‘[A Life Well Spent] | Sanders of Oxford’. N.p., n.d. Web. <https://www.sandersofoxford.com/shop/product/a-life-well-spent/>.
Alexander, Christine, and Margaret Smith. The Oxford Companion to the Brontes. Oxford: Oxford University Press, 2003. Web. <http://www.oxfordreference.com/view/10.1093/acref/9780198662181.001.0001/acref-9780198662181>.
Armstrong, Nancy. Desire and Domestic Fiction: A Political History of the Novel. New York: Oxford University Press, 1987. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=60542>.
---. Desire and Domestic Fiction: A Political History of the Novel. New York: Oxford University Press, 1987. Print.
Armstrong, Tim. Haunted Hardy: Poetry, History, Memory. Basingstoke: Palgrave, 2000. Print.
Auerbach, Nina. ‘Charlotte Brontë: The Two Countries’. University of Toronto Quarterly 42.4 (2015): 328–342. Web. <https://muse.jhu.edu/article/560036/summary>.
---. Woman and the Demon: The Life of a Victorian Myth. Cambridge, Mass: Harvard University Press, 1982. Print.
Bakhtin, M., and Michael Holquist. The Dialogic Imagination: Four Essays. no. 1. Austin, Tex: University of Texas Press, 1981. Print.
---. The Dialogic Imagination: Four Essays. no. 1. Austin, Tex: University of Texas Press, 1981. Print.
Barker, Juliet. The Brontës. London: Weidenfeld and Nicolson, 1994. Print.
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Beer, Gillian. Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction. Cambridge: Cambridge University Press, 2009. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=265144>.
Beer, Patricia. Reader, I Married Him: A Study of the Women Characters of Jane Austen, Charlotte Brontë, Elizabeth Gaskell and George Eliot. London: Macmillan, 1974. Print.
Bell, Quentin. Victorian Artists. London: Academy, 1975. Print.
Bendiner, Kenneth. The Art of Ford Madox Brown. University Park, Pa: Pennsylvania State University Press, 1998. Print.
Bilston, Sarah. The Awkward Age in Women’s Popular Fiction, 1850-1900: Girls and the Transition to Womanhood. Oxford: Clarendon Press, 2004. Print.
‘Birmingham Museums & Art Gallery Pre-Raphaelite Online Resource : The Collection’. N.p., n.d. Web. <http://www.preraphaelites.org/the-collection/1902p13/the-long-engagement/>.
Bivona, Daniel. Desire and Contradiction: Imperial Visions and Domestic Debates in Victorian Literature. Manchester: Manchester University Press, 1990. Print.
Boumelha, Penny. Thomas Hardy and Women: Sexual Ideology and Narrative Form. Brighton: Harvester, 1982. Print.
Bowen, John. Other Dickens: Pickwick to Chuzzlewit. Oxford: Oxford University Press, 2000. Print.
Brantlinger, Patrick, and William B. Thesing. A Companion to the Victorian Novel. Malden, Mass: Blackwell, 2002. Print.
---. A Companion to the Victorian Novel. Oxford: Blackwell Publishing, 2002. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=214235>.
Bronfen, Elisabeth. Over Her Dead Body: Death, Femininity and the Aesthetic. Manchester: Manchester University Press, 1992. Print.
---. Over Her Dead Body: Death, Femininity and the Aesthetic. Manchester, UK: Manchester University Press, 2017. Web. <https://dx.doi.org/10.7765/9781526125637>.
Brontë, Charlotte et al. Villette. New [ed.]. Oxford: Oxford University Press, 2000. Print.
Brontë, Charlotte, and Q. D. Leavis. Jane Eyre. Harmondsworth: Penguin, 1985. Print.
Brooks, Peter. Reading for the Plot: Design and Intention in Narrative. Cambridge, Mass: Harvard University Press, 1992. Print.
Bullen, J. B. The Expressive Eye: Fiction and Perception in the Work of Thomas Hardy. Oxford: Clarendon, 1986. Print.
