[1]
R. Barthes, ‘Is There Any Poetic Writing?’, in Poetry In Theory: An Anthology, 1900-2000, Malden, Mass: Blackwell, 2004.
[2]
M. Heidegger, ‘What are Poets For?’, in Poetry in Theory: An Anthology, 1900-2000, Malden, Mass: Blackwell Pub, 2004.
[3]
B. Guest, ‘Radical Poetics and Conservative Poetry’, in Forces of Imagination: Writing on Writing, Berkeley, Calif: Kelsey St. Press, 2003.
[4]
M. Perloff, ‘Can(n)on to the Right of Us, Can(n)on to the Left of Us: A Plea for Difference’, in The Lyric Theory Reader: A Critical Anthology, Baltimore: Johns Hopkins University Press, 2014.
[5]
E. Pound, ‘A Retrospect’, in Poetry in Theory: An Anthology, 1900-2000, Malden, Mass: Blackwell Pub, 2004.
[6]
M. Atwood, ‘Orientation: Who Do You Think You Are?’, in Negotiating With the Dead: A Writer on Writing, Cambridge: Cambridge University Press, 2002, pp. 1–28.
[7]
C. Brown and D. Paterson, Don’t Ask Me What I Mean: Poets in Their Own Words. London: Picador, 2004.
[8]
S. Freud, ‘A Note upon the Mystic Writing-Pad’, in The Archive, London: Whitechapel, 2006.
[9]
G. Stein, ‘Poetry and Grammar’, in Poetry in Theory: An Anthology, 1900-2000, Malden, Mass: Blackwell Pub, 2004.
[10]
P. Valery, ‘Poetry and Abstract Thought’, in Poetry in Theory: An Anthology, 1900-2000, Malden, Mass: Blackwell Pub, 2004.
[11]
G. Genette, ‘Poetic Language, Poetics of Langage’, in Poetry in Theory: An Anthology, 1900-2000, Malden, Mass: Blackwell Pub, 2004.
[12]
V. Forrest-Thomson, ‘Continuity in Language’, in Poetry in Theory: An Anthology, 1900-2000, Malden, Mass: Blackwell Pub, 2004.
[13]
D. Lodge, ‘Consciousness and the Novel’, in Consciousness & the Novel: Connected Essays, Cambridge, Mass: Harvard University Press, 2002.
[14]
E. Auerbach, ‘The Brown Stocking’, in Mimesis the Representation of Reality in Western Literature, Princeton, N.J.: Princeton University Press, 2003, pp. 525–553 [Online]. Available: http://hdl.handle.net/2027/heb.09353
[15]
J. Wood, ‘Chapter 6: A Brief History of Consciousness’, in How Fiction Works, London: Vintage, 2009, pp. 107–127.
[16]
S. Heaney, ‘Feeling into Words’, in Preoccupations: Selected Prose, 1968-1978, London: Faber, 1980.
[17]
A. Leighton, ‘Chapter 6: Just a Word: On Woolf’, in On Form: Poetry, Aestheticism, and the Legacy of a Word, Oxford: Oxford University Press, 2007.
[18]
L. S. Schwartz, The Emergence of Memory - Conversations with W. G. Sebald. SEVEN STORIES PRESS, 2010.
[19]
H. Vendler, ‘Chapter 19: Mapping the Air: Adrienne Rich and Jorie Graham’, in Soul Says: Recent Poetry, Cambridge, Mass: Belknap, 1995.
[20]
A. Bennett and N. Royle, ‘Chapter 5: The Uncanny’, in An Introduction to Literature, Criticism and Theory, 4th ed., Harlow: Pearson Longman, 2009.
[21]
A. Bennett and N. Royle, ‘Chapter 5: The Uncanny’, in An Introduction to Literature, Criticism and Theory, Harlow: Pearson Longman, 2009 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315834252
[22]
S. Freud, ‘The Interpretation of Dreams’, in Literary Theory: An Anthology, 2nd ed., Oxford: Blackwell, 2004.
[23]
S. Freud, ‘The Interpretation of Dreams’, in Literary Theory: An Anthology, Third edition., Chichester, West Sussex: Wiley Blackwell, 2017 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781118718315
[24]
J. Lacan, ‘The Instance of the Letter in the Unconscious or Reason since Freud’, in Literary Theory: An Anthology, 2nd ed., Oxford: Blackwell, 2004.
