Adorno, T. (2004a). On Lyric Poetry and Society. In Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub.
Adorno, T. (2004b). On Lyric Poetry and Society. In Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub.
Agamben, G. (2006). The Archive and Testimony. In The Archive. Whitechapel.
Alvarez, A. (2006). Finding a Voice. In The Writer’s Voice. Bloomsbury.
Alvi, M. (2000a). The Least International Shop in the World. In Contemporary Women’s Poetry: Reading, Writing, Practice. Macmillan Press.
Alvi, M. (2000b). The Least International Shop in the World. In Contemporary Women’s Poetry: Reading, Writing, Practice. Macmillan Press.
Attridge, D. (1995). Poetic Rhythm: An Introduction. Cambridge University Press.
Atwood, M. (2002a). Chapter 5: Communion—Nobody to Nobody. In Negotiating With the Dead: A Writer on Writing. Cambridge University Press.
Atwood, M. (2002b). Orientation: Who Do You Think You Are? In Negotiating With the Dead: A Writer on Writing (pp. 1–28). Cambridge University Press.
Auerbach, E. (2003). The Brown Stocking. In Mimesis the Representation of Reality in Western Literature (pp. 525–553). Princeton University Press. http://hdl.handle.net/2027/heb.09353
Bachelard, G. (1994a). The Poetics of Space ([New] ed). Beacon.
Bachelard, G. (1994b). The Poetics of Space ([New] ed). Beacon.
Bachelard, G. (2014). On Poetic Imagination and Reverie. Spring Publications.
Bal, M. (1985). Narratology: Introduction to the Theory of Narrative (2nd ed). University of Toronto Press.
Baraka, A. (2004). Hunting Is Not Those Heads on the Wall. In Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub.
Baraka, I. (2004). Hunting Is Not Those Heads on the Wall. In Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub.
Barfield, O. (2010). Poetic Diction: A Study in Meaning (Fourth edition). Barfield Press.
Barthes, R. (2004). Is There Any Poetic Writing? In Poetry In Theory: An Anthology, 1900-2000. Blackwell.
Barthes, R. (2008). Chapter 17: The Death of the Author. In Modern Criticism and Theory: A Reader (3rd ed). Pearson Longman.
Bartlett, P. (1951). Poems in Process. Oxford University Press.
Bate, J. (2001a). The Place of Poetry. In The Song of the Earth. Picador.
Bate, J. (2001b). The Place of Poetry. In The Song of the Earth. Picador.
Baxter, C. (2008a). Dysfunctional Narratives, or: ‘Mistakes Were Made’. In Burning Down the House: Essays on Fiction (2nd expanded ed). Graywolf.
Baxter, C. (2008b). Stillness. In Burning Down the House: Essays on Fiction (2nd expanded ed). Graywolf.
Benjamin, W. (2008). Chapter 4: The Task of the Translator. In Modern Criticism and Theory: A Reader (3rd ed). Pearson Longman.
Bennett, A., & Royle, N. (2009a). Chapter 5: The Uncanny. In An Introduction to Literature, Criticism and Theory (4th ed). Pearson Longman.
Bennett, A., & Royle, N. (2009b). Chapter 5: The Uncanny. In An Introduction to Literature, Criticism and Theory. Pearson Longman. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315834252
Bennett, A., & Royle, N. (2009c). ‘Me’, ‘Queer’, ‘Racial Difference’. In An Introduction to Literature, Criticism and Theory (4th ed). Pearson Longman.
Bennett, A., & Royle, N. (2009d). ‘Me’, ‘Queer’, ‘Racial Difference’. In An Introduction to Literature, Criticism and Theory. Pearson Longman. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1734006
Bernstein, C. (1990). The Politics of Poetic Form: Poetry and Public Policy. Roof.
Bernstein, C. (2004). The Dollar Value of Poetry. In Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub.
Blanchot, M. (2001). Time and the Novel. In Faux Pas. Stanford University Press.
Boland, E. (1995a). The Woman Poet: Her Dilemma. In Object Lessons: The Life of the Woman and the Poet in Our Time (pp. 239–254). W.W. Norton.
Boland, E. (1995b). The Woman The Place The Poet. In Object Lessons: The Life of the Woman and the Poet in Our Time (pp. 154–174). W.W. Norton.