Burman, Sandra. Fit Work for Women. London: Croom Helm for Oxford University Women’s Studies Committee [etc.], 1979. Print.
‘Carting Turf from Farington Moss | Art UK’. N.p., n.d. Web. <https://artuk.org/discover/artworks/carting-turf-from-farington-moss-152574>.
Casteras, Susan P. Images of Victorian Womanhood in English Art. Rutherford, N. J.: Fairleigh Dickinson University Press, 1987. Print.
Casteras, Susan P., and Ronald Parkinson. Richard Redgrave: 1804-1888. [S. l.]: Victoria & Albert Museum, 1988. Print.
Chapel, Jeannie. Victorian Taste: The Complete Catalogue of Paintings at the Royal Holloway College. [London]: Zwemmer, 1982. Print.
‘Convent Thoughts | Art UK’. N.p., n.d. Web. <https://artuk.org/discover/artworks/convent-thoughts-141841/view_as/grid/search/keyword:charles-a-collins-convent-thoughts/page/1>.
Cosslett, Tess. The ’Scientific Movement ’ and Victorian Literature. Brighton: Harvester, 1982. Print.
Cowling, Mary. The Artist as Anthropologist: The Representation of Type and Character in Victorian Art. Cambridge: Cambridge University Press, 1989. Print.
Crosby, Christina. The Ends of History: Victorians and ‘The Woman Question’. New York: Routledge, 1991. Print.
Cunnington, Phillis, and Catherine Lucas. Costumes for Births, Marriages & Deaths. London: A. and C. Black, 1972. Print.
Davidoff, Leonore, and Catherine Hall. Family Fortunes. Rev. ed. London: Routledge, 2002. Print.
---. Family Fortunes. London: Routledge, 2002. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1144634>.
Denis, Rafael Cardoso, and Colin Trodd. Art and the Academy in the Nineteenth Century. New Brunswick, N.J.: Rutgers University Press, 2000. Print.
Ewbank, Inga Stina. Their Proper Sphere: A Study of the Brontë Sisters as Early Victorian Female Novelists. London: Arnold, 1966. Print.
Frith, William Powell. My Autobiography and Reminiscences. 8th ed. London: Bentley, 1890. Print.
Funnell, Peter. Millais: Portraits. Princeton, N.J.: Princeton University Press, 1999. Print.
---. Victorian Portraits: In the National Portrait Gallery Collection. London: National Portrait Gallery, 1996. Print.
Gaskell, Elizabeth. The Life of Charlotte Brontë. Harmondsworth: Penguin, 1975. Print.
---. The Life of Charlotte Brontë. Harmondsworth: Penguin, 1975. Print.
Gay, Peter. The Bourgeois Experience: Victoria to Freud. New York: Oxford University Press, 1984. Print.
George Levine. ‘Can You Forgive Him? Trollope’s “Can You Forgive Her?” And the Myth of Realism’. Victorian Studies 18.1 (1974): n. pag. Web. <https://www.jstor.org/stable/3826450?seq=1#metadata_info_tab_contents>.
Gerin, Winifred. Charlotte Brontë: The Evolution of Genius. Oxford: Clarendon Press, 1967. Print.
Gilbert, Sandra M., and Susan Gubar. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. Second edition. New Haven: Yale University Press, 2000. Print.
---. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. London: Yale University Press, 1980. Web. <http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3421136>.
Gilmartin, Sophie. Ancestry and Narrative in Nineteenth-Century British Literature: Blood Relations From Edgeworth to Hardy. Vol. 18. Cambridge [England]: Cambridge University Press, 1998. Print.
---. ‘Pedigree and Forgetting in Hardy’. Ancestry and Narrative in Nineteenth-Century British Literature: Blood Relations From Edgeworth to Hardy. Vol. 18. Cambridge [England]: Cambridge University Press, 1998. Print.