[25]
R. Pope, Creativity: Theory, History, Practice. London: Routledge, 2005.
[26]
M. Foucault, ‘The Historical a Priori and the Archive’, in The Archive, London: Whitechapel, 2006.
[27]
G. Agamben, ‘The Archive and Testimony’, in The Archive, London: Whitechapel, 2006.
[28]
S. Hiller, ‘Working Through Objects’, in The Archive, London: Whitechapel, 2006.
[29]
C. Booker, ‘Introduction and Historical Notes’, in The Seven Basic Plots, London: Continuum, 2004, pp. 1–13.
[30]
E. M. Forster, ‘The Plot’, in Aspects of the Novel, [New ed.]., London: Penguin, 2005 [Online]. Available: https://www.gutenberg.org/cache/epub/70492/pg70492-images.html#chap05
[31]
D. Lodge, ‘Narrative Structure’, in The Art of Fiction: Illustrated From Classic and Modern Texts, London: Penguin, 1992, pp. 215–218.
[32]
D. Lodge, ‘Point of View’, in The Art of Fiction: Illustrated From Classic and Modern Texts, London: Penguin, 1992, pp. 25–29.
[33]
D. Lodge, ‘Telling in Different Voices’, in The Art of Fiction: Illustrated From Classic and Modern Texts, London: Penguin, 1992, pp. 125–129.
[34]
J. Wood, ‘Chapter 1: Narrating’, in How Fiction Works, London: Vintage, 2009, pp. 5–31.
[35]
A. Alvarez, ‘Finding a Voice’, in The Writer’s Voice, London: Bloomsbury, 2006.
[36]
C. Baxter, ‘Dysfunctional Narratives, or: ‘Mistakes Were Made’’, in Burning Down the House: Essays on Fiction, 2nd expanded ed., Saint Paul, Minn: Graywolf, 2008.
[37]
M. McQuillan, The Narrative Reader. London: Routledge, 2000.
[38]
W. Empson, ‘Seven Types of Ambiguity’, in Poetry in Theory: An Anthology, 1900-2000, Malden, Mass: Blackwell Pub, 2004.
[39]
R. Jakobson, ‘Linguistics and Poetics’, in Poetry in Theory: An Anthology, 1900-2000, Malden, Mass: Blackwell Pub, 2004.
[40]
G. Lakoff and M. Johnson, Metaphors We Live By. Chicago: University of Chicago Press, 1981.
[41]
M. Doty, The Art of Description: World Into Word. Minneapolis, Minn: Graywolf Press, 2010.
[42]
E. Pound, ‘A Few Don’ts by an Imagiste’, Poetry, vol. 1, no. 6, pp. 200–206, 1913 [Online]. Available: https://www.jstor.org/stable/20569730
[43]
D. Rees-Jones, ‘Nothing That Is Not There and the Nothing That Is’, in Contemporary Women’s Poetry: Reading, Writing, Practice, Basingstoke: Macmillan Press, 2000.
[44]
C. Ricks, ‘The Pursuit of Metaphor’, in Allusion to the Poets, Oxford: Oxford University Press, 2008.
[45]
F. Marinetti, ‘Technical Manifesto’, in Poetry in Theory: An Anthology, 1900-2000, Malden, Mass: Blackwell Pub, 2004.
[46]
F. Marinetti, ‘The Founding and Manifesto of Futurism | UBU’, 1909. [Online]. Available: http://www.ubu.com/papers/marinetti_futurist-manifesto.html
[47]
Ö. Fahlström, ‘Manifesto for Concrete Poetry | UBU’. [Online]. Available: http://www.ubu.com/papers/fahlstrom01.html
[48]
M. Loy, ‘Aphorisms on Futurism’, in 100 artists’ manifestos, London: Penguin, 2011.
[49]
M. Loy, ‘Feminist Manifesto’, in 100 artists’ manifestos, London: Penguin, 2011.
[50]
V. Mayakovsky, ‘How Are Verses Made’, in Poetry in Theory: An Anthology, 1900-2000, Malden, Mass: Blackwell Pub, 2004.
[51]
A. Césaire, ‘Poetry and Knowledge’, in Poetry in Theory: An Anthology, 1900-2000, Malden, Mass: Blackwell Pub, 2004.
[52]
F. O’Hara, ‘Personism: A Manifesto’, in Poetry in Theory: An Anthology, 1900-2000, Malden, Mass: Blackwell Pub, 2004, pp. 367–369.
