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Brontë C, Leavis QD. Jane Eyre. Penguin; 1985.
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3.
Martin G. Great Expectations. Open University Press; 1985.
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Trollope A. Can You Forgive Her? Trollope Society; 1989.
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Hardy T, Dolin T. Tess of the D’Urbervilles. Penguin; 1998.
6.
Hardy T. The Withered Arm and Other Wessex Tales. Oxford University Press; 2010.
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Solomon R. The Governess | Christies.; 1856. https://www.christies.com/lotfinder/Lot/rebecca-solomon-1832-1886-the-governess-ye-4928785-details.aspx
8.
Redgrave R. The Poor Teacher | ARTUK.; 1845. https://artuk.org/discover/artworks/the-poor-teacher-35661
9.
Osborn EM. The Governess.; 1860. https://collections.britishart.yale.edu/vufind/Record/1666170
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Longsden Long E. Babylonian Marriage Market.; 1875. https://www.royalholloway.ac.uk/about-us/art-collections/collection-highlights/babylonian-marriage-market/
11.
Gaskell E. The Life of Charlotte Brontë. Penguin; 1975.
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Poovey M. The Anathematized Race: The Governess and Jane Eyre. In: Uneven Developments: The Ideological Work of Gender in Mid-Victorian England. Virago; 1989.
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Poovey M. The Anathematized Race: The Governess and Jane Eyre. In: Uneven Developments: The Ideological Work of Gender in Mid-Victorian England. University of Chicago Press; 1988. http://hdl.handle.net/2027/heb.01744
14.
Showalter E. Victorian Women and Insanity. In: Madhouses, Mad-Doctors, and Madmen: The Social History of Psychiatry in the Victorian Era. University of Pennsylvania Press; 1981.
15.
Glen H. Charlotte Bronte: The Imagination in History. Oxford University Press; 2002.
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[A Life Well Spent] | Sanders of Oxford. https://www.sandersofoxford.com/shop/product/a-life-well-spent/
17.
Salentin H. The Return from the Christening | V&A. http://collections.vam.ac.uk/item/O131312/the-return-from-the-christening-oil-painting-salentin-hubert/
18.
Queen Victoria with the Prince of Wales, the Princess Royal and Other Members of the Royal Family | Art UK. https://artuk.org/discover/artworks/queen-victoria-with-the-prince-of-wales-the-princess-royal-and-other-members-of-the-royal-family-218526/view_as/grid/search/keyword:a-portrait-group-of-queen-victoria-with-her-children--makers:john-callcott-horsley-18171903/page/1
19.
The Novice | British Museum. https://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=3055728&partId=1&people=120624&peoA=120624-2-23&page=1
20.
Convent Thoughts | Art UK. https://artuk.org/discover/artworks/convent-thoughts-141841/view_as/grid/search/keyword:charles-a-collins-convent-thoughts/page/1
21.
John Everett Millais. The Vale of Rest | Tate. https://www.tate.org.uk/art/artworks/millais-the-vale-of-rest-n01507
22.
Nestor P. The Surveillance of a Sleepless Eye. In: Villette, Charlotte Bronte. Macmillan; 1992.
23.
Nestor P. Substance and Shadow: Reading Reality in Villette. In: Villette, Charlotte Bronte. Macmillan; 1992.
24.
The Bridesmaid | Art UK. https://artuk.org/discover/artworks/the-bridesmaid-4901
25.
Hayllar J. A Coming Event | Christie’s. https://www.christies.com/lotfinder/Lot/jessica-hayllar-1858-1940-a-coming-event-4051945-details.aspx
26.
Stages of Cruelty | Art UK. https://artuk.org/discover/artworks/stages-of-cruelty-205503
27.
Tambling J. Dickens, Violence and the Modern State: Dreams of the Scaffold. Macmillan; 1995. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230378322
28.
Sell RD. The Imaginary and the Symbolic in Great Expectations. In: Great Expectations, Charles Dickens. Macmillan; 1994.
29.
Mengham R. The Stupendous Power of Money. In: Charles Dickens. Northcote House in association with the British Council; 2001.
30.
Yes or No? | Yale University Art Gallery. https://artgallery.yale.edu/collections/objects/14125
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Origi M. Original Study for a Huguenot | Sotheby’s. http://www.sothebys.com/en/auctions/ecatalogue/2014/victorian-pre-raphaelite-british-impressionist-art-l15132/lot.9.html
32.
The Black Brunswickers | Liverpool Museums. https://www.liverpoolmuseums.org.uk/ladylever/collections/paintings/gallery2/blackbrunswicker.aspx
33.
Millais JE. Married for Rank | Maas Gallery. http://www.maasgallery.co.uk/drawings/drawings/85-sir-john-everett-millais-pra-hri-hrca-1829-1896-956
34.
