Adorno, Theodor, ‘On Lyric Poetry and Society’, in Poetry in Theory: An Anthology, 1900-2000 (Malden, Mass: Blackwell Pub, 2004)
———, ‘On Lyric Poetry and Society’, in Poetry in Theory: An Anthology, 1900-2000 (Malden, Mass: Blackwell Pub, 2004)
Agamben, Giorgio, ‘The Archive and Testimony’, in The Archive (London: Whitechapel, 2006)
Alvarez, Al, ‘Finding a Voice’, in The Writer’s Voice (London: Bloomsbury, 2006)
Alvi, Moniza, ‘The Least International Shop in the World’, in Contemporary Women’s Poetry: Reading, Writing, Practice (Basingstoke: Macmillan Press, 2000)
———, ‘The Least International Shop in the World’, in Contemporary Women’s Poetry: Reading, Writing, Practice (Basingstoke: Macmillan Press, 2000)
Attridge, Derek, Poetic Rhythm: An Introduction (Cambridge: Cambridge University Press, 1995)
Atwood, Margaret, ‘Chapter 5: Communion—Nobody to Nobody’, in Negotiating With the Dead: A Writer on Writing (Cambridge: Cambridge University Press, 2002)
———, ‘Orientation: Who Do You Think You Are?’, in Negotiating With the Dead: A Writer on Writing (Cambridge: Cambridge University Press, 2002), pp. 1–28
Auerbach, Erich, ‘The Brown Stocking’, in Mimesis the Representation of Reality in Western Literature (Princeton, N.J.: Princeton University Press, 2003), pp. 525–53 <http://hdl.handle.net/2027/heb.09353>
Bachelard, Gaston, On Poetic Imagination and Reverie (Putnam, Conn: Spring Publications, 2014)
———, The Poetics of Space, [New] ed (Boston, Mass: Beacon, 1994)
———, The Poetics of Space, [New] ed (Boston, Mass: Beacon, 1994)
Bal, Mieke, Narratology: Introduction to the Theory of Narrative, 2nd ed (Toronto: University of Toronto Press, 1985)
Baraka, Amiri, ‘Hunting Is Not Those Heads on the Wall’, in Poetry in Theory: An Anthology, 1900-2000 (Malden, Mass: Blackwell Pub, 2004)
Baraka, Imamu, ‘Hunting Is Not Those Heads on the Wall’, in Poetry in Theory: An Anthology, 1900-2000 (Malden, Mass: Blackwell Pub, 2004)
Barfield, Owen, Poetic Diction: A Study in Meaning, Fourth edition (Oxford, England: Barfield Press, 2010)
Barthes, Roland, ‘Chapter 17: The Death of the Author’, in Modern Criticism and Theory: A Reader, 3rd ed (Harlow, England: Pearson Longman, 2008)
———, ‘Is There Any Poetic Writing?’, in Poetry In Theory: An Anthology, 1900-2000 (Malden, Mass: Blackwell, 2004)
Bartlett, Phyllis, Poems in Process (New York: Oxford University Press, 1951)
Bate, Jonathan, ‘The Place of Poetry’, in The Song of the Earth (London: Picador, 2001)
———, ‘The Place of Poetry’, in The Song of the Earth (London: Picador, 2001)
Baxter, Charles, ‘Dysfunctional Narratives, or: ‘Mistakes Were Made’’, in Burning Down the House: Essays on Fiction, 2nd expanded ed (Saint Paul, Minn: Graywolf, 2008)
———, ‘Stillness’, in Burning Down the House: Essays on Fiction, 2nd expanded ed (Saint Paul, Minn: Graywolf, 2008)
Benjamin, Walter, ‘Chapter 4: The Task of the Translator’, in Modern Criticism and Theory: A Reader, 3rd ed (Harlow, England: Pearson Longman, 2008)
Bennett, Andrew, and Nicholas Royle, ‘Chapter 5: The Uncanny’, in An Introduction to Literature, Criticism and Theory, 4th ed (Harlow: Pearson Longman, 2009)
———, ‘Chapter 5: The Uncanny’, in An Introduction to Literature, Criticism and Theory (Harlow: Pearson Longman, 2009) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315834252>
———, ‘“Me”, “Queer”, “Racial Difference”’, in An Introduction to Literature, Criticism and Theory, 4th ed (Harlow: Pearson Longman, 2009)
———, ‘“Me”, “Queer”, “Racial Difference”’, in An Introduction to Literature, Criticism and Theory (Harlow: Pearson Longman, 2009) <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1734006>
