Adams, John, Penny Woolcock, and Alice Goodman. ‘The Death of Klinghoffer’. 2003. Web. <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2132060420002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,The%20death%20of%20Klinghoffer&sortby=date&facet=frbrgroupid,include,1288048280&offset=0>.
Andre, Naomi. Black Opera: History, Power, Engagement. Champaign: University of Illinois Press, 2018. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5404257>.
---. ‘Conclusion: Engaged Musicology, Political Action, and Social Justice’. Black Opera: History, Power, Engagement. Urbana: University of Illinois Press, 2018. Print.
---. ‘Conclusion: Engaged Musicology, Political Action, and Social Justice’. Black Opera: History, Power, Engagement. Champaign: University of Illinois Press, 2018. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5404257>.
André, Naomi Adele. Black Opera: History, Power, Engagement. Urbana: University of Illinois Press, 2018. Print.
Ashcroft, Bill, and D. P. S. Ahluwalia. Edward Said. London: Routledge, 2009. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=179693>.
Ashcroft, Bill, and Pal Ahluwalia. Edward Said. [New] ed. New York: Routledge, 2001. Print.
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Beckles Willson, Rachel. ‘Whose Utopia? Perspectives on the West-Eastern Divan Orchestra’. Music & Politics 3.2 (2009): n. pag. Web. <http://dx.doi.org/10.3998/mp.9460447.0003.201>.
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Berger, Harris M., and Michael Thomas Carroll. Global Pop, Local Language. Jackson, UNITED STATES: University Press of Mississippi, 2003. Web. <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=840340>.
Björnberg, Alf. ‘Return to Ethnicity: The Cultural Significance of Musical Change in the Eurovision Song Contest’. A Song for Europe: Popular Music and Politics in the Eurovision Song Contest. Aldershot: Ashgate, 2007. Print.
Bloechl, Olivia Ashley. Native American Song at the Frontiers of Early Modern Music. Cambridge: Cambridge University Press, 2008. Print.
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Booth, Mark W. ‘Campe-Toi! On the Origins and Definitions’. Camp. London: Quartet, 1983. Print.
Born, Georgina, and David Hesmondhalgh. ‘Introduction: On Difference, Representation and Appropriation in Music’. Western Music and Its Others: Difference, Representation, and Appropriation in Music. Berkeley: University of California Press, 2000. Print.
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Bové, Paul A. Edward Said and the Work of the Critic: Speaking Truth to Power. Durham: Duke University Press, 2000. Print.
Browner, Tara. Music of the First Nations: Tradition and Innovation in Native North America. Urbana: University of Illinois Press, 2009. Print.
Cheah, Elena. An Orchestra Beyond Borders: Voices of the West-Eastern Divan Orchestra. London: Verso, 2009. Print.
Cooke, Mervyn. ‘"The East in the West”: Evocations of the Gamelan in Western Music’. The Exotic in Western Music. Boston: Northeastern University Press, 1998. Print.
Cruz, Gabriela. ‘Aida’s Flutes’. Cambridge Opera Journal 14.1 (2002): n. pag. Web. <https://www.jstor.org/stable/3878290?seq=1#metadata_info_tab_contents>.
Etherington, Ben. ‘Instrumentalising Musical Ethics: Edward Said and the West-Eastern Divan Orchestra’. Australasian Music Research 9 (2007): 121–129. Web. <https://search.informit.com.au/documentSummary;dn=988049973656075;res=IELHSS;type=pdf>.
Feld, S. ‘A Sweet Lullaby for World Music’. Public Culture 12.1 (2000): 145–171. Web.
Feld, Steven. ‘Pygmy POP. A Genealogy of Schizophonic Mimesis’. Yearbook for Traditional Music 28 (1996): n. pag. Web.
---. ‘The Poetics and Politics of Pygmy Pop’. Western Music and Its Others: Difference, Representation, and Appropriation in Music. Berkeley: University of California Press, 2000. Print.
Fink, Robert. ‘Klinghoffer in Brooklyn Heights’. Cambridge Opera Journal 17.02 (2005): n. pag. Web.
