Adams, J., Woolcock, P., & Goodman, A. (2003). The Death of Klinghoffer. Decca. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2132060420002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,The%20death%20of%20Klinghoffer&sortby=date&facet=frbrgroupid,include,1288048280&offset=0
Andre, N. (2018a). Black Opera: History, Power, Engagement. University of Illinois Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5404257
Andre, N. (2018b). Conclusion: Engaged Musicology, Political Action, and Social Justice. In Black opera: history, power, engagement. University of Illinois Press.
Andre, N. (2018c). Conclusion: Engaged Musicology, Political Action, and Social Justice. In Black Opera: History, Power, Engagement. University of Illinois Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5404257
André, N. A. (2018). Black opera: history, power, engagement. University of Illinois Press.
Ashcroft, B., & Ahluwalia, D. P. S. (2009). Edward Said. Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=179693
Ashcroft, B., & Ahluwalia, P. (2001). Edward Said ([New] ed). Routledge.
Ayres, B. (2003). The Emperor’s Old Groove: Decolonizing Disney’s Magic Kingdom. P. Lang.
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Beckerman, M. B. (1993a). Dvorák and His World. Princeton University Press.
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Beckles Willson, R. (2009). Whose Utopia? Perspectives on the West-Eastern Divan Orchestra. Music & Politics, 3(2). http://dx.doi.org/10.3998/mp.9460447.0003.201
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Berger, H., & Carroll, M. T. (2003). Global pop, local language. University Press of Mississippi.
Berger, H. M., & Carroll, M. T. (2003). Global Pop, Local Language. University Press of Mississippi. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=840340
Björnberg, A. (2007). Return to Ethnicity: The Cultural Significance of Musical Change in the Eurovision Song Contest. In A Song for Europe: Popular Music and Politics in the Eurovision Song Contest. Ashgate.
Bloechl, O. A. (2008). Native American song at the frontiers of early modern music. Cambridge University Press.
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Born, G., & Hesmondhalgh, D. (2000a). Introduction: On Difference, Representation and Appropriation in Music. In Western Music and Its Others: Difference, Representation, and Appropriation in Music. University of California Press.
Born, G., & Hesmondhalgh, D. (2000b). Western Music and Its Others: Difference, Representation, and Appropriation in Music. University of California Press.
Bové, P. A. (2000). Edward Said and the work of the critic: speaking truth to power. Duke University Press.
Browner, T. (2009). Music of the First Nations: Tradition and Innovation in Native North America. University of Illinois Press.
Cheah, E. (2009). An Orchestra Beyond Borders: Voices of the West-Eastern Divan Orchestra. Verso.
Cooke, M. (1998). "The East in the West”: Evocations of the Gamelan in Western Music. In The Exotic in Western Music. Northeastern University Press.
Cruz, G. (2002). Aida’s Flutes. Cambridge Opera Journal, 14(1). https://www.jstor.org/stable/3878290?seq=1#metadata_info_tab_contents
Etherington, B. (2007). Instrumentalising Musical Ethics: Edward Said and the West-Eastern Divan Orchestra. Australasian Music Research, 9, 121–129. https://search.informit.com.au/documentSummary;dn=988049973656075;res=IELHSS;type=pdf
Feld, S. (1996). Pygmy POP. A Genealogy of Schizophonic Mimesis. Yearbook for Traditional Music, 28. https://doi.org/10.2307/767805
Feld, S. (2000a). A Sweet Lullaby for World Music. Public Culture, 12(1), 145–171. https://doi.org/10.1215/08992363-12-1-145
Feld, S. (2000b). The Poetics and Politics of Pygmy Pop. In Western Music and Its Others: Difference, Representation, and Appropriation in Music. University of California Press.
Fink, R. (2005). Klinghoffer in Brooklyn Heights. Cambridge Opera Journal, 17(02). https://doi.org/10.1017/S0954586705001989
Francaviglia, R. V. (2011a). Go east, young man: imagining the American West as the Orient. Utah State University Press.
Francaviglia, R. V. (2011b). Go East, Young Man: Imagining the American West as the Orient. Utah State University Press. http://www.oapen.org/search?identifier=625249
Francaviglia, R. V. (2011c). Go east, young man: imagining the American West as the Orient. Utah State University Press.
Francaviglia, R. V. (2011d). Go East, Young Man: Imagining the American West as the Orient. Utah State University Press. http://www.oapen.org/search?identifier=625249
Gorbman, C. (2000). Scoring the Liberal Western. In Western Music and Its Others: Difference, Representation, and Appropriation in Music. University of California Press.
