Adam, Ken, and Christopher Frayling. 2008. Ken Adam Designs the Movies: James Bond and Beyond. Thames & Hudson.
Adler, Tim. 2004. The Producers: Money, Movies and Who Really Calls the Shots. Methuen.
Alberstat, Philip. 2004a. The Insider’s Guide to Film Finance. Focal.
Alberstat, Philip. 2004b. The Insider’s Guide to Film Finance. Focal Press. Electronic book. https://www.proquest.com/legacydocview/EBC/226844?accountid=11455.
Altman, Robert, and David Thompson. 2006a. Altman on Altman. Faber and Faber.
Altman, Robert, and David Thompson. 2006b. Altman on Altman. Faber and Faber.
Anderson, Gary H. 1984. Video Editing and Post-Production: A Professional Guide. Knowledge Industry Publications Inc.
Arijon, Daniel. 1976. Grammar of the Film Language. Silman-James.
Aronson, Linda. 2001. Screenwriting Updated: New (And Conventional) Ways of Writing for the Screen. 1st Silman-James Edition. Silman-James Press.
Arundale, Scott, and Tashi Trieu. 2014a. Modern Post: Postproduction Workflows and Techniques for Digital Filmmakers. Focal Press.
Arundale, Scott, and Tashi Trieu. 2014b. Modern Post: Postproduction Workflows and Techniques for Digital Filmmakers. Focal Press. Electronic resource. https://ebookcentral-proquest-com.royalholloway.idm.oclc.org/lib/rhul/detail.action?docID=1757878.
Ascher, Steven, and Edward Pincus. 2007. The Filmmaker’s Handbook: A Comprehensive Guide for the Digital Age. 3rd Edition. Plume.
Atchity, Kenneth John, and Chi-Li Wong. 2003. Writing Treatments That Sell: How to Create and Market Your Story Ideas to the Motion Picture and TV Industry. 2nd Edition. Henry Holt.
Aumont, J. 1987. Montage Eisenstein. BFI Publishing.
Bach, Steven. 1996a. Final Cut: Dreams and Disaster in the Making of Heaven’s Gate. Revised Edition. Pimlico.
Bach, Steven. 1996b. Final Cut: Dreams and Disaster in the Making of Heaven’s Gate. Revised Edition. Pimlico.
Badal, Sharon. 2008. Swimming Upstream: A Lifesaving Guide to Short Film Distribution. Focal Press.
Bainbridge, David I. 2012a. Intellectual Property. 9th Edition. Pearson.
Bainbridge, David I. 2012b. Intellectual Property. 9th Edition. Pearson. Electronic resource. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5137221.
Baker, Rhonda. 1997a. Media Law: A User’s Guide for Film and Programme Makers. Routledge.
Baker, Rhonda. 1997b. Media Law: A User’s Guide for Film and Programme Makers. Routledge. Electronic book. https://ebookcentral-proquest-com.royalholloway.idm.oclc.org/lib/rhul/detail.action?docID=1520914.
Barnwell, Jane. 2004. Production Design: Architects of the Screen. Short cuts. Wallflower.
Baumgarten, Paul A., Donald C. Farber, and Mark Fleischer. 1992. Producing, Financing and Distributing Film. 2nd ed. Limelight Editions.
Bazin, André. 2005a. What Is Cinema?: Vol. I. New ed. University of California Press.
Bazin, André. 2005b. What Is Cinema?: Vol. I. New ed. University of California Press.
Benedetti, Robert. 2003. Creative Postproduction: Editing, Sound, Visual Effects, and Music for Film and Video. Pearson.
Berg, A. Scott. 2013. Goldwyn: A Biography. Simon & Schuster.
Berger, John. 2008. Ways of Seeing. Penguin.
Bernstein, Steven. 1994. Film Production. 2nd Edition. Focal.
Bignell, Jonathan, Jeremy Orlebar, and Patricia Holland. 2005a. The Television Handbook. Routledge. Electronic book.
