Adorno, Theodor. ‘On Lyric Poetry and Society’. Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub, 2004. Print.
---. ‘On Lyric Poetry and Society’. Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub, 2004. Print.
Agamben, Giorgio. ‘The Archive and Testimony’. The Archive. London: Whitechapel, 2006. Print.
Alvarez, Al. ‘Finding a Voice’. The Writer’s Voice. London: Bloomsbury, 2006. Print.
Alvi, Moniza. ‘The Least International Shop in the World’. Contemporary Women’s Poetry: Reading, Writing, Practice. Basingstoke: Macmillan Press, 2000. Print.
---. ‘The Least International Shop in the World’. Contemporary Women’s Poetry: Reading, Writing, Practice. Basingstoke: Macmillan Press, 2000. Print.
Attridge, Derek. Poetic Rhythm: An Introduction. Cambridge: Cambridge University Press, 1995. Print.
Atwood, Margaret. ‘Chapter 5: Communion—Nobody to Nobody’. Negotiating With the Dead: A Writer on Writing. Cambridge: Cambridge University Press, 2002. Print.
---. ‘Orientation: Who Do You Think You Are?’ Negotiating With the Dead: A Writer on Writing. Cambridge: Cambridge University Press, 2002. 1–28. Print.
Auerbach, Erich. ‘The Brown Stocking’. Mimesis the Representation of Reality in Western Literature. Princeton, N.J.: Princeton University Press, 2003. 525–553. Web. <http://hdl.handle.net/2027/heb.09353>.
Bachelard, Gaston. On Poetic Imagination and Reverie. Putnam, Conn: Spring Publications, 2014. Print.
---. The Poetics of Space. [New] ed. Boston, Mass: Beacon, 1994. Print.
---. The Poetics of Space. [New] ed. Boston, Mass: Beacon, 1994. Print.
Bal, Mieke. Narratology: Introduction to the Theory of Narrative. 2nd ed. Toronto: University of Toronto Press, 1985. Print.
Baraka, Amiri. ‘Hunting Is Not Those Heads on the Wall’. Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub, 2004. Print.
Baraka, Imamu. ‘Hunting Is Not Those Heads on the Wall’. Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub, 2004. Print.
Barfield, Owen. Poetic Diction: A Study in Meaning. Fourth edition. Oxford, England: Barfield Press, 2010. Print.
Barthes, Roland. ‘Chapter 17: The Death of the Author’. Modern Criticism and Theory: A Reader. 3rd ed. Harlow, England: Pearson Longman, 2008. Print.
---. ‘Is There Any Poetic Writing?’ Poetry In Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell, 2004. Print.
Bartlett, Phyllis. Poems in Process. New York: Oxford University Press, 1951. Print.
Bate, Jonathan. ‘The Place of Poetry’. The Song of the Earth. London: Picador, 2001. Print.
---. ‘The Place of Poetry’. The Song of the Earth. London: Picador, 2001. Print.
Baxter, Charles. ‘Dysfunctional Narratives, or: ‘Mistakes Were Made’’. Burning Down the House: Essays on Fiction. 2nd expanded ed. Saint Paul, Minn: Graywolf, 2008. Print.
---. ‘Stillness’. Burning Down the House: Essays on Fiction. 2nd expanded ed. Saint Paul, Minn: Graywolf, 2008. Print.
Benjamin, Walter. ‘Chapter 4: The Task of the Translator’. Modern Criticism and Theory: A Reader. 3rd ed. Harlow, England: Pearson Longman, 2008. Print.
Bennett, Andrew, and Nicholas Royle. ‘Chapter 5: The Uncanny’. An Introduction to Literature, Criticism and Theory. 4th ed. Harlow: Pearson Longman, 2009. Print.
---. ‘Chapter 5: The Uncanny’. An Introduction to Literature, Criticism and Theory. Harlow: Pearson Longman, 2009. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315834252>.
---. ‘“Me”, “Queer”, “Racial Difference”’. An Introduction to Literature, Criticism and Theory. 4th ed. Harlow: Pearson Longman, 2009. Print.
