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Alexander, Christine, and Margaret Smith. 2003. The Oxford Companion to the Brontes. Oxford University Press. Electronic resource. http://www.oxfordreference.com/view/10.1093/acref/9780198662181.001.0001/acref-9780198662181.
Armstrong, Nancy. 1987a. Desire and Domestic Fiction: A Political History of the Novel. Oxford University Press. Electronic book. http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=60542.
Armstrong, Nancy. 1987b. Desire and Domestic Fiction: A Political History of the Novel. Oxford University Press.
Armstrong, Tim. 2000. Haunted Hardy: Poetry, History, Memory. Palgrave.
Auerbach, Nina. 1982. Woman and the Demon: The Life of a Victorian Myth. Harvard University Press.
Auerbach, Nina. 2015. ‘Charlotte Brontë: The Two Countries’. University of Toronto Quarterly 42 (4): 328–42. https://muse.jhu.edu/article/560036/summary.
Bakhtin, M., and Michael Holquist. 1981a. The Dialogic Imagination: Four Essays. No. 1. University of Texas Press.
Bakhtin, M., and Michael Holquist. 1981b. The Dialogic Imagination: Four Essays. No. 1. University of Texas Press.
Barker, Juliet. 1994. The Brontës. Weidenfeld and Nicolson.
Barringer, T. J. 1999. Reading the Pre-Raphaelites. Yale University Press.
Beer, Gillian. 2009. Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction. Cambridge University Press. Electronic book. http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=265144.
Beer, Patricia. 1974. Reader, I Married Him: A Study of the Women Characters of Jane Austen, Charlotte Brontë, Elizabeth Gaskell and George Eliot. Macmillan.
Bell, Quentin. 1975. Victorian Artists. Academy.
Bendiner, Kenneth. 1998. The Art of Ford Madox Brown. Pennsylvania State University Press.
Bilston, Sarah. 2004. The Awkward Age in Women’s Popular Fiction, 1850-1900: Girls and the Transition to Womanhood. Clarendon Press.
‘Birmingham Museums & Art Gallery Pre-Raphaelite Online Resource : The Collection’. n.d. http://www.preraphaelites.org/the-collection/1902p13/the-long-engagement/.
Bivona, Daniel. 1990. Desire and Contradiction: Imperial Visions and Domestic Debates in Victorian Literature. Manchester University Press.
Boumelha, Penny. 1982. Thomas Hardy and Women: Sexual Ideology and Narrative Form. Harvester.
Bowen, John. 2000. Other Dickens: Pickwick to Chuzzlewit. Oxford University Press.
Brantlinger, Patrick, and William B. Thesing. 2002a. A Companion to the Victorian Novel. Blackwell.
Brantlinger, Patrick, and William B. Thesing. 2002b. A Companion to the Victorian Novel. Blackwell Publishing. Electronic book. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=214235.
Bronfen, Elisabeth. 1992. Over Her Dead Body: Death, Femininity and the Aesthetic. Manchester University Press.
Bronfen, Elisabeth. 2017. Over Her Dead Body: Death, Femininity and the Aesthetic. Manchester University Press. Electronic resource. https://dx.doi.org/10.7765/9781526125637.
Brontë, Charlotte, and Q. D. Leavis. 1985. Jane Eyre. Penguin.
Brontë, Charlotte, Margaret Smith, Herbert Rosengarten, and Tim Dolin. 2000. Villette. New [ed.]. Oxford University Press.
Brooks, Peter. 1992. Reading for the Plot: Design and Intention in Narrative. Harvard University Press.
Bullen, J. B. 1986. The Expressive Eye: Fiction and Perception in the Work of Thomas Hardy. Clarendon.
Burman, Sandra. 1979. Fit Work for Women. Croom Helm for Oxford University Women’s Studies Committee [etc.].
‘Carting Turf from Farington Moss | Art UK’. n.d. https://artuk.org/discover/artworks/carting-turf-from-farington-moss-152574.