Francaviglia, Richard V. Go East, Young Man: Imagining the American West as the Orient. Logan, Utah: Utah State University Press, 2011. Print.
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---. Go East, Young Man: Imagining the American West as the Orient. Logan, Utah: Utah State University Press, 2011. Print.
---. Go East, Young Man: Imagining the American West as the Orient. Logan: Utah State University Press, 2011. Web. <http://www.oapen.org/search?identifier=625249>.
Gorbman, Claudia. ‘Scoring the Liberal Western’. Western Music and Its Others: Difference, Representation, and Appropriation in Music. Berkeley: University of California Press, 2000. Print.
Greenwald, Helen M. ‘Picturing Cio-Cio-San: House, Screen, and Ceremony in Puccini’s “Madama Butterfly”’. Cambridge Opera Journal 12.3 (2000): n. pag. Web. <https://www.jstor.org/stable/3250716>.
Groos, Arthur. ‘Cio-Cio-San and Sadayakko: Japanese Music-Theater in Madama Butterfly’. Monumenta Nipponica 54.1 (1999): n. pag. Web.
Guarracino, Serena. ‘Verdi’s Aida Across the Mediterranean (And Beyond)’. California Italian Studies 1.1 (2010): n. pag. Web. <https://escholarship.org/uc/item/9tj7h4wv>.
Gumpert, Matthew. ‘“Everyway That I Can”: Auto-Orientalism at Eurovision 2003’. A Song for Europe: Popular Music and Politics in the Eurovision Song Contest. Aldershot: Ashgate, 2007. Print.
Head, Matthew. ‘Musicology on Safari: Orientalism and the Spectre of Postcolonial Theory’. Music Analysis 22.1 (2003): n. pag. Web. <https://www.jstor.org/stable/3700422?seq=1#metadata_info_tab_contents>.
---. Orientalism, Masquerade and Mozart’s Turkish Music. no. 9. London: Royal Musical Association, 2000. Print.
Hesmondhalgh, David, and Georgina Born. Western Music and Its Others : Difference, Representation, and Appropriation in Music. Berkeley, UNITED STATES: University of California Press, 2000. Web. <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=223029>.
Huebner, Steven. ‘“O Patria Mia”: Patriotism, Dream, Death’. Cambridge Opera Journal 14.1 (2002): n. pag. Web. <https://www.jstor.org/stable/3878289?seq=1#metadata_info_tab_contents>.
Hunter, Mary. ‘The Alla Turca Style in the Late Eighteenth Century: Race and Gender in the Symphony and the Seraglio’. The Exotic in Western Music. Boston: Northeastern University Press, 1998. Print.
Large, Brian, and James Levin. ‘Aida: Opera in Four Acts’. Web. <https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2123053850002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,aida&sortby=rank&facet=rtype,include,media&offset=0>.
Lee, Josephine D. The Japan of Pure Invention: Gilbert and Sullivan’s The Mikado. Minneapolis, Minn: University of Minnesota Press, 2010. Print.
Lemish, Dafna. ‘Gay Brotherhood: Israeli Gay Men and the Eurovision Song Contest’. A Song for Europe: Popular Music and Politics in the Eurovision Song Contest. Aldershot: Ashgate, 2007. Print.
Lewis, Bernard. ‘The Question of Orientalism’. The New York Review of Books June 24, 1982 (1982): n. pag. Web. <https://www.nybooks.com/articles/1982/06/24/the-question-of-orientalism/>.
Locke, Ralph P. ‘Beyond the Exotic: How “Eastern” Is Aida?’ Cambridge Opera Journal 17.2 (2005): n. pag. Web. <https://www.jstor.org/stable/3878257?seq=1#metadata_info_tab_contents>.
---. ‘Constructing the Oriental “Other”: Saint-Saëns’s “Samson et Dalila”’. Cambridge Opera Journal 3.3 (1991): n. pag. Web. <https://www.jstor.org/stable/823619#metadata_info_tab_contents>.