Booker, C. (2004). Introduction and Historical Notes. In The Seven Basic Plots (pp. 1–13). Continuum.
Borges, J. L., & Burgin, R. (1973). Conversations With Jorge Luis Borges. Souvenir Press.
Bourriaud, N. (2002). Relational Aesthetics. Dijon.
Bowland, E. (2004). The Woman Poet: Her Dilemma. In Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub.
Braidotti, R. (1993). Embodiment, Sexual Difference, and the Nomadic Subject. Hypatia, 8(1), 1–13. https://doi.org/10.1111/j.1527-2001.1993.tb00625.x
Broodthaers, M. (2006). Interview with Jurgen Harten and Katharina Schmidt. In The Archive. Whitechapel.
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Brooks, P. (1992). Reading for the Plot: Design and Intention in Narrative. Harvard University Press.
Brotchie, A., & Gooding, M. (1995). A Book of Surrealist Games. Shambhala Redstone Editions.
Brown, C., & Paterson, D. (2004). Don’t Ask Me What I Mean: Poets in Their Own Words. Picador.
Bryan, S., & Olsen, W. (2003). Planet on the Table: Poets on the Reading Life (Vol. 4). Sarabande Books.
Buell, L. (2008a). Place. In Modern Criticism and Theory: A Reader (3rd ed). Pearson Longman.
Buell, L. (2008b). Place. In Modern Criticism and Theory: A Reader (3rd ed). Pearson Longman.
Burroway, J., & Weinberg, S. (2003). Writing Fiction: A Guide to Narrative Craft (6th ed). Longman.
Calvino, I. (1987). The Literature Machine: Essays. Secker & Warburg.
Casterton, J. (2005). Creative Writing: A Practical Guide (3rd ed). Palgrave Macmillan.
Césaire, A. (2004). Poetry and Knowledge. In Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub.
Cesaire, A. (2004a). Poetry and Knowledge. In Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub.
Cesaire, A. (2004b). Poetry and Knowledge. In Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub.
Collis, S. (n.d.). Reading Wordsworth in the Tar Sands | The Goose, Volume 13, Issue 12, article 37, 2015. https://scholars.wlu.ca/cgi/viewcontent.cgi?referer=&httpsredir=1&article=1059&context=thegoose
Collis, S. (2016). Once In Blockadia. Talon Books,Canada.
Cuddon, J. A. (1991). A Dictionary of Literary Terms and Literary Theory (3rd ed). Blackwell.
Cunningham, V. (2008). Chapter 46: Touching Reading. In Modern Criticism and Theory: A Reader (3rd ed). Pearson Longman.
Curran, S. (1986). Poetic Form and British Romanticism. Oxford University Press.
Curran, S. (1989). Poetic Form and British Romanticism. Oxford University Press. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=4702200
Curtis, T. (1996). How Poets Work. Seren.
Da Vinci, L. (1998). The Notebooks of Leonardo Da Vinci. Oxford University Press.
Danchev, A. (2011). 100 artists’ manifestos. Penguin.
Davie, D. (1955). Articulate Energy: An Enquiry Into the Syntax of English Poetry. Routledge & Kegan Paul.
Davie, D. (2011). Purity of Diction in English Verse. Nabu.
Debord, G. (1958). Theory of the Derive | Situationist International Online. https://www.cddc.vt.edu/sionline/si/theory.html
Derrida, J. (2006). Archive Fever. In The Archive. Whitechapel.
Deutsch, B. (2002). Poetry Handbook: A Dictionary of Terms (4th ed). Harper Perennial.
Donaghy, M. (2009). The Shape of the Dance: Essays, Interviews and Digressions. Picador.
Dorn, E. (2004). What I See in the Maximus Poems. In Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub.
Doty, M. (2010). The Art of Description: World Into Word. Graywolf Press.
Eagleton, T. (2005a). The English Novel: An Introduction. Blackwell.
Eagleton, T. (2005b). The English Novel: An Introduction. Blackwell Pub. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1209429
Eco, U. (1995a). Lingering in the Woods. In Six Walks in the Fictional Woods (Vol. 1993). Harvard University Press.
Eco, U. (1995b). Possible Woods. In Six Walks in the Fictional Woods (Vol. 1993). Harvard University Press.
Eco, U. (2004). Mouse or Rat?: Translation as Negotiation. Phoenix.
