
Russo, John. Making Movies: The Inside Guide to Independent Movie Production. New York, N.Y.: Dell, 1989. Print.
Ryan, Maureen A. Producer to Producer: A Step-by-Step Guide to Low-Budget Independent Film Producing. Studio City, CA: Michael Wiese Productions, 2010. Print.
Ryan, Roderick T. History of Motion Picture Colour Technology. Focal Press, 1977. Print.
Ṣadr, Ḥamīd Riz̤ā. Iranian Cinema: A Political History. International Library of Iranian Studies. London: I.B. Tauris, 2006. Print.
Salt, Barry. Film Style and Technology: History and Analysis. 3rd ed. London: Starword, 2009. Print.
Schneider, Arthur. Electronic Post-Production and Videotape Editing. Focal Press, 1989. Print.
Schreibman, Myrl A. The Indie Producers Handbook: Creative Producing From A to Z. New York: Lone Eagle, 2001. Print.
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Seger, Linda. Making a Good Writer Great: A Creativity Workbook for Screenwriters. Los Angeles, CA: Silman-James Press, 1999. Print.
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Selznick, David O., and Rudy Behlmer. Memo from David O. Selznick. London: Macmillan, 1973. Print.
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Shone, Tom. Blockbuster: How the Jaws and Jedi Generation Turned Hollywood Into a Boom-Town. London: Scribner, 2005. Print.
---. Blockbuster: How the Jaws and Jedi Generation Turned Hollywood Into a Boom-Town. London: Scribner, 2005. Print.
Singleton, Ralph S., Alain Silver, and Robert Koster. Film Budgeting: Or, How Much Will It Cost to Shoot Your Movie? Los Angeles, California: Lone Eagle, 1996. Print.
---. Film Budgeting: Or, How Much Will It Cost to Shoot Your Movie? Los Angeles, California: Lone Eagle, 1996. Print.
Smith, Ian Haydn. International Film Guide 2010: The Definitive Annual Review of World Cinema. London: Wallflower, 2010. Print.
Solomons, Tony. The Avid Digital Editing Room Handbook. Silman-James Press, 1999. Print.
Stanislavsky, K. S. An Actor Prepares. London: Methuen Drama, 1980. Print.
---. An Actor Prepares. New York: Routledge, 2003. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=668654>.
---. An Actor Prepares. London: Methuen Drama, 1980. Print.
---. An Actor Prepares. New York: Routledge, 2003. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=668654>.
Staten, Greg. The Avid Handbook: Advanced Techniques, Strategies, and Survival Information for Avid Editing Systems. 5th Edition. Focal Press, 2008. Print.
Tarkovskiĭ, Andreĭ Arsenʹevich. Sculpting in Time: Reflections on the Cinema. Revised edition. London: Faber, 1989. Print.
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Tharp, Twyla, and Mark Reiter. The Creative Habit: Learn It and Use It for Life. 1st Simon & Schuster Paperback Edition. New York: Simon & Schuster, 2006. Print.
---. The Creative Habit: Learn It and Use It for Life. 1st Simon & Schuster Paperback Edition. New York: Simon & Schuster, 2006. Print.
Thompson, Kristin. Storytelling in the New Hollywood: Understanding Classical Narrative Technique. Cambridge, Mass: Harvard University Press, 1999. Print.
Thompson, Roy. Grammar of the Edit. Oxford: Focal, 1993. Print.
Thomson, David. The Whole Equation: A History of Hollywood. London: Abacus, 2006. Print.
Tierno, Michael. Aristotle’s Poetics for Screenwriters: Storytelling Secrets From the Greatest Mind in Western Civilization. New York: Hyperion, 2002. Print.
Trottier, David. The Screenwriter’s Bible: A Complete Guide to Writing, Formatting and Selling Your Script. 3rd Edition Expanded & Updated. Los Angeles: Silman-James, 1998. Print.
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Truffaut, Francois, and Helen G. Scott. Hitchcock. Rev. ed. A touchstone book. New York: Simon & Schuster, 1984. Print.
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Ulin, Jeff. The Business of Media Distribution: Monetizing Film, TV, and Video Content in an Online World. New York: Focal Press, 2014. Web. <https://royalholloway.idm.oclc.org/login?url=https://www.vlebooks.com/vleweb/product/openreader?id=Holloway&amp;isbn=9780240824543&amp;uid=^u>.
---. The Business of Media Distribution: Monetizing Film, TV, and Video Content in an Online World. New York: Focal Press, 2014. Print.
Vachon, Christine, and Austin Bunn. A Killer Life: How an Independent Film Producer Survives Deals and Disasters in Hollywood and Beyond. New York: Limelight Editions, 2007. Print.
---. A Killer Life: How an Independent Film Producer Survives Deals and Disasters in Hollywood and Beyond. New York: Limelight Editions, 2007. Print.
Vachon, Christine, and David Edelstein. Shooting to Kill: How an Independent Producer Blasts Through the Barriers to Make Movies That Matter. New York: Quill, 2002. Print.
---. Shooting to Kill: How an Independent Producer Blasts Through the Barriers to Make Movies That Matter. New York: Quill, 2002. Print.
Van Sijll, Jennifer. Cinematic Storytelling: The 100 Most Powerful Film Conventions Every Filmmaker Must Know. Studio City, California: Michael Wiese, 2005. Print.
‘Variety’. n. pag. Web. <http://search.proquest.com/fiaf/publication/publications_31545?accountid=11455>.
Vaughan, Dai. Portrait of an Invisible Man: Working Life of Stewart McAllister, Film Editor. BFI Publishing, 1983. Print.
Vertov, Dziga, and Annette Michelson. Kino-Eye. Berkeley: California University Press, 1984. Print.
Vogler, Christopher. The Writer’s Journey: Mythic Structure for Writers. 3rd ed. Studio City, CA: Michael Wiese Productions, 2007. Print.
Von Sternberg, Josef. Fun in a Chinese Laundry. New York: Macmillan, 1965. Print.
Walter, Ernest. The Technique of the Film Cutting Room. Focal Press, 1982. Print.