---. ‘“Me”, “Queer”, “Racial Difference”’. An Introduction to Literature, Criticism and Theory. Harlow: Pearson Longman, 2009. Web. <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1734006>.
Bernstein, Charles. ‘The Dollar Value of Poetry’. Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub, 2004. Print.
---. The Politics of Poetic Form: Poetry and Public Policy. New York, NY: Roof, 1990. Print.
Blanchot, Maurice. ‘Time and the Novel’. Faux Pas. Stanford, Calif: Stanford University Press, 2001. Print.
Boland, Eavan. ‘The Woman Poet: Her Dilemma’. Object Lessons: The Life of the Woman and the Poet in Our Time. New York: W.W. Norton, 1995. 239–254. Print.
---. ‘The Woman The Place The Poet’. Object Lessons: The Life of the Woman and the Poet in Our Time. New York: W.W. Norton, 1995. 154–174. Print.
Booker, Christopher. ‘Introduction and Historical Notes’. The Seven Basic Plots. London: Continuum, 2004. 1–13. Print.
Borges, Jorge Luis, and Richard Burgin. Conversations With Jorge Luis Borges. London: Souvenir Press, 1973. Print.
Bourriaud, Nicolas. Relational Aesthetics. Dijon, 2002. Print.
Bowland, Eavan. ‘The Woman Poet: Her Dilemma’. Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub, 2004. Print.
Braidotti, Rosi. ‘Embodiment, Sexual Difference, and the Nomadic Subject’. Hypatia 8.1 (1993): 1–13. Web.
Broodthaers, Marcel. ‘Interview with Jurgen Harten and Katharina Schmidt’. The Archive. London: Whitechapel, 2006. Print.
Brooke-Rose, Christine. A Grammar of Metaphor. Secker & Warburg, 1958. Print.
Brooks, Peter. Reading for the Plot: Design and Intention in Narrative. Cambridge, Mass. London: Harvard University Press, 1992. Print.
Brotchie, Alastair, and Mel Gooding. A Book of Surrealist Games. Boston: Shambhala Redstone Editions, 1995. Print.
Brown, Clare, and Don Paterson. Don’t Ask Me What I Mean: Poets in Their Own Words. London: Picador, 2004. Print.
Bryan, Sharon, and William Olsen. Planet on the Table: Poets on the Reading Life. Vol. 4. Louisville, Ky: Sarabande Books, 2003. Print.
Buell, Lawrence. ‘Place’. Modern Criticism and Theory: A Reader. 3rd ed. Harlow, England: Pearson Longman, 2008. Print.
---. ‘Place’. Modern Criticism and Theory: A Reader. 3rd ed. Harlow, England: Pearson Longman, 2008. Print.
Burroway, Janet, and Susan Weinberg. Writing Fiction: A Guide to Narrative Craft. 6th ed. New York: Longman, 2003. Print.
Calvino, Italo. The Literature Machine: Essays. London: Secker & Warburg, 1987. Print.
Casterton, Julia. Creative Writing: A Practical Guide. 3rd ed. Houndmills, Basingstoke: Palgrave Macmillan, 2005. Print.
Césaire, Aimé. ‘Poetry and Knowledge’. Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub, 2004. Print.
Cesaire, Aime. ‘Poetry and Knowledge’. Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub, 2004. Print.
Cesaire, Aimee. ‘Poetry and Knowledge’. Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub, 2004. Print.
Collis, Stephen. Once In Blockadia. Talon Books,Canada, 2016. Print.
---. ‘Reading Wordsworth in the Tar Sands | The Goose, Volume 13, Issue 12, Article 37, 2015’. Web. <https://scholars.wlu.ca/cgi/viewcontent.cgi?referer=&amp;httpsredir=1&amp;article=1059&amp;context=thegoose>.
Cuddon, J. A. A Dictionary of Literary Terms and Literary Theory. 3rd ed. Oxford: Blackwell, 1991. Print.
