‘[A Life Well Spent] | Sanders of Oxford’ <https://www.sandersofoxford.com/shop/product/a-life-well-spent/>
Alexander, Christine, and Margaret Smith, The Oxford Companion to the Brontes (Oxford: Oxford University Press, 2003) <http://www.oxfordreference.com/view/10.1093/acref/9780198662181.001.0001/acref-9780198662181>
Armstrong, Nancy, Desire and Domestic Fiction: A Political History of the Novel (New York: Oxford University Press, 1987) <http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=60542>
———, Desire and Domestic Fiction: A Political History of the Novel (New York: Oxford University Press, 1987)
Armstrong, Tim, Haunted Hardy: Poetry, History, Memory (Basingstoke: Palgrave, 2000)
Auerbach, Nina, ‘Charlotte Brontë: The Two Countries’, University of Toronto Quarterly, 42.4 (2015), 328–42 <https://muse.jhu.edu/article/560036/summary>
———, Woman and the Demon: The Life of a Victorian Myth (Cambridge, Mass: Harvard University Press, 1982)
Bakhtin, M., and Michael Holquist, The Dialogic Imagination: Four Essays (Austin, Tex: University of Texas Press, 1981), no. 1
———, The Dialogic Imagination: Four Essays (Austin, Tex: University of Texas Press, 1981), no. 1
Barker, Juliet, The Brontës (London: Weidenfeld and Nicolson, 1994)
Barringer, T. J., Reading the Pre-Raphaelites (New Haven, Conn: Yale University Press, 1999)
Beer, Gillian, Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction (Cambridge: Cambridge University Press, 2009) <http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=265144>
Beer, Patricia, Reader, I Married Him: A Study of the Women Characters of Jane Austen, Charlotte Brontë, Elizabeth Gaskell and George Eliot (London: Macmillan, 1974)
Bell, Quentin, Victorian Artists (London: Academy, 1975)
Bendiner, Kenneth, The Art of Ford Madox Brown (University Park, Pa: Pennsylvania State University Press, 1998)
Bilston, Sarah, The Awkward Age in Women’s Popular Fiction, 1850-1900: Girls and the Transition to Womanhood (Oxford: Clarendon Press, 2004)
‘Birmingham Museums & Art Gallery Pre-Raphaelite Online Resource : The Collection’ <http://www.preraphaelites.org/the-collection/1902p13/the-long-engagement/>
Bivona, Daniel, Desire and Contradiction: Imperial Visions and Domestic Debates in Victorian Literature (Manchester: Manchester University Press, 1990)
Boumelha, Penny, Thomas Hardy and Women: Sexual Ideology and Narrative Form (Brighton: Harvester, 1982)
Bowen, John, Other Dickens: Pickwick to Chuzzlewit (Oxford: Oxford University Press, 2000)
Brantlinger, Patrick, and William B. Thesing, A Companion to the Victorian Novel (Malden, Mass: Blackwell, 2002)
———, A Companion to the Victorian Novel (Oxford: Blackwell Publishing, 2002) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=214235>
Bronfen, Elisabeth, Over Her Dead Body: Death, Femininity and the Aesthetic (Manchester: Manchester University Press, 1992)
———, Over Her Dead Body: Death, Femininity and the Aesthetic (Manchester, UK: Manchester University Press, 2017) <https://dx.doi.org/10.7765/9781526125637>
Brontë, Charlotte, and Q. D. Leavis, Jane Eyre (Harmondsworth: Penguin, 1985)
Brontë, Charlotte, Margaret Smith, Herbert Rosengarten, and Tim Dolin, Villette, New [ed.] (Oxford: Oxford University Press, 2000)
Brooks, Peter, Reading for the Plot: Design and Intention in Narrative (Cambridge, Mass: Harvard University Press, 1992)
Bullen, J. B., The Expressive Eye: Fiction and Perception in the Work of Thomas Hardy (Oxford: Clarendon, 1986)
Burman, Sandra, Fit Work for Women (London: Croom Helm for Oxford University Women’s Studies Committee [etc.], 1979)
‘Carting Turf from Farington Moss | Art UK’ <https://artuk.org/discover/artworks/carting-turf-from-farington-moss-152574>