Bignell, Jonathan, Jeremy Orlebar, and Patricia Holland. 2005b. The Television Handbook. 3rd ed. Routledge.
Biskind, Peter. 1998a. Easy Riders, Raging Bulls: How the Sex-Drugs-and Rock ‘N’ Roll Generation Changed Hollywood. Bloomsbury.
Biskind, Peter. 1998b. Easy Riders, Raging Bulls: How the Sex-Drugs-and Rock ‘N’ Roll Generation Changed Hollywood. Bloomsbury.
Block, Bruce. 2008. The Visual Story: Creating the Visual Structure of Film, TV and Digital Media. 2nd Edition. Focal.
Boal, Augusto. 2008. Theatre of the Oppressed. New ed. Pluto Press.
Boal, Augusto, Maria-Odilia Leal-McBride, Charles A. Leal McBride, and Emily Fryer. 2008. Theatre of the Oppressed. Get political. Pluto Press. Electronic book. http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=200610.
Bolter, J. David, and Richard Grusin. 1999. Remediation: Understanding New Media. MIT.
Bondanella, Peter E. 2002a. The Films of Federico Fellini. Cambridge University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=217860.
Bondanella, Peter E. 2002b. The Films of Federico Fellini. Cambridge University Press. Electronic book. https://www.proquest.com/docview/2131811065/$N?accountid=11455.
Boozer, Jack. 2008. Authorship in Film Adaptation. 1st Edition. University of Texas Press.
Bordwell, David. 1985. The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. Routledge & Kegan Paul.
Bordwell, David. 1988. The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. Routledge. Electronic book. http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=5910.
Bordwell, David. 1993. The Cinema of Eisenstein. Harvard University Press.
Bordwell, David. 2017. Film Art: An Introduction. Eleventh edition. McGraw-Hill Education. https://www-vlebooks-com.ezproxy01.rhul.ac.uk/Vleweb/Product/Index/1993344?page=0.
Bordwell, David, Janet Staiger, and Kristin Thompson. 1985. The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. Routledge & Kegan Paul.
Bordwell, David, Kristin Thompson, and Jeff Smith. 2017. Film Art: An Introduction. 11th Edition. McGraw-Hill Education.
Bordwell, David, Kristin Thompson, and Janet Staiger. 1988. The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. Routledge. Electronic book. http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=5910.
Braudy, Leo, and Marshall Cohen. 2009. Film Theory and Criticism: Introductory Readings. 7th ed. Oxford University Press.
Brook, Peter. 1996. The Empty Space. 1st Touchstone ed. Simon & Schuster.
Broughton, Irv. 1986. Producers on Producing: The Making of Film and Television. McFarland.
Browne, Steven E. 2007a. High Definition Postproduction: Editing and Delivering HD Video. Focal.
Browne, Steven E. 2007b. High Definition Postproduction: Editing and Delivering HD Video. Focal. Electronic resource. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=287936.
Bruzzi, Stella. 1997a. Undressing Cinema: Clothing and Identity in the Movies. Routledge.
Bruzzi, Stella. 1997b. Undressing Cinema: Clothing and Identity in the Movies. Routledge. https://www.taylorfrancis.com/books/9780203132203.
Burch, Noël, and Helen R. Lane. 1973. Theory of Film Practice. Secker and Warburg.
Burch, Noël, and Annette Michelson. 1979. To the Distant Observer: Form and Meaning in the Japanese Cinema. Scolar.
Burder, John. 1988. Technique of Editing 16mm Film, The (Library of Communication Techniques). Focal P.
Burstein, Nanette, and Brett Morgen. 2003a. The Kid Stays in the Picture. Momentum Pictures.
Burstein, Nanette, and Brett Morgen. 2003b. The Kid Stays in the Picture. Momentum Pictures.
Cardullo, Bert. 1998. Playing to the Camera: Film Actors Discuss Their Craft. Yale University Press.
Carney, Raymond. 1994. The Films of John Cassavetes: Pragmatism, Modernism, and the Movies. Cambridge film classics. Cambridge University Press.