---. ‘The Sati, the Bride, and the Widow: Sacrificial Woman in the Nineteenth Century’. Victorian Literature and Culture 25.1 (1997): 141–158. Web.
Gilmartin, Sophie, and Rod Mengham. Thomas Hardy’s Shorter Fiction: A Critical Study. Edinburgh: Edinburgh University Press, 2007. Print.
---. Thomas Hardy’s Shorter Fiction: A Critical Study. Edinburgh: Edinburgh University Press, 2007. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780748632558>.
Gittings, Robert. The Older Hardy. London: Heinemann, 1978. Print.
---. Young Thomas Hardy. London: Heinemann Educational, 1975. Print.
Glen, Heather. Charlotte Bronte: The Imagination in History. New York: Oxford University Press, 2002. Print.
---. Charlotte Bronte: The Imagination in History. New York: Oxford University Press, 2002. Print.
---. The Cambridge Companion to the Brontës. Cambridge: Cambridge University Press, 2002. Print.
---, ed. The Cambridge Companion to the Brontës. Cambridge: Cambridge University Press, 2002. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521770270>.
Glendinning, Victoria. Trollope. London: Hutchinson, 1992. Print.
Gregor, Ian. The Great Web: The Form of Hardy’s Major Fiction. London: Faber, 1974. Print.
Gullette, Margaret Morganroth. ‘The Puzzling Case of the Deceased Wife’s Sister: Nineteenth-Century England Deals with a Second-Chance Plot’. Representations 31 (1990): 142–166. Web.
Hall, N. John. Trollope and His Illustrators. London: Macmillan, 1980. Print.
Hamer, Mary. Writing by Numbers: Trollope’s Serial Fiction. Cambridge: Cambridge University Press, 1987. Print.
‘Hard Times | Art UK’. N.p., n.d. Web. <https://artuk.org/discover/artworks/hard-times-205180>.
Hardy, Thomas. The Withered Arm and Other Wessex Tales. Oxford: Oxford University Press, 2010. Print.
Hardy, Thomas, and Lennart A. Björk. The Literary Notebooks of Thomas Hardy. London: Macmillan, 1985. Print.
Hardy, Thomas, and Tim Dolin. Tess of the D’Urbervilles. London: Penguin, 1998. Print.
Hardy, Thomas, and Michael Millgate. The Life and Work of Thomas Hardy. London: Macmillan, 1984. Print.
Hayllar, Jessica. ‘A Coming Event | Christie’s’. N.p., n.d. Web. <https://www.christies.com/lotfinder/Lot/jessica-hayllar-1858-1940-a-coming-event-4051945-details.aspx>.
Hill, Nancy K. A Reformer’s Art: Dickens’ Picturesque and Grotesque Imagery. Athens, Ohio: Ohio University Press, 1981. Print.
Hollington, Michael. Dickens and the Grotesque. Abingdon, Oxon: Routledge, 2014. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3570286>.
Homans, Margaret. Bearing the Word: Language and Female Experience in Nineteenth Century Women’s Writing. Chicago: Chicago University Press, 1986. Print.
---. Royal Representations: Queen Victoria and British Culture, 1837-1876. Chicago: University of Chicago Press, 1998. Web. <http://hdl.handle.net/2027/heb.04512>.
Homans, Margaret, and Adrienne Munich. Remaking Queen Victoria. Vol. 10. Cambridge: Cambridge University Press, 1997. Print.
‘How to Provide for Superfluous Women’. Woman’s Work and Woman’s Culture. `: N.p., 1869. Print.
Hughes, Arthur. ‘April Love | Tate’. N.p., n.d. Web. <https://www.tate.org.uk/art/artworks/hughes-april-love-n02476>.
Humphry, C. E. Manners for Men. Whitstable: Pryor Publications, 1993. Print.
---. Manners for Women. Whitstable: Pryor Publications, 1993. Print.
Ingham, Patricia. The Brontës. Oxford: Oxford University Press, 2006. Print.