[53]
G. Metzger, ‘Auto-Destructive Art | UBU’, 1960. [Online]. Available: http://www.ubu.com/papers/metzger_auto-destructive.html
[54]
D. Haraway, ‘A Cyborg Manifesto’. [Online]. Available: http://faculty.georgetown.edu/irvinem/theory/Haraway-CyborgManifesto-1.pdf
[55]
A. Danchev, 100 artists’ manifestos. London: Penguin, 2011.
[56]
E. M. Forster, ‘Flat and Round Characters’, in Aspects of the Novel, [New ed.]., London: Penguin, 2005.
[57]
J. Wood, ‘Character’, in How Fiction Works, London: Vintage, 2009.
[58]
A. Miller, ‘How to Write Fiction: Creating Characters | The Guardian’, Guardian, 2011 [Online]. Available: https://www.theguardian.com/books/2011/oct/16/how-to-write-fiction-andrew-miller
[59]
G. Lakoff and M. Johnson, ‘Who Are We?’, in Philosophy in the Flesh: The Embodied Mind and Its Challenge to Western Thought, New York: Basic Books, 1999, pp. 3–4.
[60]
F. Marinetti, ‘Technical Manifesto’, in Poetry in Theory: An Anthology, 1900-2000, Malden, Mass: Blackwell Pub, 2004.
[61]
M. Loy, ‘Aphorisms on Futurism’, in 100 artists’ manifestos, London: Penguin, 2011.
[62]
M. Loy, ‘Feminist Manifesto’, in 100 artists’ manifestos, London: Penguin, 2011.
[63]
V. Mayakovsky, ‘How Are Verses Made?’, in Poetry in Theory: An Anthology, 1900-2000, Malden, Mass: Blackwell Pub, 2004.
[64]
A. Cesaire, ‘Poetry and Knowledge’, in Poetry in Theory: An Anthology, 1900-2000, Malden, Mass: Blackwell Pub, 2004.
[65]
F. O’Hara, ‘Personism: A Manifesto’, in Poetry in Theory: An Anthology, 1900-2000, Malden, Mass: Blackwell Pub, 2004.
[66]
M. Donaghy, The Shape of the Dance: Essays, Interviews and Digressions. London: Picador, 2009.
[67]
L. Glück, ‘Against Sincerity’, in Proofs & Theories: Essays on Poetry, Manchester: Carcanet, 1999.
[68]
M. Hollis and W. N. Herbert, Strong Words: Modern Poets on Modern Poetry. Tarset: Bloodaxe Books, 2000.
[69]
A. Rich, Poetry and Commitment: An Essay. New York: W.W. Norton & Co, 2007.
[70]
G. Debord, ‘Theory of the Derive | Situationist International Online’, 1958. [Online]. Available: https://www.cddc.vt.edu/sionline/si/theory.html
[71]
L. Robertson, ‘Office for Soft Architecture -- Spatial Synthetics: A Theory | Jacket’, 2001. [Online]. Available: http://jacketmagazine.com/14/robertson-lisa.html
[72]
N. Kaye, Site Specific Art. New York: Routledge, 2000.
[73]
N. Kaye, ‘Introduction’, in Site Specific Art, London: Routledge, 2000 [Online]. Available: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=166116
[74]
E. Dorn, ‘What I See in the Maximus Poems’, in Poetry in Theory: An Anthology, 1900-2000, Malden, Mass: Blackwell Pub, 2004.
[75]
G. Bachelard, The Poetics of Space, [New] ed. Boston, Mass: Beacon, 1994.
[76]
‘Explore the History and Works of the Situationist International Online | CDDC’. [Online]. Available: https://www.cddc.vt.edu/sionline/
[77]
U. Eco, ‘Possible Woods’, in Six Walks in the Fictional Woods, vol. 1993, Cambridge, Mass: Harvard University Press, 1995.
[78]
S. Rushdie, ‘Imaginary Homelands “Errata” The Riddle of Midnight’, in Imaginary Homelands, London: Vintage, 2010.
[79]
E. Welty, ‘Place in Fiction’, in On Writing, 2002 Modern Library ed., New York: Modern Library, 2002.
[80]
M. Alvi, ‘The Least International Shop in the World’, in Contemporary Women’s Poetry: Reading, Writing, Practice, Basingstoke: Macmillan Press, 2000.
[81]
J. Bate, ‘The Place of Poetry’, in The Song of the Earth, London: Picador, 2001.
[82]
E. Boland, ‘The Woman The Place The Poet’, in Object Lessons: The Life of the Woman and the Poet in Our Time, New York: W.W. Norton, 1995, pp. 154–174.
[83]
L. Buell, ‘Place’, in Modern Criticism and Theory: A Reader, 3rd ed., Harlow, England: Pearson Longman, 2008.
[84]
J. Shapcott, ‘Confounding Geography’, in Contemporary Women’s Poetry: Reading, Writing, Practice, Basingstoke: Macmillan Press, 2000.
