[A Life Well Spent] | Sanders of Oxford (no date). Available at: https://www.sandersofoxford.com/shop/product/a-life-well-spent/.
Alexander, C. and Smith, M. (2003) The Oxford Companion to the Brontes. Oxford: Oxford University Press. Available at: http://www.oxfordreference.com/view/10.1093/acref/9780198662181.001.0001/acref-9780198662181.
Armstrong, N. (1987a) Desire and Domestic Fiction: A Political History of the Novel. New York: Oxford University Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=60542.
Armstrong, N. (1987b) Desire and Domestic Fiction: A Political History of the Novel. New York: Oxford University Press.
Armstrong, T. (2000) Haunted Hardy: Poetry, History, Memory. Basingstoke: Palgrave.
Auerbach, N. (1982) Woman and the Demon: The Life of a Victorian Myth. Cambridge, Mass: Harvard University Press.
Auerbach, N. (2015) ‘Charlotte Brontë: The two Countries’, University of Toronto Quarterly, 42(4), pp. 328–342. Available at: https://muse.jhu.edu/article/560036/summary.
Bakhtin, M. and Holquist, M. (1981a) The Dialogic Imagination: Four Essays. Austin, Tex: University of Texas Press.
Bakhtin, M. and Holquist, M. (1981b) The Dialogic Imagination: Four Essays. Austin, Tex: University of Texas Press.
Barker, J. (1994) The Brontës. London: Weidenfeld and Nicolson.
Barringer, T.J. (1999) Reading the Pre-Raphaelites. New Haven, Conn: Yale University Press.
Beer, G. (2009) Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction. Cambridge: Cambridge University Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=265144.
Beer, P. (1974) Reader, I Married Him: A Study of the Women Characters of Jane Austen, Charlotte Brontë, Elizabeth Gaskell and George Eliot. London: Macmillan.
Bell, Q. (1975) Victorian Artists. London: Academy.
Bendiner, K. (1998) The Art of Ford Madox Brown. University Park, Pa: Pennsylvania State University Press.
Bilston, S. (2004) The Awkward Age in Women’s Popular Fiction, 1850-1900: Girls and the Transition to Womanhood. Oxford: Clarendon Press.
Birmingham Museums & Art Gallery Pre-Raphaelite Online Resource : The Collection (no date). Available at: http://www.preraphaelites.org/the-collection/1902p13/the-long-engagement/.
Bivona, D. (1990) Desire and Contradiction: Imperial Visions and Domestic Debates in Victorian Literature. Manchester: Manchester University Press.
Boumelha, P. (1982) Thomas Hardy and Women: Sexual Ideology and Narrative Form. Brighton: Harvester.
Bowen, J. (2000) Other Dickens: Pickwick to Chuzzlewit. Oxford: Oxford University Press.
Brantlinger, P. and Thesing, W.B. (2002a) A Companion to the Victorian Novel. Malden, Mass: Blackwell.
Brantlinger, P. and Thesing, W.B. (2002b) A Companion to the Victorian Novel. Oxford: Blackwell Publishing. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=214235.
Bronfen, E. (1992) Over Her Dead Body: Death, Femininity and the Aesthetic. Manchester: Manchester University Press.
Bronfen, E. (2017) Over Her Dead Body: Death, Femininity and the Aesthetic. Manchester, UK: Manchester University Press. Available at: https://dx.doi.org/10.7765/9781526125637.
Brontë, C. et al. (2000) Villette. New [ed.]. Oxford: Oxford University Press.
Brontë, C. and Leavis, Q.D. (1985) Jane Eyre. Harmondsworth: Penguin.
Brooks, P. (1992) Reading for the Plot: Design and Intention in Narrative. Cambridge, Mass: Harvard University Press.
Bullen, J.B. (1986) The Expressive Eye: Fiction and Perception in the Work of Thomas Hardy. Oxford: Clarendon.
Burman, S. (1979) Fit Work for Women. London: Croom Helm for Oxford University Women’s Studies Committee [etc.].
Carting Turf from Farington Moss | Art UK (no date). Available at: https://artuk.org/discover/artworks/carting-turf-from-farington-moss-152574.
Casteras, S.P. (1987) Images of Victorian Womanhood in English Art. Rutherford, N. J.: Fairleigh Dickinson University Press.