Casteras, Susan P. 1987. Images of Victorian Womanhood in English Art. Fairleigh Dickinson University Press.
Casteras, Susan P., and Ronald Parkinson. 1988. Richard Redgrave: 1804-1888. Victoria & Albert Museum.
Chapel, Jeannie. 1982. Victorian Taste: The Complete Catalogue of Paintings at the Royal Holloway College. Zwemmer.
‘Convent Thoughts | Art UK’. n.d. https://artuk.org/discover/artworks/convent-thoughts-141841/view_as/grid/search/keyword:charles-a-collins-convent-thoughts/page/1.
Cosslett, Tess. 1982. The ’Scientific Movement ’ and Victorian Literature. Harvester.
Cowling, Mary. 1989. The Artist as Anthropologist: The Representation of Type and Character in Victorian Art. Cambridge University Press.
Crosby, Christina. 1991. The Ends of History: Victorians and ‘The Woman Question’. Routledge.
Cunnington, Phillis, and Catherine Lucas. 1972. Costumes for Births, Marriages & Deaths. A. and C. Black.
Davidoff, Leonore, and Catherine Hall. 2002a. Family Fortunes. Routledge. Electronic book. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1144634.
Davidoff, Leonore, and Catherine Hall. 2002b. Family Fortunes. Rev. ed. Routledge.
Denis, Rafael Cardoso, and Colin Trodd. 2000. Art and the Academy in the Nineteenth Century. Rutgers University Press.
Ewbank, Inga Stina. 1966. Their Proper Sphere: A Study of the Brontë Sisters as Early Victorian Female Novelists. Arnold.
Frith, William Powell. 1890. My Autobiography and Reminiscences. 8th ed. Bentley.
Funnell, Peter. 1996. Victorian Portraits: In the National Portrait Gallery Collection. National Portrait Gallery.
Funnell, Peter. 1999. Millais: Portraits. Princeton University Press.
Gaskell, Elizabeth. 1975a. The Life of Charlotte Brontë. Penguin.
Gaskell, Elizabeth. 1975b. The Life of Charlotte Brontë. Penguin.
Gay, Peter. 1984. The Bourgeois Experience: Victoria to Freud. Oxford University Press.
George Levine. 1974. ‘Can You Forgive Him? Trollope’s “Can You Forgive Her?” And the Myth of Realism’. Victorian Studies 18 (1). https://www.jstor.org/stable/3826450?seq=1#metadata_info_tab_contents.
Gerin, Winifred. 1967. Charlotte Brontë: The Evolution of Genius. Clarendon Press.
Gilbert, Sandra M., and Susan Gubar. 1980. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. Yale University Press. http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3421136.
Gilbert, Sandra M., and Susan Gubar. 2000. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. Second edition. Yale University Press.
Gilmartin, Sophie. 1997. ‘The Sati, the Bride, and the Widow: Sacrificial Woman in the Nineteenth Century’. Victorian Literature and Culture 25 (1): 141–58. https://doi.org/10.1017/S1060150300004678.
Gilmartin, Sophie. 1998a. Ancestry and Narrative in Nineteenth-Century British Literature: Blood Relations From Edgeworth to Hardy. Vol. 18. Cambridge University Press.
Gilmartin, Sophie. 1998b. ‘Pedigree and Forgetting in Hardy’. In Ancestry and Narrative in Nineteenth-Century British Literature: Blood Relations From Edgeworth to Hardy, vol. 18. Cambridge University Press.
Gilmartin, Sophie, and Rod Mengham. 2007a. Thomas Hardy’s Shorter Fiction: A Critical Study. Edinburgh University Press.
Gilmartin, Sophie, and Rod Mengham. 2007b. Thomas Hardy’s Shorter Fiction: A Critical Study. Edinburgh University Press. Electronic resource. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780748632558.
Gittings, Robert. 1975. Young Thomas Hardy. Heinemann Educational.
Gittings, Robert. 1978. The Older Hardy. Heinemann.