Carrière, Jean-Claude. 1994. The Secret Language of Film. Pantheon Books.
Carringer, Robert L. 1996a. The Making of Citizen Kane. Revised and Updated Edition. University of California Press.
Carringer, Robert L. 1996b. The Making of Citizen Kane. Revised and Updated Edition. University of California Press.
Chandler, Gael. 2009. Film Editing: Great Cuts Every Filmmaker and Movie Lover Must Know. Michael Wiese.
Chandler, Gael. 2012. Cut by Cut: Editing Your Film or Video. 2nd Edition. Michael Wiese.
Christie, Ian. 2009. The Art of Film: John Box and Production Design. Wallflower.
Christie, Ian, and Richard Taylor. 1993a. Eisenstein Rediscovered. Routledge.
Christie, Ian, and Richard Taylor. 1993b. Eisenstein Rediscovered. Routledge. Electronic book. http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=14161.
Ciecko, Anne Tereska. 2006. Contemporary Asian Cinema: Popular Culture in a Global Frame. English ed. Berg.
Clapperton, Guy. 2009a. This Is Social Media: How to Tweet, Post, Link and Blog Your Way to Business Success. Capstone.
Clapperton, Guy. 2009b. This Is Social Media: How to Tweet, Post, Link and Blog Your Way to Business Success. Capstone. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=589202.
Clark, Barbara, and Susan J. Spohr. 2002a. Guide to Postproduction for TV and Film: Managing the Process. Focal Press. Electronic book. https://www.proquest.com/legacydocview/EBC/294708?accountid=11455.
Clark, Barbara, and Susan J. Spohr. 2002b. Guide to Postproduction for TV and Film: Managing the Process. Focal Press. Electronic book. http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=100579.
Clark, Barbara, and Susan J Spohr. 2002. Guide to Postproduction for TV and Film: Managing the Process. 2nd ed. Focal Press.
Clark, Barbara, and Susan J. Spohr. 2002c. Guide to Postproduction for TV and Film: Managing the Process. 2nd Edition. Focal Press.
Cleve, Bastian. 2006a. Film Production Management. 3rd Edition. Focal.
Cleve, Bastian. 2006b. Film Production Management. 3rd Edition. Focal.
Cleve, Bastian. 2012a. Film Production Management. 3rd Edition. Taylor and Francis. Electronic resource. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=255231.
Cleve, Bastian. 2012b. Film Production Management. 3rd Edition. Taylor and Francis. Electronic resource. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=255231.
Coleman, Lori Jane, and Diana Friedberg. 2010a. Make the Cut: A Guide to Becoming a Successful Assistant Editor in Film and TV. Focal.
Coleman, Lori Jane, and Diana Friedberg. 2010b. Make the Cut: A Guide to Becoming a Successful Assistant Editor in Film and TV. Focal.
Compesi, Ronald J. 2007. Video Field Production and Editing. 7th Edition. Pearson Allyn and Bacon. Electronic resource. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4186105.
Compesi, Ronald J. 2017. Video Field Production and Editing. 7th Edition. Focal Press.
Cones, John W. 2008a. 43 Ways to Finance Your Feature Film: A Comprehensive Analysis of Film Finance. 3rd Edition. Southern Illinois University Press.
Cones, John W. 2008b. 43 Ways to Finance Your Feature Film: A Comprehensive Analysis of Film Finance. 3rd Edition. Southern Illinois University Press. http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1365221.
Cooper, Darius. 2000. The Cinema of Satyajit Ray: Between Tradition and Modernity. Cambridge studies in film. Cambridge University Press.
Cowgill, Linda J. 2005a. Writing Short Films: Structure and Content for Screenwriters. 2nd Edition. Lone Eagle Pub.
Cowgill, Linda J. 2005b. Writing Short Films: Structure and Content for Screenwriters. 2nd Edition. Lone Eagle Pub.
Crary, Jonathan. 1990. Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. MIT Press.