Empson, W. (2004). Seven Types of Ambiguity. In Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub.
Explore the History and Works of the Situationist International Online | CDDC. (n.d.). https://www.cddc.vt.edu/sionline/
Fahlström, Ö. (n.d.). Manifesto for Concrete Poetry | UBU. http://www.ubu.com/papers/fahlstrom01.html
Feaver, V. (2000). Body & Soul: The Power of Sharon Olds. In Contemporary Women’s Poetry: Reading, Writing, Practice. Macmillan Press.
Ferguson, M. W., Salter, M. J., & Stallworthy, J. (1996). The Norton Anthology of Poetry (4th edition). W.W. Norton.
Forrest-Thomson, V. (2004). Continuity in Language. In Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub.
Forster, E. M. (2005a). Flat and Round Characters. In Aspects of the Novel ([New ed.]). Penguin.
Forster, E. M. (2005b). The Plot. In Aspects of the Novel ([New ed.]). Penguin. https://www.gutenberg.org/cache/epub/70492/pg70492-images.html#chap05
Foster, H. (2006). An Archival Impulse. In The Archive. Whitechapel.
Foucault, M. (2006). The Historical a Priori and the Archive. In The Archive. Whitechapel.
Freud, S. (2004). The Interpretation of Dreams. In Literary Theory: An Anthology (2nd ed). Blackwell.
Freud, S. (2006). A Note upon the Mystic Writing-Pad. In The Archive. Whitechapel.
Freud, S. (2017). The Interpretation of Dreams. In Literary Theory: An Anthology (Third edition). Wiley Blackwell. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781118718315
Fussell, P. (1979). Poetic Meter and Poetic Form (Rev. ed). Random House.
Genette, G. (1980). Narrative Discourse. Blackwell.
Genette, G. (2004). Poetic Language, Poetics of Langage. In Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub.
Gifford, T. (1999a). Pastoral. Routledge.
Gifford, T. (1999b). Pastoral. Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=165191
Ginsberg, A. (2004a). When the Mode of the Music Changes. In Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub.
Ginsberg, A. (2004b). When the Mode of the Music Changes …. In Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub.
Glück, L. (1999). Against Sincerity. In Proofs & Theories: Essays on Poetry. Carcanet.
Guest, B. (2003). Radical Poetics and Conservative Poetry. In Forces of Imagination: Writing on Writing. Kelsey St. Press.
Haraway, D. (n.d.). A Cyborg Manifesto. http://faculty.georgetown.edu/irvinem/theory/Haraway-CyborgManifesto-1.pdf
Hartman, C. O. (1980a). Free Verse: An Essay on Prosody. Princeton University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1701036
Hartman, C. O. (1980b). Free Verse: An Essay on Prosody. Princeton University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1701036
Hawthorn, J. (2001). Studying the Novel (4th ed). Arnold.
Hayles, N. K. (2006). The Time of Digital Poetry: From Object to Event. In New Media Poetics: Contexts, Technotexts, and Theories. MIT Press.
Heaney, S. (1980). Feeling into Words. In Preoccupations: Selected Prose, 1968-1978. Faber.
Heaney, S. (1988). The Government of the Tongue. Faber.
Heaney, S., & Hughes, T. (1982). The Rattle Bag. Faber and Faber.
Heidegger, M. (1975). Poetry, Language, Thought. Harper & Row.
Heidegger, M. (2004). What are Poets For? In Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub.
Hejinian, L. (2000a). The Rejection of Closure. In The Language of Inquiry (pp. 40–58). University of California Press.
Hejinian, L. (2000b). The Rejection of Closure. In The Language of Inquiry (pp. 40–58). University of California Press. http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=275874
Hiller, S. (2006). Working Through Objects. In The Archive. Whitechapel.
Hiolub, M. (1990). The Dimension of the Present Moment. In The Dimension of the Present Moment: Essays. Faber and Faber.
Hirsch Jr, E. D. (2008). Chapter 14: In Defence of the Author. In Modern Criticism and Theory: A Reader (3rd ed). Pearson Longman.
Hobsbaum, P. (1995). Metre, Rhythm and Verse Form. Routledge.
Hobsbaum, P. (1996). Metre, Rhythm, and Verse Form. Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=165939
Hollander, J. (1981). The Figure of Echo: A Mode of Allusion in Milton and After. University of California Press.