Casteras, Susan P., Images of Victorian Womanhood in English Art (Rutherford, N. J.: Fairleigh Dickinson University Press, 1987)
Casteras, Susan P., and Ronald Parkinson, Richard Redgrave: 1804-1888 ([S. l.]: Victoria & Albert Museum, 1988)
Chapel, Jeannie, Victorian Taste: The Complete Catalogue of Paintings at the Royal Holloway College ([London]: Zwemmer, 1982)
‘Convent Thoughts | Art UK’ <https://artuk.org/discover/artworks/convent-thoughts-141841/view_as/grid/search/keyword:charles-a-collins-convent-thoughts/page/1>
Cosslett, Tess, The ’Scientific Movement ’ and Victorian Literature (Brighton: Harvester, 1982)
Cowling, Mary, The Artist as Anthropologist: The Representation of Type and Character in Victorian Art (Cambridge: Cambridge University Press, 1989)
Crosby, Christina, The Ends of History: Victorians and ‘The Woman Question’ (New York: Routledge, 1991)
Cunnington, Phillis, and Catherine Lucas, Costumes for Births, Marriages & Deaths (London: A. and C. Black, 1972)
Davidoff, Leonore, and Catherine Hall, Family Fortunes, Rev. ed (London: Routledge, 2002)
———, Family Fortunes (London: Routledge, 2002) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1144634>
Denis, Rafael Cardoso, and Colin Trodd, Art and the Academy in the Nineteenth Century (New Brunswick, N.J.: Rutgers University Press, 2000)
Ewbank, Inga Stina, Their Proper Sphere: A Study of the Brontë Sisters as Early Victorian Female Novelists (London: Arnold, 1966)
Frith, William Powell, My Autobiography and Reminiscences, 8th ed (London: Bentley, 1890)
Funnell, Peter, Millais: Portraits (Princeton, N.J.: Princeton University Press, 1999)
———, Victorian Portraits: In the National Portrait Gallery Collection (London: National Portrait Gallery, 1996)
Gaskell, Elizabeth, The Life of Charlotte Brontë (Harmondsworth: Penguin, 1975)
———, The Life of Charlotte Brontë (Harmondsworth: Penguin, 1975)
Gay, Peter, The Bourgeois Experience: Victoria to Freud (New York: Oxford University Press, 1984)
George Levine, ‘Can You Forgive Him? Trollope’s “Can You Forgive Her?” And the Myth of Realism’, Victorian Studies, 18.1 (1974) <https://www.jstor.org/stable/3826450?seq=1#metadata_info_tab_contents>
Gerin, Winifred, Charlotte Brontë: The Evolution of Genius (Oxford: Clarendon Press, 1967)
Gilbert, Sandra M., and Susan Gubar, The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination, Second edition (New Haven: Yale University Press, 2000)
———, The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination (London: Yale University Press, 1980) <http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3421136>
Gilmartin, Sophie, Ancestry and Narrative in Nineteenth-Century British Literature: Blood Relations From Edgeworth to Hardy (Cambridge [England]: Cambridge University Press, 1998), xviii
———, ‘Pedigree and Forgetting in Hardy’, in Ancestry and Narrative in Nineteenth-Century British Literature: Blood Relations From Edgeworth to Hardy (Cambridge [England]: Cambridge University Press, 1998), xviii
———, ‘The Sati, the Bride, and the Widow: Sacrificial Woman in the Nineteenth Century’, Victorian Literature and Culture, 25.1 (1997), 141–58 <https://doi.org/10.1017/S1060150300004678>
Gilmartin, Sophie, and Rod Mengham, Thomas Hardy’s Shorter Fiction: A Critical Study (Edinburgh: Edinburgh University Press, 2007)
———, Thomas Hardy’s Shorter Fiction: A Critical Study (Edinburgh: Edinburgh University Press, 2007) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780748632558>
Gittings, Robert, The Older Hardy (London: Heinemann, 1978)
———, Young Thomas Hardy (London: Heinemann Educational, 1975)
Glen, Heather, Charlotte Bronte: The Imagination in History (New York: Oxford University Press, 2002)