Crittenden, Roger. 1995. Film and Video Editing. 2nd Edition. Blueprint. Electronic resource. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=181680.
Crittenden, Roger. 2006a. Fine Cuts: The Art of European Film Editing. Focal.
Crittenden, Roger. 2006b. Fine Cuts: The Art of European Film Editing. Focal. Electronic resource. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=269878.
Culhane, Shamus. 1989. Animation: From Script to Screen. Columbus.
Dancyger, Ken. 2011. The Technique of Film and Video Editing: History, Theory, and Practice. 5th Edition. Focal.
Davies, Adam P., Nic Wistreich, James MacGregor, et al. n.d. The Film Finance Handbook: How to Fund Your Film. Netribution.
‘Deadline | Hollywood Entertainment Breaking News’. n.d. http://deadline.com/.
Deleuze, Gilles. 1989. Cinema 2: The Time-Image. Athlone.
Deleuze, Gilles. 1992. Cinema 1: The Movement-Image. Athlone.
Deleuze, Gilles. 2005. Cinema 1: The Movement-Image. Continuum. Electronic book. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=742682.
Deppman, Hsiu-Chuang. 2010. Adapted for the Screen: The Cultural Politics of Modern Chinese Fiction & Film. University of Hawaiʻi Press.
Dmytryk, Edward. 1984. On Film Editing: An Introduction to the Art of Film Construction. Focal Press. https://librarysearch.royalholloway.ac.uk/permalink/f/c63g94/44ROY_ALMA_DS5188346440002671.
Douin, Jean-Luc. 1994. Jean-Luc Godard. Édition augmentée. Rivages.
Durie, John, Annika Pham, and Neil Watson. 2000. Marketing and Selling Your Film Around the World: Guide for Independent Filmmakers. 1st ed. Silman-James Press.
Eberts, Jake, and Terry Ilott. 1990a. My Indecision Is Final: The Rise and Fall of Goldcrest Films. Faber.
Eberts, Jake, and Terry Ilott. 1990b. My Indecision Is Final: The Rise and Fall of Goldcrest Films. Faber.
Eberts, Jake, and Terry Ilott. 1990c. My Indecision Is Final: The Rise and Fall of Goldcrest Films. Faber.
Egri, Lajos. 1972a. The Art of Dramatic Writing. Touchstone. https://ebookcentral-proquest-com.royalholloway.idm.oclc.org/lib/rhul/detail.action?docID=5658397.
Egri, Lajos. 1972b. The Art of Dramatic Writing. Touchstone. https://ebookcentral-proquest-com.royalholloway.idm.oclc.org/lib/rhul/detail.action?docID=5658397.
Egri, Lajos. 2004a. The Art of Dramatic Writing: Its Basis in the Creative Interpretation of Human Motives. 1st Touchstone Edition. Simon & Schuster.
Egri, Lajos. 2004b. The Art of Dramatic Writing: Its Basis in the Creative Interpretation of Human Motives. 1st Touchstone Edition. Simon & Schuster.
Eisenstein, Sergei. 1998. The Eisenstein Reader. B.F.I.
Eisenstein, Sergei, and Jay Leyda. 1975. The Film Sense. [Rev. ed.]. Harcourt Brace Jovanovich.
Eisenstein, Sergei, and Jay Leyda. 1977. Film Form: Essays in Film Theory. Harvest.
Eisenstein, Sergei, and Richard Taylor. 1988. Selected Works: Vol. 1. BFI.
Eisenstein, Sergei, and Richard Taylor. 1991. Selected Works: Vol. 2: Towards a Theory of Montage / Edited by Michael Glenny and Richard Taylor. BFI.
Eisenstein, Sergei, and Richard Taylor. 1996. Selected Works: Vol. 3: Writings, 1934-47. BFI.
Elsässer, T., and Adam Barker. 1990. Early Cinema: Space, Frame, Narrative. BFI.
Erickson, Gunnar, Harris Tulchin, and Mark E. Halloran. 2005. The Independent Film Producer’s Survival Guide: A Business and Legal Sourcebook. 2nd Edition. Schirmer Trade Books.