---. The Brontës. Oxford: Oxford University Press, 2006. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=76221>.
Jackson, Arlene M. Illustration and the Novels of Thomas Hardy. London: Macmillan, 1982. Print.
Jalland, Patricia. Death in the Victorian Family. Oxford: Oxford University Press, 1996. Web. <http://dx.doi.org/10.1093/acprof:oso/9780198201885.001.0001>.
John Everett Millais. ‘The Vale of Rest | Tate’. N.p., n.d. Web. <https://www.tate.org.uk/art/artworks/millais-the-vale-of-rest-n01507>.
John, Juliet. Dickens’s Villains: Melodrama, Character, Popular Culture. Oxford: Oxford University Press, 2001. Print.
---. Dickens’s Villains: Melodrama, Character, Popular Culture. Oxford: Oxford University Press, 2001. Web. <http://dx.doi.org/10.1093/acprof:oso/9780198184614.001.0001>.
Kendrick, Walter M. The Novel-Machine: The Theory and Fiction of Anthony Trollope. Baltimore: Johns Hopkins University Press, 1980. Print.
Kermode, Frank. The Genesis of Secrecy: On the Interpretation of Narrative. Vol. 1977–1978. Cambridge, Mass: Harvard University Press, 1979. Print.
Kreilkamp, Ivan. Voice and the Victorian Storyteller. Vol. 49. Cambridge: Cambridge University Press, 2005. Print.
Lambourne, Lionel. An Introduction to ‘Victorian’ Genre Painting: From Wilkie to Frith. London: H.M.S.O., 1982. Print.
---. Victorian Painting. London: Phaidon Press, 1999. Print.
Letwin, Shirley Robin. The Gentleman in Trollope: Individuality and Moral Conduct. Cambridge, Mass: Harvard University Press, 1982. Print.
---. The Gentleman in Trollope: Individuality and Moral Conduct. Cambridge, Mass: Harvard University Press, 1982. Print.
Levey, Michael. ‘Botticelli and Nineteenth-Century England’. Journal of the Warburg and Courtauld Institutes 23.3/4 (1960): n. pag. Web.
Lister, Raymond. Victorian Narrative Paintings. London: Museum, 1966. Print.
---. Victorian Narrative Paintings. London: Museum, 1966. Print.
Longsden Long, Edwin. Babylonian Marriage Market. N.p., 1875. Web. <https://www.royalholloway.ac.uk/about-us/art-collections/collection-highlights/babylonian-marriage-market/>.
Maas, Jeremy. Victorian Painters. London: Barrie & Jenkins, 1978. Print.
Macleod, Dianne Sachko. Art and the Victorian Middle Class: Money and the Making of Cultural Identity. Cambridge: Cambridge University Press, 1996. Print.
Martin, Graham. Great Expectations. Milton Keynes: Open University Press, 1985. Print.
McMaster, Juliet. Trollope’s Palliser Novels: Theme and Pattern. London: Macmillan, 1978. Print.
McMaster, Rowland. Trollope and the Law. New York: St. Martin’s Press, 1986. Print.
Mengham, Rod. ‘The Stupendous Power of Money’. Charles Dickens. Tavistock: Northcote House in association with the British Council, 2001. Print.
Mengham, Rod and British Council. Charles Dickens. Tavistock: Northcote House in association with the British Council, 2001. Print.
Michie, Elsie B. Charlotte Brontë’s Jane Eyre: A Casebook. Oxford: Oxford University Press, 2006. Print.
Millais, John Everett. ‘Married for Rank | Maas Gallery’. N.p., n.d. Web. <http://www.maasgallery.co.uk/drawings/drawings/85-sir-john-everett-millais-pra-hri-hrca-1829-1896-956>.
Miller, D. A. Narrative and Its Discontents: Problems of Closure in the Traditional Novel. Princeton, N.J.: Princeton University Press, 1981. Print.
