Bibliography for EN5114: Supplementary Discourses BETA

1.

Barthes, R.: Is There Any Poetic Writing? In: Poetry In Theory: An Anthology, 1900-2000. Blackwell, Malden, Mass (2004).

2.

Heidegger, M.: What are Poets For? In: Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub, Malden, Mass (2004).

3.

Guest, B.: Radical Poetics and Conservative Poetry. In: Forces of Imagination: Writing on Writing. Kelsey St. Press, Berkeley, Calif (2003).

4.

Perloff, M.: Can(n)on to the Right of Us, Can(n)on to the Left of Us: A Plea for Difference. In: The Lyric Theory Reader: A Critical Anthology. Johns Hopkins University Press, Baltimore (2014).

5.

Pound, E.: A Retrospect. In: Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub, Malden, Mass (2004).

6.

Atwood, M.: Orientation: Who Do You Think You Are? In: Negotiating With the Dead: A Writer on Writing. pp. 1–28. Cambridge University Press, Cambridge (2002).

7.

Brown, C., Paterson, D.: Don’t Ask Me What I Mean: Poets in Their Own Words. Picador, London (2004).

8.

Freud, S.: A Note upon the Mystic Writing-Pad. In: The Archive. Whitechapel, London (2006).

9.

Stein, G.: Poetry and Grammar. In: Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub, Malden, Mass (2004).

10.

Valery, P.: Poetry and Abstract Thought. In: Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub, Malden, Mass (2004).

11.

Genette, G.: Poetic Language, Poetics of Langage. In: Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub, Malden, Mass (2004).

12.

Forrest-Thomson, V.: Continuity in Language. In: Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub, Malden, Mass (2004).

13.

Lodge, D.: Consciousness and the Novel. In: Consciousness & the Novel: Connected Essays. Harvard University Press, Cambridge, Mass (2002).

14.

Auerbach, E.: The Brown Stocking. In: Mimesis the Representation of Reality in Western Literature. pp. 525–553. Princeton University Press, Princeton, N.J. (2003).

15.

Wood, J.: Chapter 6: A Brief History of Consciousness. In: How Fiction Works. pp. 107–127. Vintage, London (2009).

16.

Heaney, S.: Feeling into Words. In: Preoccupations: Selected Prose, 1968-1978. Faber, London (1980).

17.

Leighton, A.: Chapter 6: Just a Word: On Woolf. In: On Form: Poetry, Aestheticism, and the Legacy of a Word. Oxford University Press, Oxford (2007).

18.

Schwartz, L.S.: The Emergence of Memory - Conversations with W. G. Sebald. SEVEN STORIES PRESS (2010).

19.

Vendler, H.: Chapter 19: Mapping the Air: Adrienne Rich and Jorie Graham. In: Soul Says: Recent Poetry. Belknap, Cambridge, Mass (1995).

20.

Bennett, A., Royle, N.: Chapter 5: The Uncanny. In: An Introduction to Literature, Criticism and Theory. Pearson Longman, Harlow (2009).

21.

Bennett, A., Royle, N.: Chapter 5: The Uncanny. In: An Introduction to Literature, Criticism and Theory. Pearson Longman, Harlow (2009).

22.

Freud, S.: The Interpretation of Dreams. In: Literary Theory: An Anthology. Blackwell, Oxford (2004).

23.

Freud, S.: The Interpretation of Dreams. In: Literary Theory: An Anthology. Wiley Blackwell, Chichester, West Sussex (2017).

24.

Lacan, J.: The Instance of the Letter in the Unconscious or Reason since Freud. In: Literary Theory: An Anthology. Blackwell, Oxford (2004).

25.

Pope, R.: Creativity: Theory, History, Practice. Routledge, London (2005).

26.

Foucault, M.: The Historical a Priori and the Archive. In: The Archive. Whitechapel, London (2006).

27.

Agamben, G.: The Archive and Testimony. In: The Archive. Whitechapel, London (2006).

