Adams, John, Penny Woolcock, and Alice Goodman. 2003. ‘The Death of Klinghoffer’. Decca. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2132060420002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,The%20death%20of%20Klinghoffer&sortby=date&facet=frbrgroupid,include,1288048280&offset=0.
Andre, Naomi. 2018a. Black Opera: History, Power, Engagement. Champaign: University of Illinois Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5404257.
———. 2018b. ‘Conclusion: Engaged Musicology, Political Action, and Social Justice’. In Black Opera: History, Power, Engagement. Urbana: University of Illinois Press.
———. 2018c. ‘Conclusion: Engaged Musicology, Political Action, and Social Justice’. In Black Opera: History, Power, Engagement. Champaign: University of Illinois Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5404257.
André, Naomi Adele. 2018. Black Opera: History, Power, Engagement. Urbana: University of Illinois Press.
Ashcroft, Bill, and D. P. S. Ahluwalia. 2009. Edward Said. London: Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=179693.
Ashcroft, Bill, and Pal Ahluwalia. 2001. Edward Said. [New] ed. New York: Routledge.
Ayres, Brenda. 2003. The Emperor’s Old Groove: Decolonizing Disney’s Magic Kingdom. New York: P. Lang.
Beckerman, Michael. 1993. ‘The Master’s Little Joke: Antonín Dvořák and the Mask of Nation’. In Dvorák and His World. Princeton, N.J.: Princeton University Press.
Beckerman, Michael Brim. 1993a. Dvorák and His World. Princeton, N.J.: Princeton University Press.
———. 1993b. Dvorak and His World. Princeton, N.J.: Princeton University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3030296.
Beckles Willson, Rachel. 2009. ‘Whose Utopia? Perspectives on the West-Eastern Divan Orchestra’. Music & Politics 3 (2). http://dx.doi.org/10.3998/mp.9460447.0003.201.
Bellman, Jonathan. 1998. The Exotic in Western Music. Boston: Northeastern University Press.
Bellman, Jonathan D. 2011. ‘Musical Voyages and Their Baggage: Orientalism in Music and Critical Musicology’. The Musical Quarterly 94 (3). https://www.jstor.org/stable/41289212?seq=1#metadata_info_tab_contents.
Berger, Harris, and Michael Thomas Carroll. 2003. Global Pop, Local Language. Jackson, Miss: University Press of Mississippi.
Berger, Harris M., and Michael Thomas Carroll. 2003. Global Pop, Local Language. Jackson, UNITED STATES: University Press of Mississippi. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=840340.
Björnberg, Alf. 2007. ‘Return to Ethnicity: The Cultural Significance of Musical Change in the Eurovision Song Contest’. In A Song for Europe: Popular Music and Politics in the Eurovision Song Contest. Aldershot: Ashgate.
Bloechl, Olivia Ashley. 2008. Native American Song at the Frontiers of Early Modern Music. Cambridge: Cambridge University Press.
Bohlman, Philip V. 1987. ‘The European Discovery of Music in the Islamic World and the “Non-Western”’. The Journal of Musicology 5 (2): 147–63. https://doi.org/10.2307/763849.
———. 2002. World Music: A Very Short Introduction. Vol. 65. Oxford: Oxford University Press.
Booth, Mark W. 1983. ‘Campe-Toi! On the Origins and Definitions’. In Camp. London: Quartet.
Born, Georgina, and David Hesmondhalgh. 2000a. ‘Introduction: On Difference, Representation and Appropriation in Music’. In Western Music and Its Others: Difference, Representation, and Appropriation in Music. Berkeley: University of California Press.
———. 2000b. Western Music and Its Others: Difference, Representation, and Appropriation in Music. Berkeley: University of California Press.
Bové, Paul A. 2000. Edward Said and the Work of the Critic: Speaking Truth to Power. Durham: Duke University Press.
Browner, Tara. 2009. Music of the First Nations: Tradition and Innovation in Native North America. Urbana: University of Illinois Press.
Cheah, Elena. 2009. An Orchestra Beyond Borders: Voices of the West-Eastern Divan Orchestra. London: Verso.
Cooke, Mervyn. 1998. ‘"The East in the West”: Evocations of the Gamelan in Western Music’. In The Exotic in Western Music. Boston: Northeastern University Press.
Cruz, Gabriela. 2002. ‘Aida’s Flutes’. Cambridge Opera Journal 14 (1). https://www.jstor.org/stable/3878290?seq=1#metadata_info_tab_contents.
