Adams, John, Penny Woolcock, and Alice Goodman, ‘The Death of Klinghoffer’ (Decca, 2003) <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2132060420002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,The%20death%20of%20Klinghoffer&sortby=date&facet=frbrgroupid,include,1288048280&offset=0>
Andre, Naomi, Black Opera: History, Power, Engagement (Champaign: University of Illinois Press, 2018) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5404257>
———, ‘Conclusion: Engaged Musicology, Political Action, and Social Justice’, in Black Opera: History, Power, Engagement (Urbana: University of Illinois Press, 2018)
———, ‘Conclusion: Engaged Musicology, Political Action, and Social Justice’, in Black Opera: History, Power, Engagement (Champaign: University of Illinois Press, 2018) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5404257>
André, Naomi Adele, Black Opera: History, Power, Engagement (Urbana: University of Illinois Press, 2018)
Ashcroft, Bill, and D. P. S. Ahluwalia, Edward Said (London: Routledge, 2009) <http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=179693>
Ashcroft, Bill, and Pal Ahluwalia, Edward Said, [New] ed (New York: Routledge, 2001)
Ayres, Brenda, The Emperor’s Old Groove: Decolonizing Disney’s Magic Kingdom (New York: P. Lang, 2003)
Beckerman, Michael, ‘The Master’s Little Joke: Antonín Dvořák and the Mask of Nation’, in Dvorák and His World (Princeton, N.J.: Princeton University Press, 1993)
Beckerman, Michael Brim, Dvorák and His World (Princeton, N.J.: Princeton University Press, 1993)
———, Dvorak and His World (Princeton, N.J.: Princeton University Press, 1993) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3030296>
Beckles Willson, Rachel, ‘Whose Utopia? Perspectives on the West-Eastern Divan Orchestra’, Music & Politics, 3.2 (2009) <http://dx.doi.org/10.3998/mp.9460447.0003.201>
Bellman, Jonathan, The Exotic in Western Music (Boston: Northeastern University Press, 1998)
Bellman, Jonathan D., ‘Musical Voyages and Their Baggage: Orientalism in Music and Critical Musicology’, The Musical Quarterly, 94.3 (2011) <https://www.jstor.org/stable/41289212?seq=1#metadata_info_tab_contents>
Berger, Harris, and Michael Thomas Carroll, Global Pop, Local Language (Jackson, Miss: University Press of Mississippi, 2003)
Berger, Harris M., and Michael Thomas Carroll, Global Pop, Local Language (Jackson, UNITED STATES: University Press of Mississippi, 2003) <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=840340>
Björnberg, Alf, ‘Return to Ethnicity: The Cultural Significance of Musical Change in the Eurovision Song Contest’, in A Song for Europe: Popular Music and Politics in the Eurovision Song Contest (Aldershot: Ashgate, 2007)
Bloechl, Olivia Ashley, Native American Song at the Frontiers of Early Modern Music (Cambridge: Cambridge University Press, 2008)
Bohlman, Philip V., ‘The European Discovery of Music in the Islamic World and the “Non-Western”’, The Journal of Musicology, 5.2 (1987), 147–63 <https://doi.org/10.2307/763849>
———, World Music: A Very Short Introduction (Oxford: Oxford University Press, 2002), lxv
Booth, Mark W., ‘Campe-Toi! On the Origins and Definitions’, in Camp (London: Quartet, 1983)
Born, Georgina, and David Hesmondhalgh, ‘Introduction: On Difference, Representation and Appropriation in Music’, in Western Music and Its Others: Difference, Representation, and Appropriation in Music (Berkeley: University of California Press, 2000)
———, Western Music and Its Others: Difference, Representation, and Appropriation in Music (Berkeley: University of California Press, 2000)
Bové, Paul A, Edward Said and the Work of the Critic: Speaking Truth to Power (Durham: Duke University Press, 2000)
Browner, Tara, Music of the First Nations: Tradition and Innovation in Native North America (Urbana: University of Illinois Press, 2009)
Cheah, Elena, An Orchestra Beyond Borders: Voices of the West-Eastern Divan Orchestra (London: Verso, 2009)
Cooke, Mervyn, ‘"The East in the West”: Evocations of the Gamelan in Western Music’, in The Exotic in Western Music (Boston: Northeastern University Press, 1998)