Miller, J. Hillis. ‘Tess’. Fiction and Repetition: Seven English Novels. Oxford: Blackwell, 1982. Print.
---. The Form of Victorian Fiction: Thackeray, Dickens, Trollope, George Eliot, Meredith, and Hardy. v. 2. Notre Dame, Ind: University of Notre Dame Press, 1968. Print.
Millgate, Michael. Thomas Hardy: A Biography. Oxford: Oxford University Press, 1982. Print.
Moretti, Franco. An Atlas of the European Novel, 1800-1900. London: Verso, 1998. Print.
---. The Way of the World: The Bildungsroman in European Culture. New ed. London: Verso, 2000. Print.
---. The Way of the World: The Bildungsroman in European Culture. New ed. London: Verso, 2000. Print.
Morley, John. Death, Heaven, and the Victorians. [Pittsburgh]: University of Pittsburgh Press, 1971. Print.
Morris, Edward. Victorian & Edwardian Paintings in the Lady Lever Art Gallery: British Artists Born After 1810 Excluding the Early Pre-Raphaelites. v.1. London: HMSO, 1994. Print.
Nead, Lynda. Myths of Sexuality: Representations of Women in Victorian Britain. Oxford: Blackwell, 1988. Print.
---. Victorian Babylon: People, Streets, and Images in Nineteenth-Century London. New Haven: Yale University Press, 2000. Print.
Nestor, Pauline. ‘Substance and Shadow: Reading Reality in Villette’. Villette, Charlotte Bronte. Basingstoke: Macmillan, 1992. Print.
---. ‘The Surveillance of a Sleepless Eye’. Villette, Charlotte Bronte. Basingstoke: Macmillan, 1992. Print.
O’ Gorman, Frances. A Concise Companion to the Victorian Novel. Oxford: Blackwell, 2005. Print.
Olmsted, John Charles. Victorian Painting: Essays and Reviews, Vol. 1: 1832-1848. v.208. New York: Garland, 1980. Print.
Origi, Millais. ‘Original Study for a Huguenot | Sotheby’s’. N.p., n.d. Web. <http://www.sothebys.com/en/auctions/ecatalogue/2014/victorian-pre-raphaelite-british-impressionist-art-l15132/lot.9.html>.
Osborn, Emily Mary. The Governess. N.p., 1860. Web. <https://collections.britishart.yale.edu/vufind/Record/1666170>.
Oxford Reader’s Companion to Trollope. Oxford University Press, 1999. Web. <http://www.oxfordreference.com/view/10.1093/acref/9780198662105.001.0001/acref-9780198662105>.
Pite, Ralph. Hardy’s Geography: Wessex and the Regional Novel. Houndmills: Palgrave Macmillan, 2002. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=259584>.
Plasa, Carl. Charlotte Brontë. Houndmills, Basingstoke: Palgrave Macmillan, 2004. Print.
---. Charlotte Brontë. Houndmills, Basingstoke: Palgrave Macmillan, 2004. Print.
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Poovey, Mary. ‘The Anathematized Race: The Governess and Jane Eyre’. Uneven Developments: The Ideological Work of Gender in Mid-Victorian England. London: Virago, 1989. Print.
---. ‘The Anathematized Race: The Governess and Jane Eyre’. Uneven Developments: The Ideological Work of Gender in Mid-Victorian England. Chicago: University of Chicago Press, 1988. Web. <http://hdl.handle.net/2027/heb.01744>.
---. Uneven Developments: The Ideological Work of Gender in Mid-Victorian England. Chicago: University of Chicago Press, 1988. Web. <http://hdl.handle.net/2027/heb.01744>.
Pre-Raphaelite and Other Masters: The Andrew Lloyd Webber Collection. London: Royal Academy of Arts, 2003. Print.