Ettedgui, Peter. 1999. Production Design & Art Direction. Screencraft. RotoVision.
Evans, Robert. 2004a. The Kid Stays in the Picture. Faber.
Evans, Robert. 2004b. The Kid Stays in the Picture. Faber.
Fairservice, Don. 2001. Film Editing: History, Theory, and Practice - Looking at the Invisible. Manchester University Press.
Field, Syd. 1984. The Screenwriter’s Workbook. Dell.
Finney, Angus. 2010a. The International Film Business: A Market Guide Beyond Hollywood. Routledge. Electronic book. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=515374.
Finney, Angus. 2010b. The International Film Business: A Market Guide Beyond Hollywood. Routledge. Electronic book. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=515374.
Finney, Angus, and Eugenio Triana. 2015a. The International Film Business: A Market Guide Beyond Hollywood. 2nd Edition. Routledge.
Finney, Angus, and Eugenio Triana. 2015b. The International Film Business: A Market Guide Beyond Hollywood. 2nd Edition. Routledge.
Fowler, Jaime. 2001. Editing Digital Film: Integrating Final Cut Pro, Avid, and Media 100. Focal Press. https://librarysearch.royalholloway.ac.uk/permalink/f/1cm8pdv/TN_cdi_proquest_ebookcentral_EBC1074611.
Gates, Richard. 1999. Production Management for Film and Video. 3rd ed. Focal.
Giorgianni, Edward J., and Thomas E. Madden. 2008. Digital Color Management: Encoding Solutions. 2nd ed. Wiley. Electronic resource. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=406492.
Goldman, William. 1984a. Adventures in the Screen Trade: A Personal View of Hollywood and Screenwriting. Grand Central Publishing.
Goldman, William. 1984b. Adventures in the Screen Trade: A Personal View of Hollywood and Screenwriting. Grand Central Publishing.
Goldman, William. 2000a. Which Lie Did I Tell?: More Adventures in the Screen Trade. Bloomsbury.
Goldman, William. 2000b. Which Lie Did I Tell?: More Adventures in the Screen Trade. Bloomsbury.
Goodell, Gregory. 1998. Independent Feature Film Production: A Complete Guide From Concept Through Distribution. Rev. ed. St. Martin’s Griffin.
Gopalan, Lalitha. 2010. The Cinema of India (24 Frames). Columbia University Press.
Gore, Chris. 2004. The Ultimate Film Festival Survival Guide. 3rd ed. Lone Eagle Pub.
Grant, Barry Keith. 2008. Auteurs and Authorship: A Film Reader. Blackwell.
Gripsrud, Jostein. 2002. Understanding Media Culture. Arnold.
Grotowski, Jerzy, and Eugenio Barba. 2002. Towards a Poor Theatre. 1st Routledge ed. Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1075038.
Grove, Elliot. 2013. Raindance Producers’ Lab: Lo-to-No Budget Filmmaking. Focal.
Grove, Elliot. 2014. Raindance Producers’ Lab: Lo-to-No Budget Filmmaking. 2nd Edition. Focal Press. Electronic book. https://ebookcentral-proquest-com.royalholloway.idm.oclc.org/lib/rhul/detail.action?docID=1546810.
Halligan, Brian, and Dharmesh Shah. 2010. Inbound Marketing: Get Found Using Google, Social Media, and Blogs. The new rules of social media series. Wiley.
Halperin, Michael. 2002. Writing the Killer Treatment: Selling Your Story Without a Script. Michael Wiese.
Hanson, Matt. 2014. The End of Celluloid: Film Futures in the Digital Age. RotoVision.
Harmon, Renee, and Jim Lawrence. 1997. The Beginning Filmmaker’s Guide to a Successful First Film. Walker and Co.
Harrison, Stephanie. 2005a. Adaptations: From Short Story to Big Screen : 35 Great Stories That Have Inspired Great Films. Three Rivers Press.