Bernstein, Charles, ‘The Dollar Value of Poetry’, in Poetry in Theory: An Anthology, 1900-2000 (Malden, Mass: Blackwell Pub, 2004)
———, The Politics of Poetic Form: Poetry and Public Policy (New York, NY: Roof, 1990)
Blanchot, Maurice, ‘Time and the Novel’, in Faux Pas (Stanford, Calif: Stanford University Press, 2001)
Boland, Eavan, ‘The Woman Poet: Her Dilemma’, in Object Lessons: The Life of the Woman and the Poet in Our Time (New York: W.W. Norton, 1995), pp. 239–54
———, ‘The Woman The Place The Poet’, in Object Lessons: The Life of the Woman and the Poet in Our Time (New York: W.W. Norton, 1995), pp. 154–74
Booker, Christopher, ‘Introduction and Historical Notes’, in The Seven Basic Plots (London: Continuum, 2004), pp. 1–13
Borges, Jorge Luis, and Richard Burgin, Conversations With Jorge Luis Borges (London: Souvenir Press, 1973)
Bourriaud, Nicolas, Relational Aesthetics (Dijon, 2002)
Bowland, Eavan, ‘The Woman Poet: Her Dilemma’, in Poetry in Theory: An Anthology, 1900-2000 (Malden, Mass: Blackwell Pub, 2004)
Braidotti, Rosi, ‘Embodiment, Sexual Difference, and the Nomadic Subject’, Hypatia, 8.1 (1993), 1–13 <https://doi.org/10.1111/j.1527-2001.1993.tb00625.x>
Broodthaers, Marcel, ‘Interview with Jurgen Harten and Katharina Schmidt’, in The Archive (London: Whitechapel, 2006)
Brooke-Rose, Christine, A Grammar of Metaphor (Secker & Warburg, 1958)
Brooks, Peter, Reading for the Plot: Design and Intention in Narrative. (Cambridge, Mass. London: Harvard University Press, 1992)
Brotchie, Alastair, and Mel Gooding, A Book of Surrealist Games (Boston: Shambhala Redstone Editions, 1995)
Brown, Clare, and Don Paterson, Don’t Ask Me What I Mean: Poets in Their Own Words (London: Picador, 2004)
Bryan, Sharon, and William Olsen, Planet on the Table: Poets on the Reading Life (Louisville, Ky: Sarabande Books, 2003), iv
Buell, Lawrence, ‘Place’, in Modern Criticism and Theory: A Reader, 3rd ed (Harlow, England: Pearson Longman, 2008)
———, ‘Place’, in Modern Criticism and Theory: A Reader, 3rd ed (Harlow, England: Pearson Longman, 2008)
Burroway, Janet, and Susan Weinberg, Writing Fiction: A Guide to Narrative Craft, 6th ed (New York: Longman, 2003)
Calvino, Italo, The Literature Machine: Essays (London: Secker & Warburg, 1987)
Casterton, Julia, Creative Writing: A Practical Guide, 3rd ed (Houndmills, Basingstoke: Palgrave Macmillan, 2005)
Césaire, Aimé, ‘Poetry and Knowledge’, in Poetry in Theory: An Anthology, 1900-2000 (Malden, Mass: Blackwell Pub, 2004)
Cesaire, Aime, ‘Poetry and Knowledge’, in Poetry in Theory: An Anthology, 1900-2000 (Malden, Mass: Blackwell Pub, 2004)
Cesaire, Aimee, ‘Poetry and Knowledge’, in Poetry in Theory: An Anthology, 1900-2000 (Malden, Mass: Blackwell Pub, 2004)
Collis, Stephen, Once In Blockadia (Talon Books,Canada, 2016)
———, ‘Reading Wordsworth in the Tar Sands | The Goose, Volume 13, Issue 12, Article 37, 2015’ <https://scholars.wlu.ca/cgi/viewcontent.cgi?referer=&httpsredir=1&article=1059&context=thegoose>
Cuddon, J. A., A Dictionary of Literary Terms and Literary Theory, 3rd ed (Oxford: Blackwell, 1991)
Cunningham, Valentine, ‘Chapter 46: Touching Reading’, in Modern Criticism and Theory: A Reader, 3rd ed (Harlow, England: Pearson Longman, 2008)
Curran, Stuart, Poetic Form and British Romanticism (New York: Oxford University Press, 1986)
———, Poetic Form and British Romanticism (New York: Oxford University Press, 1989) <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=4702200>
Curtis, Tony, How Poets Work (Bridgend, Wales: Seren, 1996)