Casteras, S.P. and Parkinson, R. (1988) Richard Redgrave: 1804-1888. [S. l.]: Victoria & Albert Museum.
Chapel, J. (1982) Victorian Taste: The Complete Catalogue of Paintings at the Royal Holloway College. [London]: Zwemmer.
Convent Thoughts | Art UK (no date). Available at: https://artuk.org/discover/artworks/convent-thoughts-141841/view_as/grid/search/keyword:charles-a-collins-convent-thoughts/page/1.
Cosslett, T. (1982) The ’Scientific Movement ’ and Victorian Literature. Brighton: Harvester.
Cowling, M. (1989) The Artist as Anthropologist: The Representation of Type and Character in Victorian Art. Cambridge: Cambridge University Press.
Crosby, C. (1991) The Ends of History: Victorians and ‘The Woman Question’. New York: Routledge.
Cunnington, P. and Lucas, C. (1972) Costumes for Births, Marriages & Deaths. London: A. and C. Black.
Davidoff, L. and Hall, C. (2002a) Family Fortunes. Rev. ed. London: Routledge.
Davidoff, L. and Hall, C. (2002b) Family Fortunes. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1144634.
Denis, R.C. and Trodd, C. (2000) Art and the Academy in the Nineteenth Century. New Brunswick, N.J.: Rutgers University Press.
Ewbank, I.S. (1966) Their Proper Sphere: A Study of the Brontë Sisters as Early Victorian Female Novelists. London: Arnold.
Frith, W.P. (1890) My Autobiography and Reminiscences. 8th ed. London: Bentley.
Funnell, P. (1996) Victorian Portraits: In the National Portrait Gallery Collection. London: National Portrait Gallery.
Funnell, P. (1999) Millais: Portraits. Princeton, N.J.: Princeton University Press.
Gaskell, E. (1975a) The Life of Charlotte Brontë. Harmondsworth: Penguin.
Gaskell, E. (1975b) The Life of Charlotte Brontë. Harmondsworth: Penguin.
Gay, P. (1984) The Bourgeois Experience: Victoria to Freud. New York: Oxford University Press.
George Levine (1974) ‘Can You Forgive Him? Trollope’s “Can You Forgive Her?” And the Myth of Realism’, Victorian Studies, 18(1). Available at: https://www.jstor.org/stable/3826450?seq=1#metadata_info_tab_contents.
Gerin, W. (1967) Charlotte Brontë: The Evolution of Genius. Oxford: Clarendon Press.
Gilbert, S.M. and Gubar, S. (1980) The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. London: Yale University Press. Available at: http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3421136.
Gilbert, S.M. and Gubar, S. (2000) The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. Second edition. New Haven: Yale University Press.
Gilmartin, S. (1997) ‘The Sati, the Bride, and the Widow: Sacrificial Woman in the Nineteenth Century’, Victorian Literature and Culture, 25(1), pp. 141–158. Available at: https://doi.org/10.1017/S1060150300004678.
Gilmartin, S. (1998a) Ancestry and Narrative in Nineteenth-Century British Literature: Blood Relations From Edgeworth to Hardy. Cambridge [England]: Cambridge University Press.
Gilmartin, S. (1998b) ‘Pedigree and Forgetting in Hardy’, in Ancestry and Narrative in Nineteenth-Century British Literature: Blood Relations From Edgeworth to Hardy. Cambridge [England]: Cambridge University Press.
Gilmartin, S. and Mengham, R. (2007a) Thomas Hardy’s Shorter Fiction: A Critical Study. Edinburgh: Edinburgh University Press.
Gilmartin, S. and Mengham, R. (2007b) Thomas Hardy’s Shorter Fiction: A Critical Study. Edinburgh: Edinburgh University Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780748632558.
Gittings, R. (1975) Young Thomas Hardy. London: Heinemann Educational.
Gittings, R. (1978) The Older Hardy. London: Heinemann.
Glen, H. (2002a) Charlotte Bronte: The Imagination in History. New York: Oxford University Press.
Glen, H. (2002b) Charlotte Bronte: The Imagination in History. New York: Oxford University Press.
Glen, H. (2002c) The Cambridge Companion to the Brontës. Cambridge: Cambridge University Press.
