Adorno, Theodor. 2004a. ‘On Lyric Poetry and Society’. In Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
———. 2004b. ‘On Lyric Poetry and Society’. In Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Agamben, Giorgio. 2006. ‘The Archive and Testimony’. In The Archive. London: Whitechapel.
Alvarez, Al. 2006. ‘Finding a Voice’. In The Writer’s Voice. London: Bloomsbury.
Alvi, Moniza. 2000a. ‘The Least International Shop in the World’. In Contemporary Women’s Poetry: Reading, Writing, Practice. Basingstoke: Macmillan Press.
———. 2000b. ‘The Least International Shop in the World’. In Contemporary Women’s Poetry: Reading, Writing, Practice. Basingstoke: Macmillan Press.
Attridge, Derek. 1995. Poetic Rhythm: An Introduction. Cambridge: Cambridge University Press.
Atwood, Margaret. 2002a. ‘Chapter 5: Communion—Nobody to Nobody’. In Negotiating With the Dead: A Writer on Writing. Cambridge: Cambridge University Press.
———. 2002b. ‘Orientation: Who Do You Think You Are?’ In Negotiating With the Dead: A Writer on Writing, 1–28. Cambridge: Cambridge University Press.
Auerbach, Erich. 2003. ‘The Brown Stocking’. In Mimesis the Representation of Reality in Western Literature, 525–53. Princeton, N.J.: Princeton University Press. http://hdl.handle.net/2027/heb.09353.
Bachelard, Gaston. 1994a. The Poetics of Space. [New] ed. Boston, Mass: Beacon.
———. 1994b. The Poetics of Space. [New] ed. Boston, Mass: Beacon.
———. 2014. On Poetic Imagination and Reverie. Putnam, Conn: Spring Publications.
Bal, Mieke. 1985. Narratology: Introduction to the Theory of Narrative. 2nd ed. Toronto: University of Toronto Press.
Baraka, Amiri. 2004. ‘Hunting Is Not Those Heads on the Wall’. In Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Baraka, Imamu. 2004. ‘Hunting Is Not Those Heads on the Wall’. In Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Barfield, Owen. 2010. Poetic Diction: A Study in Meaning. Fourth edition. Oxford, England: Barfield Press.
Barthes, Roland. 2004. ‘Is There Any Poetic Writing?’ In Poetry In Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell.
———. 2008. ‘Chapter 17: The Death of the Author’. In Modern Criticism and Theory: A Reader, 3rd ed. Harlow, England: Pearson Longman.
Bartlett, Phyllis. 1951. Poems in Process. New York: Oxford University Press.
Bate, Jonathan. 2001a. ‘The Place of Poetry’. In The Song of the Earth. London: Picador.
———. 2001b. ‘The Place of Poetry’. In The Song of the Earth. London: Picador.
Baxter, Charles. 2008a. ‘Dysfunctional Narratives, or: ‘Mistakes Were Made’’. In Burning Down the House: Essays on Fiction, 2nd expanded ed. Saint Paul, Minn: Graywolf.
———. 2008b. ‘Stillness’. In Burning Down the House: Essays on Fiction, 2nd expanded ed. Saint Paul, Minn: Graywolf.
Benjamin, Walter. 2008. ‘Chapter 4: The Task of the Translator’. In Modern Criticism and Theory: A Reader, 3rd ed. Harlow, England: Pearson Longman.
Bennett, Andrew, and Nicholas Royle. 2009a. ‘Chapter 5: The Uncanny’. In An Introduction to Literature, Criticism and Theory, 4th ed. Harlow: Pearson Longman.
———. 2009b. ‘Chapter 5: The Uncanny’. In An Introduction to Literature, Criticism and Theory. Harlow: Pearson Longman. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315834252.
———. 2009c. ‘“Me”, “Queer”, “Racial Difference”’. In An Introduction to Literature, Criticism and Theory, 4th ed. Harlow: Pearson Longman.