Da Vinci, Leonardo, The Notebooks of Leonardo Da Vinci (Oxford: Oxford University Press, 1998)
Danchev, Alex, 100 Artists’ Manifestos (London: Penguin, 2011)
Davie, Donald, Articulate Energy: An Enquiry Into the Syntax of English Poetry (London: Routledge & Kegan Paul, 1955)
———, Purity of Diction in English Verse ([Charleston]: Nabu, 2011)
Debord, Guy, ‘Theory of the Derive | Situationist International Online’, 1958 <https://www.cddc.vt.edu/sionline/si/theory.html>
Derrida, Jacques, ‘Archive Fever’, in The Archive (London: Whitechapel, 2006)
Deutsch, Babette, Poetry Handbook: A Dictionary of Terms, 4th ed (New York: Harper Perennial, 2002)
Donaghy, Michael, The Shape of the Dance: Essays, Interviews and Digressions (London: Picador, 2009)
Dorn, Edward, ‘What I See in the Maximus Poems’, in Poetry in Theory: An Anthology, 1900-2000 (Malden, Mass: Blackwell Pub, 2004)
Doty, Mark, The Art of Description: World Into Word (Minneapolis, Minn: Graywolf Press, 2010)
Eagleton, Terry, The English Novel: An Introduction (Malden, MA: Blackwell, 2005)
———, The English Novel: An Introduction (Malden, MA: Blackwell Pub, 2005) <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1209429>
Eco, Umberto, ‘Lingering in the Woods’, in Six Walks in the Fictional Woods (Cambridge, Mass: Harvard University Press, 1995), mcmxciii
———, Mouse or Rat?: Translation as Negotiation (London: Phoenix, 2004)
———, ‘Possible Woods’, in Six Walks in the Fictional Woods (Cambridge, Mass: Harvard University Press, 1995), mcmxciii
Empson, William, ‘Seven Types of Ambiguity’, in Poetry in Theory: An Anthology, 1900-2000 (Malden, Mass: Blackwell Pub, 2004)
‘Explore the History and Works of the Situationist International Online | CDDC’ <https://www.cddc.vt.edu/sionline/>
Fahlström, Öyvind, ‘Manifesto for Concrete Poetry | UBU’ <http://www.ubu.com/papers/fahlstrom01.html>
Feaver, Vicki, ‘Body & Soul: The Power of Sharon Olds’, in Contemporary Women’s Poetry: Reading, Writing, Practice (Basingstoke: Macmillan Press, 2000)
Ferguson, Margaret W., Mary Jo Salter, and Jon Stallworthy, The Norton Anthology of Poetry, 4th edition (New York: W.W. Norton, 1996)
Forrest-Thomson, Veronica, ‘Continuity in Language’, in Poetry in Theory: An Anthology, 1900-2000 (Malden, Mass: Blackwell Pub, 2004)
Forster, E. M., ‘Flat and Round Characters’, in Aspects of the Novel, [New ed.] (London: Penguin, 2005)
———, ‘The Plot’, in Aspects of the Novel, [New ed.] (London: Penguin, 2005) <https://www.gutenberg.org/cache/epub/70492/pg70492-images.html#chap05>
Foster, Hal, ‘An Archival Impulse’, in The Archive (London: Whitechapel, 2006)
Foucault, Michel, ‘The Historical a Priori and the Archive’, in The Archive (London: Whitechapel, 2006)
Freud, Sigmund, ‘A Note upon the Mystic Writing-Pad’, in The Archive (London: Whitechapel, 2006)
———, ‘The Interpretation of Dreams’, in Literary Theory: An Anthology, 2nd ed (Oxford: Blackwell, 2004)
———, ‘The Interpretation of Dreams’, in Literary Theory: An Anthology, Third edition (Chichester, West Sussex: Wiley Blackwell, 2017) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781118718315>
Fussell, Paul, Poetic Meter and Poetic Form, Rev. ed (New York: Random House, 1979)
Genette, Gerard, Narrative Discourse (Oxford: Blackwell, 1980)
———, ‘Poetic Language, Poetics of Langage’, in Poetry in Theory: An Anthology, 1900-2000 (Malden, Mass: Blackwell Pub, 2004)
Gifford, Terry, Pastoral (London: Routledge, 1999)
———, Pastoral (London: Routledge, 1999) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=165191>