Cunningham, Valentine. ‘Chapter 46: Touching Reading’. Modern Criticism and Theory: A Reader. 3rd ed. Harlow, England: Pearson Longman, 2008. Print.
Curran, Stuart. Poetic Form and British Romanticism. New York: Oxford University Press, 1986. Print.
---. Poetic Form and British Romanticism. New York: Oxford University Press, 1989. Web. <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=4702200>.
Curtis, Tony. How Poets Work. Bridgend, Wales: Seren, 1996. Print.
Da Vinci, Leonardo. The Notebooks of Leonardo Da Vinci. Oxford: Oxford University Press, 1998. Print.
Danchev, Alex. 100 Artists’ Manifestos. London: Penguin, 2011. Print.
Davie, Donald. Articulate Energy: An Enquiry Into the Syntax of English Poetry. London: Routledge & Kegan Paul, 1955. Print.
---. Purity of Diction in English Verse. [Charleston]: Nabu, 2011. Print.
Debord, Guy. ‘Theory of the Derive | Situationist International Online’. N.p., 1958. Web. <https://www.cddc.vt.edu/sionline/si/theory.html>.
Derrida, Jacques. ‘Archive Fever’. The Archive. London: Whitechapel, 2006. Print.
Deutsch, Babette. Poetry Handbook: A Dictionary of Terms. 4th ed. New York: Harper Perennial, 2002. Print.
Donaghy, Michael. The Shape of the Dance: Essays, Interviews and Digressions. London: Picador, 2009. Print.
Dorn, Edward. ‘What I See in the Maximus Poems’. Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub, 2004. Print.
Doty, Mark. The Art of Description: World Into Word. Minneapolis, Minn: Graywolf Press, 2010. Print.
Eagleton, Terry. The English Novel: An Introduction. Malden, MA: Blackwell, 2005. Print.
---. The English Novel: An Introduction. Malden, MA: Blackwell Pub, 2005. Web. <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1209429>.
Eco, Umberto. ‘Lingering in the Woods’. Six Walks in the Fictional Woods. Vol. 1993. Cambridge, Mass: Harvard University Press, 1995. Print.
---. Mouse or Rat?: Translation as Negotiation. London: Phoenix, 2004. Print.
---. ‘Possible Woods’. Six Walks in the Fictional Woods. Vol. 1993. Cambridge, Mass: Harvard University Press, 1995. Print.
Empson, William. ‘Seven Types of Ambiguity’. Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub, 2004. Print.
‘Explore the History and Works of the Situationist International Online | CDDC’. N.p., n.d. Web. <https://www.cddc.vt.edu/sionline/>.
Fahlström, Öyvind. ‘Manifesto for Concrete Poetry | UBU’. N.p., n.d. Web. <http://www.ubu.com/papers/fahlstrom01.html>.
Feaver, Vicki. ‘Body & Soul: The Power of Sharon Olds’. Contemporary Women’s Poetry: Reading, Writing, Practice. Basingstoke: Macmillan Press, 2000. Print.
Ferguson, Margaret W., Mary Jo Salter, and Jon Stallworthy. The Norton Anthology of Poetry. 4th edition. New York: W.W. Norton, 1996. Print.
Forrest-Thomson, Veronica. ‘Continuity in Language’. Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub, 2004. Print.
Forster, E. M. ‘Flat and Round Characters’. Aspects of the Novel. [New ed.]. London: Penguin, 2005. Print.
---. ‘The Plot’. Aspects of the Novel. [New ed.]. London: Penguin, 2005. Web. <https://www.gutenberg.org/cache/epub/70492/pg70492-images.html#chap05>.
Foster, Hal. ‘An Archival Impulse’. The Archive. London: Whitechapel, 2006. Print.
Foucault, Michel. ‘The Historical a Priori and the Archive’. The Archive. London: Whitechapel, 2006. Print.
Freud, Sigmund. ‘A Note upon the Mystic Writing-Pad’. The Archive. London: Whitechapel, 2006. Print.