———. 2009d. ‘“Me”, “Queer”, “Racial Difference”’. In An Introduction to Literature, Criticism and Theory. Harlow: Pearson Longman. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1734006.
Bernstein, Charles. 1990. The Politics of Poetic Form: Poetry and Public Policy. New York, NY: Roof.
———. 2004. ‘The Dollar Value of Poetry’. In Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Blanchot, Maurice. 2001. ‘Time and the Novel’. In Faux Pas. Stanford, Calif: Stanford University Press.
Boland, Eavan. 1995a. ‘The Woman Poet: Her Dilemma’. In Object Lessons: The Life of the Woman and the Poet in Our Time, 239–54. New York: W.W. Norton.
———. 1995b. ‘The Woman The Place The Poet’. In Object Lessons: The Life of the Woman and the Poet in Our Time, 154–74. New York: W.W. Norton.
Booker, Christopher. 2004. ‘Introduction and Historical Notes’. In The Seven Basic Plots, 1–13. London: Continuum.
Borges, Jorge Luis, and Richard Burgin. 1973. Conversations With Jorge Luis Borges. London: Souvenir Press.
Bourriaud, Nicolas. 2002. Relational Aesthetics. Dijon.
Bowland, Eavan. 2004. ‘The Woman Poet: Her Dilemma’. In Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Braidotti, Rosi. 1993. ‘Embodiment, Sexual Difference, and the Nomadic Subject’. Hypatia 8 (1): 1–13. https://doi.org/10.1111/j.1527-2001.1993.tb00625.x.
Broodthaers, Marcel. 2006. ‘Interview with Jurgen Harten and Katharina Schmidt’. In The Archive. London: Whitechapel.
Brooke-Rose, Christine. 1958. A Grammar of Metaphor. Secker & Warburg.
Brooks, Peter. 1992. Reading for the Plot: Design and Intention in Narrative. Cambridge, Mass. London: Harvard University Press.
Brotchie, Alastair, and Mel Gooding. 1995. A Book of Surrealist Games. Boston: Shambhala Redstone Editions.
Brown, Clare, and Don Paterson. 2004. Don’t Ask Me What I Mean: Poets in Their Own Words. London: Picador.
Bryan, Sharon, and William Olsen. 2003. Planet on the Table: Poets on the Reading Life. Vol. 4. Louisville, Ky: Sarabande Books.
Buell, Lawrence. 2008a. ‘Place’. In Modern Criticism and Theory: A Reader, 3rd ed. Harlow, England: Pearson Longman.
———. 2008b. ‘Place’. In Modern Criticism and Theory: A Reader, 3rd ed. Harlow, England: Pearson Longman.
Burroway, Janet, and Susan Weinberg. 2003. Writing Fiction: A Guide to Narrative Craft. 6th ed. New York: Longman.
Calvino, Italo. 1987. The Literature Machine: Essays. London: Secker & Warburg.
Casterton, Julia. 2005. Creative Writing: A Practical Guide. 3rd ed. Houndmills, Basingstoke: Palgrave Macmillan.
Césaire, Aimé. 2004. ‘Poetry and Knowledge’. In Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Cesaire, Aime. 2004. ‘Poetry and Knowledge’. In Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Cesaire, Aimee. 2004. ‘Poetry and Knowledge’. In Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Collis, Stephen. 2016. Once In Blockadia. Talon Books,Canada.
———. n.d. ‘Reading Wordsworth in the Tar Sands | The Goose, Volume 13, Issue 12, Article 37, 2015’. https://scholars.wlu.ca/cgi/viewcontent.cgi?referer=&httpsredir=1&article=1059&context=thegoose.
Cuddon, J. A. 1991. A Dictionary of Literary Terms and Literary Theory. 3rd ed. Oxford: Blackwell.
Cunningham, Valentine. 2008. ‘Chapter 46: Touching Reading’. In Modern Criticism and Theory: A Reader, 3rd ed. Harlow, England: Pearson Longman.