[85]
T. Gifford, Pastoral. London: Routledge, 1999.
[86]
T. Gifford, Pastoral. London: Routledge, 1999 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=165191
[87]
E. Said, ‘Jane Austen and Empire’, in Literary Theory: An Anthology, 2nd ed., Oxford: Blackwell, 2004.
[88]
E. Said, ‘Jane Austin and Empire’, in Literary Theory: An Anthology, Third edition., Chichester, West Sussex: Wiley Blackwell, 2017 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781118718315
[89]
M. Tsvetaeva, ‘Poets with History and Poets without History’, in Poetry in Theory: An Anthology, 1900-2000, Malden, Mass: Blackwell Pub, 2004.
[90]
D. Walcott, ‘The Muse of History’, in Poetry in Theory: An Anthology, 1900-2000, Malden, Mass: Blackwell Pub, 2004.
[91]
T. Adorno, ‘On Lyric Poetry and Society’, in Poetry in Theory: An Anthology, 1900-2000, Malden, Mass: Blackwell Pub, 2004.
[92]
M. Alvi, ‘The Least International Shop in the World’, in Contemporary Women’s Poetry: Reading, Writing, Practice, Basingstoke: Macmillan Press, 2000.
[93]
J. Bate, ‘The Place of Poetry’, in The Song of the Earth, London: Picador, 2001.
[94]
L. Buell, ‘Place’, in Modern Criticism and Theory: A Reader, 3rd ed., Harlow, England: Pearson Longman, 2008.
[95]
J. Shapcott, ‘Confounding Geography’, in Contemporary Women’s Poetry: Reading, Writing, Practice, Basingstoke: Macmillan Press, 2000.
[96]
S. Ngai, ‘Stuplimity’, in Ugly Feelings, Cambridge, Mass: Harvard University Press, 2007.
[97]
S. Ngai, ‘Stuplimity’, in Ugly Feelings, Cambridge, Mass: Harvard University Press, 2007 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780674041523
[98]
N. K. Hayles, ‘The Time of Digital Poetry: From Object to Event’, in New Media Poetics: Contexts, Technotexts, and Theories, Cambridge, Mass: MIT Press, 2006.
[99]
C. Baxter, ‘Stillness’, in Burning Down the House: Essays on Fiction, 2nd expanded ed., Saint Paul, Minn: Graywolf, 2008.
[100]
U. Eco, ‘Lingering in the Woods’, in Six Walks in the Fictional Woods, vol. 1993, Cambridge, Mass: Harvard University Press, 1995.
[101]
M. Blanchot, ‘Time and the Novel’, in Faux Pas, Stanford, Calif: Stanford University Press, 2001.
[102]
M. Hiolub, ‘The Dimension of the Present Moment’, in The Dimension of the Present Moment: Essays, London: Faber and Faber, 1990.
[103]
P. Muldoon, ‘Chapter 1: All Souls’ Night—W.B. Yeats’, in The End of the Poem, Oxford: Oxford University Press, 2000.
[104]
T. Paulin, ‘Writing to the Moment: Elizabeth Bishop’, in Writing to the Moment: Selected Critical Essays, 1980-1996, London: Faber and Faber, 1996.
[105]
A. Tarkovsky, ‘Imprinted Time’, in Sculpting in Time: Reflections on the Cinema, Austin, [Tex.]: University of Texas Press, 1989, pp. 57–69.
[106]
A. Tarkovsky, ‘Time, Rhythm and Editing’, in Sculpting in Time: Reflections on the Cinema, Austin, [Tex.]: University of Texas Press, 1989, pp. 113–124.
[107]
E. Welty, ‘Some Notes on Time’, in On Writing, 2002 Modern Library ed., New York: Modern Library, 2002.
[108]
D. H. Lawrence, ‘Preface to the American Edition of New Poems’, in Poetry in Theory: An Anthology, 1900-2000, Malden, Mass: Blackwell Pub, 2004.
[109]
I. A. Richards, ‘The Poetic Experience’, in Poetry in Theory: An Anthology, 1900-2000, Malden, Mass: Blackwell Pub, 2004.
[110]
P. Muldoon, ‘All Souls’ Night—W.B. Yeats’, in The End of the Poem, Oxford: Oxford University Press, 2000.
[111]
S. Ngai, Ugly feelings. Cambridge, Mass: Harvard University Press, 2007.
[112]
S. Ngai, Ugly Feelings. Cambridge, Mass: Harvard University Press, 2007 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780674041523
[113]
T. Adorno, ‘On Lyric Poetry and Society’, in Poetry in Theory: An Anthology, 1900-2000, Malden, Mass: Blackwell Pub, 2004.