---. ‘The Interpretation of Dreams’. Literary Theory: An Anthology. 2nd ed. Oxford: Blackwell, 2004. Print.
---. ‘The Interpretation of Dreams’. Literary Theory: An Anthology. Third edition. Chichester, West Sussex: Wiley Blackwell, 2017. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781118718315>.
Fussell, Paul. Poetic Meter and Poetic Form. Rev. ed. New York: Random House, 1979. Print.
Genette, Gerard. Narrative Discourse. Oxford: Blackwell, 1980. Print.
---. ‘Poetic Language, Poetics of Langage’. Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub, 2004. Print.
Gifford, Terry. Pastoral. London: Routledge, 1999. Print.
---. Pastoral. London: Routledge, 1999. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=165191>.
Ginsberg, Allan. ‘When the Mode of the Music Changes’. Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub, 2004. Print.
Ginsberg, Allen. ‘When the Mode of the Music Changes …’. Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub, 2004. Print.
Glück, Louise. ‘Against Sincerity’. Proofs & Theories: Essays on Poetry. Manchester: Carcanet, 1999. Print.
Guest, Barbara. ‘Radical Poetics and Conservative Poetry’. Forces of Imagination: Writing on Writing. Berkeley, Calif: Kelsey St. Press, 2003. Print.
Haraway, Donna. ‘A Cyborg Manifesto’. Web. <http://faculty.georgetown.edu/irvinem/theory/Haraway-CyborgManifesto-1.pdf>.
Hartman, Charles O. Free Verse: An Essay on Prosody. Princeton, New Jersey: Princeton University Press, 1980. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1701036>.
---. Free Verse: An Essay on Prosody. Princeton: Princeton University Press, 1980. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1701036>.
Hawthorn, Jeremy. Studying the Novel. 4th ed. London: Arnold, 2001. Print.
Hayles, N. Katherine. ‘The Time of Digital Poetry: From Object to Event’. New Media Poetics: Contexts, Technotexts, and Theories. Cambridge, Mass: MIT Press, 2006. Print.
Heaney, Seamus. ‘Feeling into Words’. Preoccupations: Selected Prose, 1968-1978. London: Faber, 1980. Print.
---. The Government of the Tongue. London: Faber, 1988. Print.
Heaney, Seamus, and Ted Hughes. The Rattle Bag. London: Faber and Faber, 1982. Print.
Heidegger, Martin. Poetry, Language, Thought. New York: Harper & Row, 1975. Print.
---. ‘What Are Poets For?’ Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub, 2004. Print.
Hejinian, Lyn. ‘The Rejection of Closure’. The Language of Inquiry. Berkeley: University of California Press, 2000. 40–58. Print.
---. ‘The Rejection of Closure’. The Language of Inquiry. Berkeley, CA: University of California Press, 2000. 40–58. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=275874>.
Hiller, Susan. ‘Working Through Objects’. The Archive. London: Whitechapel, 2006. Print.
Hiolub, Miroslav. ‘The Dimension of the Present Moment’. The Dimension of the Present Moment: Essays. London: Faber and Faber, 1990. Print.
Hirsch Jr, E. D. ‘Chapter 14: In Defence of the Author’. Modern Criticism and Theory: A Reader. 3rd ed. Harlow, England: Pearson Longman, 2008. Print.
Hobsbaum, Philip. Metre, Rhythm and Verse Form. London: Routledge, 1995. Print.
---. Metre, Rhythm, and Verse Form. London: Routledge, 1996. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=165939>.
Hollander, John. Rhyme’s Reason: A Guide to English Verse. New, enl. ed. New Haven: Yale University Press, 1989. Print.
---. Rhyme’s Reason: A Guide to English Verse. N.p., 2014. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3421476>.
---. The Figure of Echo: A Mode of Allusion in Milton and After. Berkeley: University of California Press, 1981. Print.
---. Vision and Resonance: Two Senses of Poetic Form. 2nd ed. New Haven: Yale University Press, 1985. Print.
Hollis, Matthew, and W. N. Herbert. Strong Words: Modern Poets on Modern Poetry. Tarset: Bloodaxe Books, 2000. Print.