Harrison, Stephanie. 2005b. Adaptations: From Short Story to Big Screen : 35 Great Stories That Have Inspired Great Films. Three Rivers Press.
Hollyn, Norman. 2009. The Film Editing Room Handbook: How to Tame the Chaos of the Editing Room. Peachpit Press. https://librarysearch.royalholloway.ac.uk/permalink/f/1ivluo0/44ROY_ALMA_DS2147962090002671.
Hullfish, Steve. 2012. The Art and Technique of Digital Color Correction. 2nd Edition. Focal.
Indick, William. 2004. Psychology for Screenwriters: Building Conflict in Your Script. Michael Wiese Productions.
Irving, David K., and Peter W. Rea. 2013a. Producing and Directing the Short Film and Video. 4th Edition. Taylor and Francis. Electronic resource. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=535000.
Irving, David K., and Peter W. Rea. 2013b. Producing and Directing the Short Film and Video. 4th Edition. Taylor and Francis. Electronic resource. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=535000.
Izod, John. 2006. Screen, Culture, Psyche: A Post-Jungian Approach to Working With the Audience. Routledge.
Izod, John. 2016. Screen, Culture, Psyche: A Post-Jungian Approach to Working With the Audience. Routledge. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=4391195.
James, Jack. 2009a. Fix It in Post: Solutions for Post Production Problems. Focal.
James, Jack. 2009b. Fix It in Post: Solutions for Post Production Problems. Focal. Electronic resource. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=421181.
James, Jack. 2016. Digital Intermediates for Film and Video. Focal Press.
Johnstone, Keith. 1999. Impro for Storytellers: Theatresports and the Art of Making Things Happen. Faber.
Jones, Chris, and Geneviere Jolliffe. 2006. The Guerilla Film Makers Handbook. 3rd Edition. Guerilla guides. Continuum.
Keating, Patrick. 2010. Hollywood Lighting From the Silent Era to Film Noir. Film and Culture. Columbia University Press.
Kellison, Cathrine, Dustin Morrow, and Kacey Morrow. 2015. Producing for TV and New Media. 3rd Edition. Focal Press.
Kennel, Glenn. 2006. Color and Mastering for Digital Cinema. Focal.
Kerner, Marvin. 1989. The Art of the Sound Effects Editor. Focal Press.
Kerrigan, Finola. 2010a. Film Marketing. Butterworth-Heinemann. Electronic book. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=472907.
Kerrigan, Finola. 2010b. Film Marketing. Butterworth-Heinemann. Electronic book. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=472907.
Kerrigan, Finola. 2010c. Film Marketing. 1st Edition. Elsevier/Butterworth-Heinemann.
Kerrigan, Finola. 2010d. Film Marketing. 1st Edition. Elsevier/Butterworth-Heinemann.
Kerrigan, Finola, Mustafa Ozbilgin, and Peter Fraser. 2004a. Arts Marketing. Elsevier Butterworth-Heinemann.
Kerrigan, Finola, Mustafa Ozbilgin, and Peter Fraser. 2004b. Arts Marketing. Elsevier Butterworth-Heinemann. Electronic book. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=288907.
Kezich, Tullio, and Alessandra Levantesi. 2004. Dino: The Life and Films of Dino De Laurentiis. 1st Edition. Miramax Books/Hyperion.
King, Viki. 1988. How to Write a Movie in 21 Days: The Inner Movie Method. Harper.
Koster, Robert. 1997. The On Production Budget Book. Variety’s on production series. Focal.
Krevolin, Richard W. 1998. Screenwriting From the Soul: Letters to an Aspiring Screenwriter. 1st Edition. Renaissance Books.
Landis, Deborah Nadoolman. 2007. Dressed: A Century of Hollywood Costume Design. Collins.
Langer, Adam. 2000. The Film Festival Guide: For Filmmakers, Film Buffs, and Industry Professionals. Rev. ed. Chicago Review Press.
LaValley, Albert J. 2001. Eisenstein at 100: A Reconsideration. Rutgers University Press.