Glen, H. (ed.) (2002d) The Cambridge Companion to the Brontës. Cambridge: Cambridge University Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521770270.
Glendinning, V. (1992) Trollope. London: Hutchinson.
van Gogh, V. (no date a) Shoes | Van Gogh Museum. Available at: https://www.vangoghmuseum.nl/en/collection/s0011V1962.
van Gogh, V. (no date b) Soup Distribution in a Public Soup Kitchen | Van Gogh Museum. Available at: https://www.vangoghmuseum.nl/en/collection/d0783V1972.
Gregor, I. (1974) The Great Web: The Form of Hardy’s Major Fiction. London: Faber.
Gullette, M.M. (1990) ‘The Puzzling Case of the Deceased Wife’s Sister: Nineteenth-Century England Deals with a Second-Chance Plot’, Representations, (31), pp. 142–166. Available at: https://doi.org/10.2307/2928403.
Hall, N.J. (1980) Trollope and His Illustrators. London: Macmillan.
Hamer, M. (1987) Writing by Numbers: Trollope’s Serial Fiction. Cambridge: Cambridge University Press.
Hard Times | Art UK (no date). Available at: https://artuk.org/discover/artworks/hard-times-205180.
Hardy, T. (2010) The Withered Arm and Other Wessex Tales. Oxford: Oxford University Press.
Hardy, T. and Björk, L.A. (1985) The Literary Notebooks of Thomas Hardy. London: Macmillan.
Hardy, T. and Dolin, T. (1998) Tess of the D’Urbervilles. London: Penguin.
Hardy, T. and Millgate, M. (1984) The Life and Work of Thomas Hardy. London: Macmillan.
Hayllar, J. (no date) A Coming Event | Christie’s. Available at: https://www.christies.com/lotfinder/Lot/jessica-hayllar-1858-1940-a-coming-event-4051945-details.aspx.
Hill, N.K. (1981) A Reformer’s Art: Dickens’ Picturesque and Grotesque Imagery. Athens, Ohio: Ohio University Press.
Hollington, M. (2014) Dickens and the Grotesque. Abingdon, Oxon: Routledge. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3570286.
Homans, M. (1986) Bearing the Word: Language and Female Experience in Nineteenth Century Women’s Writing. Chicago: Chicago University Press.
Homans, M. (1998) Royal Representations: Queen Victoria and British Culture, 1837-1876. Chicago: University of Chicago Press. Available at: http://hdl.handle.net/2027/heb.04512.
Homans, M. and Munich, A. (1997) Remaking Queen Victoria. Cambridge: Cambridge University Press.
‘How to Provide for Superfluous Women’ (1869) in Woman’s Work and Woman’s Culture. `.
Hughes, A. (no date) April Love | Tate. Available at: https://www.tate.org.uk/art/artworks/hughes-april-love-n02476.
Humphry, C.E. (1993a) Manners for Men. Whitstable: Pryor Publications.
Humphry, C.E. (1993b) Manners for Women. Whitstable: Pryor Publications.
Ingham, P. (2006a) The Brontës. Oxford: Oxford University Press.
Ingham, P. (2006b) The Brontës. Oxford: Oxford University Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=76221.
Jackson, A.M. (1982) Illustration and the Novels of Thomas Hardy. London: Macmillan.
Jalland, P. (1996) Death in the Victorian Family. Oxford: Oxford University Press. Available at: http://dx.doi.org/10.1093/acprof:oso/9780198201885.001.0001.
John Everett Millais (no date) The Vale of Rest | Tate. Available at: https://www.tate.org.uk/art/artworks/millais-the-vale-of-rest-n01507.
John, J. (2001a) Dickens’s Villains: Melodrama, Character, Popular Culture. Oxford: Oxford University Press.
John, J. (2001b) Dickens’s Villains: Melodrama, Character, Popular Culture. Oxford: Oxford University Press. Available at: http://dx.doi.org/10.1093/acprof:oso/9780198184614.001.0001.
Kendrick, W.M. (1980) The Novel-Machine: The Theory and Fiction of Anthony Trollope. Baltimore: Johns Hopkins University Press.
Kermode, F. (1979) The Genesis of Secrecy: On the Interpretation of Narrative. Cambridge, Mass: Harvard University Press.