Hoover, Paul. Postmodern American Poetry: A Norton Anthology. New York: Norton, 1994. Print.
Hughes, Langston. ‘The Negro Artist and the Racial Mountain’. Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub, 2004. Print.
---. ‘The Negro Artist and the Racial Mountain’. Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub, 2004. Print.
Jaggi, Maya. ‘Barbara Kingsolver: A Life in Writing’. The Guardian (2010): n. pag. Web. <https://www.theguardian.com/books/2010/jun/12/life-in-writing-barbara-kingsolver>.
Jakobson, Roman. ‘Linguistics and Poetics’. Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub, 2004. Print.
‘James Baldwin, Interviewed by Jordan Elgrabhy, The Art of Fiction No. 78’. N.p., n.d. Web. <https://www.theparisreview.org/interviews/2994/james-baldwin-the-art-of-fiction-no-78-james-baldwin>.
Jarrell, Randall. Poetry and the Age. Expanded ed. Gainesville: University Press of Florida, 2001. Print.
Jelinek, Elfriede. Women as Lovers. London: Serpent’s Tail, 1994. Print.
Josipovici, Gabriel. ‘Thirty-Three Variations on a Theme of Graham Greene’. Real Voices: On Reading. Basingstoke: Macmillan, 1996. Print.
Kaye, Nick. ‘Introduction’. Site Specific Art. London: Routledge, 2000. Web. <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=166116>.
---. Site Specific Art. New York: Routledge, 2000. Print.
Kinzie, Mary. A Poet’s Guide to Poetry. Chicago, Ill: University of Chicago Press, 1999. Print.
Kundera, Milan. Testaments Betrayed: An Essay in Nine Parts. New York: Harper Perennial, 2001. Print.
---. The Art of the Novel. London: Faber, 1990. Print.
Lacan, Jacques. ‘The Instance of the Letter in the Unconscious or Reason since Freud’. Literary Theory: An Anthology. 2nd ed. Oxford: Blackwell, 2004. Print.
Lakoff, George, and Mark Johnson. Metaphors We Live By. Chicago: University of Chicago Press, 1981. Print.
---. Metaphors We Live By. Chicago: University of Chicago Press, 1981. Print.
---. ‘Who Are We?’ Philosophy in the Flesh: The Embodied Mind and Its Challenge to Western Thought. New York: Basic Books, 1999. 3–4. Print.
Lawrence, D. H. ‘Preface to the American Edition of New Poems’. Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub, 2004. Print.
Leader, Zachary. On Modern British Fiction. Oxford: Oxford University Press, 2002. Print.
Leighton, Angela. ‘Chapter 6: Just a Word: On Woolf’. On Form: Poetry, Aestheticism, and the Legacy of a Word. Oxford: Oxford University Press, 2007. Print.
Lodge, David. ‘Consciousness and the Novel’. Consciousness & the Novel: Connected Essays. Cambridge, Mass: Harvard University Press, 2002. Print.
---. ‘Narrative Structure’. The Art of Fiction: Illustrated From Classic and Modern Texts. London: Penguin, 1992. 215–218. Print.
---. ‘Point of View’. The Art of Fiction: Illustrated From Classic and Modern Texts. London: Penguin, 1992. 25–29. Print.
---. ‘Telling in Different Voices’. The Art of Fiction: Illustrated From Classic and Modern Texts. London: Penguin, 1992. 125–129. Print.
Lorca, Federico Garcia. ‘Play and the Theory of Duende’. In Search of Duende. Vol. 1164. New York: New Directions, 2010. 48–62. Print.
Lowell, Amy. ‘Poetry as a Spoken Art’. Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub, 2004. Print.
Loy, Mina. ‘Aphorisms on Futurism’. 100 Artists’ Manifestos. London: Penguin, 2011. Print.
---. ‘Aphorisms on Futurism’. 100 Artists’ Manifestos. London: Penguin, 2011. Print.