Glen, Heather. 2002a. Charlotte Bronte: The Imagination in History. Oxford University Press.
Glen, Heather. 2002b. Charlotte Bronte: The Imagination in History. Oxford University Press.
Glen, Heather. 2002c. The Cambridge Companion to the Brontës. Cambridge University Press.
Glen, Heather, ed. 2002d. The Cambridge Companion to the Brontës. Cambridge University Press. Electronic book. http://ezproxy01.rhul.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521770270.
Glendinning, Victoria. 1992. Trollope. Hutchinson.
Gogh, Vincent van. n.d.-a. ‘Shoes | Van Gogh Museum’. https://www.vangoghmuseum.nl/en/collection/s0011V1962.
Gogh, Vincent van. n.d.-b. ‘Soup Distribution in a Public Soup Kitchen | Van Gogh Museum’. https://www.vangoghmuseum.nl/en/collection/d0783V1972.
Gregor, Ian. 1974. The Great Web: The Form of Hardy’s Major Fiction. Faber.
Gullette, Margaret Morganroth. 1990. ‘The Puzzling Case of the Deceased Wife’s Sister: Nineteenth-Century England Deals with a Second-Chance Plot’. Representations, no. 31: 142–66. https://doi.org/10.2307/2928403.
Hall, N. John. 1980. Trollope and His Illustrators. Macmillan.
Hamer, Mary. 1987. Writing by Numbers: Trollope’s Serial Fiction. Cambridge University Press.
‘Hard Times | Art UK’. n.d. https://artuk.org/discover/artworks/hard-times-205180.
Hardy, Thomas. 2010. The Withered Arm and Other Wessex Tales. Oxford University Press.
Hardy, Thomas, and Lennart A. Björk. 1985. The Literary Notebooks of Thomas Hardy. Macmillan.
Hardy, Thomas, and Tim Dolin. 1998. Tess of the D’Urbervilles. Penguin.
Hardy, Thomas, and Michael Millgate. 1984. The Life and Work of Thomas Hardy. Macmillan.
Hayllar, Jessica. n.d. ‘A Coming Event | Christie’s’. https://www.christies.com/lotfinder/Lot/jessica-hayllar-1858-1940-a-coming-event-4051945-details.aspx.
Hill, Nancy K. 1981. A Reformer’s Art: Dickens’ Picturesque and Grotesque Imagery. Ohio University Press.
Hollington, Michael. 2014. Dickens and the Grotesque. Routledge. Electronic book. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3570286.
Homans, Margaret. 1986. Bearing the Word: Language and Female Experience in Nineteenth Century Women’s Writing. Chicago University Press.
Homans, Margaret. 1998. Royal Representations: Queen Victoria and British Culture, 1837-1876. University of Chicago Press. Electronic resource. http://hdl.handle.net/2027/heb.04512.
Homans, Margaret, and Adrienne Munich. 1997. Remaking Queen Victoria. Vol. 10. Cambridge University Press.
‘How to Provide for Superfluous Women’. 1869. In Woman’s Work and Woman’s Culture. `.
Hughes, Arthur. n.d. ‘April Love | Tate’. https://www.tate.org.uk/art/artworks/hughes-april-love-n02476.
Humphry, C. E. 1993a. Manners for Men. Pryor Publications.
Humphry, C. E. 1993b. Manners for Women. Pryor Publications.
Ingham, Patricia. 2006a. The Brontës. Oxford University Press.
Ingham, Patricia. 2006b. The Brontës. Oxford University Press. Electronic book. http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=76221.
Jackson, Arlene M. 1982. Illustration and the Novels of Thomas Hardy. Macmillan.
Jalland, Patricia. 1996. Death in the Victorian Family. Oxford University Press. http://dx.doi.org/10.1093/acprof:oso/9780198201885.001.0001.
John Everett Millais. n.d. ‘The Vale of Rest | Tate’. https://www.tate.org.uk/art/artworks/millais-the-vale-of-rest-n01507.