Ginsberg, Allan, ‘When the Mode of the Music Changes’, in Poetry in Theory: An Anthology, 1900-2000 (Malden, Mass: Blackwell Pub, 2004)
Ginsberg, Allen, ‘When the Mode of the Music Changes …’, in Poetry in Theory: An Anthology, 1900-2000 (Malden, Mass: Blackwell Pub, 2004)
Glück, Louise, ‘Against Sincerity’, in Proofs & Theories: Essays on Poetry (Manchester: Carcanet, 1999)
Guest, Barbara, ‘Radical Poetics and Conservative Poetry’, in Forces of Imagination: Writing on Writing (Berkeley, Calif: Kelsey St. Press, 2003)
Haraway, Donna, ‘A Cyborg Manifesto’ <http://faculty.georgetown.edu/irvinem/theory/Haraway-CyborgManifesto-1.pdf>
Hartman, Charles O., Free Verse: An Essay on Prosody (Princeton, New Jersey: Princeton University Press, 1980) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1701036>
———, Free Verse: An Essay on Prosody (Princeton: Princeton University Press, 1980) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1701036>
Hawthorn, Jeremy, Studying the Novel, 4th ed (London: Arnold, 2001)
Hayles, N. Katherine, ‘The Time of Digital Poetry: From Object to Event’, in New Media Poetics: Contexts, Technotexts, and Theories (Cambridge, Mass: MIT Press, 2006)
Heaney, Seamus, ‘Feeling into Words’, in Preoccupations: Selected Prose, 1968-1978 (London: Faber, 1980)
———, The Government of the Tongue (London: Faber, 1988)
Heaney, Seamus, and Ted Hughes, The Rattle Bag (London: Faber and Faber, 1982)
Heidegger, Martin, Poetry, Language, Thought (New York: Harper & Row, 1975)
———, ‘What Are Poets For?’, in Poetry in Theory: An Anthology, 1900-2000 (Malden, Mass: Blackwell Pub, 2004)
Hejinian, Lyn, ‘The Rejection of Closure’, in The Language of Inquiry (Berkeley: University of California Press, 2000), pp. 40–58
———, ‘The Rejection of Closure’, in The Language of Inquiry (Berkeley, CA: University of California Press, 2000), pp. 40–58 <http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=275874>
Hiller, Susan, ‘Working Through Objects’, in The Archive (London: Whitechapel, 2006)
Hiolub, Miroslav, ‘The Dimension of the Present Moment’, in The Dimension of the Present Moment: Essays (London: Faber and Faber, 1990)
Hirsch Jr, E. D., ‘Chapter 14: In Defence of the Author’, in Modern Criticism and Theory: A Reader, 3rd ed (Harlow, England: Pearson Longman, 2008)
Hobsbaum, Philip, Metre, Rhythm and Verse Form (London: Routledge, 1995)
———, Metre, Rhythm, and Verse Form (London: Routledge, 1996) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=165939>
Hollander, John, Rhyme’s Reason: A Guide to English Verse, New, enl. ed (New Haven: Yale University Press, 1989)
———, Rhyme’s Reason: A Guide to English Verse, 2014 <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3421476>
———, The Figure of Echo: A Mode of Allusion in Milton and After (Berkeley: University of California Press, 1981)
———, Vision and Resonance: Two Senses of Poetic Form, 2nd ed (New Haven: Yale University Press, 1985)
Hollis, Matthew, and W. N. Herbert, Strong Words: Modern Poets on Modern Poetry (Tarset: Bloodaxe Books, 2000)
Hoover, Paul, Postmodern American Poetry: A Norton Anthology (New York: Norton, 1994)
Hughes, Langston, ‘The Negro Artist and the Racial Mountain’, in Poetry in Theory: An Anthology, 1900-2000 (Malden, Mass: Blackwell Pub, 2004)
———, ‘The Negro Artist and the Racial Mountain’, in Poetry in Theory: An Anthology, 1900-2000 (Malden, Mass: Blackwell Pub, 2004)
Jaggi, Maya, ‘Barbara Kingsolver: A Life in Writing’, The Guardian, 2010 <https://www.theguardian.com/books/2010/jun/12/life-in-writing-barbara-kingsolver>
Jakobson, Roman, ‘Linguistics and Poetics’, in Poetry in Theory: An Anthology, 1900-2000 (Malden, Mass: Blackwell Pub, 2004)