28.

Hiller, S.: Working Through Objects. In: The Archive. Whitechapel, London (2006).

29.

Booker, C.: Introduction and Historical Notes. In: The Seven Basic Plots. pp. 1–13. Continuum, London (2004).

30.

Forster, E.M.: The Plot. In: Aspects of the Novel. Penguin, London (2005).

31.

Lodge, D.: Narrative Structure. In: The Art of Fiction: Illustrated From Classic and Modern Texts. pp. 215–218. Penguin, London (1992).

32.

Lodge, D.: Point of View. In: The Art of Fiction: Illustrated From Classic and Modern Texts. pp. 25–29. Penguin, London (1992).

33.

Lodge, D.: Telling in Different Voices. In: The Art of Fiction: Illustrated From Classic and Modern Texts. pp. 125–129. Penguin, London (1992).

34.

Wood, J.: Chapter 1: Narrating. In: How Fiction Works. pp. 5–31. Vintage, London (2009).

35.

Alvarez, A.: Finding a Voice. In: The Writer’s Voice. Bloomsbury, London (2006).

36.

Baxter, C.: Dysfunctional Narratives, or: ‘Mistakes Were Made’. In: Burning Down the House: Essays on Fiction. Graywolf, Saint Paul, Minn (2008).

37.

McQuillan, M.: The Narrative Reader. Routledge, London (2000).

38.

Empson, W.: Seven Types of Ambiguity. In: Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub, Malden, Mass (2004).

39.

Jakobson, R.: Linguistics and Poetics. In: Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub, Malden, Mass (2004).

40.

Lakoff, G., Johnson, M.: Metaphors We Live By. University of Chicago Press, Chicago (1981).

41.

Doty, M.: The Art of Description: World Into Word. Graywolf Press, Minneapolis, Minn (2010).

42.

Pound, E.: A Few Don’ts by an Imagiste. Poetry. 1, 200–206 (1913).

43.

Rees-Jones, D.: Nothing That Is Not There and the Nothing That Is. In: Contemporary Women’s Poetry: Reading, Writing, Practice. Macmillan Press, Basingstoke (2000).

44.

Ricks, C.: The Pursuit of Metaphor. In: Allusion to the Poets. Oxford University Press, Oxford (2008).

45.

Marinetti, F.: Technical Manifesto. In: Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub, Malden, Mass (2004).

46.

Marinetti, F.: The Founding and Manifesto of Futurism | UBU, http://www.ubu.com/papers/marinetti_futurist-manifesto.html.

47.

Fahlström, Ö.: Manifesto for Concrete Poetry | UBU, http://www.ubu.com/papers/fahlstrom01.html.

48.

Loy, M.: Aphorisms on Futurism. In: 100 artists’ manifestos. Penguin, London (2011).

49.

Loy, M.: Feminist Manifesto. In: 100 artists’ manifestos. Penguin, London (2011).

50.

Mayakovsky, V.: How Are Verses Made. In: Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub, Malden, Mass (2004).

51.

Césaire, A.: Poetry and Knowledge. In: Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub, Malden, Mass (2004).

52.

O’Hara, F.: Personism: A Manifesto. In: Poetry in Theory: An Anthology, 1900-2000. pp. 367–369. Blackwell Pub, Malden, Mass (2004).

53.

Metzger, G.: Auto-Destructive Art | UBU, http://www.ubu.com/papers/metzger_auto-destructive.html.

54.

Haraway, D.: A Cyborg Manifesto, http://faculty.georgetown.edu/irvinem/theory/Haraway-CyborgManifesto-1.pdf.

55.

Danchev, A.: 100 artists’ manifestos. Penguin, London (2011).

56.

Forster, E.M.: Flat and Round Characters. In: Aspects of the Novel. Penguin, London (2005).

57.

Wood, J.: Character. In: How Fiction Works. Vintage, London (2009).