Cruz, Gabriela, ‘Aida’s Flutes’, Cambridge Opera Journal, 14.1 (2002) <https://www.jstor.org/stable/3878290?seq=1#metadata_info_tab_contents>
Etherington, Ben, ‘Instrumentalising Musical Ethics: Edward Said and the West-Eastern Divan Orchestra’, Australasian Music Research, 9, 2007, 121–29 <https://search.informit.com.au/documentSummary;dn=988049973656075;res=IELHSS;type=pdf>
Feld, S., ‘A Sweet Lullaby for World Music’, Public Culture, 12.1 (2000), 145–71 <https://doi.org/10.1215/08992363-12-1-145>
Feld, Steven, ‘Pygmy POP. A Genealogy of Schizophonic Mimesis’, Yearbook for Traditional Music, 28 (1996) <https://doi.org/10.2307/767805>
———, ‘The Poetics and Politics of Pygmy Pop’, in Western Music and Its Others: Difference, Representation, and Appropriation in Music (Berkeley: University of California Press, 2000)
Fink, Robert, ‘Klinghoffer in Brooklyn Heights’, Cambridge Opera Journal, 17.02 (2005) <https://doi.org/10.1017/S0954586705001989>
Francaviglia, Richard V., Go East, Young Man: Imagining the American West as the Orient (Logan, Utah: Utah State University Press, 2011)
———, Go East, Young Man: Imagining the American West as the Orient (Logan: Utah State University Press, 2011) <http://www.oapen.org/search?identifier=625249>
———, Go East, Young Man: Imagining the American West as the Orient (Logan, Utah: Utah State University Press, 2011)
———, Go East, Young Man: Imagining the American West as the Orient (Logan: Utah State University Press, 2011) <http://www.oapen.org/search?identifier=625249>
Gorbman, Claudia, ‘Scoring the Liberal Western’, in Western Music and Its Others: Difference, Representation, and Appropriation in Music (Berkeley: University of California Press, 2000)
Greenwald, Helen M., ‘Picturing Cio-Cio-San: House, Screen, and Ceremony in Puccini’s “Madama Butterfly”’, Cambridge Opera Journal, 12.3 (2000) <https://www.jstor.org/stable/3250716>
Groos, Arthur, ‘Cio-Cio-San and Sadayakko: Japanese Music-Theater in Madama Butterfly’, Monumenta Nipponica, 54.1 (1999) <https://doi.org/10.2307/2668273>
Guarracino, Serena, ‘Verdi’s Aida Across the Mediterranean (And Beyond)’, California Italian Studies, 1.1 (2010) <https://escholarship.org/uc/item/9tj7h4wv>
Gumpert, Matthew, ‘“Everyway That I Can”: Auto-Orientalism at Eurovision 2003’, in A Song for Europe: Popular Music and Politics in the Eurovision Song Contest (Aldershot: Ashgate, 2007)
Head, Matthew, ‘Musicology on Safari: Orientalism and the Spectre of Postcolonial Theory’, Music Analysis, 22.1 (2003) <https://www.jstor.org/stable/3700422?seq=1#metadata_info_tab_contents>
———, Orientalism, Masquerade and Mozart’s Turkish Music (London: Royal Musical Association, 2000), no. 9
Hesmondhalgh, David, and Georgina Born, Western Music and Its Others : Difference, Representation, and Appropriation in Music (Berkeley, UNITED STATES: University of California Press, 2000) <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=223029>
Huebner, Steven, ‘“O Patria Mia”: Patriotism, Dream, Death’, Cambridge Opera Journal, 14.1 (2002) <https://www.jstor.org/stable/3878289?seq=1#metadata_info_tab_contents>
Hunter, Mary, ‘The Alla Turca Style in the Late Eighteenth Century: Race and Gender in the Symphony and the Seraglio’, in The Exotic in Western Music (Boston: Northeastern University Press, 1998)
Large, Brian, and James Levin, ‘Aida: Opera in Four Acts’ <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2123053850002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,aida&sortby=rank&facet=rtype,include,media&offset=0>
Lee, Josephine D., The Japan of Pure Invention: Gilbert and Sullivan’s The Mikado (Minneapolis, Minn: University of Minnesota Press, 2010)
Lemish, Dafna, ‘Gay Brotherhood: Israeli Gay Men and the Eurovision Song Contest’, in A Song for Europe: Popular Music and Politics in the Eurovision Song Contest (Aldershot: Ashgate, 2007)
Lewis, Bernard, ‘The Question of Orientalism’, The New York Review of Books, June 24, 1982, 1982 <https://www.nybooks.com/articles/1982/06/24/the-question-of-orientalism/>