‘James Baldwin, Interviewed by Jordan Elgrabhy, The Art of Fiction No. 78’ <https://www.theparisreview.org/interviews/2994/james-baldwin-the-art-of-fiction-no-78-james-baldwin>
Jarrell, Randall, Poetry and the Age, Expanded ed (Gainesville: University Press of Florida, 2001)
Jelinek, Elfriede, Women as Lovers (London: Serpent’s Tail, 1994)
Josipovici, Gabriel, ‘Thirty-Three Variations on a Theme of Graham Greene’, in Real Voices: On Reading (Basingstoke: Macmillan, 1996)
Kaye, Nick, ‘Introduction’, in Site Specific Art (London: Routledge, 2000) <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=166116>
———, Site Specific Art (New York: Routledge, 2000)
Kinzie, Mary, A Poet’s Guide to Poetry (Chicago, Ill: University of Chicago Press, 1999)
Kundera, Milan, Testaments Betrayed: An Essay in Nine Parts (New York: Harper Perennial, 2001)
———, The Art of the Novel (London: Faber, 1990)
Lacan, Jacques, ‘The Instance of the Letter in the Unconscious or Reason since Freud’, in Literary Theory: An Anthology, 2nd ed (Oxford: Blackwell, 2004)
Lakoff, George, and Mark Johnson, Metaphors We Live By (Chicago: University of Chicago Press, 1981)
———, Metaphors We Live By (Chicago: University of Chicago Press, 1981)
———, ‘Who Are We?’, in Philosophy in the Flesh: The Embodied Mind and Its Challenge to Western Thought (New York: Basic Books, 1999), pp. 3–4
Lawrence, D. H., ‘Preface to the American Edition of New Poems’, in Poetry in Theory: An Anthology, 1900-2000 (Malden, Mass: Blackwell Pub, 2004)
Leader, Zachary, On Modern British Fiction (Oxford: Oxford University Press, 2002)
Leighton, Angela, ‘Chapter 6: Just a Word: On Woolf’, in On Form: Poetry, Aestheticism, and the Legacy of a Word (Oxford: Oxford University Press, 2007)
Lodge, David, ‘Consciousness and the Novel’, in Consciousness & the Novel: Connected Essays (Cambridge, Mass: Harvard University Press, 2002)
———, ‘Narrative Structure’, in The Art of Fiction: Illustrated From Classic and Modern Texts (London: Penguin, 1992), pp. 215–18
———, ‘Point of View’, in The Art of Fiction: Illustrated From Classic and Modern Texts (London: Penguin, 1992), pp. 25–29
———, ‘Telling in Different Voices’, in The Art of Fiction: Illustrated From Classic and Modern Texts (London: Penguin, 1992), pp. 125–29
Lorca, Federico Garcia, ‘Play and the Theory of Duende’, in In Search of Duende (New York: New Directions, 2010), mclxiv, 48–62
Lowell, Amy, ‘Poetry as a Spoken Art’, in Poetry in Theory: An Anthology, 1900-2000 (Malden, Mass: Blackwell Pub, 2004)
Loy, Mina, ‘Aphorisms on Futurism’, in 100 Artists’ Manifestos (London: Penguin, 2011)
———, ‘Aphorisms on Futurism’, in 100 Artists’ Manifestos (London: Penguin, 2011)
———, ‘Feminist Manifesto’, in 100 Artists’ Manifestos (London: Penguin, 2011)
———, ‘Feminist Manifesto’, in 100 Artists’ Manifestos (London: Penguin, 2011)
Marinetti, Filippo, ‘Technical Manifesto’, in Poetry in Theory: An Anthology, 1900-2000 (Malden, Mass: Blackwell Pub, 2004)
———, ‘Technical Manifesto’, in Poetry in Theory: An Anthology, 1900-2000 (Malden, Mass: Blackwell Pub, 2004)
———, ‘The Founding and Manifesto of Futurism | UBU’, 1909 <http://www.ubu.com/papers/marinetti_futurist-manifesto.html>
Mark, Alison, ‘Writing About Writing’, in Contemporary Women’s Poetry: Reading, Writing, Practice (Basingstoke: Macmillan Press, 2000)
Marks, Alison, ‘Writing About Writing…’, in Contemporary Women’s Poetry: Reading, Writing, Practice (Basingstoke: Macmillan Press, 2000)
Marks, Emerson R., Taming the Chaos: English Poetic Diction Theory Since the Renaissance (Detroit, MI: Wayne State University Press, 1998)