John, Juliet. 2001a. Dickens’s Villains: Melodrama, Character, Popular Culture. Oxford University Press.
John, Juliet. 2001b. Dickens’s Villains: Melodrama, Character, Popular Culture. Oxford University Press. Electronic resource. http://dx.doi.org/10.1093/acprof:oso/9780198184614.001.0001.
Kendrick, Walter M. 1980. The Novel-Machine: The Theory and Fiction of Anthony Trollope. Johns Hopkins University Press.
Kermode, Frank. 1979. The Genesis of Secrecy: On the Interpretation of Narrative. Vols 1977–1978. Harvard University Press.
Kreilkamp, Ivan. 2005. Voice and the Victorian Storyteller. Vol. 49. Cambridge University Press.
Lambourne, Lionel. 1982. An Introduction to ‘Victorian’ Genre Painting: From Wilkie to Frith. H.M.S.O.
Lambourne, Lionel. 1999. Victorian Painting. Phaidon Press.
Letwin, Shirley Robin. 1982a. The Gentleman in Trollope: Individuality and Moral Conduct. Harvard University Press.
Letwin, Shirley Robin. 1982b. The Gentleman in Trollope: Individuality and Moral Conduct. Harvard University Press.
Levey, Michael. 1960. ‘Botticelli and Nineteenth-Century England’. Journal of the Warburg and Courtauld Institutes 23 (3/4). https://doi.org/10.2307/750597.
Lister, Raymond. 1966a. Victorian Narrative Paintings. Museum.
Lister, Raymond. 1966b. Victorian Narrative Paintings. Museum.
Longsden Long, Edwin. 1875. Babylonian Marriage Market. https://www.royalholloway.ac.uk/about-us/art-collections/collection-highlights/babylonian-marriage-market/.
Maas, Jeremy. 1978. Victorian Painters. Barrie & Jenkins.
Macleod, Dianne Sachko. 1996. Art and the Victorian Middle Class: Money and the Making of Cultural Identity. Cambridge University Press.
Martin, Graham. 1985. Great Expectations. Open University Press.
McMaster, Juliet. 1978. Trollope’s Palliser Novels: Theme and Pattern. Macmillan.
McMaster, Rowland. 1986. Trollope and the Law. St. Martin’s Press.
Mengham, Rod. 2001. ‘The Stupendous Power of Money’. In Charles Dickens. Northcote House in association with the British Council.
Mengham, Rod and British Council. 2001. Charles Dickens. Northcote House in association with the British Council.
Michie, Elsie B. 2006. Charlotte Brontë’s Jane Eyre: A Casebook. Oxford University Press.
Millais, John Everett. n.d. ‘Married for Rank | Maas Gallery’. http://www.maasgallery.co.uk/drawings/drawings/85-sir-john-everett-millais-pra-hri-hrca-1829-1896-956.
Miller, D. A. 1981. Narrative and Its Discontents: Problems of Closure in the Traditional Novel. Princeton University Press.
Miller, J. Hillis. 1968. The Form of Victorian Fiction: Thackeray, Dickens, Trollope, George Eliot, Meredith, and Hardy. V. 2. University of Notre Dame Press.
Miller, J. Hillis. 1982. ‘Tess’. In Fiction and Repetition: Seven English Novels. Blackwell.
Millgate, Michael. 1982. Thomas Hardy: A Biography. Oxford University Press.
Moretti, Franco. 1998. An Atlas of the European Novel, 1800-1900. Verso.
Moretti, Franco. 2000a. The Way of the World: The Bildungsroman in European Culture. New ed. Verso.
Moretti, Franco. 2000b. The Way of the World: The Bildungsroman in European Culture. New ed. Verso.
Morley, John. 1971. Death, Heaven, and the Victorians. University of Pittsburgh Press.
Morris, Edward. 1994. Victorian & Edwardian Paintings in the Lady Lever Art Gallery: British Artists Born After 1810 Excluding the Early Pre-Raphaelites. V.1. HMSO.
