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C. Brontë and Q. D. Leavis, Jane Eyre. Harmondsworth: Penguin, 1985.
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C. Brontë, M. Smith, H. Rosengarten, and T. Dolin, Villette, New [ed.]. Oxford: Oxford University Press, 2000.
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G. Martin, Great Expectations. Milton Keynes: Open University Press, 1985.
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A. Trollope, Can You Forgive Her? London: Trollope Society, 1989.
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T. Hardy and T. Dolin, Tess of the D’Urbervilles. London: Penguin, 1998.
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T. Hardy, The Withered Arm and Other Wessex Tales. Oxford: Oxford University Press, 2010.
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R. Solomon, The Governess | Christies. 1856. Available: https://www.christies.com/lotfinder/Lot/rebecca-solomon-1832-1886-the-governess-ye-4928785-details.aspx
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R. Redgrave, The Poor Teacher | ARTUK. 1845. Available: https://artuk.org/discover/artworks/the-poor-teacher-35661
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E. M. Osborn, The Governess. 1860. Available: https://collections.britishart.yale.edu/vufind/Record/1666170
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E. Longsden Long, Babylonian Marriage Market. 1875. Available: https://www.royalholloway.ac.uk/about-us/art-collections/collection-highlights/babylonian-marriage-market/
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E. Gaskell, The Life of Charlotte Brontë. Harmondsworth: Penguin, 1975.
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M. Poovey, ‘The Anathematized Race: The Governess and Jane Eyre’, in Uneven Developments: The Ideological Work of Gender in Mid-Victorian England, London: Virago, 1989.
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M. Poovey, ‘The Anathematized Race: The Governess and Jane Eyre’, in Uneven Developments: The Ideological Work of Gender in Mid-Victorian England, Chicago: University of Chicago Press, 1988. Available: http://hdl.handle.net/2027/heb.01744
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E. Showalter, ‘Victorian Women and Insanity’, in Madhouses, Mad-Doctors, and Madmen: The Social History of Psychiatry in the Victorian Era, Philadelphia, Pa: University of Pennsylvania Press, 1981.
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H. Salentin, ‘The Return from the Christening | V&A’. Available: http://collections.vam.ac.uk/item/O131312/the-return-from-the-christening-oil-painting-salentin-hubert/
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‘The Novice | British Museum’. Available: https://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=3055728&partId=1&people=120624&peoA=120624-2-23&page=1
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P. Nestor, ‘The Surveillance of a Sleepless Eye’, in Villette, Charlotte Bronte, Basingstoke: Macmillan, 1992.
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P. Nestor, ‘Substance and Shadow: Reading Reality in Villette’, in Villette, Charlotte Bronte, Basingstoke: Macmillan, 1992.
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J. Hayllar, ‘A Coming Event | Christie’s’. Available: https://www.christies.com/lotfinder/Lot/jessica-hayllar-1858-1940-a-coming-event-4051945-details.aspx
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J. Tambling, Dickens, Violence and the Modern State: Dreams of the Scaffold. London: Macmillan, 1995. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230378322
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R. D. Sell, ‘The Imaginary and the Symbolic in Great Expectations’, in Great Expectations, Charles Dickens, London: Macmillan, 1994.
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R. Mengham, ‘The Stupendous Power of Money’, in Charles Dickens, Tavistock: Northcote House in association with the British Council, 2001.
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‘Yes or No? | Yale University Art Gallery’. Available: https://artgallery.yale.edu/collections/objects/14125
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M. Origi, ‘Original Study for a Huguenot | Sotheby’s’. Available: http://www.sothebys.com/en/auctions/ecatalogue/2014/victorian-pre-raphaelite-british-impressionist-art-l15132/lot.9.html
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J. E. Millais, ‘Married for Rank | Maas Gallery’. Available: http://www.maasgallery.co.uk/drawings/drawings/85-sir-john-everett-millais-pra-hri-hrca-1829-1896-956
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A. Hughes, ‘April Love | Tate’. Available: https://www.tate.org.uk/art/artworks/hughes-april-love-n02476
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F. Moretti, The Way of the World: The Bildungsroman in European Culture, New ed. London: Verso, 2000.
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M. Bakhtin and M. Holquist, The Dialogic Imagination: Four Essays, vol. no. 1. Austin, Tex: University of Texas Press, 1981.