Hollander, J. (1985). Vision and Resonance: Two Senses of Poetic Form (2nd ed). Yale University Press.
Hollander, J. (1989). Rhyme’s Reason: A Guide to English Verse (New, enl. ed). Yale University Press.
Hollander, J. (2014). Rhyme’s Reason: A Guide to English Verse. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3421476
Hollis, M., & Herbert, W. N. (2000). Strong Words: Modern Poets on Modern Poetry. Bloodaxe Books.
Hoover, P. (1994). Postmodern American Poetry: A Norton Anthology. Norton.
Hughes, L. (2004a). The Negro Artist and the Racial Mountain. In Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub.
Hughes, L. (2004b). The Negro Artist and the Racial Mountain. In Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub.
Jaggi, M. (2010). Barbara Kingsolver: A Life in Writing. The Guardian. https://www.theguardian.com/books/2010/jun/12/life-in-writing-barbara-kingsolver
Jakobson, R. (2004). Linguistics and Poetics. In Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub.
James Baldwin, interviewed by Jordan Elgrabhy, The Art of Fiction No. 78. (n.d.). https://www.theparisreview.org/interviews/2994/james-baldwin-the-art-of-fiction-no-78-james-baldwin
Jarrell, R. (2001). Poetry and the Age (Expanded ed). University Press of Florida.
Jelinek, E. (1994). Women as Lovers. Serpent’s Tail.
Josipovici, G. (1996). Thirty-three Variations on a Theme of Graham Greene. In Real Voices: On Reading. Macmillan.
Kaye, N. (2000a). Introduction. In Site Specific Art. Routledge. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=166116
Kaye, N. (2000b). Site Specific Art. Routledge.
Kinzie, M. (1999). A Poet’s Guide to Poetry. University of Chicago Press.
Kundera, M. (1990). The Art of the Novel. Faber.
Kundera, M. (2001). Testaments Betrayed: An Essay in Nine Parts. Harper Perennial.
Lacan, J. (2004). The Instance of the Letter in the Unconscious or Reason since Freud. In Literary Theory: An Anthology (2nd ed). Blackwell.
Lakoff, G., & Johnson, M. (1981a). Metaphors We Live By. University of Chicago Press.
Lakoff, G., & Johnson, M. (1981b). Metaphors We Live By. University of Chicago Press.
Lakoff, G., & Johnson, M. (1999). Who Are We? In Philosophy in the Flesh: The Embodied Mind and Its Challenge to Western Thought (pp. 3–4). Basic Books.
Lawrence, D. H. (2004). Preface to the American Edition of New Poems. In Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub.
Leader, Z. (2002). On Modern British Fiction. Oxford University Press.
Leighton, A. (2007). Chapter 6: Just a Word: On Woolf. In On Form: Poetry, Aestheticism, and the Legacy of a Word. Oxford University Press.
Lodge, D. (1992a). Narrative Structure. In The Art of Fiction: Illustrated From Classic and Modern Texts (pp. 215–218). Penguin.
Lodge, D. (1992b). Point of View. In The Art of Fiction: Illustrated From Classic and Modern Texts (pp. 25–29). Penguin.
Lodge, D. (1992c). Telling in Different Voices. In The Art of Fiction: Illustrated From Classic and Modern Texts (pp. 125–129). Penguin.
Lodge, D. (2002). Consciousness and the Novel. In Consciousness & the Novel: Connected Essays. Harvard University Press.
Lorca, F. G. (2010). Play and the Theory of Duende. In In Search of Duende (Vol. 1164, pp. 48–62). New Directions.
Lowell, A. (2004). Poetry as a Spoken Art. In Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub.
Loy, M. (2011a). Aphorisms on Futurism. In 100 artists’ manifestos. Penguin.
Loy, M. (2011b). Aphorisms on Futurism. In 100 artists’ manifestos. Penguin.
Loy, M. (2011c). Feminist Manifesto. In 100 artists’ manifestos. Penguin.
Loy, M. (2011d). Feminist Manifesto. In 100 artists’ manifestos. Penguin.
Marinetti, F. (1909). The Founding and Manifesto of Futurism | UBU. http://www.ubu.com/papers/marinetti_futurist-manifesto.html
Marinetti, F. (2004a). Technical Manifesto. In Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub.