[114]
C. Bernstein, ‘The Dollar Value of Poetry’, in Poetry in Theory: An Anthology, 1900-2000, Malden, Mass: Blackwell Pub, 2004.
[115]
L. Hejinian, ‘The Rejection of Closure’, in The Language of Inquiry, Berkeley: University of California Press, 2000, pp. 40–58.
[116]
L. Hejinian, ‘The Rejection of Closure’, in The Language of Inquiry, Berkeley, CA: University of California Press, 2000, pp. 40–58 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=275874
[117]
I. A. Richards, ‘The Poetic Experience’, in Poetry in Theory: An Anthology, 1900-2000, Malden, Mass: Blackwell Pub, 2004.
[118]
A. Ginsberg, ‘When the Mode of the Music Changes …’, in Poetry in Theory: An Anthology, 1900-2000, Malden, Mass: Blackwell Pub, 2004.
[119]
M. Perloff, ‘Avant-Garde or Endgame?’, in Poetry in Theory: An Anthology, 1900-2000, Malden, Mass: Blackwell Pub, 2004.
[120]
M. Atwood, ‘Chapter 5: Communion—Nobody to Nobody’, in Negotiating With the Dead: A Writer on Writing, Cambridge: Cambridge University Press, 2002.
[121]
R. Barthes, ‘Chapter 17: The Death of the Author’, in Modern Criticism and Theory: A Reader, 3rd ed., Harlow, England: Pearson Longman, 2008.
[122]
W. Benjamin, ‘Chapter 4: The Task of the Translator’, in Modern Criticism and Theory: A Reader, 3rd ed., Harlow, England: Pearson Longman, 2008.
[123]
S. Bryan and W. Olsen, Planet on the Table: Poets on the Reading Life, vol. 4. Louisville, Ky: Sarabande Books, 2003.
[124]
V. Cunningham, ‘Chapter 46: Touching Reading’, in Modern Criticism and Theory: A Reader, 3rd ed., Harlow, England: Pearson Longman, 2008.
[125]
U. Eco, Mouse or Rat?: Translation as Negotiation. London: Phoenix, 2004.
[126]
E. D. Hirsch Jr, ‘Chapter 14: In Defence of the Author’, in Modern Criticism and Theory: A Reader, 3rd ed., Harlow, England: Pearson Longman, 2008.
[127]
G. Josipovici, ‘Thirty-three Variations on a Theme of Graham Greene’, in Real Voices: On Reading, Basingstoke: Macmillan, 1996.
[128]
Z. Smith, ‘Chapter4: Re-reading Barthes and Nabokov’, in Changing My Mind:, New York: Penguin, 2010.
[129]
P. Stockwell, ‘Cognitive Deixis’, in Cognitive Poetics, London: Routledge, 2002, pp. 41–57.
[130]
P. Stckwell, ‘Cognitive Deixis’, in Cognitive Poetics, London: Routledge, 2002, pp. 41–57 [Online]. Available: http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203995143
[131]
A. Lowell, ‘Poetry as a Spoken Art’, in Poetry in Theory: An Anthology, 1900-2000, Malden, Mass: Blackwell Pub, 2004.
[132]
E. Bowland, ‘The Woman Poet: Her Dilemma’, in Poetry in Theory: An Anthology, 1900-2000, Malden, Mass: Blackwell Pub, 2004.
[133]
A. Ginsberg, ‘When the Mode of the Music Changes’, in Poetry in Theory: An Anthology, 1900-2000, Malden, Mass: Blackwell Pub, 2004.
[134]
N. Bourriaud, Relational Aesthetics. Dijon, 2002.
[135]
H. Foster, ‘An Archival Impulse’, in The Archive, London: Whitechapel, 2006.
[136]
J. Derrida, ‘Archive Fever’, in The Archive, London: Whitechapel, 2006.
[137]
M. Broodthaers, ‘Interview with Jurgen Harten and Katharina Schmidt’, in The Archive, London: Whitechapel, 2006.
[138]
Z. Smith, ‘Their Eyes Were Watching God: What Does Soulful Mean?’, in Changing My Mind: Occasional Essays, New York: Penguin, 2010.
[139]
V. Woolf, ‘Chapter 5: A Room of One’s Own’, in Modern Criticism and Theory: A Reader, 3rd ed., Harlow, England: Pearson Longman, 2008.