Locke, Ralph P., ‘Beyond the Exotic: How “Eastern” Is Aida?’, Cambridge Opera Journal, 17.2 (2005) <https://www.jstor.org/stable/3878257?seq=1#metadata_info_tab_contents>
———, ‘Constructing the Oriental “Other”: Saint-Saëns’s “Samson et Dalila”’, Cambridge Opera Journal, 3.3 (1991) <https://www.jstor.org/stable/823619#metadata_info_tab_contents>
———, ‘Cutthroats and Casbah Dancers, Muezzins and Timeless Sands: Musical Images of the Middle East’, 19th-Century Music, 22.1 (1998), 20–53 <https://doi.org/10.2307/746790>
———, Music and the Exotic from the Renaissance to Mozart (Cambridge: Cambridge University Press, 2017)
———, Music and the Exotic From the Renaissance to Mozart, 2015 <https://www.fulcrum.org/concern/monographs/kw52j8644>
———, Musical Exoticism: Images and Reflections (Cambridge: Cambridge University Press, 2009)
———, Musical Exoticism: Images and Reflections (Cambridge: Cambridge University Press, 2009)
———, Musical Exoticism: Images and Reflections (Cambridge: Cambridge University Press, 2009)
———, ‘On Exoticism, Western Art Music, and the Words We Use’, Archiv Für Musikwissenschaft, 2012 <https://www.jstor.org/stable/23375158?seq=1#metadata_info_tab_contents>
———, ‘Reflections on Orientalism in Opera (And Musical Theater)’, Revista de Musicología, 16.6 (1993) <https://doi.org/10.2307/20796920>
Longobardi, Ruth Sara, ‘Re-Producing Klinghoffer: Opera and Arab Identity Before and After 9/11’, Journal of the Society for American Music, 3.03 (2009) <https://doi.org/10.1017/S1752196309990435>
Machin-Autenrieth, Matthew, Flamenco, Regionalism, and Musical Heritage in Southern Spain (London: Routledge, 2017) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315582504>
Machin-Autenrieth, Matthew and University of London. School of Oriental and African Studies, Flamenco, Regionalism and Musical Heritage in Southern Spain (London: Routledge, 2017)
Mackenzie, John M., ‘Chapter 1: The Orientalism Debate’, in Orientalism: History, Theory, and the Arts (Manchester: Manchester University Press, 1995)
MacKenzie, John M., Orientalism: History, Theory, and the Arts (Manchester: Manchester University Press, 1995)
May, Thomas, The John Adams Reader: Essential Writings on an American Composer (Pompton Plains, N.J.: Amadeus, 2006)
Meintjes, Louise, ‘Paul Simon’s Graceland, South Africa, and the Mediation of Musical Meaning’, Ethnomusicology, 34.1 (1990) <https://doi.org/10.2307/852356>
Melman, Billie, Women’s Orients: English Women and the Middle East, 1718-1918: Sexuality, Religion and Work (Basingstoke: Macmillan, 1990)
O’Connell, John Morgan, ‘In the Time of Alaturka: Identifying Difference in Musical Discourse’, Ethnomusicology, 49.2 (2005) <https://www.jstor.org/stable/20174375>
Pasler, Jann, ‘Theorizing Race in Nineteenth-Century France: Music as Emblem of Identity’, The Musical Quarterly, 89.4 (2006) <https://www.jstor.org/stable/25172849?seq=1#metadata_info_tab_contents>
Perlove, Nina, ‘Inherited Sound Images: Native American Exoticism in Aaron Copland’s Duo for Flute and Piano’, American Music, 18.1 (2000) <https://doi.org/10.2307/3052390>
Piotrowska, Anna G., ‘About Twin Song Festivals in Eastern and Western Europe: Intervision and Eurovision’, International Review of the Aesthetics and Sociology of Music, 47.1 (2016) <https://www.jstor.org/stable/43869457?seq=1#metadata_info_tab_contents>
Pisani, Michael V., Imagining Native America in Music (New Haven, Conn: Yale University Press, 2005)
———, Imagining Native America in Music (New Haven, Conn: Yale University Press, 2005)
Pratt, Mary Louise, Imperial Eyes: Travel Writing and Transculturation (London: Routledge, 1992)
———, Imperial Eyes: Travel Writing and Transculturation (London: Routledge, 1992) <http://www.myilibrary.com?id=35437>
Raykoff, Ivan, ‘Camping on the Borders of Europe’, in A Song for Europe: Popular Music and Politics in the Eurovision Song Contest (Aldershot: Ashgate, 2007)
Riiser, Solveig, ‘National Identity and the West-Eastern Divan Orchestra’, Music and Arts in Action, 2.2 (2010), 19–37 <http://www.musicandartsinaction.net/index.php/maia/article/view/nationalidentity>
