Adams, J., Woolcock, P. and Goodman, A. (2003) ‘The Death of Klinghoffer’. Decca. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2132060420002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&isFrbr=true&tab=tab2&query=any,contains,The%20death%20of%20Klinghoffer&sortby=date&facet=frbrgroupid,include,1288048280&offset=0.
Andre, N. (2018a) Black Opera: History, Power, Engagement. Champaign: University of Illinois Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5404257.
Andre, N. (2018b) ‘Conclusion: Engaged Musicology, Political Action, and Social Justice’, in Black opera: history, power, engagement. Urbana: University of Illinois Press.
Andre, N. (2018c) ‘Conclusion: Engaged Musicology, Political Action, and Social Justice’, in Black Opera: History, Power, Engagement. Champaign: University of Illinois Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5404257.
André, N.A. (2018) Black opera: history, power, engagement. Urbana: University of Illinois Press.
Ashcroft, B. and Ahluwalia, D.P.S. (2009) Edward Said. London: Routledge. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=179693.
Ashcroft, B. and Ahluwalia, P. (2001) Edward Said. [New] ed. New York: Routledge.
Ayres, B. (2003) The Emperor’s Old Groove: Decolonizing Disney’s Magic Kingdom. New York: P. Lang.
Beckerman, M. (1993) ‘The Master’s Little Joke: Antonín Dvořák and the Mask of Nation’, in Dvorák and His World. Princeton, N.J.: Princeton University Press.
Beckerman, M.B. (1993a) Dvorák and His World. Princeton, N.J.: Princeton University Press.
Beckerman, M.B. (1993b) Dvorak and His World. Princeton, N.J.: Princeton University Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3030296.
Beckles Willson, R. (2009) ‘Whose Utopia? Perspectives on the West-Eastern Divan Orchestra’, Music & Politics, 3(2). Available at: http://dx.doi.org/10.3998/mp.9460447.0003.201.
Bellman, J. (1998) The Exotic in Western Music. Boston: Northeastern University Press.
Bellman, J.D. (2011) ‘Musical Voyages and Their Baggage: Orientalism in Music and Critical Musicology’, The Musical Quarterly, 94(3). Available at: https://www.jstor.org/stable/41289212?seq=1#metadata_info_tab_contents.
Berger, H. and Carroll, M.T. (2003) Global pop, local language. Jackson, Miss: University Press of Mississippi.
Berger, H.M. and Carroll, M.T. (2003) Global Pop, Local Language. Jackson, UNITED STATES: University Press of Mississippi. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=840340.
Björnberg, A. (2007) ‘Return to Ethnicity: The Cultural Significance of Musical Change in the Eurovision Song Contest’, in A Song for Europe: Popular Music and Politics in the Eurovision Song Contest. Aldershot: Ashgate.
Bloechl, O.A. (2008) Native American song at the frontiers of early modern music. Cambridge: Cambridge University Press.
Bohlman, P.V. (1987) ‘The European Discovery of Music in the Islamic World and the “Non-Western”’, The Journal of Musicology, 5(2), pp. 147–163. Available at: https://doi.org/10.2307/763849.
Bohlman, P.V. (2002) World Music: A Very Short Introduction. Oxford: Oxford University Press.
Booth, M.W. (1983) ‘Campe-toi! On the Origins and Definitions’, in Camp. London: Quartet.
Born, G. and Hesmondhalgh, D. (2000a) ‘Introduction: On Difference, Representation and Appropriation in Music’, in Western Music and Its Others: Difference, Representation, and Appropriation in Music. Berkeley: University of California Press.
Born, G. and Hesmondhalgh, D. (2000b) Western Music and Its Others: Difference, Representation, and Appropriation in Music. Berkeley: University of California Press.
Bové, P.A. (2000) Edward Said and the work of the critic: speaking truth to power. Durham: Duke University Press.
Browner, T. (2009) Music of the First Nations: Tradition and Innovation in Native North America. Urbana: University of Illinois Press.
Cheah, E. (2009) An Orchestra Beyond Borders: Voices of the West-Eastern Divan Orchestra. London: Verso.
Cooke, M. (1998) ‘"The East in the West”: Evocations of the Gamelan in Western Music’, in The Exotic in Western Music. Boston: Northeastern University Press.
Cruz, G. (2002) ‘Aida’s Flutes’, Cambridge Opera Journal, 14(1). Available at: https://www.jstor.org/stable/3878290?seq=1#metadata_info_tab_contents.
Etherington, B. (2007) ‘Instrumentalising Musical Ethics: Edward Said and the West-Eastern Divan Orchestra’, Australasian Music Research, (9), pp. 121–129. Available at: https://search.informit.com.au/documentSummary;dn=988049973656075;res=IELHSS;type=pdf.