May, Charles E, The New Short Story Theories (Athens: Ohio University Press, 1994)
Mayakovsky, Vladimir, ‘How Are Verses Made’, in Poetry in Theory: An Anthology, 1900-2000 (Malden, Mass: Blackwell Pub, 2004)
———, ‘How Are Verses Made?’, in Poetry in Theory: An Anthology, 1900-2000 (Malden, Mass: Blackwell Pub, 2004)
McQuillan, Martin, The Narrative Reader (London: Routledge, 2000)
Metzger, Gustav, ‘Auto-Destructive Art | UBU’, 1960 <http://www.ubu.com/papers/metzger_auto-destructive.html>
Miller, Andrew, ‘How to Write Fiction: Creating Characters | The Guardian’, Guardian, 2011 <https://www.theguardian.com/books/2011/oct/16/how-to-write-fiction-andrew-miller>
Moten, Fred, In the Break: The Aesthetics of the Black Radical Tradition (Minneapolis: University of Minnesota Press, 2003)
———, In The Break: The Aesthetics Of The Black Radical Tradition (Minneapolis: University of Minnesota Press, 2003) <http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=310622>
Muldoon, Paul, ‘All Souls’ Night—W.B. Yeats’, in The End of the Poem (Oxford: Oxford University Press, 2000)
———, ‘Chapter 1: All Souls’ Night—W.B. Yeats’, in The End of the Poem (Oxford: Oxford University Press, 2000)
Nabokov, Vladimir, Notes on Prosody and Abram Grannibal (Bollingen: Princeton University Press, 1964), lxxii
Nelson, Robin, Practice as Research in the Arts (Basingstoke: Palgrave Macmillan, 2013)
———, Practice as Research in the Arts (Basingstoke: Palgrave Macmillan, 2013) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1209462>
Ngai, Sianne, ‘Stuplimity’, in Ugly Feelings (Cambridge, Mass: Harvard University Press, 2007)
———, ‘Stuplimity’, in Ugly Feelings (Cambridge, Mass: Harvard University Press, 2007) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780674041523>
———, Ugly Feelings (Cambridge, Mass: Harvard University Press, 2007)
———, Ugly Feelings (Cambridge, Mass: Harvard University Press, 2007) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780674041523>
O’Hara, Frank, ‘Personism: A Manifesto’, in Poetry in Theory: An Anthology, 1900-2000 (Malden, Mass: Blackwell Pub, 2004), pp. 367–69
———, ‘Personism: A Manifesto’, in Poetry in Theory: An Anthology, 1900-2000 (Malden, Mass: Blackwell Pub, 2004)
Orwell, George, Politics and the English Language (London: Penguin Books, 2013)
Padgett, Ron, The Straight Line: Writings on Poetry and Poets (Ann Arbor: University of Michigan Press, 2000)
Paulin, Tom, ‘Writing to the Moment: Elizabeth Bishop’, in Writing to the Moment: Selected Critical Essays, 1980-1996 (London: Faber and Faber, 1996)
Perloff, Marjorie, ‘Avant-Garde or Endgame?’, in Poetry in Theory: An Anthology, 1900-2000 (Malden, Mass: Blackwell Pub, 2004)
———, ‘Can(n)on to the Right of Us, Can(n)on to the Left of Us: A Plea for Difference’, in The Lyric Theory Reader: A Critical Anthology (Baltimore: Johns Hopkins University Press, 2014)
Pinsky, Robert, The Situation of Poetry: Contemporary Poetry and Its Traditions (Princeton, N.J.: Princeton University Press, 1976)
Pope, Rob, Creativity: Theory, History, Practice (London: Routledge, 2005)
Pound, Ezra, ‘A Few Don’ts by an Imagiste’, Poetry, 1.6 (1913), 200–206 <https://www.jstor.org/stable/20569730>
———, ‘A Retrospect’, in Poetry in Theory: An Anthology, 1900-2000 (Malden, Mass: Blackwell Pub, 2004)
Preminger, Alex, and T. V. F. Brogan, The New Princeton Encyclopedia of Poetry and Poetics (Princeton, N.J.: Princeton University Press, 1993)
Rankine, Claudia, and Juliana Spahr, American Women Poets in the 21st Century: Where Lyric Meets Language (Middletown, Conn: Wesleyan University Press, 2002)