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S. R. Letwin, The Gentleman in Trollope: Individuality and Moral Conduct. Cambridge, Mass: Harvard University Press, 1982.
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F. Walker, ‘The Vagrants | Tate’. Available: https://www.tate.org.uk/art/artworks/walker-the-vagrants-n01209
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‘The Last Furrow | Art UK’. Available: https://artuk.org/discover/artworks/the-last-furrow-90707
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V. van Gogh, ‘Soup Distribution in a Public Soup Kitchen | Van Gogh Museum’. Available: https://www.vangoghmuseum.nl/en/collection/d0783V1972
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V. van Gogh, ‘Shoes | Van Gogh Museum’. Available: https://www.vangoghmuseum.nl/en/collection/s0011V1962
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K. D. M. Snell, ‘Thomas Hardy, Rural Dorset and the Family’, in Annals of the Labouring Poor: Social Change and Agrarian England, 1660-1900, Cambridge: Cambridge University Press, 1985. Available: http://dx.doi.org/10.1017/CBO9780511599446
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J. H. Miller, ‘Tess’, in Fiction and Repetition: Seven English Novels, Oxford: Blackwell, 1982.
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N. Armstrong, Desire and Domestic Fiction: A Political History of the Novel. New York: Oxford University Press, 1987. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=60542
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N. Armstrong, Desire and Domestic Fiction: A Political History of the Novel. New York: Oxford University Press, 1987.
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T. Armstrong, Haunted Hardy: Poetry, History, Memory. Basingstoke: Palgrave, 2000.
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N. Auerbach, ‘Charlotte Brontë: The two Countries’, University of Toronto Quarterly, vol. 42, no. 4, pp. 328–342, 2015, Available: https://muse.jhu.edu/article/560036/summary
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N. Auerbach, Woman and the Demon: The Life of a Victorian Myth. Cambridge, Mass: Harvard University Press, 1982.
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J. Barker, The Brontës. London: Weidenfeld and Nicolson, 1994.
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G. Beer, Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction. Cambridge: Cambridge University Press, 2009. Available: http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=265144
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P. Beer, Reader, I Married Him: A Study of the Women Characters of Jane Austen, Charlotte Brontë, Elizabeth Gaskell and George Eliot. London: Macmillan, 1974.
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S. Bilston, The Awkward Age in Women’s Popular Fiction, 1850-1900: Girls and the Transition to Womanhood. Oxford: Clarendon Press, 2004.
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D. Bivona, Desire and Contradiction: Imperial Visions and Domestic Debates in Victorian Literature. Manchester: Manchester University Press, 1990.
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‘How to Provide for Superfluous Women’, in Woman’s Work and Woman’s Culture, `, 1869.
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P. Brantlinger and W. B. Thesing, A Companion to the Victorian Novel. Malden, Mass: Blackwell, 2002.
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J. Bowen, Other Dickens: Pickwick to Chuzzlewit. Oxford: Oxford University Press, 2000.
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E. Bronfen, Over Her Dead Body: Death, Femininity and the Aesthetic. Manchester: Manchester University Press, 1992.
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J. B. Bullen, The Expressive Eye: Fiction and Perception in the Work of Thomas Hardy. Oxford: Clarendon, 1986.
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S. Burman, Fit Work for Women. London: Croom Helm for Oxford University Women’s Studies Committee [etc.], 1979.
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T. Cosslett, The ’Scientific Movement ’ and Victorian Literature. Brighton: Harvester, 1982.
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P. Cunnington and C. Lucas, Costumes for Births, Marriages & Deaths. London: A. and C. Black, 1972.
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I. S. Ewbank, Their Proper Sphere: A Study of the Brontë Sisters as Early Victorian Female Novelists. London: Arnold, 1966.
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E. Gaskell, The Life of Charlotte Brontë. Harmondsworth: Penguin, 1975.
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P. Gay, The Bourgeois Experience: Victoria to Freud. New York: Oxford University Press, 1984.
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W. Gerin, Charlotte Brontë: The Evolution of Genius. Oxford: Clarendon Press, 1967.
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R. Gittings, Young Thomas Hardy. London: Heinemann Educational, 1975.
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R. Gittings, The Older Hardy. London: Heinemann, 1978.
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S. M. Gilbert and S. Gubar, The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination, Second edition. New Haven: Yale University Press, 2000.