Hughes A. April Love | Tate. https://www.tate.org.uk/art/artworks/hughes-april-love-n02476
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Moretti F. The Way of the World: The Bildungsroman in European Culture. New ed. Verso; 2000.
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38.
Letwin SR. The Gentleman in Trollope: Individuality and Moral Conduct. Harvard University Press; 1982.
39.
The Valleys Stand Thick with Corn | Art UK. https://artuk.org/discover/artworks/the-valleys-stand-thick-with-corn-33491
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Rustic Civility | Art UK. https://artuk.org/discover/artworks/rustic-civility-30751
41.
Carting Turf from Farington Moss | Art UK. https://artuk.org/discover/artworks/carting-turf-from-farington-moss-152574
42.
Hard Times | Art UK. https://artuk.org/discover/artworks/hard-times-205180
43.
Walker F. The Vagrants | Tate. https://www.tate.org.uk/art/artworks/walker-the-vagrants-n01209
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The Last Furrow | Art UK. https://artuk.org/discover/artworks/the-last-furrow-90707
45.
van Gogh V. Soup Distribution in a Public Soup Kitchen | Van Gogh Museum. https://www.vangoghmuseum.nl/en/collection/d0783V1972
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van Gogh V. Shoes | Van Gogh Museum. https://www.vangoghmuseum.nl/en/collection/s0011V1962
47.
Snell KDM. Thomas Hardy, Rural Dorset and the Family. In: Annals of the Labouring Poor: Social Change and Agrarian England, 1660-1900. Vol 2. Cambridge University Press; 1985. http://dx.doi.org/10.1017/CBO9780511599446
48.
Miller JH. Tess. In: Fiction and Repetition: Seven English Novels. Blackwell; 1982.
49.
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Alexander C, Smith M. The Oxford Companion to the Brontes. Oxford University Press; 2003. http://www.oxfordreference.com/view/10.1093/acref/9780198662181.001.0001/acref-9780198662181
51.
Armstrong N. Desire and Domestic Fiction: A Political History of the Novel. Oxford University Press; 1987. http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=60542
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Armstrong N. Desire and Domestic Fiction: A Political History of the Novel. Oxford University Press; 1987.
53.
Armstrong T. Haunted Hardy: Poetry, History, Memory. Palgrave; 2000.
54.
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Auerbach N. Woman and the Demon: The Life of a Victorian Myth. Harvard University Press; 1982.
56.
Barker J. The Brontës. Weidenfeld and Nicolson; 1994.
57.
Beer G. Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction. Cambridge University Press; 2009. http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=265144
58.
Beer P. Reader, I Married Him: A Study of the Women Characters of Jane Austen, Charlotte Brontë, Elizabeth Gaskell and George Eliot. Macmillan; 1974.
59.
Bilston S. The Awkward Age in Women’s Popular Fiction, 1850-1900: Girls and the Transition to Womanhood. Clarendon Press; 2004.
60.
Bivona D. Desire and Contradiction: Imperial Visions and Domestic Debates in Victorian Literature. Manchester University Press; 1990.
61.
How to Provide for Superfluous Women. In: Woman’s Work and Woman’s Culture. ; 1869.
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Boumelha P. Thomas Hardy and Women: Sexual Ideology and Narrative Form. Harvester; 1982.
63.
Brantlinger P, Thesing WB. A Companion to the Victorian Novel. Blackwell; 2002.
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Brantlinger P, Thesing WB. A Companion to the Victorian Novel. Blackwell Publishing; 2002. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=214235
65.
Bowen J. Other Dickens: Pickwick to Chuzzlewit. Oxford University Press; 2000.
66.
Bronfen E. Over Her Dead Body: Death, Femininity and the Aesthetic. Manchester University Press; 1992.
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Bronfen E. Over Her Dead Body: Death, Femininity and the Aesthetic. Manchester University Press; 2017. https://dx.doi.org/10.7765/9781526125637
68.
Bullen JB. The Expressive Eye: Fiction and Perception in the Work of Thomas Hardy. Clarendon; 1986.
69.
Burman S. Fit Work for Women. Croom Helm for Oxford University Women’s Studies Committee [etc.]; 1979.
70.
Cosslett T. The ’Scientific Movement ’ and Victorian Literature. Harvester; 1982.
71.
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72.
Cunnington P, Lucas C. Costumes for Births, Marriages & Deaths. A. and C. Black; 1972.
73.
Davidoff L, Hall C. Family Fortunes. Rev. ed. Routledge; 2002.
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Davidoff L, Hall C. Family Fortunes. Routledge; 2002. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1144634
75.
Ewbank IS. Their Proper Sphere: A Study of the Brontë Sisters as Early Victorian Female Novelists. Arnold; 1966.
76.
Gaskell E. The Life of Charlotte Brontë. Penguin; 1975.
77.