Rees-Jones, Deryn, ‘Nothing That Is Not There and the Nothing That Is’, in Contemporary Women’s Poetry: Reading, Writing, Practice (Basingstoke: Macmillan Press, 2000)
Rich, Adrienne, ‘Blood, Bread and Poetry’, in Poetry in Theory: An Anthology, 1900-2000 (Malden, Mass: Blackwell Pub, 2004)
———, ‘Blood, Bread and Poetry: The Location of the Poet’, in Poetry in Theory: An Anthology, 1900-2000 (Malden, Mass: Blackwell Pub, 2004)
———, Poetry and Commitment: An Essay (New York: W.W. Norton & Co, 2007)
Richards, I. A., ‘The Poetic Experience’, in Poetry in Theory: An Anthology, 1900-2000 (Malden, Mass: Blackwell Pub, 2004)
Richards, I.A., ‘The Poetic Experience’, in Poetry in Theory: An Anthology, 1900-2000 (Malden, Mass: Blackwell Pub, 2004)
Ricks, Christopher, ‘The Pursuit of Metaphor’, in Allusion to the Poets (Oxford: Oxford University Press, 2008)
Rigby, Kate, ‘Earth, World, Text: On the (Im)Possibility of Ecopoiesis’, New Literary History, 35.3 (2004), 427–42 <https://www.jstor.org/stable/20057847>
Riley, Denise, Poets on Writing: Britain, 1970-1991 (Basingstoke: Macmillan Academic and Professional, 1992)
———, The Words of Selves: Identification, Solidarity, Irony (Stanford, Calif: Stanford University Press, 2000)
Rilke, Rainer Maria, Letters to a Young Poet, Rev. ed (New York: Norton, 1954)
Rivkin, Julie, and Michael Ryan, Literary Theory: An Anthology, 2nd ed (Oxford: Blackwell, 2004)
———, Literary Theory: An Anthology, Third edition (Chichester, West Sussex: Wiley Blackwell, 2017) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4792586>
Robertson, Lisa, ‘Office for Soft Architecture -- Spatial Synthetics: A Theory | Jacket’, 2001 <http://jacketmagazine.com/14/robertson-lisa.html>
Robertson, Lisa, and Lisa Robertson, ‘Proverbs of a She Dandy | Buenos Tiempos International’, 2017 <http://buenostiemposinternational.com/lisa-robertson_13-4-2017/>
Royle, Nicholas, The Uncanny (Manchester: Manchester University Press, 2003)
Rushdie, Salman, ‘Imaginary Homelands “Errata” The Riddle of Midnight’, in Imaginary Homelands (London: Vintage, 2010)
Said, Edward, ‘Jane Austen and Empire’, in Literary Theory: An Anthology, 2nd ed (Oxford: Blackwell, 2004)
———, ‘Jane Austin and Empire’, in Literary Theory: An Anthology, Third edition (Chichester, West Sussex: Wiley Blackwell, 2017) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781118718315>
Said, Edward W., Beginnings: Intention and Method (London: Granta, 2012)
Saunders, George, The Braindead Megaphone: Essays, 1st Riverhead trade pbk. ed (New York: Riverhead Books, 2007)
Schwartz, Lynne Sharon, The Emergence of Memory - Conversations with W. G. Sebald (SEVEN STORIES PRESS, 2010)
Shapcott, Jo, ‘Confounding Geography’, in Contemporary Women’s Poetry: Reading, Writing, Practice (Basingstoke: Macmillan Press, 2000)
———, ‘Confounding Geography’, in Contemporary Women’s Poetry: Reading, Writing, Practice (Basingstoke: Macmillan Press, 2000)
Shapcott, Jo, and Matthew Sweeney, Emergency Kit: Poems for Strange Times (London: Faber, 2004)
Shapiro, Karl Jay, and Robert Lawrence Beum, A Prosody Handbook (New York: Harper & Row, 1965)
Shipley, Joseph T., The Origins of English Words (Baltimore: The Johns Hopkins University Press, 1984)
Smith, Zadie, ‘Chapter4: Re-Reading Barthes and Nabokov’, in Changing My Mind: (New York: Penguin, 2010)
———, ‘Their Eyes Were Watching God: What Does Soulful Mean?’, in Changing My Mind: Occasional Essays (New York: Penguin, 2010)
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