[140]
A. Bennett and N. Royle, ‘“Me”, “Queer”, “Racial Difference”’, in An Introduction to Literature, Criticism and Theory, 4th ed., Harlow: Pearson Longman, 2009.
[141]
A. Bennett and N. Royle, ‘“Me”, “Queer”, “Racial Difference”’, in An Introduction to Literature, Criticism and Theory, Harlow: Pearson Longman, 2009 [Online]. Available: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1734006
[142]
E. Boland, ‘The Woman Poet: Her Dilemma’, in Object Lessons: The Life of the Woman and the Poet in Our Time, New York: W.W. Norton, 1995, pp. 239–254.
[143]
F. G. Lorca, ‘Play and the Theory of Duende’, in In Search of Duende, vol. 1164, New York: New Directions, 2010, pp. 48–62.
[144]
A. Marks, ‘Writing About Writing…’, in Contemporary Women’s Poetry: Reading, Writing, Practice, Basingstoke: Macmillan Press, 2000.
[145]
J. Rivkin and M. Ryan, Literary Theory: An Anthology, 2nd ed. Oxford: Blackwell, 2004.
[146]
J. Rivkin and M. Ryan, Literary Theory: An Anthology, Third edition. Chichester, West Sussex: Wiley Blackwell, 2017 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4792586
[147]
L. Hughes, ‘The Negro Artist and the Racial Mountain’, in Poetry in Theory: An Anthology, 1900-2000, Malden, Mass: Blackwell Pub, 2004.
[148]
A. Cesaire, ‘Poetry and Knowledge’, in Poetry in Theory: An Anthology, 1900-2000, Malden, Mass: Blackwell Pub, 2004.
[149]
I. Baraka, ‘Hunting Is Not Those Heads on the Wall’, in Poetry in Theory: An Anthology, 1900-2000, Malden, Mass: Blackwell Pub, 2004.
[150]
A. Rich, ‘Blood, Bread and Poetry’, in Poetry in Theory: An Anthology, 1900-2000, Malden, Mass: Blackwell Pub, 2004.
[151]
V. Feaver, ‘Body & Soul: The Power of Sharon Olds’, in Contemporary Women’s Poetry: Reading, Writing, Practice, Basingstoke: Macmillan Press, 2000.
[152]
A. Mark, ‘Writing About Writing’, in Contemporary Women’s Poetry: Reading, Writing, Practice, Basingstoke: Macmillan Press, 2000.
[153]
F. Moten, In the Break: The Aesthetics of the Black Radical Tradition. Minneapolis: University of Minnesota Press, 2003.
[154]
F. Moten, In The Break: The Aesthetics Of The Black Radical Tradition. Minneapolis: University of Minnesota Press, 2003 [Online]. Available: http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=310622
[155]
R. Braidotti, ‘Embodiment, Sexual Difference, and the Nomadic Subject’, Hypatia, vol. 8, no. 1, pp. 1–13, 1993, doi: 10.1111/j.1527-2001.1993.tb00625.x.
[156]
L. Hughes, ‘The Negro Artist and the Racial Mountain’, in Poetry in Theory: An Anthology, 1900-2000, Malden, Mass: Blackwell Pub, 2004.
[157]
A. Baraka, ‘Hunting Is Not Those Heads on the Wall’, in Poetry in Theory: An Anthology, 1900-2000, Malden, Mass: Blackwell Pub, 2004.
[158]
A. Rich, ‘Blood, Bread and Poetry: The Location of the Poet’, in Poetry in Theory: An Anthology, 1900-2000, Malden, Mass: Blackwell Pub, 2004.
[159]
L. Robertson and L. Robertson, ‘Proverbs of a She Dandy | Buenos Tiempos International’, 2017. [Online]. Available: http://buenostiemposinternational.com/lisa-robertson_13-4-2017/
[160]
D. Riley, The Words of Selves: Identification, Solidarity, Irony. Stanford, Calif: Stanford University Press, 2000.
[161]
J. Spahr, ‘Introduction to American Women Poets in the 21st Century: Where Lyric Meets Language’, in The Lyric Theory Reader: A Critical Anthology, Baltimore: Johns Hopkins University Press, 2014.