Kreilkamp, I. (2005) Voice and the Victorian Storyteller. Cambridge: Cambridge University Press.
Lambourne, L. (1982) An Introduction to ‘Victorian’ Genre Painting: From Wilkie to Frith. London: H.M.S.O.
Lambourne, L. (1999) Victorian Painting. London: Phaidon Press.
Letwin, S.R. (1982a) The Gentleman in Trollope: Individuality and Moral Conduct. Cambridge, Mass: Harvard University Press.
Letwin, S.R. (1982b) The Gentleman in Trollope: Individuality and Moral Conduct. Cambridge, Mass: Harvard University Press.
Levey, M. (1960) ‘Botticelli and Nineteenth-Century England’, Journal of the Warburg and Courtauld Institutes, 23(3/4). Available at: https://doi.org/10.2307/750597.
Lister, R. (1966a) Victorian Narrative Paintings. London: Museum.
Lister, R. (1966b) Victorian Narrative Paintings. London: Museum.
Longsden Long, E. (1875) Babylonian Marriage Market. Available at: https://www.royalholloway.ac.uk/about-us/art-collections/collection-highlights/babylonian-marriage-market/.
Maas, J. (1978) Victorian Painters. London: Barrie & Jenkins.
Macleod, D.S. (1996) Art and the Victorian Middle Class: Money and the Making of Cultural Identity. Cambridge: Cambridge University Press.
Martin, G. (1985) Great Expectations. Milton Keynes: Open University Press.
McMaster, J. (1978) Trollope’s Palliser Novels: Theme and Pattern. London: Macmillan.
McMaster, R. (1986) Trollope and the Law. New York: St. Martin’s Press.
Mengham, R. (2001) ‘The Stupendous Power of Money’, in Charles Dickens. Tavistock: Northcote House in association with the British Council.
Mengham, R. and British Council (2001) Charles Dickens. Tavistock: Northcote House in association with the British Council.
Michie, E.B. (2006) Charlotte Brontë’s Jane Eyre: A Casebook. Oxford: Oxford University Press.
Millais, J.E. (no date) Married for Rank | Maas Gallery. Available at: http://www.maasgallery.co.uk/drawings/drawings/85-sir-john-everett-millais-pra-hri-hrca-1829-1896-956.
Miller, D.A. (1981) Narrative and Its Discontents: Problems of Closure in the Traditional Novel. Princeton, N.J.: Princeton University Press.
Miller, J.H. (1968) The Form of Victorian Fiction: Thackeray, Dickens, Trollope, George Eliot, Meredith, and Hardy. Notre Dame, Ind: University of Notre Dame Press.
Miller, J.H. (1982) ‘Tess’, in Fiction and Repetition: Seven English Novels. Oxford: Blackwell.
Millgate, M. (1982) Thomas Hardy: A Biography. Oxford: Oxford University Press.
Moretti, F. (1998) An Atlas of the European Novel, 1800-1900. London: Verso.
Moretti, F. (2000a) The Way of the World: The Bildungsroman in European Culture. New ed. London: Verso.
Moretti, F. (2000b) The Way of the World: The Bildungsroman in European Culture. New ed. London: Verso.
Morley, J. (1971) Death, Heaven, and the Victorians. [Pittsburgh]: University of Pittsburgh Press.
Morris, E. (1994) Victorian & Edwardian Paintings in the Lady Lever Art Gallery: British Artists Born After 1810 Excluding the Early Pre-Raphaelites. London: HMSO.
Nead, L. (1988) Myths of Sexuality: Representations of Women in Victorian Britain. Oxford: Blackwell.
Nead, L. (2000) Victorian Babylon: People, Streets, and Images in Nineteenth-Century London. New Haven: Yale University Press.
Nestor, P. (1992a) ‘Substance and Shadow: Reading Reality in Villette’, in Villette, Charlotte Bronte. Basingstoke: Macmillan.
Nestor, P. (1992b) ‘The Surveillance of a Sleepless Eye’, in Villette, Charlotte Bronte. Basingstoke: Macmillan.
O’ Gorman, F. (2005) A Concise Companion to the Victorian Novel. Oxford: Blackwell.
Olmsted, J.C. (1980) Victorian Painting: Essays and Reviews, Vol. 1: 1832-1848. New York: Garland.