---. ‘Feminist Manifesto’. 100 Artists’ Manifestos. London: Penguin, 2011. Print.
---. ‘Feminist Manifesto’. 100 Artists’ Manifestos. London: Penguin, 2011. Print.
Marinetti, Filippo. ‘Technical Manifesto’. Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub, 2004. Print.
---. ‘Technical Manifesto’. Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub, 2004. Print.
---. ‘The Founding and Manifesto of Futurism | UBU’. N.p., 1909. Web. <http://www.ubu.com/papers/marinetti_futurist-manifesto.html>.
Mark, Alison. ‘Writing About Writing’. Contemporary Women’s Poetry: Reading, Writing, Practice. Basingstoke: Macmillan Press, 2000. Print.
Marks, Alison. ‘Writing About Writing…’. Contemporary Women’s Poetry: Reading, Writing, Practice. Basingstoke: Macmillan Press, 2000. Print.
Marks, Emerson R. Taming the Chaos: English Poetic Diction Theory Since the Renaissance. Detroit, MI: Wayne State University Press, 1998. Print.
May, Charles E. The New Short Story Theories. Athens: Ohio University Press, 1994. Print.
Mayakovsky, Vladimir. ‘How Are Verses Made’. Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub, 2004. Print.
---. ‘How Are Verses Made?’ Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub, 2004. Print.
McQuillan, Martin. The Narrative Reader. London: Routledge, 2000. Print.
Metzger, Gustav. ‘Auto-Destructive Art | UBU’. N.p., 1960. Web. <http://www.ubu.com/papers/metzger_auto-destructive.html>.
Miller, Andrew. ‘How to Write Fiction: Creating Characters | The Guardian’. Guardian (2011): n. pag. Web. <https://www.theguardian.com/books/2011/oct/16/how-to-write-fiction-andrew-miller>.
Moten, Fred. In the Break: The Aesthetics of the Black Radical Tradition. Minneapolis: University of Minnesota Press, 2003. Print.
---. In The Break: The Aesthetics Of The Black Radical Tradition. Minneapolis: University of Minnesota Press, 2003. Web. <http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=310622>.
Muldoon, Paul. ‘All Souls’ Night—W.B. Yeats’. The End of the Poem. Oxford: Oxford University Press, 2000. Print.
---. ‘Chapter 1: All Souls’ Night—W.B. Yeats’. The End of the Poem. Oxford: Oxford University Press, 2000. Print.
Nabokov, Vladimir. Notes on Prosody and Abram Grannibal. Vol. 72. Bollingen: Princeton University Press, 1964. Print.
Nelson, Robin. Practice as Research in the Arts. Basingstoke: Palgrave Macmillan, 2013. Print.
---. Practice as Research in the Arts. Basingstoke: Palgrave Macmillan, 2013. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1209462>.
Ngai, Sianne. ‘Stuplimity’. Ugly Feelings. Cambridge, Mass: Harvard University Press, 2007. Print.
---. ‘Stuplimity’. Ugly Feelings. Cambridge, Mass: Harvard University Press, 2007. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780674041523>.
---. Ugly Feelings. Cambridge, Mass: Harvard University Press, 2007. Print.
---. Ugly Feelings. Cambridge, Mass: Harvard University Press, 2007. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780674041523>.
O’Hara, Frank. ‘Personism: A Manifesto’. Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub, 2004. 367–369. Print.
---. ‘Personism: A Manifesto’. Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub, 2004. Print.
Orwell, George. Politics and the English Language. London: Penguin Books, 2013. Print.
Padgett, Ron. The Straight Line: Writings on Poetry and Poets. Ann Arbor: University of Michigan Press, 2000. Print.
Paulin, Tom. ‘Writing to the Moment: Elizabeth Bishop’. Writing to the Moment: Selected Critical Essays, 1980-1996. London: Faber and Faber, 1996. Print.
Perloff, Marjorie. ‘Avant-Garde or Endgame?’ Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub, 2004. Print.