[162]
R. Nelson, Practice as Research in the Arts. Basingstoke: Palgrave Macmillan, 2013.
[163]
R. Nelson, Practice as Research in the Arts. Basingstoke: Palgrave Macmillan, 2013 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1209462
[164]
S. Collis, ‘Reading Wordsworth in the Tar Sands | The Goose, Volume 13, Issue 12, article 37, 2015’. [Online]. Available: https://scholars.wlu.ca/cgi/viewcontent.cgi?referer=&httpsredir=1&article=1059&context=thegoose
[165]
K. Rigby, ‘Earth, World, Text: On the (Im)possibility of Ecopoiesis’, New Literary History, vol. 35, no. 3, pp. 427–442, 2004 [Online]. Available: https://www.jstor.org/stable/20057847
[166]
S. Collis, Once In Blockadia. Talon Books,Canada, 2016.
[167]
G. Orwell, Politics and the English Language. London: Penguin Books, 2013.
[168]
M. Kundera, Testaments Betrayed: An Essay in Nine Parts. New York: Harper Perennial, 2001.
[169]
G. Saunders, The Braindead Megaphone: Essays, 1st Riverhead trade pbk. ed. New York: Riverhead Books, 2007.
[170]
E. Jelinek, Women as Lovers. London: Serpent’s Tail, 1994.
[171]
‘James Baldwin, interviewed by Jordan Elgrabhy, The Art of Fiction No. 78’. [Online]. Available: https://www.theparisreview.org/interviews/2994/james-baldwin-the-art-of-fiction-no-78-james-baldwin
[172]
M. Jaggi, ‘Barbara Kingsolver: A Life in Writing’, The Guardian, 2010 [Online]. Available: https://www.theguardian.com/books/2010/jun/12/life-in-writing-barbara-kingsolver
[173]
D. Solomon, ‘Elfriede Jelinek, “A Gloom of Her Own”’, The New York Times, 2004 [Online]. Available: https://www.nytimes.com/2004/11/21/magazine/a-gloom-of-her-own.html?_r=0
[174]
D. Attridge, Poetic Rhythm: An Introduction. Cambridge: Cambridge University Press, 1995.
[175]
G. Bachelard, The Poetics of Space, [New] ed. Boston, Mass: Beacon, 1994.
[176]
G. Bachelard, On Poetic Imagination and Reverie. Putnam, Conn: Spring Publications, 2014.
[177]
O. Barfield, Poetic Diction: A Study in Meaning, Fourth edition. Oxford, England: Barfield Press, 2010.
[178]
M. Bal, Narratology: Introduction to the Theory of Narrative, 2nd ed. Toronto: University of Toronto Press, 1985.
[179]
P. Bartlett, Poems in Process. New York: Oxford University Press, 1951.
[180]
C. Bernstein, The Politics of Poetic Form: Poetry and Public Policy. New York, NY: Roof, 1990.
[181]
J. L. Borges and R. Burgin, Conversations With Jorge Luis Borges. London: Souvenir Press, 1973.
[182]
P. Brooks, Reading for the Plot: Design and Intention in Narrative. Cambridge, Mass. London: Harvard University Press, 1992.
[183]
A. Brotchie and M. Gooding, A Book of Surrealist Games. Boston: Shambhala Redstone Editions, 1995.
[184]
J. Burroway and S. Weinberg, Writing Fiction: A Guide to Narrative Craft, 6th ed. New York: Longman, 2003.
[185]
C. Brooke-Rose, A Grammar of Metaphor. Secker & Warburg, 1958.
[186]
I. Calvino, The Literature Machine: Essays. London: Secker & Warburg, 1987.
[187]
J. Casterton, Creative Writing: A Practical Guide, 3rd ed. Houndmills, Basingstoke: Palgrave Macmillan, 2005.
[188]
J. A. Cuddon, A Dictionary of Literary Terms and Literary Theory, 3rd ed. Oxford: Blackwell, 1991.
[189]
S. Curran, Poetic Form and British Romanticism. New York: Oxford University Press, 1986.
[190]
S. Curran, Poetic Form and British Romanticism. New York: Oxford University Press, 1989 [Online]. Available: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=4702200
[191]
T. Curtis, How Poets Work. Bridgend, Wales: Seren, 1996.
[192]
D. Davie, Purity of Diction in English Verse. [Charleston]: Nabu, 2011.
[193]
D. Davie, Articulate Energy: An Enquiry Into the Syntax of English Poetry. London: Routledge & Kegan Paul, 1955.
[194]
L. Da Vinci, The Notebooks of Leonardo Da Vinci. Oxford: Oxford University Press, 1998.
[195]
B. Deutsch, Poetry Handbook: A Dictionary of Terms, 4th ed. New York: Harper Perennial, 2002.
[196]
T. Eagleton, The English Novel: An Introduction. Malden, MA: Blackwell, 2005.
[197]
T. Eagleton, The English Novel: An Introduction. Malden, MA: Blackwell Pub, 2005 [Online]. Available: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1209429
[198]
G. Genette, Narrative Discourse. Oxford: Blackwell, 1980.
[199]
M. W. Ferguson, M. J. Salter, and J. Stallworthy, The Norton Anthology of Poetry, 4th edition. New York: W.W. Norton, 1996.