58.

Miller, A.: How to Write Fiction: Creating Characters | The Guardian. Guardian. (2011).

59.

Lakoff, G., Johnson, M.: Who Are We? In: Philosophy in the Flesh: The Embodied Mind and Its Challenge to Western Thought. pp. 3–4. Basic Books, New York (1999).

60.

Marinetti, F.: Technical Manifesto. In: Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub, Malden, Mass (2004).

61.

Loy, M.: Aphorisms on Futurism. In: 100 artists’ manifestos. Penguin, London (2011).

62.

Loy, M.: Feminist Manifesto. In: 100 artists’ manifestos. Penguin, London (2011).

63.

Mayakovsky, V.: How Are Verses Made? In: Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub, Malden, Mass (2004).

64.

Cesaire, A.: Poetry and Knowledge. In: Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub, Malden, Mass (2004).

65.

O’Hara, F.: Personism: A Manifesto. In: Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub, Malden, Mass (2004).

66.

Donaghy, M.: The Shape of the Dance: Essays, Interviews and Digressions. Picador, London (2009).

67.

Glück, L.: Against Sincerity. In: Proofs & Theories: Essays on Poetry. Carcanet, Manchester (1999).

68.

Hollis, M., Herbert, W.N.: Strong Words: Modern Poets on Modern Poetry. Bloodaxe Books, Tarset (2000).

69.

Rich, A.: Poetry and Commitment: An Essay. W.W. Norton & Co, New York (2007).

70.

Debord, G.: Theory of the Derive | Situationist International Online, https://www.cddc.vt.edu/sionline/si/theory.html.

71.

Robertson, L.: Office for Soft Architecture -- Spatial Synthetics: A Theory | Jacket, http://jacketmagazine.com/14/robertson-lisa.html.

72.

Kaye, N.: Site Specific Art. Routledge, New York (2000).

73.

Kaye, N.: Introduction. In: Site Specific Art. Routledge, London (2000).

74.

Dorn, E.: What I See in the Maximus Poems. In: Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub, Malden, Mass (2004).

75.

Bachelard, G.: The Poetics of Space. Beacon, Boston, Mass (1994).

76.

Explore the History and Works of the Situationist International Online | CDDC, https://www.cddc.vt.edu/sionline/.

77.

Eco, U.: Possible Woods. In: Six Walks in the Fictional Woods. Harvard University Press, Cambridge, Mass (1995).

78.

Rushdie, S.: Imaginary Homelands ‘Errata’ The Riddle of Midnight. In: Imaginary Homelands. Vintage, London (2010).

79.

Welty, E.: Place in Fiction. In: On Writing. Modern Library, New York (2002).

80.

Alvi, M.: The Least International Shop in the World. In: Contemporary Women’s Poetry: Reading, Writing, Practice. Macmillan Press, Basingstoke (2000).

81.

Bate, J.: The Place of Poetry. In: The Song of the Earth. Picador, London (2001).

82.

Boland, E.: The Woman The Place The Poet. In: Object Lessons: The Life of the Woman and the Poet in Our Time. pp. 154–174. W.W. Norton, New York (1995).

83.

Buell, L.: Place. In: Modern Criticism and Theory: A Reader. Pearson Longman, Harlow, England (2008).

84.

Shapcott, J.: Confounding Geography. In: Contemporary Women’s Poetry: Reading, Writing, Practice. Macmillan Press, Basingstoke (2000).

85.

Gifford, T.: Pastoral. Routledge, London (1999).

86.

Gifford, T.: Pastoral. Routledge, London (1999).

87.

Said, E.: Jane Austen and Empire. In: Literary Theory: An Anthology. Blackwell, Oxford (2004).

88.

Said, E.: Jane Austin and Empire. In: Literary Theory: An Anthology. Wiley Blackwell, Chichester, West Sussex (2017).

89.

Tsvetaeva, M.: Poets with History and Poets without History. In: Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub, Malden, Mass (2004).