Greenwald, H. M. (2000). Picturing Cio-Cio-San: House, Screen, and Ceremony in Puccini’s ‘Madama Butterfly’. Cambridge Opera Journal, 12(3). https://www.jstor.org/stable/3250716
Groos, A. (1999). Cio-Cio-San and Sadayakko: Japanese Music-Theater in Madama Butterfly. Monumenta Nipponica, 54(1). https://doi.org/10.2307/2668273
Guarracino, S. (2010). Verdi’s Aida Across the Mediterranean (And Beyond). California Italian Studies, 1(1). https://escholarship.org/uc/item/9tj7h4wv
Gumpert, M. (2007). ‘Everyway That I Can’: Auto-Orientalism at Eurovision 2003. In A Song for Europe: Popular Music and Politics in the Eurovision Song Contest. Ashgate.
Head, M. (2000). Orientalism, Masquerade and Mozart’s Turkish Music: Vol. no. 9. Royal Musical Association.
Head, M. (2003). Musicology on Safari: Orientalism and the Spectre of Postcolonial Theory. Music Analysis, 22(1). https://www.jstor.org/stable/3700422?seq=1#metadata_info_tab_contents
Hesmondhalgh, D., & Born, G. (2000). Western Music and Its Others : Difference, Representation, and Appropriation in Music. University of California Press. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=223029
Huebner, S. (2002). ‘O patria mia’: Patriotism, Dream, Death. Cambridge Opera Journal, 14(1). https://www.jstor.org/stable/3878289?seq=1#metadata_info_tab_contents
Hunter, M. (1998). The Alla Turca Style in the Late Eighteenth Century: Race and Gender in the Symphony and the Seraglio. In The Exotic in Western Music. Northeastern University Press.
Large, B., & Levin, J. (n.d.). Aida: Opera in Four Acts. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2123053850002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,aida&sortby=rank&facet=rtype,include,media&offset=0
Lee, J. D. (2010). The Japan of pure invention: Gilbert and Sullivan’s The Mikado. University of Minnesota Press.
Lemish, D. (2007). Gay Brotherhood: Israeli Gay Men and the Eurovision Song Contest. In A Song for Europe: Popular Music and Politics in the Eurovision Song Contest. Ashgate.
Lewis, B. (1982). The Question of Orientalism. The New York Review of Books, June 24, 1982. https://www.nybooks.com/articles/1982/06/24/the-question-of-orientalism/
Locke, R. P. (1991). Constructing the Oriental ‘Other’: Saint-Saëns’s “Samson et Dalila”. Cambridge Opera Journal, 3(3). https://www.jstor.org/stable/823619#metadata_info_tab_contents
Locke, R. P. (1993). Reflections on Orientalism in Opera (And Musical Theater). Revista de Musicología, 16(6). https://doi.org/10.2307/20796920
Locke, R. P. (1998). Cutthroats and Casbah Dancers, Muezzins and Timeless Sands: Musical Images of the Middle East. 19th-Century Music, 22(1), 20–53. https://doi.org/10.2307/746790
Locke, R. P. (2005). Beyond the Exotic: How ‘Eastern’ Is Aida? Cambridge Opera Journal, 17(2). https://www.jstor.org/stable/3878257?seq=1#metadata_info_tab_contents
Locke, R. P. (2009a). Musical exoticism: images and reflections. Cambridge University Press.
Locke, R. P. (2009b). Musical exoticism: images and reflections. Cambridge University Press.
Locke, R. P. (2009c). Musical exoticism: images and reflections. Cambridge University Press.
Locke, R. P. (2012). On Exoticism, Western Art Music, and the Words We Use. Archiv Für Musikwissenschaft. https://www.jstor.org/stable/23375158?seq=1#metadata_info_tab_contents
Locke, R. P. (2015). Music and the Exotic From the Renaissance to Mozart. https://www.fulcrum.org/concern/monographs/kw52j8644
Locke, R. P. (2017). Music and the exotic from the Renaissance to Mozart. Cambridge University Press.
Longobardi, R. S. (2009). Re-Producing Klinghoffer: Opera and Arab Identity Before and After 9/11. Journal of the Society for American Music, 3(03). https://doi.org/10.1017/S1752196309990435
Machin-Autenrieth, M. (2017). Flamenco, Regionalism, and Musical Heritage in Southern Spain. Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315582504
Machin-Autenrieth, M. & University of London. School of Oriental and African Studies. (2017). Flamenco, regionalism and musical heritage in southern Spain. Routledge.
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May, T. (2006). The John Adams Reader: Essential Writings on an American Composer. Amadeus.
Meintjes, L. (1990). Paul Simon’s Graceland, South Africa, and the Mediation of Musical Meaning. Ethnomusicology, 34(1). https://doi.org/10.2307/852356
Melman, B. (1990). Women’s Orients: English Women and the Middle East, 1718-1918: Sexuality, Religion and Work. Macmillan.