Curran, Stuart. 1986. Poetic Form and British Romanticism. New York: Oxford University Press.
———. 1989. Poetic Form and British Romanticism. New York: Oxford University Press. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=4702200.
Curtis, Tony. 1996. How Poets Work. Bridgend, Wales: Seren.
Da Vinci, Leonardo. 1998. The Notebooks of Leonardo Da Vinci. Oxford: Oxford University Press.
Danchev, Alex. 2011. 100 Artists’ Manifestos. London: Penguin.
Davie, Donald. 1955. Articulate Energy: An Enquiry Into the Syntax of English Poetry. London: Routledge & Kegan Paul.
———. 2011. Purity of Diction in English Verse. [Charleston]: Nabu.
Debord, Guy. 1958. ‘Theory of the Derive | Situationist International Online’. 1958. https://www.cddc.vt.edu/sionline/si/theory.html.
Derrida, Jacques. 2006. ‘Archive Fever’. In The Archive. London: Whitechapel.
Deutsch, Babette. 2002. Poetry Handbook: A Dictionary of Terms. 4th ed. New York: Harper Perennial.
Donaghy, Michael. 2009. The Shape of the Dance: Essays, Interviews and Digressions. London: Picador.
Dorn, Edward. 2004. ‘What I See in the Maximus Poems’. In Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Doty, Mark. 2010. The Art of Description: World Into Word. Minneapolis, Minn: Graywolf Press.
Eagleton, Terry. 2005a. The English Novel: An Introduction. Malden, MA: Blackwell.
———. 2005b. The English Novel: An Introduction. Malden, MA: Blackwell Pub. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1209429.
Eco, Umberto. 1995a. ‘Lingering in the Woods’. In Six Walks in the Fictional Woods. Vol. 1993. Cambridge, Mass: Harvard University Press.
———. 1995b. ‘Possible Woods’. In Six Walks in the Fictional Woods. Vol. 1993. Cambridge, Mass: Harvard University Press.
———. 2004. Mouse or Rat?: Translation as Negotiation. London: Phoenix.
Empson, William. 2004. ‘Seven Types of Ambiguity’. In Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
‘Explore the History and Works of the Situationist International Online | CDDC’. n.d. https://www.cddc.vt.edu/sionline/.
Fahlström, Öyvind. n.d. ‘Manifesto for Concrete Poetry | UBU’. http://www.ubu.com/papers/fahlstrom01.html.
Feaver, Vicki. 2000. ‘Body & Soul: The Power of Sharon Olds’. In Contemporary Women’s Poetry: Reading, Writing, Practice. Basingstoke: Macmillan Press.
Ferguson, Margaret W., Mary Jo Salter, and Jon Stallworthy. 1996. The Norton Anthology of Poetry. 4th edition. New York: W.W. Norton.
Forrest-Thomson, Veronica. 2004. ‘Continuity in Language’. In Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Forster, E. M. 2005a. ‘Flat and Round Characters’. In Aspects of the Novel, [New ed.]. London: Penguin.
———. 2005b. ‘The Plot’. In Aspects of the Novel, [New ed.]. London: Penguin. https://www.gutenberg.org/cache/epub/70492/pg70492-images.html#chap05.
Foster, Hal. 2006. ‘An Archival Impulse’. In The Archive. London: Whitechapel.
Foucault, Michel. 2006. ‘The Historical a Priori and the Archive’. In The Archive. London: Whitechapel.
Freud, Sigmund. 2004. ‘The Interpretation of Dreams’. In Literary Theory: An Anthology, 2nd ed. Oxford: Blackwell.
———. 2006. ‘A Note upon the Mystic Writing-Pad’. In The Archive. London: Whitechapel.
———. 2017. ‘The Interpretation of Dreams’. In Literary Theory: An Anthology, Third edition. Chichester, West Sussex: Wiley Blackwell. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781118718315.
Fussell, Paul. 1979. Poetic Meter and Poetic Form. Rev. ed. New York: Random House.