Origi, M. (no date) Original Study for a Huguenot | Sotheby’s. Available at: http://www.sothebys.com/en/auctions/ecatalogue/2014/victorian-pre-raphaelite-british-impressionist-art-l15132/lot.9.html.
Osborn, E.M. (1860) The Governess. Available at: https://collections.britishart.yale.edu/vufind/Record/1666170.
Oxford Reader’s Companion to Trollope (1999). Oxford University Press. Available at: https://doi.org/10.1093/acref/9780198662105.001.0001.
Pite, R. (2002) Hardy’s Geography: Wessex and the Regional Novel. Houndmills: Palgrave Macmillan. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=259584.
Plasa, C. (2004a) Charlotte Brontë. Houndmills, Basingstoke: Palgrave Macmillan.
Plasa, C. (2004b) Charlotte Brontë. Houndmills, Basingstoke: Palgrave Macmillan.
Pollard, A. (1968) Trollope’s Political Novels. University of Hull.
Poovey, M. (1988a) ‘The Anathematized Race: The Governess and Jane Eyre’, in Uneven Developments: The Ideological Work of Gender in Mid-Victorian England. Chicago: University of Chicago Press. Available at: http://hdl.handle.net/2027/heb.01744.
Poovey, M. (1988b) Uneven Developments: The Ideological Work of Gender in Mid-Victorian England. Chicago: University of Chicago Press. Available at: http://hdl.handle.net/2027/heb.01744.
Poovey, M. (1989) ‘The Anathematized Race: The Governess and Jane Eyre’, in Uneven Developments: The Ideological Work of Gender in Mid-Victorian England. London: Virago.
Pre-Raphaelite and Other Masters: The Andrew Lloyd Webber Collection (2003). London: Royal Academy of Arts.
Queen Victoria with the Prince of Wales, the Princess Royal and Other Members of the Royal Family | Art UK (no date). Available at: https://artuk.org/discover/artworks/queen-victoria-with-the-prince-of-wales-the-princess-royal-and-other-members-of-the-royal-family-218526/view_as/grid/search/keyword:a-portrait-group-of-queen-victoria-with-her-children--makers:john-callcott-horsley-18171903/page/1.
Redgrave, R. (1845) The Poor Teacher | ARTUK. Available at: https://artuk.org/discover/artworks/the-poor-teacher-35661.
Reynolds, G. (1987) Victorian Painting. Rev. ed. London: Herbert.
Rustic Civility | Art UK (no date). Available at: https://artuk.org/discover/artworks/rustic-civility-30751.
Said, E.W. (1998) Beginnings: Intention and Method. London: Granta.
Salentin, H. (no date) The Return from the Christening |  V&A. Available at: http://collections.vam.ac.uk/item/O131312/the-return-from-the-christening-oil-painting-salentin-hubert/.
Sanders, A. (2003) Charles Dickens. Oxford: Oxford University Press.
Scarry, E. (1983) ‘Work and the Body in Hardy and Other Nineteenth-Century Novelists’, Representations, (3), pp. 90–123. Available at: https://doi.org/10.2307/3043788.
Sedgwick, E.K. (1986) The Coherence of Gothic Conventions. London: Methuen.
Sell, R.D. (1994) ‘The Imaginary and the Symbolic in Great Expectations’, in Great Expectations, Charles Dickens. London: Macmillan.
Shefer, E. (1990) Birds, Cages and Women in Victorian and Pre-Raphaelite Art. New York: Lang.
Showalter, E. (1981) ‘Victorian Women and Insanity’, in Madhouses, Mad-Doctors, and Madmen: The Social History of Psychiatry in the Victorian Era. Philadelphia, Pa: University of Pennsylvania Press.
Showalter, E. (1987) The female malady: women, madness and English culture, 1830-1980. London: Virago.
Sitwell, S. and Sevier, M. (1937) Narrative Pictures: A Survey of the English Genre and Its Painters. London: Batsford.
Skilton, D. (1996) Anthony Trollope and his contemporaries: a study in the theory and conventions of mid-Victorian fiction. Basingstoke: Macmillan.
Slater, M. (1983) Dickens and women. Stanford, Calif: Stanford University Press.
Smith, A. (1996) The Victorian Nude: Sexuality, Morality, and Art. Manchester: Manchester University Press.