---. ‘Cutthroats and Casbah Dancers, Muezzins and Timeless Sands: Musical Images of the Middle East’. 19th-Century Music 22.1 (1998): 20–53. Web.
---. Music and the Exotic from the Renaissance to Mozart. Cambridge: Cambridge University Press, 2017. Print.
---. Music and the Exotic From the Renaissance to Mozart. N.p., 2015. Web. <https://www.fulcrum.org/concern/monographs/kw52j8644>.
---. Musical Exoticism: Images and Reflections. Cambridge: Cambridge University Press, 2009. Print.
---. Musical Exoticism: Images and Reflections. Cambridge: Cambridge University Press, 2009. Print.
---. Musical Exoticism: Images and Reflections. Cambridge: Cambridge University Press, 2009. Print.
---. ‘On Exoticism, Western Art Music, and the Words We Use’. Archiv für Musikwissenschaft (2012): n. pag. Web. <https://www.jstor.org/stable/23375158?seq=1#metadata_info_tab_contents>.
---. ‘Reflections on Orientalism in Opera (And Musical Theater)’. Revista de Musicología 16.6 (1993): n. pag. Web.
Longobardi, Ruth Sara. ‘Re-Producing Klinghoffer: Opera and Arab Identity Before and After 9/11’. Journal of the Society for American Music 3.03 (2009): n. pag. Web.
Machin-Autenrieth, Matthew. Flamenco, Regionalism, and Musical Heritage in Southern Spain. London: Routledge, 2017. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315582504>.
Machin-Autenrieth, Matthew and University of London. School of Oriental and African Studies. Flamenco, Regionalism and Musical Heritage in Southern Spain. London: Routledge, 2017. Print.
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MacKenzie, John M. Orientalism: History, Theory, and the Arts. Manchester: Manchester University Press, 1995. Print.
May, Thomas. The John Adams Reader: Essential Writings on an American Composer. Pompton Plains, N.J.: Amadeus, 2006. Print.
Meintjes, Louise. ‘Paul Simon’s Graceland, South Africa, and the Mediation of Musical Meaning’. Ethnomusicology 34.1 (1990): n. pag. Web.
Melman, Billie. Women’s Orients: English Women and the Middle East, 1718-1918: Sexuality, Religion and Work. Basingstoke: Macmillan, 1990. Print.
O’Connell, John Morgan. ‘In the Time of Alaturka: Identifying Difference in Musical Discourse’. Ethnomusicology 49.2 (2005): n. pag. Web. <https://www.jstor.org/stable/20174375>.
Pasler, Jann. ‘Theorizing Race in Nineteenth-Century France: Music as Emblem of Identity’. The Musical Quarterly 89.4 (2006): n. pag. Web. <https://www.jstor.org/stable/25172849?seq=1#metadata_info_tab_contents>.
Perlove, Nina. ‘Inherited Sound Images: Native American Exoticism in Aaron Copland’s Duo for Flute and Piano’. American Music 18.1 (2000): n. pag. Web.
Piotrowska, Anna G. ‘About Twin Song Festivals in Eastern and Western Europe: Intervision and Eurovision’. International Review of the Aesthetics and Sociology of Music 47.1 (2016): n. pag. Web. <https://www.jstor.org/stable/43869457?seq=1#metadata_info_tab_contents>.
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Raykoff, Ivan. ‘Camping on the Borders of Europe’. A Song for Europe: Popular Music and Politics in the Eurovision Song Contest. Aldershot: Ashgate, 2007. Print.
Riiser, Solveig. ‘National Identity and the West-Eastern Divan Orchestra’. Music and Arts in Action 2.2 (2010): 19–37. Web. <http://www.musicandartsinaction.net/index.php/maia/article/view/nationalidentity>.
Robinson, Paul. ‘Is “Aida” an Orientalist Opera?’ Cambridge Opera Journal 5.2 (1993): n. pag. Web. <https://www.jstor.org/stable/823799?seq=1#metadata_info_tab_contents>.