Etherington, Ben. 2007. ‘Instrumentalising Musical Ethics: Edward Said and the West-Eastern Divan Orchestra’. Australasian Music Research, no. 9: 121–29. https://search.informit.com.au/documentSummary;dn=988049973656075;res=IELHSS;type=pdf.
Feld, S. 2000. ‘A Sweet Lullaby for World Music’. Public Culture 12 (1): 145–71. https://doi.org/10.1215/08992363-12-1-145.
Feld, Steven. 1996. ‘Pygmy POP. A Genealogy of Schizophonic Mimesis’. Yearbook for Traditional Music 28. https://doi.org/10.2307/767805.
———. 2000. ‘The Poetics and Politics of Pygmy Pop’. In Western Music and Its Others: Difference, Representation, and Appropriation in Music. Berkeley: University of California Press.
Fink, Robert. 2005. ‘Klinghoffer in Brooklyn Heights’. Cambridge Opera Journal 17 (02). https://doi.org/10.1017/S0954586705001989.
Francaviglia, Richard V. 2011a. Go East, Young Man: Imagining the American West as the Orient. Logan, Utah: Utah State University Press.
———. 2011b. Go East, Young Man: Imagining the American West as the Orient. Logan: Utah State University Press. http://www.oapen.org/search?identifier=625249.
———. 2011c. Go East, Young Man: Imagining the American West as the Orient. Logan, Utah: Utah State University Press.
———. 2011d. Go East, Young Man: Imagining the American West as the Orient. Logan: Utah State University Press. http://www.oapen.org/search?identifier=625249.
Gorbman, Claudia. 2000. ‘Scoring the Liberal Western’. In Western Music and Its Others: Difference, Representation, and Appropriation in Music. Berkeley: University of California Press.
Greenwald, Helen M. 2000. ‘Picturing Cio-Cio-San: House, Screen, and Ceremony in Puccini’s “Madama Butterfly”’. Cambridge Opera Journal 12 (3). https://www.jstor.org/stable/3250716.
Groos, Arthur. 1999. ‘Cio-Cio-San and Sadayakko: Japanese Music-Theater in Madama Butterfly’. Monumenta Nipponica 54 (1). https://doi.org/10.2307/2668273.
Guarracino, Serena. 2010. ‘Verdi’s Aida Across the Mediterranean (And Beyond)’. California Italian Studies 1 (1). https://escholarship.org/uc/item/9tj7h4wv.
Gumpert, Matthew. 2007. ‘“Everyway That I Can”: Auto-Orientalism at Eurovision 2003’. In A Song for Europe: Popular Music and Politics in the Eurovision Song Contest. Aldershot: Ashgate.
Head, Matthew. 2000. Orientalism, Masquerade and Mozart’s Turkish Music. Vol. no. 9. London: Royal Musical Association.
———. 2003. ‘Musicology on Safari: Orientalism and the Spectre of Postcolonial Theory’. Music Analysis 22 (1). https://www.jstor.org/stable/3700422?seq=1#metadata_info_tab_contents.
Hesmondhalgh, David, and Georgina Born. 2000. Western Music and Its Others : Difference, Representation, and Appropriation in Music. Berkeley, UNITED STATES: University of California Press. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=223029.
Huebner, Steven. 2002. ‘“O Patria Mia”: Patriotism, Dream, Death’. Cambridge Opera Journal 14 (1). https://www.jstor.org/stable/3878289?seq=1#metadata_info_tab_contents.
Hunter, Mary. 1998. ‘The Alla Turca Style in the Late Eighteenth Century: Race and Gender in the Symphony and the Seraglio’. In The Exotic in Western Music. Boston: Northeastern University Press.
Large, Brian, and James Levin. n.d. ‘Aida: Opera in Four Acts’. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2123053850002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,aida&sortby=rank&facet=rtype,include,media&offset=0.
Lee, Josephine D. 2010. The Japan of Pure Invention: Gilbert and Sullivan’s The Mikado. Minneapolis, Minn: University of Minnesota Press.
Lemish, Dafna. 2007. ‘Gay Brotherhood: Israeli Gay Men and the Eurovision Song Contest’. In A Song for Europe: Popular Music and Politics in the Eurovision Song Contest. Aldershot: Ashgate.
Lewis, Bernard. 1982. ‘The Question of Orientalism’. The New York Review of Books, no. June 24, 1982. https://www.nybooks.com/articles/1982/06/24/the-question-of-orientalism/.
Locke, Ralph P. 1991. ‘Constructing the Oriental “Other”: Saint-Saëns’s “Samson et Dalila”’. Cambridge Opera Journal 3 (3). https://www.jstor.org/stable/823619#metadata_info_tab_contents.