Genette, Gerard. 1980. Narrative Discourse. Oxford: Blackwell.
———. 2004. ‘Poetic Language, Poetics of Langage’. In Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Gifford, Terry. 1999a. Pastoral. London: Routledge.
———. 1999b. Pastoral. London: Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=165191.
Ginsberg, Allan. 2004. ‘When the Mode of the Music Changes’. In Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Ginsberg, Allen. 2004. ‘When the Mode of the Music Changes …’. In Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Glück, Louise. 1999. ‘Against Sincerity’. In Proofs & Theories: Essays on Poetry. Manchester: Carcanet.
Guest, Barbara. 2003. ‘Radical Poetics and Conservative Poetry’. In Forces of Imagination: Writing on Writing. Berkeley, Calif: Kelsey St. Press.
Haraway, Donna. n.d. ‘A Cyborg Manifesto’. http://faculty.georgetown.edu/irvinem/theory/Haraway-CyborgManifesto-1.pdf.
Hartman, Charles O. 1980a. Free Verse: An Essay on Prosody. Princeton, New Jersey: Princeton University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1701036.
———. 1980b. Free Verse: An Essay on Prosody. Princeton: Princeton University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1701036.
Hawthorn, Jeremy. 2001. Studying the Novel. 4th ed. London: Arnold.
Hayles, N. Katherine. 2006. ‘The Time of Digital Poetry: From Object to Event’. In New Media Poetics: Contexts, Technotexts, and Theories. Cambridge, Mass: MIT Press.
Heaney, Seamus. 1980. ‘Feeling into Words’. In Preoccupations: Selected Prose, 1968-1978. London: Faber.
———. 1988. The Government of the Tongue. London: Faber.
Heaney, Seamus, and Ted Hughes. 1982. The Rattle Bag. London: Faber and Faber.
Heidegger, Martin. 1975. Poetry, Language, Thought. New York: Harper & Row.
———. 2004. ‘What Are Poets For?’ In Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Hejinian, Lyn. 2000a. ‘The Rejection of Closure’. In The Language of Inquiry, 40–58. Berkeley: University of California Press.
———. 2000b. ‘The Rejection of Closure’. In The Language of Inquiry, 40–58. Berkeley, CA: University of California Press. http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=275874.
Hiller, Susan. 2006. ‘Working Through Objects’. In The Archive. London: Whitechapel.
Hiolub, Miroslav. 1990. ‘The Dimension of the Present Moment’. In The Dimension of the Present Moment: Essays. London: Faber and Faber.
Hirsch Jr, E. D. 2008. ‘Chapter 14: In Defence of the Author’. In Modern Criticism and Theory: A Reader, 3rd ed. Harlow, England: Pearson Longman.
Hobsbaum, Philip. 1995. Metre, Rhythm and Verse Form. London: Routledge.
———. 1996. Metre, Rhythm, and Verse Form. London: Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=165939.
Hollander, John. 1981. The Figure of Echo: A Mode of Allusion in Milton and After. Berkeley: University of California Press.
———. 1985. Vision and Resonance: Two Senses of Poetic Form. 2nd ed. New Haven: Yale University Press.
———. 1989. Rhyme’s Reason: A Guide to English Verse. New, enl. Ed. New Haven: Yale University Press.
———. 2014. Rhyme’s Reason: A Guide to English Verse. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3421476.
Hollis, Matthew, and W. N. Herbert. 2000. Strong Words: Modern Poets on Modern Poetry. Tarset: Bloodaxe Books.
Hoover, Paul. 1994. Postmodern American Poetry: A Norton Anthology. New York: Norton.
Hughes, Langston. 2004a. ‘The Negro Artist and the Racial Mountain’. In Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
———. 2004b. ‘The Negro Artist and the Racial Mountain’. In Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Jaggi, Maya. 2010. ‘Barbara Kingsolver: A Life in Writing’. The Guardian. https://www.theguardian.com/books/2010/jun/12/life-in-writing-barbara-kingsolver.