‘Queen Victoria with the Prince of Wales, the Princess Royal and Other Members of the Royal Family | Art UK’. N.p., n.d. Web. <https://artuk.org/discover/artworks/queen-victoria-with-the-prince-of-wales-the-princess-royal-and-other-members-of-the-royal-family-218526/view_as/grid/search/keyword:a-portrait-group-of-queen-victoria-with-her-children--makers:john-callcott-horsley-18171903/page/1>.
Redgrave, Richard. The Poor Teacher | ARTUK. N.p., 1845. Web. <https://artuk.org/discover/artworks/the-poor-teacher-35661>.
Reynolds, Graham. Victorian Painting. Rev. ed. London: Herbert, 1987. Print.
‘Rustic Civility | Art UK’. N.p., n.d. Web. <https://artuk.org/discover/artworks/rustic-civility-30751>.
Said, Edward W. Beginnings: Intention and Method. London: Granta, 1998. Print.
Salentin, Hubert. ‘The Return from the Christening |  V&A’. N.p., n.d. Web. <http://collections.vam.ac.uk/item/O131312/the-return-from-the-christening-oil-painting-salentin-hubert/>.
Sanders, Andrew. Charles Dickens. Oxford: Oxford University Press, 2003. Print.
Scarry, Elaine. ‘Work and the Body in Hardy and Other Nineteenth-Century Novelists’. Representations 3 (1983): 90–123. Web.
Sedgwick, Eve Kosofsky. The Coherence of Gothic Conventions. Vol. 930. London: Methuen, 1986. Print.
Sell, Roger D. ‘The Imaginary and the Symbolic in Great Expectations’. Great Expectations, Charles Dickens. London: Macmillan, 1994. Print.
Shefer, Elaine. Birds, Cages and Women in Victorian and Pre-Raphaelite Art. v.12. New York: Lang, 1990. Print.
Showalter, Elaine. The Female Malady: Women, Madness and English Culture, 1830-1980. London: Virago, 1987. Print.
---. ‘Victorian Women and Insanity’. Madhouses, Mad-Doctors, and Madmen: The Social History of Psychiatry in the Victorian Era. Philadelphia, Pa: University of Pennsylvania Press, 1981. Print.
Sitwell, Sacheverell, and Michel Sevier. Narrative Pictures: A Survey of the English Genre and Its Painters. London: Batsford, 1937. Print.
Skilton, David. Anthony Trollope and His Contemporaries: A Study in the Theory and Conventions of Mid-Victorian Fiction. Basingstoke: Macmillan, 1996. Print.
Slater, Michael. Dickens and Women. Stanford, Calif: Stanford University Press, 1983. Print.
Smith, Alison. The Victorian Nude: Sexuality, Morality, and Art. Manchester: Manchester University Press, 1996. Print.
Smith, Lindsay. Victorian Photography, Painting and Poetry: The Enigma of Visibility in Ruskin, Morris and the Pre-Raphaelites. Vol. 6. Cambridge: Cambridge University Press, 1995. Print.
Snell, K. D. M. ‘Thomas Hardy, Rural Dorset and the Family’. Annals of the Labouring Poor: Social Change and Agrarian England, 1660-1900. Vol. 2. Cambridge: Cambridge University Press, 1985. Web. <http://dx.doi.org/10.1017/CBO9780511599446>.
---. ‘Thomas Hardy, Rural Dorset and the Family’. Annals of the Labouring Poor: Social Change and Agrarian England, 1660-1900. Vol. 2. Cambridge: Cambridge University Press, 1985. Web. <http://dx.doi.org/10.1017/CBO9780511599446>.
Solomon, Rebecca. The Governess | Christies. N.p., 1856. Web. <https://www.christies.com/lotfinder/Lot/rebecca-solomon-1832-1886-the-governess-ye-4928785-details.aspx>.
‘Stages of Cruelty | Art UK’. N.p., n.d. Web. <https://artuk.org/discover/artworks/stages-of-cruelty-205503>.
Swingle, L. J. Romanticism and Anthony Trollope: A Study in the Continuities of Nineteenth-Century Literary Thought. Ann Arbor: University of Michigan Press, 1990. Print.