Marinetti, F. (2004b). Technical Manifesto. In Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub.
Mark, A. (2000). Writing About Writing. In Contemporary Women’s Poetry: Reading, Writing, Practice. Macmillan Press.
Marks, A. (2000). Writing About Writing…. In Contemporary Women’s Poetry: Reading, Writing, Practice. Macmillan Press.
Marks, E. R. (1998). Taming the Chaos: English Poetic Diction Theory Since the Renaissance. Wayne State University Press.
May, C. E. (1994). The New Short Story Theories. Ohio University Press.
Mayakovsky, V. (2004a). How Are Verses Made. In Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub.
Mayakovsky, V. (2004b). How Are Verses Made? In Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub.
McQuillan, M. (2000). The Narrative Reader. Routledge.
Metzger, G. (1960). Auto-Destructive Art | UBU. http://www.ubu.com/papers/metzger_auto-destructive.html
Miller, A. (2011). How to Write Fiction: Creating Characters | The Guardian. Guardian. https://www.theguardian.com/books/2011/oct/16/how-to-write-fiction-andrew-miller
Moten, F. (2003a). In the Break: The Aesthetics of the Black Radical Tradition. University of Minnesota Press.
Moten, F. (2003b). In The Break: The Aesthetics Of The Black Radical Tradition. University of Minnesota Press. http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=310622
Muldoon, P. (2000a). All Souls’ Night—W.B. Yeats. In The End of the Poem. Oxford University Press.
Muldoon, P. (2000b). Chapter 1: All Souls’ Night—W.B. Yeats. In The End of the Poem. Oxford University Press.
Nabokov, V. (1964). Notes on Prosody and Abram Grannibal (Vol. 72). Princeton University Press.
Nelson, R. (2013a). Practice as Research in the Arts. Palgrave Macmillan.
Nelson, R. (2013b). Practice as Research in the Arts. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1209462
Ngai, S. (2007a). Stuplimity. In Ugly Feelings. Harvard University Press.
Ngai, S. (2007b). Stuplimity. In Ugly Feelings. Harvard University Press. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780674041523
Ngai, S. (2007c). Ugly feelings. Harvard University Press.
Ngai, S. (2007d). Ugly Feelings. Harvard University Press. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780674041523
O’Hara, F. (2004a). Personism: A Manifesto. In Poetry in Theory: An Anthology, 1900-2000 (pp. 367–369). Blackwell Pub.
O’Hara, F. (2004b). Personism: A Manifesto. In Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub.
Orwell, G. (2013). Politics and the English Language. Penguin Books.
Padgett, R. (2000). The Straight Line: Writings on Poetry and Poets. University of Michigan Press.
Paulin, T. (1996). Writing to the Moment: Elizabeth Bishop. In Writing to the Moment: Selected Critical Essays, 1980-1996. Faber and Faber.
Perloff, M. (2004). Avant-Garde or Endgame? In Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub.
Perloff, M. (2014). Can(n)on to the Right of Us, Can(n)on to the Left of Us: A Plea for Difference. In The Lyric Theory Reader: A Critical Anthology. Johns Hopkins University Press.
Pinsky, R. (1976). The Situation of Poetry: Contemporary Poetry and Its Traditions. Princeton University Press.
Pope, R. (2005). Creativity: Theory, History, Practice. Routledge.
Pound, E. (1913). A Few Don’ts by an Imagiste. Poetry, 1(6), 200–206. https://www.jstor.org/stable/20569730
Pound, E. (2004). A Retrospect. In Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub.
Preminger, A., & Brogan, T. V. F. (1993). The New Princeton Encyclopedia of Poetry and Poetics. Princeton University Press.
Rankine, C., & Spahr, J. (2002). American Women Poets in the 21st Century: Where Lyric Meets Language. Wesleyan University Press.
Rees-Jones, D. (2000). Nothing That Is Not There and the Nothing That Is. In Contemporary Women’s Poetry: Reading, Writing, Practice. Macmillan Press.
Rich, A. (2004a). Blood, Bread and Poetry. In Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub.
Rich, A. (2004b). Blood, Bread and Poetry: The Location of the Poet. In Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub.
Rich, A. (2007). Poetry and Commitment: An Essay. W.W. Norton & Co.
Richards, I. A. (2004a). The Poetic Experience. In Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub.