Rosenberg, Ruth E. ‘Among Compatriots and Savages: The Music of France’s Lost Empire’. The Musical Quarterly 95.1 (2012): n. pag. Web. <https://www.jstor.org/stable/41478969?seq=1#metadata_info_tab_contents>.
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Seta, Fabrizio Della, and Arthur Groos. ‘“O Cieli Azzurri”: Exoticism and Dramatic Discourse in “Aida”’. Cambridge Opera Journal 3.1 (1991): n. pag. Web. <https://www.jstor.org/stable/823648?seq=1#metadata_info_tab_contents>.
Shay, Anthony, and Barbara Sellers-Young. ‘Belly Dance: Orientalism: Exoticism: Self-Exoticism’. Dance Research Journal 35.1 (2003): n. pag. Web. <https://www.jstor.org/stable/1478477?seq=1#metadata_info_tab_contents>.
Solomon, Thomas. ‘The Oriental Body on the European Stage: Producing Turkish Cultural Identity on the Margins of Europe’. Empire of Song: Europe and Nation in the Eurovision Song Contest. Ed. Dafni Tragaki. Vol. 15. Lanham: The Scarecrow Press, 2013. Print.
Swedenburg, Ted. ‘Saida Sultan/Danna International: Transgender Pop and the Polysemiotics of Sex, Nation, and Ethnicity on the Israeli-Egyptian Border’. The Musical Quarterly 81.1 (1997): n. pag. Web. <https://www.jstor.org/stable/742451?seq=1#metadata_info_tab_contents>.
Taruskin, Richard. Defining Russia Musically: Historical and Hermeneutical Essays. Princeton, N.J: Princeton University Press, 1997. Print.
---. Music in the Nineteenth Century. Vol. 3. Oxford: Oxford University Press, 2010. Web. <http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833.xml>.
---. ‘Music’s Dangers And The Case For Control: The Dangers of Music and the Case for Control’. New York Times (1923-Current file) (2001): n. pag. Web. <https://search.proquest.com/docview/92107235?accountid=11455>.
---. The Oxford History of Western Music: Vol. 3: Music in the Nineteenth Century. Oxford University Press: N.p., 2010. Print.
Taylor, Timothy Dean. Beyond Exoticism: Western Music and the World. Durham: Duke University Press, 2007. Print.
---. ‘Some Versions of Difference: Discourses of Hybridity in Transnational Musics’. Beyond Exoticism: Western Music and the World. Durham: Duke University Press, 2007. Print.
Tragaki, Dafne. ‘The Monsters’ Dream: Fantasies of the Empire Within’. Empire of Song: Europe and Nation in the Eurovision Song Contest. Ed. Dafni Tragaki. Vol. 15. Lanham: The Scarecrow Press, 2013. Print.
White, Bob W. Music and Globalization: Critical Encounters. Bloomington: Indiana University Press, 2012. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=670297>.
Williams, Carolyn. Gilbert and Sullivan: Gender, Genre, Parody. New York: Columbia University Press, 2012. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=908700>.
---. Gilbert and Sullivan: Gender, Genre, Parody. New York: Columbia University Press, 2012. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=908700>.
Willson, Rachel Beckles. ‘The Parallax Worlds of the West–Eastern Divan Orchestra’. Journal of the Royal Musical Association 134.2 (2009): 319–347. Web.
Winegar, Jessica. ‘The Humanity Game: Art, Islam, and the War on Terror’. Anthropological Quarterly 81.3 (2008): n. pag. Web. <https://www.jstor.org/stable/25488228?seq=1#metadata_info_tab_contents>.
Wolff, Larry. The Singing Turk: Ottoman Power and Operatic Emotions on the European Stage From the Siege of Vienna to the Age of Napoleon. Stanford: Stanford University Press, 2016. Print.
Yoshihara, Mari. ‘The Flight of the Japanese Butterfly: Orientalism, Nationalism, and Performances of Japanese Womanhood’. American Quarterly 56.4 (2004): n. pag. Web. <https://www.jstor.org/stable/40068292?seq=1#metadata_info_tab_contents>.