———. 1993. ‘Reflections on Orientalism in Opera (And Musical Theater)’. Revista de Musicología 16 (6). https://doi.org/10.2307/20796920.
———. 1998. ‘Cutthroats and Casbah Dancers, Muezzins and Timeless Sands: Musical Images of the Middle East’. 19th-Century Music 22 (1): 20–53. https://doi.org/10.2307/746790.
———. 2005. ‘Beyond the Exotic: How “Eastern” Is Aida?’ Cambridge Opera Journal 17 (2). https://www.jstor.org/stable/3878257?seq=1#metadata_info_tab_contents.
———. 2009a. Musical Exoticism: Images and Reflections. Cambridge: Cambridge University Press.
———. 2009b. Musical Exoticism: Images and Reflections. Cambridge: Cambridge University Press.
———. 2009c. Musical Exoticism: Images and Reflections. Cambridge: Cambridge University Press.
———. 2012. ‘On Exoticism, Western Art Music, and the Words We Use’. Archiv Für Musikwissenschaft. https://www.jstor.org/stable/23375158?seq=1#metadata_info_tab_contents.
———. 2015. Music and the Exotic From the Renaissance to Mozart. https://www.fulcrum.org/concern/monographs/kw52j8644.
———. 2017. Music and the Exotic from the Renaissance to Mozart. Cambridge: Cambridge University Press.
Longobardi, Ruth Sara. 2009. ‘Re-Producing Klinghoffer: Opera and Arab Identity Before and After 9/11’. Journal of the Society for American Music 3 (03). https://doi.org/10.1017/S1752196309990435.
Machin-Autenrieth, Matthew. 2017. Flamenco, Regionalism, and Musical Heritage in Southern Spain. London: Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315582504.
Machin-Autenrieth, Matthew and University of London. School of Oriental and African Studies. 2017. Flamenco, Regionalism and Musical Heritage in Southern Spain. London: Routledge.
Mackenzie, John M. 1995. ‘Chapter 1: The Orientalism Debate’. In Orientalism: History, Theory, and the Arts. Manchester: Manchester University Press.
MacKenzie, John M. 1995. Orientalism: History, Theory, and the Arts. Manchester: Manchester University Press.
May, Thomas. 2006. The John Adams Reader: Essential Writings on an American Composer. Pompton Plains, N.J.: Amadeus.
Meintjes, Louise. 1990. ‘Paul Simon’s Graceland, South Africa, and the Mediation of Musical Meaning’. Ethnomusicology 34 (1). https://doi.org/10.2307/852356.
Melman, Billie. 1990. Women’s Orients: English Women and the Middle East, 1718-1918: Sexuality, Religion and Work. Basingstoke: Macmillan.
O’Connell, John Morgan. 2005. ‘In the Time of Alaturka: Identifying Difference in Musical Discourse’. Ethnomusicology 49 (2). https://www.jstor.org/stable/20174375.
Pasler, Jann. 2006. ‘Theorizing Race in Nineteenth-Century France: Music as Emblem of Identity’. The Musical Quarterly 89 (4). https://www.jstor.org/stable/25172849?seq=1#metadata_info_tab_contents.
Perlove, Nina. 2000. ‘Inherited Sound Images: Native American Exoticism in Aaron Copland’s Duo for Flute and Piano’. American Music 18 (1). https://doi.org/10.2307/3052390.
Piotrowska, Anna G. 2016. ‘About Twin Song Festivals in Eastern and Western Europe: Intervision and Eurovision’. International Review of the Aesthetics and Sociology of Music 47 (1). https://www.jstor.org/stable/43869457?seq=1#metadata_info_tab_contents.
Pisani, Michael V. 2005a. Imagining Native America in Music. New Haven, Conn: Yale University Press.
———. 2005b. Imagining Native America in Music. New Haven, Conn: Yale University Press.
Pratt, Mary Louise. 1992a. Imperial Eyes: Travel Writing and Transculturation. London: Routledge.
———. 1992b. Imperial Eyes: Travel Writing and Transculturation. London: Routledge. http://www.myilibrary.com?id=35437.
Raykoff, Ivan. 2007. ‘Camping on the Borders of Europe’. In A Song for Europe: Popular Music and Politics in the Eurovision Song Contest. Aldershot: Ashgate.
Riiser, Solveig. 2010. ‘National Identity and the West-Eastern Divan Orchestra’. Music and Arts in Action 2 (2): 19–37. http://www.musicandartsinaction.net/index.php/maia/article/view/nationalidentity.