Lee, John J. 2000. The Producer’s Business Handbook. Focal.
Lee, John J., and Anne Marie Gillen. 2011. The Producer’s Business Handbook. Focal. Electronic book. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=622182.
Levin, C. Melinda. 2002. Post: The Theory and Technique of Digital Nonlinear Motion Picture Editing. Pearson.
Levison, Louise. 2007. Filmmakers and Financing: Business Plans for Independents. 5th Edition. Focal Press.
Levison, Louise. 2016. Filmmakers and Financing: Business Plans for Independents. Focal Press. Electronic book. https://www.proquest.com/legacydocview/EBC/4748582?accountid=11455.
Linson, Art. 1993. A Pound of Flesh: Perilous Tales of How to Produce Movies in Hollywood. Grove Press.
LoBrutto, Vincent. 1991. Selected Takes: Film Editors on Editing. Praeger.
Lowenstein, Stephen. 2000. My First Movie. Faber and Faber.
Lukk, Tiiu. 1997. Movie Marketing: Opening the Picture and Giving It Legs. Silman-James Press.
Lustig, Milton. 1980. Music Editing for Motion Pictures. Communication Arts Books.
Mamet, David. 1992a. On Directing Film. Penguin.
Mamet, David. 1992b. On Directing Film. Penguin.
Manovich, Lev. 2001. The Language of New Media. MIT Press.
Manovich, Lev. 2002. The Language of New Media. 1st MIT Press Paperback Edition. MIT Press. http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=138702.
McAlister, Michael J. 1993. The Language of Visual Effects. Lone Eagle Publishing Co.
McGrath, Declan. 2001. Editing & Post-Production. Focal Press.
McKee, Robert. 1999. Story: Substance, Structure, Style, and the Principles of Screenwriting. Methuen.
Miller, Pat P. 1999a. Script Supervising and Film Continuity. 3rd Edition. Focal.
Miller, Pat P. 1999b. Script Supervising and Film Continuity. 3rd Edition. Focal Press. Electronic book. https://ebookcentral-proquest-com.royalholloway.idm.oclc.org/lib/rhul/detail.action?docID=1366569.
Miller, Pat P. 1999c. Script Supervising and Film Continuity. 3rd Edition. Focal.
Miller, Pat P. 1999d. Script Supervising and Film Continuity. 3rd Edition. Focal Press. Electronic book. https://ebookcentral-proquest-com.royalholloway.idm.oclc.org/lib/rhul/detail.action?docID=1366569.
Miller, Philip. 1998. Media Law for Producers. 3rd Edition. Focal Press.
Millerson, Gerald. 1991. Lighting for Television and Film. 3rd Edition. The library of communication techniques. Focal.
Millerson, Gerald, and Jim Owens. 2009. Television Production. 14th Edition. Focal.
Mottram, James. 2006a. The Sundance Kids: How the Mavericks Took Back Hollywood. Faber and Faber.
Mottram, James. 2006b. The Sundance Kids: How the Mavericks Took Back Hollywood. Faber and Faber.
Movshovitz, Howie. 2000. Mike Leigh, Interviews. Conversations with filmmakers. University Press of Mississippi.
Mulvey, Laura. 1990. ‘Visual Pleasure and Narrative Cinema’. In Issues in Feminist Film Criticism. Indiana University Press.
Murch, Walter. 2001. In the Blink of an Eye: A Perspective on Film Editing. 2nd Edition. Silman-James.
Newton, Dale, and John Gaspard. 2001. Digital Filmmaking 101. Michael Wiese.
Nizhnii, V. 1979. Lessons with Eisenstein. 1st paperback ed. Da Capo Press.
Obst, Lynda Rosen. 1997a. Hello, He Lied: And Other Truths From the Hollywood Trenches. Broadway Books.
Obst, Lynda Rosen. 1997b. Hello, He Lied: And Other Truths From the Hollywood Trenches. Broadway Books.