Jakobson, Roman. 2004. ‘Linguistics and Poetics’. In Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
‘James Baldwin, Interviewed by Jordan Elgrabhy, The Art of Fiction No. 78’. n.d. https://www.theparisreview.org/interviews/2994/james-baldwin-the-art-of-fiction-no-78-james-baldwin.
Jarrell, Randall. 2001. Poetry and the Age. Expanded ed. Gainesville: University Press of Florida.
Jelinek, Elfriede. 1994. Women as Lovers. London: Serpent’s Tail.
Josipovici, Gabriel. 1996. ‘Thirty-Three Variations on a Theme of Graham Greene’. In Real Voices: On Reading. Basingstoke: Macmillan.
Kaye, Nick. 2000a. ‘Introduction’. In Site Specific Art. London: Routledge. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=166116.
———. 2000b. Site Specific Art. New York: Routledge.
Kinzie, Mary. 1999. A Poet’s Guide to Poetry. Chicago, Ill: University of Chicago Press.
Kundera, Milan. 1990. The Art of the Novel. London: Faber.
———. 2001. Testaments Betrayed: An Essay in Nine Parts. New York: Harper Perennial.
Lacan, Jacques. 2004. ‘The Instance of the Letter in the Unconscious or Reason since Freud’. In Literary Theory: An Anthology, 2nd ed. Oxford: Blackwell.
Lakoff, George, and Mark Johnson. 1981a. Metaphors We Live By. Chicago: University of Chicago Press.
———. 1981b. Metaphors We Live By. Chicago: University of Chicago Press.
———. 1999. ‘Who Are We?’ In Philosophy in the Flesh: The Embodied Mind and Its Challenge to Western Thought, 3–4. New York: Basic Books.
Lawrence, D. H. 2004. ‘Preface to the American Edition of New Poems’. In Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Leader, Zachary. 2002. On Modern British Fiction. Oxford: Oxford University Press.
Leighton, Angela. 2007. ‘Chapter 6: Just a Word: On Woolf’. In On Form: Poetry, Aestheticism, and the Legacy of a Word. Oxford: Oxford University Press.
Lodge, David. 1992a. ‘Narrative Structure’. In The Art of Fiction: Illustrated From Classic and Modern Texts, 215–18. London: Penguin.
———. 1992b. ‘Point of View’. In The Art of Fiction: Illustrated From Classic and Modern Texts, 25–29. London: Penguin.
———. 1992c. ‘Telling in Different Voices’. In The Art of Fiction: Illustrated From Classic and Modern Texts, 125–29. London: Penguin.
———. 2002. ‘Consciousness and the Novel’. In Consciousness & the Novel: Connected Essays. Cambridge, Mass: Harvard University Press.
Lorca, Federico Garcia. 2010. ‘Play and the Theory of Duende’. In In Search of Duende, 1164:48–62. New York: New Directions.
Lowell, Amy. 2004. ‘Poetry as a Spoken Art’. In Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Loy, Mina. 2011a. ‘Aphorisms on Futurism’. In 100 Artists’ Manifestos. London: Penguin.
———. 2011b. ‘Aphorisms on Futurism’. In 100 Artists’ Manifestos. London: Penguin.
———. 2011c. ‘Feminist Manifesto’. In 100 Artists’ Manifestos. London: Penguin.
———. 2011d. ‘Feminist Manifesto’. In 100 Artists’ Manifestos. London: Penguin.
Marinetti, Filippo. 1909. ‘The Founding and Manifesto of Futurism | UBU’. 1909. http://www.ubu.com/papers/marinetti_futurist-manifesto.html.
———. 2004a. ‘Technical Manifesto’. In Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
———. 2004b. ‘Technical Manifesto’. In Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Mark, Alison. 2000. ‘Writing About Writing’. In Contemporary Women’s Poetry: Reading, Writing, Practice. Basingstoke: Macmillan Press.