Smith, L. (1995) Victorian Photography, Painting and Poetry: The Enigma of Visibility in Ruskin, Morris and the Pre-Raphaelites. Cambridge: Cambridge University Press.
Snell, K.D.M. (1985a) ‘Thomas Hardy, Rural Dorset and the Family’, in Annals of the Labouring Poor: Social Change and Agrarian England, 1660-1900. Cambridge: Cambridge University Press. Available at: http://dx.doi.org/10.1017/CBO9780511599446.
Snell, K.D.M. (1985b) ‘Thomas Hardy, Rural Dorset and the Family’, in Annals of the labouring poor: social change and agrarian England, 1660-1900. Cambridge: Cambridge University Press. Available at: http://dx.doi.org/10.1017/CBO9780511599446.
Solomon, R. (1856) The Governess | Christies. Available at: https://www.christies.com/lotfinder/Lot/rebecca-solomon-1832-1886-the-governess-ye-4928785-details.aspx.
Stages of Cruelty | Art UK (no date). Available at: https://artuk.org/discover/artworks/stages-of-cruelty-205503.
Swingle, L.J. (1990) Romanticism and Anthony Trollope: a study in the continuities of nineteenth-century literary thought. Ann Arbor: University of Michigan Press.
Tambling, J. (1995) Dickens, Violence and the Modern State: Dreams of the Scaffold. London: Macmillan. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230378322.
Tambling, J. and Dawsonera (1995) Dickens, violence and the modern state: dreams of the scaffold. London: Macmillan. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230378322.
The Black Brunswickers | Liverpool Museums (no date). Available at: https://www.liverpoolmuseums.org.uk/ladylever/collections/paintings/gallery2/blackbrunswicker.aspx.
The Bridesmaid | Art UK (no date). Available at: https://artuk.org/discover/artworks/the-bridesmaid-4901.
The Last Furrow | Art UK (no date). Available at: https://artuk.org/discover/artworks/the-last-furrow-90707.
The Novice | British Museum (no date). Available at: https://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=3055728&partId=1&people=120624&peoA=120624-2-23&page=1.
The Valleys Stand Thick with Corn | Art UK (no date). Available at: https://artuk.org/discover/artworks/the-valleys-stand-thick-with-corn-33491.
Thomas, J. (2000) Victorian Narrative Painting. London: Tate.
Thomas, J. (2013) Thomas Hardy and desire: conceptions of the self. New York: Palgrave Macmillan.
Tillotson, K. (1954) Novels of the eighteen-forties. Oxford: Clarendon.
Torgerson, B.E. (2005) Reading the Brontë body: disease, desire, and the constraints of culture. New York: Palgrave Macmillan.
Treuherz, J. (1987) Hard Times: Social Realism in Victorian Art. London: Lund Humphries in association with Manchester City Art Galleries, and Moyer Bell, Mt. Kisco, New York.
Treuherz, J. (1993) Victorian Painting. London: Thames and Hudson.
Trollope, A. (1989) Can You Forgive Her? London: Trollope Society.
Vallone, L. (2001) Becoming Victoria. New Haven, Conn: Yale University Press.
Van Dam, F., Skilton, D. and Graef, O. de (eds) (2019) The Edinburgh companion to Anthony Trollope. Edinburgh: Edinburgh University Press.
Vicinus, M. (1972) Suffer and be still: women in the Victorian age. Bloomington: Indiana University Press.
Walker, F. (no date) The Vagrants  | Tate. Available at: https://www.tate.org.uk/art/artworks/walker-the-vagrants-n01209.
Wheeler, M. (1990) Death and the future life in Victorian literature and theology. Cambridge: Cambridge University Press.
Williams, M. (1972) Thomas Hardy and rural England. London: Macmillan.
Williams, R. (2016) The Country and the City. [New] edition. London: Vintage.
Winnifrith, T. (1973) The Brontës and their background: romance and reality. London: Macmillan.
Wood, C. (1990) Victorian Panorama. London: Faber.
Wood, C., Newall, C. and Richardson, M. (1995) Victorian Painters. Woodbridge, Suffolk: Antique Collectors’ Club.
Yes or No? | Yale University Art Gallery (no date). Available at: https://artgallery.yale.edu/collections/objects/14125.