———, Charlotte Bronte: The Imagination in History (New York: Oxford University Press, 2002)
———, The Cambridge Companion to the Brontës (Cambridge: Cambridge University Press, 2002)
———, ed., The Cambridge Companion to the Brontës (Cambridge: Cambridge University Press, 2002) <http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521770270>
Glendinning, Victoria, Trollope (London: Hutchinson, 1992)
van Gogh, Vincent, ‘Shoes | Van Gogh Museum’ <https://www.vangoghmuseum.nl/en/collection/s0011V1962>
———, ‘Soup Distribution in a Public Soup Kitchen | Van Gogh Museum’ <https://www.vangoghmuseum.nl/en/collection/d0783V1972>
Gregor, Ian, The Great Web: The Form of Hardy’s Major Fiction (London: Faber, 1974)
Gullette, Margaret Morganroth, ‘The Puzzling Case of the Deceased Wife’s Sister: Nineteenth-Century England Deals with a Second-Chance Plot’, Representations, 31, 1990, 142–66 <https://doi.org/10.2307/2928403>
Hall, N. John, Trollope and His Illustrators (London: Macmillan, 1980)
Hamer, Mary, Writing by Numbers: Trollope’s Serial Fiction (Cambridge: Cambridge University Press, 1987)
‘Hard Times | Art UK’ <https://artuk.org/discover/artworks/hard-times-205180>
Hardy, Thomas, The Withered Arm and Other Wessex Tales (Oxford: Oxford University Press, 2010)
Hardy, Thomas, and Lennart A. Björk, The Literary Notebooks of Thomas Hardy (London: Macmillan, 1985)
Hardy, Thomas, and Tim Dolin, Tess of the D’Urbervilles (London: Penguin, 1998)
Hardy, Thomas, and Michael Millgate, The Life and Work of Thomas Hardy (London: Macmillan, 1984)
Hayllar, Jessica, ‘A Coming Event | Christie’s’ <https://www.christies.com/lotfinder/Lot/jessica-hayllar-1858-1940-a-coming-event-4051945-details.aspx>
Hill, Nancy K, A Reformer’s Art: Dickens’ Picturesque and Grotesque Imagery (Athens, Ohio: Ohio University Press, 1981)
Hollington, Michael, Dickens and the Grotesque (Abingdon, Oxon: Routledge, 2014) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3570286>
Homans, Margaret, Bearing the Word: Language and Female Experience in Nineteenth Century Women’s Writing (Chicago: Chicago University Press, 1986)
———, Royal Representations: Queen Victoria and British Culture, 1837-1876 (Chicago: University of Chicago Press, 1998) <http://hdl.handle.net/2027/heb.04512>
Homans, Margaret, and Adrienne Munich, Remaking Queen Victoria (Cambridge: Cambridge University Press, 1997), x
‘How to Provide for Superfluous Women’, in Woman’s Work and Woman’s Culture (`, 1869)
Hughes, Arthur, ‘April Love | Tate’ <https://www.tate.org.uk/art/artworks/hughes-april-love-n02476>
Humphry, C. E., Manners for Men (Whitstable: Pryor Publications, 1993)
———, Manners for Women (Whitstable: Pryor Publications, 1993)
Ingham, Patricia, The Brontës (Oxford: Oxford University Press, 2006)
———, The Brontës (Oxford: Oxford University Press, 2006) <http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=76221>
Jackson, Arlene M., Illustration and the Novels of Thomas Hardy (London: Macmillan, 1982)
Jalland, Patricia, Death in the Victorian Family (Oxford: Oxford University Press, 1996) <http://dx.doi.org/10.1093/acprof:oso/9780198201885.001.0001>
John Everett Millais, ‘The Vale of Rest | Tate’ <https://www.tate.org.uk/art/artworks/millais-the-vale-of-rest-n01507>
John, Juliet, Dickens’s Villains: Melodrama, Character, Popular Culture (Oxford: Oxford University Press, 2001)
———, Dickens’s Villains: Melodrama, Character, Popular Culture (Oxford: Oxford University Press, 2001) <http://dx.doi.org/10.1093/acprof:oso/9780198184614.001.0001>
Kendrick, Walter M., The Novel-Machine: The Theory and Fiction of Anthony Trollope (Baltimore: Johns Hopkins University Press, 1980)
Kermode, Frank, The Genesis of Secrecy: On the Interpretation of Narrative (Cambridge, Mass: Harvard University Press, 1979), mcmlxxvii–mcmlxxviii