Marks, Alison. 2000. ‘Writing About Writing…’. In Contemporary Women’s Poetry: Reading, Writing, Practice. Basingstoke: Macmillan Press.
Marks, Emerson R. 1998. Taming the Chaos: English Poetic Diction Theory Since the Renaissance. Detroit, MI: Wayne State University Press.
May, Charles E. 1994. The New Short Story Theories. Athens: Ohio University Press.
Mayakovsky, Vladimir. 2004a. ‘How Are Verses Made’. In Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
———. 2004b. ‘How Are Verses Made?’ In Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
McQuillan, Martin. 2000. The Narrative Reader. London: Routledge.
Metzger, Gustav. 1960. ‘Auto-Destructive Art | UBU’. 1960. http://www.ubu.com/papers/metzger_auto-destructive.html.
Miller, Andrew. 2011. ‘How to Write Fiction: Creating Characters | The Guardian’. Guardian. https://www.theguardian.com/books/2011/oct/16/how-to-write-fiction-andrew-miller.
Moten, Fred. 2003a. In the Break: The Aesthetics of the Black Radical Tradition. Minneapolis: University of Minnesota Press.
———. 2003b. In The Break: The Aesthetics Of The Black Radical Tradition. Minneapolis: University of Minnesota Press. http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=310622.
Muldoon, Paul. 2000a. ‘All Souls’ Night—W.B. Yeats’. In The End of the Poem. Oxford: Oxford University Press.
———. 2000b. ‘Chapter 1: All Souls’ Night—W.B. Yeats’. In The End of the Poem. Oxford: Oxford University Press.
Nabokov, Vladimir. 1964. Notes on Prosody and Abram Grannibal. Vol. 72. Bollingen: Princeton University Press.
Nelson, Robin. 2013a. Practice as Research in the Arts. Basingstoke: Palgrave Macmillan.
———. 2013b. Practice as Research in the Arts. Basingstoke: Palgrave Macmillan. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1209462.
Ngai, Sianne. 2007a. ‘Stuplimity’. In Ugly Feelings. Cambridge, Mass: Harvard University Press.
———. 2007b. ‘Stuplimity’. In Ugly Feelings. Cambridge, Mass: Harvard University Press. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780674041523.
———. 2007c. Ugly Feelings. Cambridge, Mass: Harvard University Press.
———. 2007d. Ugly Feelings. Cambridge, Mass: Harvard University Press. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780674041523.
O’Hara, Frank. 2004a. ‘Personism: A Manifesto’. In Poetry in Theory: An Anthology, 1900-2000, 367–69. Malden, Mass: Blackwell Pub.
———. 2004b. ‘Personism: A Manifesto’. In Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Orwell, George. 2013. Politics and the English Language. London: Penguin Books.
Padgett, Ron. 2000. The Straight Line: Writings on Poetry and Poets. Ann Arbor: University of Michigan Press.
Paulin, Tom. 1996. ‘Writing to the Moment: Elizabeth Bishop’. In Writing to the Moment: Selected Critical Essays, 1980-1996. London: Faber and Faber.
Perloff, Marjorie. 2004. ‘Avant-Garde or Endgame?’ In Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
———. 2014. ‘Can(n)on to the Right of Us, Can(n)on to the Left of Us: A Plea for Difference’. In The Lyric Theory Reader: A Critical Anthology. Baltimore: Johns Hopkins University Press.
Pinsky, Robert. 1976. The Situation of Poetry: Contemporary Poetry and Its Traditions. Princeton, N.J.: Princeton University Press.
Pope, Rob. 2005. Creativity: Theory, History, Practice. London: Routledge.
Pound, Ezra. 1913. ‘A Few Don’ts by an Imagiste’. Poetry 1 (6): 200–206. https://www.jstor.org/stable/20569730.
———. 2004. ‘A Retrospect’. In Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Preminger, Alex, and T. V. F. Brogan. 1993. The New Princeton Encyclopedia of Poetry and Poetics. Princeton, N.J.: Princeton University Press.