Tambling, Jeremy. Dickens, Violence and the Modern State: Dreams of the Scaffold. London: Macmillan, 1995. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230378322>.
Tambling, Jeremy and Dawsonera. Dickens, Violence and the Modern State: Dreams of the Scaffold. London: Macmillan, 1995. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230378322>.
‘The Black Brunswickers | Liverpool Museums’. N.p., n.d. Web. <https://www.liverpoolmuseums.org.uk/ladylever/collections/paintings/gallery2/blackbrunswicker.aspx>.
‘The Bridesmaid | Art UK’. N.p., n.d. Web. <https://artuk.org/discover/artworks/the-bridesmaid-4901>.
‘The Last Furrow | Art UK’. N.p., n.d. Web. <https://artuk.org/discover/artworks/the-last-furrow-90707>.
‘The Novice | British Museum’. N.p., n.d. Web. <https://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=3055728&amp;partId=1&amp;people=120624&amp;peoA=120624-2-23&amp;page=1>.
‘The Valleys Stand Thick with Corn | Art UK’. N.p., n.d. Web. <https://artuk.org/discover/artworks/the-valleys-stand-thick-with-corn-33491>.
Thomas, Jane. Thomas Hardy and Desire: Conceptions of the Self. New York: Palgrave Macmillan, 2013. Print.
Thomas, Julia. Victorian Narrative Painting. London: Tate, 2000. Print.
Tillotson, Kathleen. Novels of the Eighteen-Forties. Oxford: Clarendon, 1954. Print.
Torgerson, Beth E. Reading the Brontë Body: Disease, Desire, and the Constraints of Culture. New York: Palgrave Macmillan, 2005. Print.
Treuherz, Julian. Hard Times: Social Realism in Victorian Art. London: Lund Humphries in association with Manchester City Art Galleries, and Moyer Bell, Mt. Kisco, New York, 1987. Print.
---. Victorian Painting. London: Thames and Hudson, 1993. Print.
Trollope, Anthony. Can You Forgive Her? London: Trollope Society, 1989. Print.
Vallone, Lynne. Becoming Victoria. New Haven, Conn: Yale University Press, 2001. Print.
Van Dam, Frederik, David Skilton, and Ortwin de Graef, eds. The Edinburgh Companion to Anthony Trollope. Edinburgh: Edinburgh University Press, 2019. Print.
van Gogh, Vincent. ‘Shoes | Van Gogh Museum’. N.p., n.d. Web. <https://www.vangoghmuseum.nl/en/collection/s0011V1962>.
---. ‘Soup Distribution in a Public Soup Kitchen | Van Gogh Museum’. N.p., n.d. Web. <https://www.vangoghmuseum.nl/en/collection/d0783V1972>.
Vicinus, Martha. Suffer and Be Still: Women in the Victorian Age. Bloomington: Indiana University Press, 1972. Print.
Walker, Frederick. ‘The Vagrants  | Tate’. N.p., n.d. Web. <https://www.tate.org.uk/art/artworks/walker-the-vagrants-n01209>.
Wheeler, Michael. Death and the Future Life in Victorian Literature and Theology. Cambridge: Cambridge University Press, 1990. Print.
Williams, Merryn. Thomas Hardy and Rural England. London: Macmillan, 1972. Print.
Williams, Raymond. The Country and the City. [New] edition. London: Vintage, 2016. Print.
Winnifrith, Tom. The Brontës and Their Background: Romance and Reality. London: Macmillan, 1973. Print.
Wood, Christopher. Victorian Panorama. London: Faber, 1990. Print.
Wood, Christopher, Christopher Newall, and Margaret Richardson. Victorian Painters. v. 4. Woodbridge, Suffolk: Antique Collectors’ Club, 1995. Print.
‘Yes or No? | Yale University Art Gallery’. N.p., n.d. Web. <https://artgallery.yale.edu/collections/objects/14125>.