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S. M. Gilbert and S. Gubar, The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. London: Yale University Press, 1980. Available: http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3421136
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S. Gilmartin, Ancestry and Narrative in Nineteenth-Century British Literature: Blood Relations From Edgeworth to Hardy, vol. 18. Cambridge [England]: Cambridge University Press, 1998.
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S. Gilmartin, ‘The Sati, the Bride, and the Widow: Sacrificial Woman in the Nineteenth Century’, Victorian Literature and Culture, vol. 25, no. 1, pp. 141–158, 1997, doi: 10.1017/S1060150300004678
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S. Gilmartin and R. Mengham, Thomas Hardy’s Shorter Fiction: A Critical Study. Edinburgh: Edinburgh University Press, 2007.
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S. Gilmartin and R. Mengham, Thomas Hardy’s Shorter Fiction: A Critical Study. Edinburgh: Edinburgh University Press, 2007. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780748632558
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H. Glen, Charlotte Bronte: The Imagination in History. New York: Oxford University Press, 2002.
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H. Glen, The Cambridge Companion to the Brontës. Cambridge: Cambridge University Press, 2002.
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H. Glen, Ed., The Cambridge Companion to the Brontës. Cambridge: Cambridge University Press, 2002. Available: http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521770270
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V. Glendinning, Trollope. London: Hutchinson, 1992.
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I. Gregor, The Great Web: The Form of Hardy’s Major Fiction. London: Faber, 1974.
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N. J. Hall, Trollope and His Illustrators. London: Macmillan, 1980.
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M. Hamer, Writing by Numbers: Trollope’s Serial Fiction. Cambridge: Cambridge University Press, 1987.
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T. Hardy and L. A. Björk, The Literary Notebooks of Thomas Hardy. London: Macmillan, 1985.
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N. K. Hill, A Reformer’s Art: Dickens’ Picturesque and Grotesque Imagery. Athens, Ohio: Ohio University Press, 1981.
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M. Hollington, Dickens and the Grotesque. Abingdon, Oxon: Routledge, 2014. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3570286
[97]
M. Homans and A. Munich, Remaking Queen Victoria, vol. 10. Cambridge: Cambridge University Press, 1997.
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M. Homans, Bearing the Word: Language and Female Experience in Nineteenth Century Women’s Writing. Chicago: Chicago University Press, 1986.
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M. Homans, Royal Representations: Queen Victoria and British Culture, 1837-1876. Chicago: University of Chicago Press, 1998. Available: http://hdl.handle.net/2027/heb.04512
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C. E. Humphry, Manners for Men. Whitstable: Pryor Publications, 1993.
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C. E. Humphry, Manners for Women. Whitstable: Pryor Publications, 1993.
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P. Ingham, The Brontës. Oxford: Oxford University Press, 2006.
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P. Ingham, The Brontës. Oxford: Oxford University Press, 2006. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=76221
[104]
A. M. Jackson, Illustration and the Novels of Thomas Hardy. London: Macmillan, 1982.
[105]
P. Jalland, Death in the Victorian Family. Oxford: Oxford University Press, 1996. Available: http://dx.doi.org/10.1093/acprof:oso/9780198201885.001.0001
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J. John, Dickens’s Villains: Melodrama, Character, Popular Culture. Oxford: Oxford University Press, 2001.
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W. M. Kendrick, The Novel-Machine: The Theory and Fiction of Anthony Trollope. Baltimore: Johns Hopkins University Press, 1980.
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I. Kreilkamp, Voice and the Victorian Storyteller, vol. 49. Cambridge: Cambridge University Press, 2005.
[110]
S. R. Letwin, The Gentleman in Trollope: Individuality and Moral Conduct. Cambridge, Mass: Harvard University Press, 1982.
[111]
George Levine, ‘Can You Forgive Him? Trollope’s “Can You Forgive Her?” And the Myth of Realism’, Victorian Studies, vol. 18, no. 1, 1974, Available: https://www.jstor.org/stable/3826450?seq=1#metadata_info_tab_contents
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J. McMaster, Trollope’s Palliser Novels: Theme and Pattern. London: Macmillan, 1978.
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R. McMaster, Trollope and the Law. New York: St. Martin’s Press, 1986.
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R. Mengham and British Council, Charles Dickens. Tavistock: Northcote House in association with the British Council, 2001.