90.

Walcott, D.: The Muse of History. In: Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub, Malden, Mass (2004).

91.

Adorno, T.: On Lyric Poetry and Society. In: Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub, Malden, Mass (2004).

92.

Alvi, M.: The Least International Shop in the World. In: Contemporary Women’s Poetry: Reading, Writing, Practice. Macmillan Press, Basingstoke (2000).

93.

Bate, J.: The Place of Poetry. In: The Song of the Earth. Picador, London (2001).

94.

Buell, L.: Place. In: Modern Criticism and Theory: A Reader. Pearson Longman, Harlow, England (2008).

95.

Shapcott, J.: Confounding Geography. In: Contemporary Women’s Poetry: Reading, Writing, Practice. Macmillan Press, Basingstoke (2000).

96.

Ngai, S.: Stuplimity. In: Ugly Feelings. Harvard University Press, Cambridge, Mass (2007).

97.

Ngai, S.: Stuplimity. In: Ugly Feelings. Harvard University Press, Cambridge, Mass (2007).

98.

Hayles, N.K.: The Time of Digital Poetry: From Object to Event. In: New Media Poetics: Contexts, Technotexts, and Theories. MIT Press, Cambridge, Mass (2006).

99.

Baxter, C.: Stillness. In: Burning Down the House: Essays on Fiction. Graywolf, Saint Paul, Minn (2008).

100.

Eco, U.: Lingering in the Woods. In: Six Walks in the Fictional Woods. Harvard University Press, Cambridge, Mass (1995).

101.

Blanchot, M.: Time and the Novel. In: Faux Pas. Stanford University Press, Stanford, Calif (2001).

102.

Hiolub, M.: The Dimension of the Present Moment. In: The Dimension of the Present Moment: Essays. Faber and Faber, London (1990).

103.

Muldoon, P.: Chapter 1: All Souls’ Night—W.B. Yeats. In: The End of the Poem. Oxford University Press, Oxford (2000).

104.

Paulin, T.: Writing to the Moment: Elizabeth Bishop. In: Writing to the Moment: Selected Critical Essays, 1980-1996. Faber and Faber, London (1996).

105.

Tarkovsky, A.: Imprinted Time. In: Sculpting in Time: Reflections on the Cinema. pp. 57–69. University of Texas Press, Austin, [Tex.] (1989).

106.

Tarkovsky, A.: Time, Rhythm and Editing. In: Sculpting in Time: Reflections on the Cinema. pp. 113–124. University of Texas Press, Austin, [Tex.] (1989).

107.

Welty, E.: Some Notes on Time. In: On Writing. Modern Library, New York (2002).

108.

Lawrence, D.H.: Preface to the American Edition of New Poems. In: Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub, Malden, Mass (2004).

109.

Richards, I.A.: The Poetic Experience. In: Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub, Malden, Mass (2004).

110.

Muldoon, P.: All Souls’ Night—W.B. Yeats. In: The End of the Poem. Oxford University Press, Oxford (2000).

111.

Ngai, S.: Ugly feelings. Harvard University Press, Cambridge, Mass (2007).

112.

Ngai, S.: Ugly Feelings. Harvard University Press, Cambridge, Mass (2007).

113.

Adorno, T.: On Lyric Poetry and Society. In: Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub, Malden, Mass (2004).

114.

Bernstein, C.: The Dollar Value of Poetry. In: Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub, Malden, Mass (2004).

115.

Hejinian, L.: The Rejection of Closure. In: The Language of Inquiry. pp. 40–58. University of California Press, Berkeley (2000).

116.

Hejinian, L.: The Rejection of Closure. In: The Language of Inquiry. pp. 40–58. University of California Press, Berkeley, CA (2000).

117.

Richards, I.A.: The Poetic Experience. In: Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub, Malden, Mass (2004).

118.