[200]
P. Fussell, Poetic Meter and Poetic Form, Rev. ed. New York: Random House, 1979.
[201]
C. O. Hartman, Free Verse: An Essay on Prosody. Princeton, New Jersey: Princeton University Press, 1980 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1701036
[202]
C. O. Hartman, Free Verse: An Essay on Prosody. Princeton: Princeton University Press, 1980 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1701036
[203]
J. Hawthorn, Studying the Novel, 4th ed. London: Arnold, 2001.
[204]
S. Heaney and T. Hughes, The Rattle Bag. London: Faber and Faber, 1982.
[205]
S. Heaney, The Government of the Tongue. London: Faber, 1988.
[206]
M. Heidegger, Poetry, Language, Thought. New York: Harper & Row, 1975.
[207]
P. Hobsbaum, Metre, Rhythm and Verse Form. London: Routledge, 1995.
[208]
P. Hobsbaum, Metre, Rhythm, and Verse Form. London: Routledge, 1996 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=165939
[209]
J. Hollander, Rhyme’s Reason: A Guide to English Verse, New, enl. Ed. New Haven: Yale University Press, 1989.
[210]
J. Hollander, Rhyme’s Reason: A Guide to English Verse. 2014 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3421476
[211]
J. Hollander, The Figure of Echo: A Mode of Allusion in Milton and After. Berkeley: University of California Press, 1981.
[212]
J. Hollander, Vision and Resonance: Two Senses of Poetic Form, 2nd ed. New Haven: Yale University Press, 1985.
[213]
P. Hoover, Postmodern American Poetry: A Norton Anthology. New York: Norton, 1994.
[214]
R. Jarrell, Poetry and the Age, Expanded ed. Gainesville: University Press of Florida, 2001.
[215]
M. Kinzie, A Poet’s Guide to Poetry. Chicago, Ill: University of Chicago Press, 1999.
[216]
M. Kundera, The Art of the Novel. London: Faber, 1990.
[217]
G. Lakoff and M. Johnson, Metaphors We Live By. Chicago: University of Chicago Press, 1981.
[218]
Z. Leader, On Modern British Fiction. Oxford: Oxford University Press, 2002.
[219]
E. R. Marks, Taming the Chaos: English Poetic Diction Theory Since the Renaissance. Detroit, MI: Wayne State University Press, 1998.
[220]
C. E. May, The New Short Story Theories. Athens: Ohio University Press, 1994.
[221]
V. Nabokov, Notes on Prosody and Abram Grannibal, vol. 72. Bollingen: Princeton University Press, 1964.
[222]
R. Padgett, The Straight Line: Writings on Poetry and Poets. Ann Arbor: University of Michigan Press, 2000.
[223]
R. Pinsky, The Situation of Poetry: Contemporary Poetry and Its Traditions. Princeton, N.J.: Princeton University Press, 1976.
[224]
A. Preminger and T. V. F. Brogan, The New Princeton Encyclopedia of Poetry and Poetics. Princeton, N.J.: Princeton University Press, 1993.
[225]
D. Riley, Poets on Writing: Britain, 1970-1991. Basingstoke: Macmillan Academic and Professional, 1992.
[226]
R. M. Rilke, Letters to a Young Poet, Rev. ed. New York: Norton, 1954.
[227]
N. Royle, The Uncanny. Manchester: Manchester University Press, 2003.
[228]
E. W. Said, Beginnings: Intention and Method. London: Granta, 2012.
[229]
J. Shapcott and M. Sweeney, Emergency Kit: Poems for Strange Times. London: Faber, 2004.
[230]
K. J. Shapiro and R. L. Beum, A Prosody Handbook. New York: Harper & Row, 1965.
[231]
J. T. Shipley, The Origins of English Words. Baltimore: The Johns Hopkins University Press, 1984.
[232]
C. Rankine and J. Spahr, American Women Poets in the 21st Century: Where Lyric Meets Language. Middletown, Conn: Wesleyan University Press, 2002.
[233]
G. Stein, How to Write. New York: Dover, 1975.
[234]
S. Stewart, Poetry and the Fate of the Senses. Chicago: University of Chicago Press, 2002.
[235]
K. Tuma, Anthology of Twentieth-Century British and Irish Poetry. New York: Oxford University Press, 2001.