---. ‘Can(n)on to the Right of Us, Can(n)on to the Left of Us: A Plea for Difference’. The Lyric Theory Reader: A Critical Anthology. Baltimore: Johns Hopkins University Press, 2014. Print.
Pinsky, Robert. The Situation of Poetry: Contemporary Poetry and Its Traditions. Princeton, N.J.: Princeton University Press, 1976. Print.
Pope, Rob. Creativity: Theory, History, Practice. London: Routledge, 2005. Print.
Pound, Ezra. ‘A Few Don’ts by an Imagiste’. Poetry 1.6 (1913): 200–206. Web. <https://www.jstor.org/stable/20569730>.
---. ‘A Retrospect’. Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub, 2004. Print.
Preminger, Alex, and T. V. F. Brogan. The New Princeton Encyclopedia of Poetry and Poetics. Princeton, N.J.: Princeton University Press, 1993. Print.
Rankine, Claudia, and Juliana Spahr. American Women Poets in the 21st Century: Where Lyric Meets Language. Middletown, Conn: Wesleyan University Press, 2002. Print.
Rees-Jones, Deryn. ‘Nothing That Is Not There and the Nothing That Is’. Contemporary Women’s Poetry: Reading, Writing, Practice. Basingstoke: Macmillan Press, 2000. Print.
Rich, Adrienne. ‘Blood, Bread and Poetry’. Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub, 2004. Print.
---. ‘Blood, Bread and Poetry: The Location of the Poet’. Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub, 2004. Print.
---. Poetry and Commitment: An Essay. New York: W.W. Norton & Co, 2007. Print.
Richards, I. A. ‘The Poetic Experience’. Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub, 2004. Print.
Richards, I.A. ‘The Poetic Experience’. Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub, 2004. Print.
Ricks, Christopher. ‘The Pursuit of Metaphor’. Allusion to the Poets. Oxford: Oxford University Press, 2008. Print.
Rigby, Kate. ‘Earth, World, Text: On the (Im)Possibility of Ecopoiesis’. New Literary History 35.3 (2004): 427–442. Web. <https://www.jstor.org/stable/20057847>.
Riley, Denise. Poets on Writing: Britain, 1970-1991. Basingstoke: Macmillan Academic and Professional, 1992. Print.
---. The Words of Selves: Identification, Solidarity, Irony. Stanford, Calif: Stanford University Press, 2000. Print.
Rilke, Rainer Maria. Letters to a Young Poet. Rev. ed. New York: Norton, 1954. Print.
Rivkin, Julie, and Michael Ryan. Literary Theory: An Anthology. 2nd ed. Oxford: Blackwell, 2004. Print.
---. Literary Theory: An Anthology. Third edition. Chichester, West Sussex: Wiley Blackwell, 2017. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4792586>.
Robertson, Lisa. ‘Office for Soft Architecture -- Spatial Synthetics: A Theory | Jacket’. N.p., 2001. Web. <http://jacketmagazine.com/14/robertson-lisa.html>.
Robertson, Lisa, and Lisa Robertson. ‘Proverbs of a She Dandy | Buenos Tiempos International’. N.p., 2017. Web. <http://buenostiemposinternational.com/lisa-robertson_13-4-2017/>.
Royle, Nicholas. The Uncanny. Manchester: Manchester University Press, 2003. Print.
Rushdie, Salman. ‘Imaginary Homelands “Errata” The Riddle of Midnight’. Imaginary Homelands. London: Vintage, 2010. Print.
Said, Edward. ‘Jane Austen and Empire’. Literary Theory: An Anthology. 2nd ed. Oxford: Blackwell, 2004. Print.
---. ‘Jane Austin and Empire’. Literary Theory: An Anthology. Third edition. Chichester, West Sussex: Wiley Blackwell, 2017. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781118718315>.
Said, Edward W. Beginnings: Intention and Method. London: Granta, 2012. Print.
Saunders, George. The Braindead Megaphone: Essays. 1st Riverhead trade pbk. ed. New York: Riverhead Books, 2007. Print.
Schwartz, Lynne Sharon. The Emergence of Memory - Conversations with W. G. Sebald. SEVEN STORIES PRESS, 2010. Print.