O’Connell, J. M. (2005). In the Time of Alaturka: Identifying Difference in Musical Discourse. Ethnomusicology, 49(2). https://www.jstor.org/stable/20174375
Pasler, J. (2006). Theorizing Race in Nineteenth-Century France: Music as Emblem of Identity. The Musical Quarterly, 89(4). https://www.jstor.org/stable/25172849?seq=1#metadata_info_tab_contents
Perlove, N. (2000). Inherited Sound Images: Native American Exoticism in Aaron Copland’s Duo for Flute and Piano. American Music, 18(1). https://doi.org/10.2307/3052390
Piotrowska, A. G. (2016). About Twin Song Festivals in Eastern and Western Europe: Intervision and Eurovision. International Review of the Aesthetics and Sociology of Music, 47(1). https://www.jstor.org/stable/43869457?seq=1#metadata_info_tab_contents
Pisani, M. V. (2005a). Imagining native America in music. Yale University Press.
Pisani, M. V. (2005b). Imagining native America in music. Yale University Press.
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Pratt, M. L. (1992b). Imperial Eyes: Travel Writing and Transculturation. Routledge. http://www.myilibrary.com?id=35437
Raykoff, I. (2007). Camping on the Borders of Europe. In A Song for Europe: Popular Music and Politics in the Eurovision Song Contest. Ashgate.
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Said, E. (2003). Chapter 1: The Scope. In Orientalism ([New ed.]). Penguin.
Said, E. W. (1987). The Imperial Spectacle. Grand Street, 6(2). https://doi.org/10.2307/25006961
Said, E. W. (1994). Introduction. In Culture and Imperialism. Vintage.
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Seta, F. D., & Groos, A. (1991). ‘O cieli azzurri’: Exoticism and Dramatic Discourse in “Aida”. Cambridge Opera Journal, 3(1). https://www.jstor.org/stable/823648?seq=1#metadata_info_tab_contents
Shay, A., & Sellers-Young, B. (2003). Belly Dance: Orientalism: Exoticism: Self-Exoticism. Dance Research Journal, 35(1). https://www.jstor.org/stable/1478477?seq=1#metadata_info_tab_contents
Solomon, T. (2013). The Oriental Body on the European Stage: Producing Turkish Cultural Identity on the Margins of Europe. In D. Tragaki (Ed.), Empire of song: Europe and nation in the Eurovision Song Contest (Vol. 15). The Scarecrow Press.
Swedenburg, T. (1997). Saida Sultan/Danna International: Transgender Pop and the Polysemiotics of Sex, Nation, and Ethnicity on the Israeli-Egyptian Border. The Musical Quarterly, 81(1). https://www.jstor.org/stable/742451?seq=1#metadata_info_tab_contents
Taruskin, R. (1997). Defining Russia Musically: Historical and Hermeneutical Essays. Princeton University Press.
Taruskin, R. (2001). Music’s Dangers And The Case For Control: The Dangers of Music and the Case for Control. New York Times (1923-Current File). https://search.proquest.com/docview/92107235?accountid=11455
Taruskin, R. (2010a). Music in the Nineteenth Century (Vol. 3). Oxford University Press. http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833.xml
Taruskin, R. (2010b). The Oxford History of Western Music: Vol. 3: Music in the Nineteenth Century.
Taylor, T. D. (2007a). Beyond Exoticism: Western Music and the World. Duke University Press.
Taylor, T. D. (2007b). Some Versions of Difference: Discourses of Hybridity in Transnational Musics. In Beyond Exoticism: Western Music and the World. Duke University Press.
Tragaki, D. (2013). The Monsters’ Dream: Fantasies of the Empire Within. In D. Tragaki (Ed.), Empire of song: Europe and nation in the Eurovision Song Contest (Vol. 15). The Scarecrow Press.
White, B. W. (2012). Music and Globalization: Critical Encounters. Indiana University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=670297
Williams, C. (2012a). Gilbert and Sullivan: gender, genre, parody. Columbia University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=908700
Williams, C. (2012b). Gilbert and Sullivan: gender, genre, parody. Columbia University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=908700
Willson, R. B. (2009). The Parallax Worlds of the West–Eastern Divan Orchestra. Journal of the Royal Musical Association, 134(2), 319–347. https://doi.org/10.1080/02690400903109109
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Wolff, L. (2016). The Singing Turk: Ottoman Power and Operatic Emotions on the European Stage From the Siege of Vienna to the Age of Napoleon. Stanford University Press.
Yoshihara, M. (2004). The Flight of the Japanese Butterfly: Orientalism, Nationalism, and Performances of Japanese Womanhood. American Quarterly, 56(4). https://www.jstor.org/stable/40068292?seq=1#metadata_info_tab_contents