Ginsberg, A.: When the Mode of the Music Changes …. In: Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub, Malden, Mass (2004).

119.

Perloff, M.: Avant-Garde or Endgame? In: Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub, Malden, Mass (2004).

120.

Atwood, M.: Chapter 5: Communion—Nobody to Nobody. In: Negotiating With the Dead: A Writer on Writing. Cambridge University Press, Cambridge (2002).

121.

Barthes, R.: Chapter 17: The Death of the Author. In: Modern Criticism and Theory: A Reader. Pearson Longman, Harlow, England (2008).

122.

Benjamin, W.: Chapter 4: The Task of the Translator. In: Modern Criticism and Theory: A Reader. Pearson Longman, Harlow, England (2008).

123.

Bryan, S., Olsen, W.: Planet on the Table: Poets on the Reading Life. Sarabande Books, Louisville, Ky (2003).

124.

Cunningham, V.: Chapter 46: Touching Reading. In: Modern Criticism and Theory: A Reader. Pearson Longman, Harlow, England (2008).

125.

Eco, U.: Mouse or Rat?: Translation as Negotiation. Phoenix, London (2004).

126.

Hirsch Jr, E.D.: Chapter 14: In Defence of the Author. In: Modern Criticism and Theory: A Reader. Pearson Longman, Harlow, England (2008).

127.

Josipovici, G.: Thirty-three Variations on a Theme of Graham Greene. In: Real Voices: On Reading. Macmillan, Basingstoke (1996).

128.

Smith, Z.: Chapter4: Re-reading Barthes and Nabokov. In: Changing My Mind: Penguin, New York (2010).

129.

Stockwell, P.: Cognitive Deixis. In: Cognitive Poetics. pp. 41–57. Routledge, London (2002).

130.

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131.

Lowell, A.: Poetry as a Spoken Art. In: Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub, Malden, Mass (2004).

132.

Bowland, E.: The Woman Poet: Her Dilemma. In: Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub, Malden, Mass (2004).

133.

Ginsberg, A.: When the Mode of the Music Changes. In: Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub, Malden, Mass (2004).

134.

Bourriaud, N.: Relational Aesthetics. Dijon (2002).

135.

Foster, H.: An Archival Impulse. In: The Archive. Whitechapel, London (2006).

136.

Derrida, J.: Archive Fever. In: The Archive. Whitechapel, London (2006).

137.

Broodthaers, M.: Interview with Jurgen Harten and Katharina Schmidt. In: The Archive. Whitechapel, London (2006).

138.

Smith, Z.: Their Eyes Were Watching God: What Does Soulful Mean? In: Changing My Mind: Occasional Essays. Penguin, New York (2010).

139.

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140.

Bennett, A., Royle, N.: ‘Me’, ‘Queer’, ‘Racial Difference’. In: An Introduction to Literature, Criticism and Theory. Pearson Longman, Harlow (2009).

141.

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142.

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143.

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144.

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145.

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146.

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147.

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148.

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149.

Baraka, I.: Hunting Is Not Those Heads on the Wall. In: Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub, Malden, Mass (2004).

150.

Rich, A.: Blood, Bread and Poetry. In: Poetry in Theory: An Anthology, 1900-2000. Blackwell Pub, Malden, Mass (2004).

151.

Feaver, V.: Body & Soul: The Power of Sharon Olds. In: Contemporary Women’s Poetry: Reading, Writing, Practice. Macmillan Press, Basingstoke (2000).

152.

Mark, A.: Writing About Writing. In: Contemporary Women’s Poetry: Reading, Writing, Practice. Macmillan Press, Basingstoke (2000).

153.

Moten, F.: In the Break: The Aesthetics of the Black Radical Tradition. University of Minnesota Press, Minneapolis (2003).

154.

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155.

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156.

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157.

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158.

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159.

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160.

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161.

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162.

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167.

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193.

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194.

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198.

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201.

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204.

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205.

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206.

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207.

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211.

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