Shapcott, Jo. ‘Confounding Geography’. Contemporary Women’s Poetry: Reading, Writing, Practice. Basingstoke: Macmillan Press, 2000. Print.
---. ‘Confounding Geography’. Contemporary Women’s Poetry: Reading, Writing, Practice. Basingstoke: Macmillan Press, 2000. Print.
Shapcott, Jo, and Matthew Sweeney. Emergency Kit: Poems for Strange Times. London: Faber, 2004. Print.
Shapiro, Karl Jay, and Robert Lawrence Beum. A Prosody Handbook. New York: Harper & Row, 1965. Print.
Shipley, Joseph T. The Origins of English Words. Baltimore: The Johns Hopkins University Press, 1984. Print.
Smith, Zadie. ‘Chapter4: Re-Reading Barthes and Nabokov’. Changing My Mind:. New York: Penguin, 2010. Print.
---. ‘Their Eyes Were Watching God: What Does Soulful Mean?’ Changing My Mind: Occasional Essays. New York: Penguin, 2010. Print.
Solomon, Deborah. ‘Elfriede Jelinek, “A Gloom of Her Own”’. The New York Times (2004): n. pag. Web. <https://www.nytimes.com/2004/11/21/magazine/a-gloom-of-her-own.html?_r=0>.
Spahr, Juliana. ‘Introduction to American Women Poets in the 21st Century: Where Lyric Meets Language’. The Lyric Theory Reader: A Critical Anthology. Baltimore: Johns Hopkins University Press, 2014. Print.
Stckwell, Peter. ‘Cognitive Deixis’. Cognitive Poetics. London: Routledge, 2002. 41–57. Web. <http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203995143>.
Stein, Gertrude. How to Write. New York: Dover, 1975. Print.
---. ‘Poetry and Grammar’. Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub, 2004. Print.
Stewart, Susan. Poetry and the Fate of the Senses. Chicago: University of Chicago Press, 2002. Print.
Stockwell, Peter. ‘Cognitive Deixis’. Cognitive Poetics. London: Routledge, 2002. 41–57. Print.
Tarkovsky, Andrey. ‘Imprinted Time’. Sculpting in Time: Reflections on the Cinema. Austin, [Tex.]: University of Texas Press, 1989. 57–69. Print.
---. ‘Time, Rhythm and Editing’. Sculpting in Time: Reflections on the Cinema. Austin, [Tex.]: University of Texas Press, 1989. 113–124. Print.
Tsvetaeva, Marina. ‘Poets with History and Poets without History’. Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub, 2004. Print.
Tuma, Keith. Anthology of Twentieth-Century British and Irish Poetry. New York: Oxford University Press, 2001. Print.
Valery, Paul. ‘Poetry and Abstract Thought’. Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub, 2004. Print.
Vendler, Helen. ‘Chapter 19: Mapping the Air: Adrienne Rich and Jorie Graham’. Soul Says: Recent Poetry. Cambridge, Mass: Belknap, 1995. Print.
Walcott, Derek. ‘The Muse of History’. Poetry in Theory: An Anthology, 1900-2000. Malden, Mass: Blackwell Pub, 2004. Print.
Welty, Eudora. ‘Place in Fiction’. On Writing. 2002 Modern Library ed. New York: Modern Library, 2002. Print.
---. ‘Some Notes on Time’. On Writing. 2002 Modern Library ed. New York: Modern Library, 2002. Print.
Wood, James. ‘Chapter 1: Narrating’. How Fiction Works. London: Vintage, 2009. 5–31. Print.
---. ‘Chapter 6: A Brief History of Consciousness’. How Fiction Works. London: Vintage, 2009. 107–127. Print.
---. ‘Character’. How Fiction Works. London: Vintage, 2009. Print.
Woolf, Virginia. ‘Chapter 5: A Room of One’s Own’. Modern Criticism and Theory: A Reader. 3rd ed. Harlow, England: Pearson Longman, 2008. Print.