Richards, I. A. (2004b). The Poetic Experience. In Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub.
Ricks, C. (2008). The Pursuit of Metaphor. In Allusion to the Poets. Oxford University Press.
Rigby, K. (2004). Earth, World, Text: On the (Im)possibility of Ecopoiesis. New Literary History, 35(3), 427–442. https://www.jstor.org/stable/20057847
Riley, D. (1992). Poets on Writing: Britain, 1970-1991. Macmillan Academic and Professional.
Riley, D. (2000). The Words of Selves: Identification, Solidarity, Irony. Stanford University Press.
Rilke, R. M. (1954). Letters to a Young Poet (Rev. ed). Norton.
Rivkin, J., & Ryan, M. (2004). Literary Theory: An Anthology (2nd ed). Blackwell.
Rivkin, J., & Ryan, M. (2017). Literary Theory: An Anthology (Third edition). Wiley Blackwell. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4792586
Robertson, L. (2001). Office for Soft Architecture -- Spatial Synthetics: A Theory | Jacket. http://jacketmagazine.com/14/robertson-lisa.html
Robertson, L., & Robertson, L. (2017). Proverbs of a She Dandy | Buenos Tiempos International. http://buenostiemposinternational.com/lisa-robertson_13-4-2017/
Royle, N. (2003). The Uncanny. Manchester University Press.
Rushdie, S. (2010). Imaginary Homelands ‘Errata’ The Riddle of Midnight. In Imaginary Homelands. Vintage.
Said, E. (2004). Jane Austen and Empire. In Literary Theory: An Anthology (2nd ed). Blackwell.
Said, E. (2017). Jane Austin and Empire. In Literary Theory: An Anthology (Third edition). Wiley Blackwell. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781118718315
Said, E. W. (2012). Beginnings: Intention and Method. Granta.
Saunders, G. (2007). The Braindead Megaphone: Essays (1st Riverhead trade pbk. ed). Riverhead Books.
Schwartz, L. S. (2010). The Emergence of Memory - Conversations with W. G. Sebald. SEVEN STORIES PRESS.
Shapcott, J. (2000a). Confounding Geography. In Contemporary Women’s Poetry: Reading, Writing, Practice. Macmillan Press.
Shapcott, J. (2000b). Confounding Geography. In Contemporary Women’s Poetry: Reading, Writing, Practice. Macmillan Press.
Shapcott, J., & Sweeney, M. (2004). Emergency Kit: Poems for Strange Times. Faber.
Shapiro, K. J., & Beum, R. L. (1965). A Prosody Handbook. Harper & Row.
Shipley, J. T. (1984). The Origins of English Words. The Johns Hopkins University Press.
Smith, Z. (2010a). Chapter4: Re-reading Barthes and Nabokov. In Changing My Mind: Penguin.
Smith, Z. (2010b). Their Eyes Were Watching God: What Does Soulful Mean? In Changing My Mind: Occasional Essays. Penguin.
Solomon, D. (2004). Elfriede Jelinek, ‘A Gloom of Her Own’. The New York Times. https://www.nytimes.com/2004/11/21/magazine/a-gloom-of-her-own.html?_r=0
Spahr, J. (2014). Introduction to American Women Poets in the 21st Century: Where Lyric Meets Language. In The Lyric Theory Reader: A Critical Anthology. Johns Hopkins University Press.
Stckwell, P. (2002). Cognitive Deixis. In Cognitive Poetics (pp. 41–57). Routledge. http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203995143
Stein, G. (1975). How to Write. Dover.
Stein, G. (2004). Poetry and Grammar. In Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub.
Stewart, S. (2002). Poetry and the Fate of the Senses. University of Chicago Press.
Stockwell, P. (2002). Cognitive Deixis. In Cognitive Poetics (pp. 41–57). Routledge.
Tarkovsky, A. (1989a). Imprinted Time. In Sculpting in Time: Reflections on the Cinema (pp. 57–69). University of Texas Press.
Tarkovsky, A. (1989b). Time, Rhythm and Editing. In Sculpting in Time: Reflections on the Cinema (pp. 113–124). University of Texas Press.
Tsvetaeva, M. (2004). Poets with History and Poets without History. In Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub.
Tuma, K. (2001). Anthology of Twentieth-Century British and Irish Poetry. Oxford University Press.
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