Gay P. The Bourgeois Experience: Victoria to Freud. Oxford University Press; 1984.
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Gerin W. Charlotte Brontë: The Evolution of Genius. Clarendon Press; 1967.
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Gittings R. Young Thomas Hardy. Heinemann Educational; 1975.
80.
Gittings R. The Older Hardy. Heinemann; 1978.
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Gilbert SM, Gubar S. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. Second edition. Yale University Press; 2000.
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Gilbert SM, Gubar S. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. Yale University Press; 1980. http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3421136
83.
Gilmartin S. Ancestry and Narrative in Nineteenth-Century British Literature: Blood Relations From Edgeworth to Hardy. Vol 18. Cambridge University Press; 1998.
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Gilmartin S. The Sati, the Bride, and the Widow: Sacrificial Woman in the Nineteenth Century. Victorian Literature and Culture. 1997;25(1):141-158. doi:10.1017/S1060150300004678
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Gilmartin S, Mengham R. Thomas Hardy’s Shorter Fiction: A Critical Study. Edinburgh University Press; 2007.
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Gilmartin S, Mengham R. Thomas Hardy’s Shorter Fiction: A Critical Study. Edinburgh University Press; 2007. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780748632558
87.
Glen H. Charlotte Bronte: The Imagination in History. Oxford University Press; 2002.
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Glen H. The Cambridge Companion to the Brontës. Cambridge University Press; 2002.
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Glen H, ed. The Cambridge Companion to the Brontës. Cambridge University Press; 2002. http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521770270
90.
Glendinning V. Trollope. Hutchinson; 1992.
91.
Gregor I. The Great Web: The Form of Hardy’s Major Fiction. Faber; 1974.
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Hall NJ. Trollope and His Illustrators. Macmillan; 1980.
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Hamer M. Writing by Numbers: Trollope’s Serial Fiction. Cambridge University Press; 1987.
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Hardy T, Björk LA. The Literary Notebooks of Thomas Hardy. Macmillan; 1985.
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Hill NK. A Reformer’s Art: Dickens’ Picturesque and Grotesque Imagery. Ohio University Press; 1981.
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Hollington M. Dickens and the Grotesque. Routledge; 2014. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3570286
97.
Homans M, Munich A. Remaking Queen Victoria. Vol 10. Cambridge University Press; 1997.
98.
Homans M. Bearing the Word: Language and Female Experience in Nineteenth Century Women’s Writing. Chicago University Press; 1986.
99.
Homans M. Royal Representations: Queen Victoria and British Culture, 1837-1876. University of Chicago Press; 1998. http://hdl.handle.net/2027/heb.04512
100.
Humphry CE. Manners for Men. Pryor Publications; 1993.
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Humphry CE. Manners for Women. Pryor Publications; 1993.
102.
Ingham P. The Brontës. Oxford University Press; 2006.
103.
Ingham P. The Brontës. Oxford University Press; 2006. http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=76221
104.
Jackson AM. Illustration and the Novels of Thomas Hardy. Macmillan; 1982.
105.
Jalland P. Death in the Victorian Family. Oxford University Press; 1996. http://dx.doi.org/10.1093/acprof:oso/9780198201885.001.0001
106.
John J. Dickens’s Villains: Melodrama, Character, Popular Culture. Oxford University Press; 2001.
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John J. Dickens’s Villains: Melodrama, Character, Popular Culture. Oxford University Press; 2001. http://dx.doi.org/10.1093/acprof:oso/9780198184614.001.0001
108.
Kendrick WM. The Novel-Machine: The Theory and Fiction of Anthony Trollope. Johns Hopkins University Press; 1980.
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Kreilkamp I. Voice and the Victorian Storyteller. Vol 49. Cambridge University Press; 2005.
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Letwin SR. The Gentleman in Trollope: Individuality and Moral Conduct. Harvard University Press; 1982.
111.
George Levine. Can You Forgive Him? Trollope’s ‘Can You Forgive Her?’ And the Myth of Realism. Victorian Studies. 1974;18(1). https://www.jstor.org/stable/3826450?seq=1#metadata_info_tab_contents
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McMaster J. Trollope’s Palliser Novels: Theme and Pattern. Macmillan; 1978.
113.
McMaster R. Trollope and the Law. St. Martin’s Press; 1986.
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Mengham R, British Council. Charles Dickens. Northcote House in association with the British Council; 2001.
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Michie EB. Charlotte Brontë’s Jane Eyre: A Casebook. Oxford University Press; 2006.
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Miller JH. The Form of Victorian Fiction: Thackeray, Dickens, Trollope, George Eliot, Meredith, and Hardy. Vol v. 2. University of Notre Dame Press; 1968.
117.
Millgate M. Thomas Hardy: A Biography. Oxford University Press; 1982.
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Hardy T, Millgate M. The Life and Work of Thomas Hardy. Macmillan; 1984.