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E. B. Michie, Charlotte Brontë’s Jane Eyre: A Casebook. Oxford: Oxford University Press, 2006.
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J. H. Miller, The Form of Victorian Fiction: Thackeray, Dickens, Trollope, George Eliot, Meredith, and Hardy, vol. v. 2. Notre Dame, Ind: University of Notre Dame Press, 1968.
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M. Millgate, Thomas Hardy: A Biography. Oxford: Oxford University Press, 1982.
[118]
T. Hardy and M. Millgate, The Life and Work of Thomas Hardy. London: Macmillan, 1984.
[119]
M. M. Gullette, ‘The Puzzling Case of the Deceased Wife’s Sister: Nineteenth-Century England Deals with a Second-Chance Plot’, Representations, no. 31, pp. 142–166, 1990, doi: 10.2307/2928403
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J. Morley, Death, Heaven, and the Victorians. [Pittsburgh]: University of Pittsburgh Press, 1971.
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F. O’ Gorman, A Concise Companion to the Victorian Novel. Oxford: Blackwell, 2005.
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C. Plasa, Charlotte Brontë. Houndmills, Basingstoke: Palgrave Macmillan, 2004.
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R. Pite, Hardy’s Geography: Wessex and the Regional Novel. Houndmills: Palgrave Macmillan, 2002. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=259584
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A. Pollard, Trollope’s Political Novels. University of Hull, 1968.
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M. Poovey, Uneven Developments: The Ideological Work of Gender in Mid-Victorian England. Chicago: University of Chicago Press, 1988. Available: http://hdl.handle.net/2027/heb.01744
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A. Sanders, Charles Dickens. Oxford: Oxford University Press, 2003.
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E. Scarry, ‘Work and the Body in Hardy and Other Nineteenth-Century Novelists’, Representations, no. 3, pp. 90–123, July 1983, doi: 10.2307/3043788
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E. K. Sedgwick, The Coherence of Gothic Conventions, vol. 930. London: Methuen, 1986.
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E. Showalter, The female malady: women, madness and English culture, 1830-1980. London: Virago, 1987.
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D. Skilton, Anthony Trollope and his contemporaries: a study in the theory and conventions of mid-Victorian fiction. Basingstoke: Macmillan, 1996.
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K. D. M. Snell, ‘Thomas Hardy, Rural Dorset and the Family’, in Annals of the labouring poor: social change and agrarian England, 1660-1900, Cambridge: Cambridge University Press, 1985. Available: http://dx.doi.org/10.1017/CBO9780511599446
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L. J. Swingle, Romanticism and Anthony Trollope: a study in the continuities of nineteenth-century literary thought. Ann Arbor: University of Michigan Press, 1990.
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J. Tambling and Dawsonera, Dickens, violence and the modern state: dreams of the scaffold. London: Macmillan, 1995. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230378322
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Oxford Reader’s Companion to Trollope. Oxford University Press, 1999. doi: 10.1093/acref/9780198662105.001.0001. Available: http://www.oxfordreference.com/view/10.1093/acref/9780198662105.001.0001/acref-9780198662105
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J. Thomas, Thomas Hardy and desire: conceptions of the self. New York: Palgrave Macmillan, 2013.
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B. E. Torgerson, Reading the Brontë body: disease, desire, and the constraints of culture. New York: Palgrave Macmillan, 2005.
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L. Vallone, Becoming Victoria. New Haven, Conn: Yale University Press, 2001.
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T. Winnifrith, The Brontës and their background: romance and reality. London: Macmillan, 1973.
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D. A. Miller, Narrative and Its Discontents: Problems of Closure in the Traditional Novel. Princeton, N.J.: Princeton University Press, 1981.
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D. S. Macleod, Art and the Victorian Middle Class: Money and the Making of Cultural Identity. Cambridge: Cambridge University Press, 1996.
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L. Nead, Myths of Sexuality: Representations of Women in Victorian Britain. Oxford: Blackwell, 1988.
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L. Nead, Victorian Babylon: People, Streets, and Images in Nineteenth-Century London. New Haven: Yale University Press, 2000.
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J. C. Olmsted, Victorian Painting: Essays and Reviews, Vol. 1: 1832-1848, vol. v.208. New York: Garland, 1980.
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A. Smith, The Victorian Nude: Sexuality, Morality, and Art. Manchester: Manchester University Press, 1996.
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