Robinson, Paul, ‘Is “Aida” an Orientalist Opera?’, Cambridge Opera Journal, 5.2 (1993) <https://www.jstor.org/stable/823799?seq=1#metadata_info_tab_contents>
Rosenberg, Ruth E., ‘Among Compatriots and Savages: The Music of France’s Lost Empire’, The Musical Quarterly, 95.1 (2012) <https://www.jstor.org/stable/41478969?seq=1#metadata_info_tab_contents>
Said, Edward, ‘Chapter 1: The Scope’, in Orientalism, [New ed.] (London: Penguin, 2003)
Said, Edward W., ‘Introduction’, in Culture and Imperialism (London: Vintage, 1994)
———, ‘The Imperial Spectacle’, Grand Street, 6.2 (1987) <https://doi.org/10.2307/25006961>
Scott, Derek B., ‘Orientalism and Musical Style’, The Musical Quarterly, 82.2 (1998) <https://www.jstor.org/stable/742411>
Seta, Fabrizio Della, and Arthur Groos, ‘“O Cieli Azzurri”: Exoticism and Dramatic Discourse in “Aida”’, Cambridge Opera Journal, 3.1 (1991) <https://www.jstor.org/stable/823648?seq=1#metadata_info_tab_contents>
Shay, Anthony, and Barbara Sellers-Young, ‘Belly Dance: Orientalism: Exoticism: Self-Exoticism’, Dance Research Journal, 35.1 (2003) <https://www.jstor.org/stable/1478477?seq=1#metadata_info_tab_contents>
Solomon, Thomas, ‘The Oriental Body on the European Stage: Producing Turkish Cultural Identity on the Margins of Europe’, in Empire of Song: Europe and Nation in the Eurovision Song Contest, ed. by Dafni Tragaki (Lanham: The Scarecrow Press, 2013), xv
Swedenburg, Ted, ‘Saida Sultan/Danna International: Transgender Pop and the Polysemiotics of Sex, Nation, and Ethnicity on the Israeli-Egyptian Border’, The Musical Quarterly, 81.1 (1997) <https://www.jstor.org/stable/742451?seq=1#metadata_info_tab_contents>
Taruskin, Richard, Defining Russia Musically: Historical and Hermeneutical Essays (Princeton, N.J: Princeton University Press, 1997)
———, Music in the Nineteenth Century (Oxford: Oxford University Press, 2010), iii <http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833.xml>
———, ‘Music’s Dangers And The Case For Control: The Dangers of Music and the Case for Control’, New York Times (1923-Current File), 2001 <https://search.proquest.com/docview/92107235?accountid=11455>
———, The Oxford History of Western Music: Vol. 3: Music in the Nineteenth Century (Oxford University Press, 2010)
Taylor, Timothy Dean, Beyond Exoticism: Western Music and the World (Durham: Duke University Press, 2007)
———, ‘Some Versions of Difference: Discourses of Hybridity in Transnational Musics’, in Beyond Exoticism: Western Music and the World (Durham: Duke University Press, 2007)
Tragaki, Dafne, ‘The Monsters’ Dream: Fantasies of the Empire Within’, in Empire of Song: Europe and Nation in the Eurovision Song Contest, ed. by Dafni Tragaki (Lanham: The Scarecrow Press, 2013), xv
White, Bob W., Music and Globalization: Critical Encounters (Bloomington: Indiana University Press, 2012) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=670297>
Williams, Carolyn, Gilbert and Sullivan: Gender, Genre, Parody (New York: Columbia University Press, 2012) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=908700>
———, Gilbert and Sullivan: Gender, Genre, Parody (New York: Columbia University Press, 2012) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=908700>
Willson, Rachel Beckles, ‘The Parallax Worlds of the West–Eastern Divan Orchestra’, Journal of the Royal Musical Association, 134.2 (2009), 319–47 <https://doi.org/10.1080/02690400903109109>
Winegar, Jessica, ‘The Humanity Game: Art, Islam, and the War on Terror’, Anthropological Quarterly, 81.3 (2008) <https://www.jstor.org/stable/25488228?seq=1#metadata_info_tab_contents>
Wolff, Larry, The Singing Turk: Ottoman Power and Operatic Emotions on the European Stage From the Siege of Vienna to the Age of Napoleon (Stanford: Stanford University Press, 2016)
Yoshihara, Mari, ‘The Flight of the Japanese Butterfly: Orientalism, Nationalism, and Performances of Japanese Womanhood’, American Quarterly, 56.4 (2004) <https://www.jstor.org/stable/40068292?seq=1#metadata_info_tab_contents>