Robinson, Paul. 1993. ‘Is “Aida” an Orientalist Opera?’ Cambridge Opera Journal 5 (2). https://www.jstor.org/stable/823799?seq=1#metadata_info_tab_contents.
Rosenberg, Ruth E. 2012. ‘Among Compatriots and Savages: The Music of France’s Lost Empire’. The Musical Quarterly 95 (1). https://www.jstor.org/stable/41478969?seq=1#metadata_info_tab_contents.
Said, Edward. 2003. ‘Chapter 1: The Scope’. In Orientalism, [New ed.]. London: Penguin.
Said, Edward W. 1987. ‘The Imperial Spectacle’. Grand Street 6 (2). https://doi.org/10.2307/25006961.
———. 1994. ‘Introduction’. In Culture and Imperialism. London: Vintage.
Scott, Derek B. 1998. ‘Orientalism and Musical Style’. The Musical Quarterly 82 (2). https://www.jstor.org/stable/742411.
Seta, Fabrizio Della, and Arthur Groos. 1991. ‘“O Cieli Azzurri”: Exoticism and Dramatic Discourse in “Aida”’. Cambridge Opera Journal 3 (1). https://www.jstor.org/stable/823648?seq=1#metadata_info_tab_contents.
Shay, Anthony, and Barbara Sellers-Young. 2003. ‘Belly Dance: Orientalism: Exoticism: Self-Exoticism’. Dance Research Journal 35 (1). https://www.jstor.org/stable/1478477?seq=1#metadata_info_tab_contents.
Solomon, Thomas. 2013. ‘The Oriental Body on the European Stage: Producing Turkish Cultural Identity on the Margins of Europe’. In Empire of Song: Europe and Nation in the Eurovision Song Contest, edited by Dafni Tragaki. Vol. 15. Lanham: The Scarecrow Press.
Swedenburg, Ted. 1997. ‘Saida Sultan/Danna International: Transgender Pop and the Polysemiotics of Sex, Nation, and Ethnicity on the Israeli-Egyptian Border’. The Musical Quarterly 81 (1). https://www.jstor.org/stable/742451?seq=1#metadata_info_tab_contents.
Taruskin, Richard. 1997. Defining Russia Musically: Historical and Hermeneutical Essays. Princeton, N.J: Princeton University Press.
———. 2001. ‘Music’s Dangers And The Case For Control: The Dangers of Music and the Case for Control’. New York Times (1923-Current File). https://search.proquest.com/docview/92107235?accountid=11455.
———. 2010a. Music in the Nineteenth Century. Vol. 3. Oxford: Oxford University Press. http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833.xml.
———. 2010b. The Oxford History of Western Music: Vol. 3: Music in the Nineteenth Century. Oxford University Press.
Taylor, Timothy Dean. 2007a. Beyond Exoticism: Western Music and the World. Durham: Duke University Press.
———. 2007b. ‘Some Versions of Difference: Discourses of Hybridity in Transnational Musics’. In Beyond Exoticism: Western Music and the World. Durham: Duke University Press.
Tragaki, Dafne. 2013. ‘The Monsters’ Dream: Fantasies of the Empire Within’. In Empire of Song: Europe and Nation in the Eurovision Song Contest, edited by Dafni Tragaki. Vol. 15. Lanham: The Scarecrow Press.
White, Bob W. 2012. Music and Globalization: Critical Encounters. Bloomington: Indiana University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=670297.
Williams, Carolyn. 2012a. Gilbert and Sullivan: Gender, Genre, Parody. New York: Columbia University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=908700.
———. 2012b. Gilbert and Sullivan: Gender, Genre, Parody. New York: Columbia University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=908700.
Willson, Rachel Beckles. 2009. ‘The Parallax Worlds of the West–Eastern Divan Orchestra’. Journal of the Royal Musical Association 134 (2): 319–47. https://doi.org/10.1080/02690400903109109.
Winegar, Jessica. 2008. ‘The Humanity Game: Art, Islam, and the War on Terror’. Anthropological Quarterly 81 (3). https://www.jstor.org/stable/25488228?seq=1#metadata_info_tab_contents.
Wolff, Larry. 2016. The Singing Turk: Ottoman Power and Operatic Emotions on the European Stage From the Siege of Vienna to the Age of Napoleon. Stanford: Stanford University Press.
Yoshihara, Mari. 2004. ‘The Flight of the Japanese Butterfly: Orientalism, Nationalism, and Performances of Japanese Womanhood’. American Quarterly 56 (4). https://www.jstor.org/stable/40068292?seq=1#metadata_info_tab_contents.