119.
Gullette MM. The Puzzling Case of the Deceased Wife’s Sister: Nineteenth-Century England Deals with a Second-Chance Plot. Representations. 1990;(31):142-166. doi:10.2307/2928403
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Morley J. Death, Heaven, and the Victorians. University of Pittsburgh Press; 1971.
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O’ Gorman F. A Concise Companion to the Victorian Novel. Blackwell; 2005.
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Plasa C. Charlotte Brontë. Palgrave Macmillan; 2004.
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Plasa C. Charlotte Brontë. Palgrave Macmillan; 2004.
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Pite R. Hardy’s Geography: Wessex and the Regional Novel. Palgrave Macmillan; 2002. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=259584
125.
Pollard A. Trollope’s Political Novels. University of Hull; 1968.
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Poovey M. Uneven Developments: The Ideological Work of Gender in Mid-Victorian England. University of Chicago Press; 1988. http://hdl.handle.net/2027/heb.01744
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Sanders A. Charles Dickens. Oxford University Press; 2003.
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Scarry E. Work and the Body in Hardy and Other Nineteenth-Century Novelists. Representations. 1983;(3):90-123. doi:10.2307/3043788
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Sedgwick EK. The Coherence of Gothic Conventions. Vol 930. Methuen; 1986.
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Showalter E. The Female Malady: Women, Madness and English Culture, 1830-1980. Virago; 1987.
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Skilton D. Anthony Trollope and His Contemporaries: A Study in the Theory and Conventions of Mid-Victorian Fiction. Macmillan; 1996.
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Slater M. Dickens and Women. Stanford University Press; 1983.
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Snell KDM. Thomas Hardy, Rural Dorset and the Family. In: Annals of the Labouring Poor: Social Change and Agrarian England, 1660-1900. Vol 2. Cambridge University Press; 1985. http://dx.doi.org/10.1017/CBO9780511599446
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Swingle LJ. Romanticism and Anthony Trollope: A Study in the Continuities of Nineteenth-Century Literary Thought. University of Michigan Press; 1990.
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Tambling J, Dawsonera. Dickens, Violence and the Modern State: Dreams of the Scaffold. Macmillan; 1995. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230378322
136.
Oxford Reader’s Companion to Trollope. Oxford University Press; 1999. doi:10.1093/acref/9780198662105.001.0001
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Thomas J. Thomas Hardy and Desire: Conceptions of the Self. Palgrave Macmillan; 2013.
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Torgerson BE. Reading the Brontë Body: Disease, Desire, and the Constraints of Culture. Palgrave Macmillan; 2005.
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Vallone L. Becoming Victoria. Yale University Press; 2001.
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Vicinus M. Suffer and Be Still: Women in the Victorian Age. Indiana University Press; 1972.
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Wheeler M. Death and the Future Life in Victorian Literature and Theology. Cambridge University Press; 1990.
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Williams M. Thomas Hardy and Rural England. Macmillan; 1972.
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Kermode F. The Genesis of Secrecy: On the Interpretation of Narrative. Vol 1977-1978. Harvard University Press; 1979.
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Miller DA. Narrative and Its Discontents: Problems of Closure in the Traditional Novel. Princeton University Press; 1981.
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Moretti F. The Way of the World: The Bildungsroman in European Culture. New ed. Verso; 2000.
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Moretti F. An Atlas of the European Novel, 1800-1900. Verso; 1998.
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Said EW. Beginnings: Intention and Method. Granta; 1998.
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Barringer TJ. Reading the Pre-Raphaelites. Yale University Press; 1999.
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Bell Q. Victorian Artists. Academy; 1975.
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Bendiner K. The Art of Ford Madox Brown. Pennsylvania State University Press; 1998.
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Casteras SP, Parkinson R. Richard Redgrave: 1804-1888. Victoria & Albert Museum; 1988.
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Casteras SP. Images of Victorian Womanhood in English Art. Fairleigh Dickinson University Press; 1987.
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Chapel J. Victorian Taste: The Complete Catalogue of Paintings at the Royal Holloway College. Zwemmer; 1982.
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Frith WP. My Autobiography and Reminiscences. 8th ed. Bentley; 1890.
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Lambourne L. An Introduction to ‘Victorian’ Genre Painting: From Wilkie to Frith. H.M.S.O.; 1982.
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Nead L. Myths of Sexuality: Representations of Women in Victorian Britain. Blackwell; 1988.
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Nead L. Victorian Babylon: People, Streets, and Images in Nineteenth-Century London. Yale University Press; 2000.
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Smith L. Victorian Photography, Painting and Poetry: The Enigma of Visibility in Ruskin, Morris and the Pre-Raphaelites. Vol 6. Cambridge University Press; 1995.
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Thomas J. Victorian Narrative Painting. Tate; 2000.
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