Nead, Lynda. 1988. Myths of Sexuality: Representations of Women in Victorian Britain. Blackwell.
Nead, Lynda. 2000. Victorian Babylon: People, Streets, and Images in Nineteenth-Century London. Yale University Press.
Nestor, Pauline. 1992a. ‘Substance and Shadow: Reading Reality in Villette’. In Villette, Charlotte Bronte. Macmillan.
Nestor, Pauline. 1992b. ‘The Surveillance of a Sleepless Eye’. In Villette, Charlotte Bronte. Macmillan.
O’ Gorman, Frances. 2005. A Concise Companion to the Victorian Novel. Blackwell.
Olmsted, John Charles. 1980. Victorian Painting: Essays and Reviews, Vol. 1: 1832-1848. V.208. Garland.
Origi, Millais. n.d. ‘Original Study for a Huguenot | Sotheby’s’. http://www.sothebys.com/en/auctions/ecatalogue/2014/victorian-pre-raphaelite-british-impressionist-art-l15132/lot.9.html.
Osborn, Emily Mary. 1860. The Governess. https://collections.britishart.yale.edu/vufind/Record/1666170.
Oxford Reader’s Companion to Trollope. 1999. Oxford University Press. https://doi.org/10.1093/acref/9780198662105.001.0001.
Pite, Ralph. 2002. Hardy’s Geography: Wessex and the Regional Novel. Palgrave Macmillan. Electronic book. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=259584.
Plasa, Carl. 2004a. Charlotte Brontë. Palgrave Macmillan.
Plasa, Carl. 2004b. Charlotte Brontë. Palgrave Macmillan.
Pollard, Arthur. 1968. Trollope’s Political Novels. University of Hull.
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Poovey, Mary. 1988b. Uneven Developments: The Ideological Work of Gender in Mid-Victorian England. University of Chicago Press. Electronic resource. http://hdl.handle.net/2027/heb.01744.
Poovey, Mary. 1989. ‘The Anathematized Race: The Governess and Jane Eyre’. In Uneven Developments: The Ideological Work of Gender in Mid-Victorian England. Virago.
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Redgrave, Richard. 1845. The Poor Teacher | ARTUK. https://artuk.org/discover/artworks/the-poor-teacher-35661.
Reynolds, Graham. 1987. Victorian Painting. Rev. ed. Herbert.
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Said, Edward W. 1998. Beginnings: Intention and Method. Granta.
Salentin, Hubert. n.d. ‘The Return from the Christening |  V&A’. http://collections.vam.ac.uk/item/O131312/the-return-from-the-christening-oil-painting-salentin-hubert/.
Sanders, Andrew. 2003. Charles Dickens. Oxford University Press.
Scarry, Elaine. 1983. ‘Work and the Body in Hardy and Other Nineteenth-Century Novelists’. Representations, no. 3 (July): 90–123. https://doi.org/10.2307/3043788.
Sedgwick, Eve Kosofsky. 1986. The Coherence of Gothic Conventions. Vol. 930. Methuen.
Sell, Roger D. 1994. ‘The Imaginary and the Symbolic in Great Expectations’. In Great Expectations, Charles Dickens. Macmillan.
Shefer, Elaine. 1990. Birds, Cages and Women in Victorian and Pre-Raphaelite Art. V.12. Lang.
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Showalter, Elaine. 1987. The Female Malady: Women, Madness and English Culture, 1830-1980. Virago.
Sitwell, Sacheverell, and Michel Sevier. 1937. Narrative Pictures: A Survey of the English Genre and Its Painters. Batsford.
Skilton, David. 1996. Anthony Trollope and His Contemporaries: A Study in the Theory and Conventions of Mid-Victorian Fiction. Macmillan.
Slater, Michael. 1983. Dickens and Women. Stanford University Press.
Smith, Alison. 1996. The Victorian Nude: Sexuality, Morality, and Art. Manchester University Press.