Kreilkamp, Ivan, Voice and the Victorian Storyteller (Cambridge: Cambridge University Press, 2005), xlix
Lambourne, Lionel, An Introduction to ‘Victorian’ Genre Painting: From Wilkie to Frith (London: H.M.S.O., 1982)
———, Victorian Painting (London: Phaidon Press, 1999)
Letwin, Shirley Robin, The Gentleman in Trollope: Individuality and Moral Conduct (Cambridge, Mass: Harvard University Press, 1982)
———, The Gentleman in Trollope: Individuality and Moral Conduct (Cambridge, Mass: Harvard University Press, 1982)
Levey, Michael, ‘Botticelli and Nineteenth-Century England’, Journal of the Warburg and Courtauld Institutes, 23.3/4 (1960) <https://doi.org/10.2307/750597>
Lister, Raymond, Victorian Narrative Paintings (London: Museum, 1966)
———, Victorian Narrative Paintings (London: Museum, 1966)
Longsden Long, Edwin, Babylonian Marriage Market, 1875 <https://www.royalholloway.ac.uk/about-us/art-collections/collection-highlights/babylonian-marriage-market/>
Maas, Jeremy, Victorian Painters (London: Barrie & Jenkins, 1978)
Macleod, Dianne Sachko, Art and the Victorian Middle Class: Money and the Making of Cultural Identity (Cambridge: Cambridge University Press, 1996)
Martin, Graham, Great Expectations (Milton Keynes: Open University Press, 1985)
McMaster, Juliet, Trollope’s Palliser Novels: Theme and Pattern (London: Macmillan, 1978)
McMaster, Rowland, Trollope and the Law (New York: St. Martin’s Press, 1986)
Mengham, Rod, ‘The Stupendous Power of Money’, in Charles Dickens (Tavistock: Northcote House in association with the British Council, 2001)
Mengham, Rod and British Council, Charles Dickens (Tavistock: Northcote House in association with the British Council, 2001)
Michie, Elsie B, Charlotte Brontë’s Jane Eyre: A Casebook (Oxford: Oxford University Press, 2006)
Millais, John Everett, ‘Married for Rank | Maas Gallery’ <http://www.maasgallery.co.uk/drawings/drawings/85-sir-john-everett-millais-pra-hri-hrca-1829-1896-956>
Miller, D. A., Narrative and Its Discontents: Problems of Closure in the Traditional Novel (Princeton, N.J.: Princeton University Press, 1981)
Miller, J. Hillis, ‘Tess’, in Fiction and Repetition: Seven English Novels (Oxford: Blackwell, 1982)
———, The Form of Victorian Fiction: Thackeray, Dickens, Trollope, George Eliot, Meredith, and Hardy (Notre Dame, Ind: University of Notre Dame Press, 1968), v. 2
Millgate, Michael, Thomas Hardy: A Biography (Oxford: Oxford University Press, 1982)
Moretti, Franco, An Atlas of the European Novel, 1800-1900 (London: Verso, 1998)
———, The Way of the World: The Bildungsroman in European Culture, New ed (London: Verso, 2000)
———, The Way of the World: The Bildungsroman in European Culture, New ed (London: Verso, 2000)
Morley, John, Death, Heaven, and the Victorians ([Pittsburgh]: University of Pittsburgh Press, 1971)
Morris, Edward, Victorian & Edwardian Paintings in the Lady Lever Art Gallery: British Artists Born After 1810 Excluding the Early Pre-Raphaelites (London: HMSO, 1994), v.1
Nead, Lynda, Myths of Sexuality: Representations of Women in Victorian Britain (Oxford: Blackwell, 1988)
———, Victorian Babylon: People, Streets, and Images in Nineteenth-Century London (New Haven: Yale University Press, 2000)
Nestor, Pauline, ‘Substance and Shadow: Reading Reality in Villette’, in Villette, Charlotte Bronte (Basingstoke: Macmillan, 1992)
———, ‘The Surveillance of a Sleepless Eye’, in Villette, Charlotte Bronte (Basingstoke: Macmillan, 1992)
O’ Gorman, Frances, A Concise Companion to the Victorian Novel (Oxford: Blackwell, 2005)
Olmsted, John Charles, Victorian Painting: Essays and Reviews, Vol. 1: 1832-1848 (New York: Garland, 1980), v.208