Ohanian, Thomas A. 1993. Digital Nonlinear Editing: New Approaches to Editing Film and Video. Focal.
Oldham, Gabriella. 1992. First Cut: Conversations with Film Editors. University of California Press. Electronic resource.
Oldham, Gabriella. 2012. First Cut 2: More Conversations With Film Editors. University of California Press.
Ondaatje, Michael. 2002a. The Conversations: Walter Murch and the Art of Editing Film. Bloomsbury.
Ondaatje, Michael. 2002b. The Conversations: Walter Murch and the Art of Editing Film. Bloomsbury.
Ondaatje, Michael. 2002c. The Conversations: Walter Murch and the Art of Editing Film. Bloomsbury.
Orlebar, Jeremy. 2002. Digital Television Production: A Handbook. Arnold.
Orlebar, Jeremy. 2003. The Practical Media Dictionary. Arnold.
Orwell, George. 2004. Why I Write. Vol. 20. Penguin.
Parks, Stacey. 2012a. The Insider’s Guide to Independent Film Distribution. 2nd Edition. Elsevier/Focal Press.
Parks, Stacey. 2012b. The Insider’s Guide to Independent Film Distribution. 2nd Edition. Taylor and Francis. Electronic resource. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=850699.
Parks, Stacey. 2012c. The Insider’s Guide to Independent Film Distribution. 2nd Edition. Elsevier/Focal Press.
Parks, Stacey. 2012d. The Insider’s Guide to Independent Film Distribution. 2nd Edition. Taylor and Francis. Electronic resource. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=850699.
Patz, Deborah S. 2010. Film Production Management 101: Management and Coordination in a Digital Age. 2nd Edition. Michael Wiese Productions.
Pearlman, Karen. 2009a. Cutting Rhythms: Shaping the Film Edit. Focal.
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Pye, Michael, and Lynda Myles. 1979a. The Movie Brats: How the Film Generation Took Over Hollywood. Faber and Faber.
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Rea, Peter W., and David K. Irving. 2015a. Producing and Directing the Short Film and Video. 5th Edition. Focal Press.
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Stanislavsky, K. S. 2003b. An Actor Prepares. Routledge. Electronic book. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=668654.
Staten, Greg. 2008. The Avid Handbook: Advanced Techniques, Strategies, and Survival Information for Avid Editing Systems. 5th Edition. Focal Press.
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Tharp, Twyla, and Mark Reiter. 2006b. The Creative Habit: Learn It and Use It for Life. 1st Simon & Schuster Paperback Edition. Simon & Schuster.
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Truffaut, Francois, and Helen G. Scott. 1984b. Hitchcock. Rev. ed. A touchstone book. Simon & Schuster.
Ulin, Jeff. 2014a. The Business of Media Distribution: Monetizing Film, TV, and Video Content in an Online World. Focal Press. Electronic resource. https://royalholloway.idm.oclc.org/login?url=https://www.vlebooks.com/vleweb/product/openreader?id=Holloway&isbn=9780240824543&uid=^u.
Ulin, Jeff. 2014b. The Business of Media Distribution: Monetizing Film, TV, and Video Content in an Online World. Focal Press.
Vachon, Christine, and Austin Bunn. 2007a. A Killer Life: How an Independent Film Producer Survives Deals and Disasters in Hollywood and Beyond. Limelight Editions.
Vachon, Christine, and Austin Bunn. 2007b. A Killer Life: How an Independent Film Producer Survives Deals and Disasters in Hollywood and Beyond. Limelight Editions.
Vachon, Christine, and David Edelstein. 2002a. Shooting to Kill: How an Independent Producer Blasts Through the Barriers to Make Movies That Matter. Quill.
Vachon, Christine, and David Edelstein. 2002b. Shooting to Kill: How an Independent Producer Blasts Through the Barriers to Make Movies That Matter. Quill.
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Vertov, Dziga, and Annette Michelson. 1984. Kino-Eye. California University Press.
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Walter, Ernest. 1982. The Technique of the Film Cutting Room. Focal Press.