Smith, Lindsay. 1995. Victorian Photography, Painting and Poetry: The Enigma of Visibility in Ruskin, Morris and the Pre-Raphaelites. Vol. 6. Cambridge University Press.
Snell, K. D. M. 1985a. ‘Thomas Hardy, Rural Dorset and the Family’. In Annals of the Labouring Poor: Social Change and Agrarian England, 1660-1900, vol. 2. Cambridge University Press. http://dx.doi.org/10.1017/CBO9780511599446.
Snell, K. D. M. 1985b. ‘Thomas Hardy, Rural Dorset and the Family’. In Annals of the Labouring Poor: Social Change and Agrarian England, 1660-1900, vol. 2. Cambridge University Press. http://dx.doi.org/10.1017/CBO9780511599446.
Solomon, Rebecca. 1856. The Governess | Christies. https://www.christies.com/lotfinder/Lot/rebecca-solomon-1832-1886-the-governess-ye-4928785-details.aspx.
‘Stages of Cruelty | Art UK’. n.d. https://artuk.org/discover/artworks/stages-of-cruelty-205503.
Swingle, L. J. 1990. Romanticism and Anthony Trollope: A Study in the Continuities of Nineteenth-Century Literary Thought. University of Michigan Press.
Tambling, Jeremy. 1995. Dickens, Violence and the Modern State: Dreams of the Scaffold. Macmillan. Electronic book. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230378322.
Tambling, Jeremy and Dawsonera. 1995. Dickens, Violence and the Modern State: Dreams of the Scaffold. Macmillan. Electronic book. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780230378322.
‘The Black Brunswickers | Liverpool Museums’. n.d. https://www.liverpoolmuseums.org.uk/ladylever/collections/paintings/gallery2/blackbrunswicker.aspx.
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‘The Last Furrow | Art UK’. n.d. https://artuk.org/discover/artworks/the-last-furrow-90707.
‘The Novice | British Museum’. n.d. https://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=3055728&partId=1&people=120624&peoA=120624-2-23&page=1.
‘The Valleys Stand Thick with Corn | Art UK’. n.d. https://artuk.org/discover/artworks/the-valleys-stand-thick-with-corn-33491.
Thomas, Jane. 2013. Thomas Hardy and Desire: Conceptions of the Self. Palgrave Macmillan.
Thomas, Julia. 2000. Victorian Narrative Painting. Tate.
Tillotson, Kathleen. 1954. Novels of the Eighteen-Forties. Clarendon.
Torgerson, Beth E. 2005. Reading the Brontë Body: Disease, Desire, and the Constraints of Culture. Palgrave Macmillan.
Treuherz, Julian. 1987. Hard Times: Social Realism in Victorian Art. Lund Humphries in association with Manchester City Art Galleries, and Moyer Bell, Mt. Kisco, New York.
Treuherz, Julian. 1993. Victorian Painting. Thames and Hudson.
Trollope, Anthony. 1989. Can You Forgive Her? Trollope Society.
Vallone, Lynne. 2001. Becoming Victoria. Yale University Press.
Van Dam, Frederik, David Skilton, and Ortwin de Graef, eds. 2019. The Edinburgh Companion to Anthony Trollope. Edinburgh University Press.
Vicinus, Martha. 1972. Suffer and Be Still: Women in the Victorian Age. Indiana University Press.
Walker, Frederick. n.d. ‘The Vagrants  | Tate’. https://www.tate.org.uk/art/artworks/walker-the-vagrants-n01209.
Wheeler, Michael. 1990. Death and the Future Life in Victorian Literature and Theology. Cambridge University Press.
Williams, Merryn. 1972. Thomas Hardy and Rural England. Macmillan.
Williams, Raymond. 2016. The Country and the City. [New] edition. Vintage.
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Wood, Christopher. 1990. Victorian Panorama. Faber.
Wood, Christopher, Christopher Newall, and Margaret Richardson. 1995. Victorian Painters. V. 4. Antique Collectors’ Club.
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