Origi, Millais, ‘Original Study for a Huguenot | Sotheby’s’ <http://www.sothebys.com/en/auctions/ecatalogue/2014/victorian-pre-raphaelite-british-impressionist-art-l15132/lot.9.html>
Osborn, Emily Mary, The Governess, 1860 <https://collections.britishart.yale.edu/vufind/Record/1666170>
Oxford Reader’s Companion to Trollope (Oxford University Press, 1999) <https://doi.org/10.1093/acref/9780198662105.001.0001>
Pite, Ralph, Hardy’s Geography: Wessex and the Regional Novel (Houndmills: Palgrave Macmillan, 2002) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=259584>
Plasa, Carl, Charlotte Brontë (Houndmills, Basingstoke: Palgrave Macmillan, 2004)
———, Charlotte Brontë (Houndmills, Basingstoke: Palgrave Macmillan, 2004)
Pollard, Arthur, Trollope’s Political Novels (University of Hull, 1968)
Poovey, Mary, ‘The Anathematized Race: The Governess and Jane Eyre’, in Uneven Developments: The Ideological Work of Gender in Mid-Victorian England (London: Virago, 1989)
———, ‘The Anathematized Race: The Governess and Jane Eyre’, in Uneven Developments: The Ideological Work of Gender in Mid-Victorian England (Chicago: University of Chicago Press, 1988) <http://hdl.handle.net/2027/heb.01744>
———, Uneven Developments: The Ideological Work of Gender in Mid-Victorian England (Chicago: University of Chicago Press, 1988) <http://hdl.handle.net/2027/heb.01744>
Pre-Raphaelite and Other Masters: The Andrew Lloyd Webber Collection (London: Royal Academy of Arts, 2003)
‘Queen Victoria with the Prince of Wales, the Princess Royal and Other Members of the Royal Family | Art UK’ <https://artuk.org/discover/artworks/queen-victoria-with-the-prince-of-wales-the-princess-royal-and-other-members-of-the-royal-family-218526/view_as/grid/search/keyword:a-portrait-group-of-queen-victoria-with-her-children--makers:john-callcott-horsley-18171903/page/1>
Redgrave, Richard, The Poor Teacher | ARTUK, 1845 <https://artuk.org/discover/artworks/the-poor-teacher-35661>
Reynolds, Graham, Victorian Painting, Rev. ed (London: Herbert, 1987)
‘Rustic Civility | Art UK’ <https://artuk.org/discover/artworks/rustic-civility-30751>
Said, Edward W., Beginnings: Intention and Method (London: Granta, 1998)
Salentin, Hubert, ‘The Return from the Christening | V&A’ <http://collections.vam.ac.uk/item/O131312/the-return-from-the-christening-oil-painting-salentin-hubert/>
Sanders, Andrew, Charles Dickens (Oxford: Oxford University Press, 2003)
Scarry, Elaine, ‘Work and the Body in Hardy and Other Nineteenth-Century Novelists’, Representations, 3, 1983, 90–123 <https://doi.org/10.2307/3043788>
Sedgwick, Eve Kosofsky, The Coherence of Gothic Conventions (London: Methuen, 1986), cmxxx
Sell, Roger D., ‘The Imaginary and the Symbolic in Great Expectations’, in Great Expectations, Charles Dickens (London: Macmillan, 1994)
Shefer, Elaine, Birds, Cages and Women in Victorian and Pre-Raphaelite Art (New York: Lang, 1990), v.12
Showalter, Elaine, The Female Malady: Women, Madness and English Culture, 1830-1980 (London: Virago, 1987)
———, ‘Victorian Women and Insanity’, in Madhouses, Mad-Doctors, and Madmen: The Social History of Psychiatry in the Victorian Era (Philadelphia, Pa: University of Pennsylvania Press, 1981)
Sitwell, Sacheverell, and Michel Sevier, Narrative Pictures: A Survey of the English Genre and Its Painters (London: Batsford, 1937)
Skilton, David, Anthony Trollope and His Contemporaries: A Study in the Theory and Conventions of Mid-Victorian Fiction (Basingstoke: Macmillan, 1996)
Slater, Michael, Dickens and Women (Stanford, Calif: Stanford University Press, 1983)
Smith, Alison, The Victorian Nude: Sexuality, Morality, and Art (Manchester: Manchester University Press, 1996)