Rankine, Claudia, and Juliana Spahr. 2002. American Women Poets in the 21st Century: Where Lyric Meets Language. Middletown, Conn: Wesleyan University Press.
Rees-Jones, Deryn. 2000. ‘Nothing That Is Not There and the Nothing That Is’. In Contemporary Women’s Poetry: Reading, Writing, Practice. Basingstoke: Macmillan Press.
Rich, Adrienne. 2004a. ‘Blood, Bread and Poetry’. In Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
———. 2004b. ‘Blood, Bread and Poetry: The Location of the Poet’. In Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
———. 2007. Poetry and Commitment: An Essay. New York: W.W. Norton & Co.
Richards, I. A. 2004a. ‘The Poetic Experience’. In Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Richards, I.A. 2004b. ‘The Poetic Experience’. In Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub.
Ricks, Christopher. 2008. ‘The Pursuit of Metaphor’. In Allusion to the Poets. Oxford: Oxford University Press.
Rigby, Kate. 2004. ‘Earth, World, Text: On the (Im)Possibility of Ecopoiesis’. New Literary History 35 (3): 427–42. https://www.jstor.org/stable/20057847.
Riley, Denise. 1992. Poets on Writing: Britain, 1970-1991. Basingstoke: Macmillan Academic and Professional.
———. 2000. The Words of Selves: Identification, Solidarity, Irony. Stanford, Calif: Stanford University Press.
Rilke, Rainer Maria. 1954. Letters to a Young Poet. Rev. ed. New York: Norton.
Rivkin, Julie, and Michael Ryan. 2004. Literary Theory: An Anthology. 2nd ed. Oxford: Blackwell.
———. 2017. Literary Theory: An Anthology. Third edition. Chichester, West Sussex: Wiley Blackwell. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4792586.
Robertson, Lisa. 2001. ‘Office for Soft Architecture -- Spatial Synthetics: A Theory | Jacket’. 2001. http://jacketmagazine.com/14/robertson-lisa.html.
Robertson, Lisa, and Lisa Robertson. 2017. ‘Proverbs of a She Dandy | Buenos Tiempos International’. 2017. http://buenostiemposinternational.com/lisa-robertson_13-4-2017/.
Royle, Nicholas. 2003. The Uncanny. Manchester: Manchester University Press.
Rushdie, Salman. 2010. ‘Imaginary Homelands “Errata” The Riddle of Midnight’. In Imaginary Homelands. London: Vintage.
Said, Edward. 2004. ‘Jane Austen and Empire’. In Literary Theory: An Anthology, 2nd ed. Oxford: Blackwell.
———. 2017. ‘Jane Austin and Empire’. In Literary Theory: An Anthology, Third edition. Chichester, West Sussex: Wiley Blackwell. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781118718315.
Said, Edward W. 2012. Beginnings: Intention and Method. London: Granta.
Saunders, George. 2007. The Braindead Megaphone: Essays. 1st Riverhead trade pbk. ed. New York: Riverhead Books.
Schwartz, Lynne Sharon. 2010. The Emergence of Memory - Conversations with W. G. Sebald. SEVEN STORIES PRESS.
Shapcott, Jo. 2000a. ‘Confounding Geography’. In Contemporary Women’s Poetry: Reading, Writing, Practice. Basingstoke: Macmillan Press.
———. 2000b. ‘Confounding Geography’. In Contemporary Women’s Poetry: Reading, Writing, Practice. Basingstoke: Macmillan Press.
Shapcott, Jo, and Matthew Sweeney. 2004. Emergency Kit: Poems for Strange Times. London: Faber.
Shapiro, Karl Jay, and Robert Lawrence Beum. 1965. A Prosody Handbook. New York: Harper & Row.
Shipley, Joseph T. 1984. The Origins of English Words. Baltimore: The Johns Hopkins University Press.
Smith, Zadie. 2010a. ‘Chapter4: Re-Reading Barthes and Nabokov’. In Changing My Mind: New York: Penguin.
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