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André NA. Black Opera: History, Power, Engagement. University of Illinois Press; 2018.
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Beckerman MB. Dvorák and His World. Princeton University Press; 1993.
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Beckerman MB. Dvorak and His World. Princeton University Press; 1993. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3030296
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Bellman J. The Exotic in Western Music. Northeastern University Press; 1998.
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Berger H, Carroll MT. Global Pop, Local Language. University Press of Mississippi; 2003.
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Berger HM, Carroll MT. Global Pop, Local Language. University Press of Mississippi; 2003. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=840340
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Born G, Hesmondhalgh D. Western Music and Its Others: Difference, Representation, and Appropriation in Music. University of California Press; 2000.
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Hesmondhalgh D, Born G. Western Music and Its Others : Difference, Representation, and Appropriation in Music. University of California Press; 2000. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=223029
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Francaviglia RV. Go East, Young Man: Imagining the American West as the Orient. Utah State University Press; 2011.
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Francaviglia RV. Go East, Young Man: Imagining the American West as the Orient. Utah State University Press; 2011. http://www.oapen.org/search?identifier=625249
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Andre N. Conclusion: Engaged Musicology, Political Action, and Social Justice. In: Black Opera: History, Power, Engagement. University of Illinois Press; 2018.
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Andre N. Conclusion: Engaged Musicology, Political Action, and Social Justice. In: Black Opera: History, Power, Engagement. University of Illinois Press; 2018. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5404257
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Locke RP. Constructing the Oriental ‘Other’: Saint-Saëns’s “Samson et Dalila”. Cambridge Opera Journal. 1991;3(3). https://www.jstor.org/stable/823619#metadata_info_tab_contents
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Greenwald HM. Picturing Cio-Cio-San: House, Screen, and Ceremony in Puccini’s ‘Madama Butterfly’. Cambridge Opera Journal. 2000;12(3). https://www.jstor.org/stable/3250716
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Groos A. Cio-Cio-San and Sadayakko: Japanese Music-Theater in Madama Butterfly. Monumenta Nipponica. 1999;54(1). doi:10.2307/2668273
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Locke RP. Musical Exoticism: Images and Reflections. Cambridge University Press; 2009.
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Yoshihara M. The Flight of the Japanese Butterfly: Orientalism, Nationalism, and Performances of Japanese Womanhood. American Quarterly. 2004;56(4). https://www.jstor.org/stable/40068292?seq=1#metadata_info_tab_contents
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Seta FD, Groos A. ‘O cieli azzurri’: Exoticism and Dramatic Discourse in “Aida”. Cambridge Opera Journal. 1991;3(1). https://www.jstor.org/stable/823648?seq=1#metadata_info_tab_contents
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Willson RB. The Parallax Worlds of the West–Eastern Divan Orchestra. Journal of the Royal Musical Association. 2009;134(2):319-347. doi:10.1080/02690400903109109
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Winegar J. The Humanity Game: Art, Islam, and the War on Terror. Anthropological Quarterly. 2008;81(3). https://www.jstor.org/stable/25488228?seq=1#metadata_info_tab_contents
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Fink R. Klinghoffer in Brooklyn Heights. Cambridge Opera Journal. 2005;17(02). doi:10.1017/S0954586705001989
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Longobardi RS. Re-Producing Klinghoffer: Opera and Arab Identity Before and After 9/11. Journal of the Society for American Music. 2009;3(03). doi:10.1017/S1752196309990435
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Adams J, Woolcock P, Goodman A. The Death of Klinghoffer. Published online 2003. https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2132060420002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,The%20death%20of%20Klinghoffer&sortby=date&facet=frbrgroupid,include,1288048280&offset=0