Smith, Lindsay, Victorian Photography, Painting and Poetry: The Enigma of Visibility in Ruskin, Morris and the Pre-Raphaelites (Cambridge: Cambridge University Press, 1995), vi
Snell, K. D. M., ‘Thomas Hardy, Rural Dorset and the Family’, in Annals of the Labouring Poor: Social Change and Agrarian England, 1660-1900 (Cambridge: Cambridge University Press, 1985), ii <http://dx.doi.org/10.1017/CBO9780511599446>
———, ‘Thomas Hardy, Rural Dorset and the Family’, in Annals of the Labouring Poor: Social Change and Agrarian England, 1660-1900 (Cambridge: Cambridge University Press, 1985), ii <http://dx.doi.org/10.1017/CBO9780511599446>
Solomon, Rebecca, The Governess | Christies, 1856 <https://www.christies.com/lotfinder/Lot/rebecca-solomon-1832-1886-the-governess-ye-4928785-details.aspx>
‘Stages of Cruelty | Art UK’ <https://artuk.org/discover/artworks/stages-of-cruelty-205503>
Swingle, L. J., Romanticism and Anthony Trollope: A Study in the Continuities of Nineteenth-Century Literary Thought (Ann Arbor: University of Michigan Press, 1990)
Tambling, Jeremy, Dickens, Violence and the Modern State: Dreams of the Scaffold (London: Macmillan, 1995) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230378322>
Tambling, Jeremy and Dawsonera, Dickens, Violence and the Modern State: Dreams of the Scaffold (London: Macmillan, 1995) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230378322>
‘The Black Brunswickers | Liverpool Museums’ <https://www.liverpoolmuseums.org.uk/ladylever/collections/paintings/gallery2/blackbrunswicker.aspx>
‘The Bridesmaid | Art UK’ <https://artuk.org/discover/artworks/the-bridesmaid-4901>
‘The Last Furrow | Art UK’ <https://artuk.org/discover/artworks/the-last-furrow-90707>
‘The Novice | British Museum’ <https://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=3055728&partId=1&people=120624&peoA=120624-2-23&page=1>
‘The Valleys Stand Thick with Corn | Art UK’ <https://artuk.org/discover/artworks/the-valleys-stand-thick-with-corn-33491>
Thomas, Jane, Thomas Hardy and Desire: Conceptions of the Self (New York: Palgrave Macmillan, 2013)
Thomas, Julia, Victorian Narrative Painting (London: Tate, 2000)
Tillotson, Kathleen, Novels of the Eighteen-Forties (Oxford: Clarendon, 1954)
Torgerson, Beth E., Reading the Brontë Body: Disease, Desire, and the Constraints of Culture (New York: Palgrave Macmillan, 2005)
Treuherz, Julian, Hard Times: Social Realism in Victorian Art (London: Lund Humphries in association with Manchester City Art Galleries, and Moyer Bell, Mt. Kisco, New York, 1987)
———, Victorian Painting (London: Thames and Hudson, 1993)
Trollope, Anthony, Can You Forgive Her? (London: Trollope Society, 1989)
Vallone, Lynne, Becoming Victoria (New Haven, Conn: Yale University Press, 2001)
Van Dam, Frederik, David Skilton, and Ortwin de Graef, eds., The Edinburgh Companion to Anthony Trollope (Edinburgh: Edinburgh University Press, 2019)
Vicinus, Martha, Suffer and Be Still: Women in the Victorian Age (Bloomington: Indiana University Press, 1972)
Walker, Frederick, ‘The Vagrants | Tate’ <https://www.tate.org.uk/art/artworks/walker-the-vagrants-n01209>
Wheeler, Michael, Death and the Future Life in Victorian Literature and Theology (Cambridge: Cambridge University Press, 1990)
Williams, Merryn, Thomas Hardy and Rural England (London: Macmillan, 1972)
Williams, Raymond, The Country and the City, [New] edition (London: Vintage, 2016)
Winnifrith, Tom, The Brontës and Their Background: Romance and Reality (London: Macmillan, 1973)
Wood, Christopher, Victorian Panorama (London: Faber, 1990)
Wood, Christopher, Christopher Newall, and Margaret Richardson, Victorian Painters (Woodbridge, Suffolk: Antique Collectors’ Club, 1995), v. 4
‘Yes or No? | Yale University Art Gallery’ <https://artgallery.yale.edu/collections/objects/14125>