Feld, S. (1996) ‘Pygmy POP. A Genealogy of Schizophonic Mimesis’, Yearbook for Traditional Music, 28. Available at: https://doi.org/10.2307/767805.
Feld, S. (2000) ‘A Sweet Lullaby for World Music’, Public Culture, 12(1), pp. 145–171. Available at: https://doi.org/10.1215/08992363-12-1-145.
Feld, Steven (2000) ‘The Poetics and Politics of Pygmy Pop’, in Western Music and Its Others: Difference, Representation, and Appropriation in Music. Berkeley: University of California Press.
Fink, R. (2005) ‘Klinghoffer in Brooklyn Heights’, Cambridge Opera Journal, 17(02). Available at: https://doi.org/10.1017/S0954586705001989.
Francaviglia, R.V. (2011a) Go east, young man: imagining the American West as the Orient. Logan, Utah: Utah State University Press.
Francaviglia, R.V. (2011b) Go East, Young Man: Imagining the American West as the Orient. Logan: Utah State University Press. Available at: http://www.oapen.org/search?identifier=625249.
Francaviglia, R.V. (2011c) Go east, young man: imagining the American West as the Orient. Logan, Utah: Utah State University Press.
Francaviglia, R.V. (2011d) Go East, Young Man: Imagining the American West as the Orient. Logan: Utah State University Press. Available at: http://www.oapen.org/search?identifier=625249.
Gorbman, C. (2000) ‘Scoring the Liberal Western’, in Western Music and Its Others: Difference, Representation, and Appropriation in Music. Berkeley: University of California Press.
Greenwald, H.M. (2000) ‘Picturing Cio-Cio-San: House, Screen, and Ceremony in Puccini’s “Madama Butterfly”’, Cambridge Opera Journal, 12(3). Available at: https://www.jstor.org/stable/3250716.
Groos, A. (1999) ‘Cio-Cio-San and Sadayakko: Japanese Music-Theater in Madama Butterfly’, Monumenta Nipponica, 54(1). Available at: https://doi.org/10.2307/2668273.
Guarracino, S. (2010) ‘Verdi’s Aida Across the Mediterranean (And Beyond)’, California Italian Studies, 1(1). Available at: https://escholarship.org/uc/item/9tj7h4wv.
Gumpert, M. (2007) ‘“Everyway That I Can”: Auto-Orientalism at Eurovision 2003’, in A Song for Europe: Popular Music and Politics in the Eurovision Song Contest. Aldershot: Ashgate.
Head, M. (2000) Orientalism, Masquerade and Mozart’s Turkish Music. London: Royal Musical Association.
Head, M. (2003) ‘Musicology on Safari: Orientalism and the Spectre of Postcolonial Theory’, Music Analysis, 22(1). Available at: https://www.jstor.org/stable/3700422?seq=1#metadata_info_tab_contents.
Hesmondhalgh, D. and Born, G. (2000) Western Music and Its Others : Difference, Representation, and Appropriation in Music. Berkeley, UNITED STATES: University of California Press. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=223029.
Huebner, S. (2002) ‘“O patria mia”: Patriotism, Dream, Death’, Cambridge Opera Journal, 14(1). Available at: https://www.jstor.org/stable/3878289?seq=1#metadata_info_tab_contents.
Hunter, M. (1998) ‘The Alla Turca Style in the Late Eighteenth Century: Race and Gender in the Symphony and the Seraglio’, in The Exotic in Western Music. Boston: Northeastern University Press.
Large, B. and Levin, J. (no date) ‘Aida: Opera in Four Acts’. Available at: https://librarysearch.royalholloway.ac.uk/primo-explore/fulldisplay?docid=44ROY_ALMA_DS2123053850002671&context=L&vid=44ROY_VU2&lang=en_US&search_scope=LSCOP_44ROY_NOTJOURNAL&adaptor=Local%20Search%20Engine&tab=tab2&query=any,contains,aida&sortby=rank&facet=rtype,include,media&offset=0.
Lee, J.D. (2010) The Japan of pure invention: Gilbert and Sullivan’s The Mikado. Minneapolis, Minn: University of Minnesota Press.
Lemish, D. (2007) ‘Gay Brotherhood: Israeli Gay Men and the Eurovision Song Contest’, in A Song for Europe: Popular Music and Politics in the Eurovision Song Contest. Aldershot: Ashgate.
Lewis, B. (1982) ‘The Question of Orientalism’, The New York Review of Books [Preprint], (June 24, 1982). Available at: https://www.nybooks.com/articles/1982/06/24/the-question-of-orientalism/.
Locke, R.P. (1991) ‘Constructing the Oriental “Other”: Saint-Saëns’s “Samson et Dalila”’, Cambridge Opera Journal, 3(3). Available at: https://www.jstor.org/stable/823619#metadata_info_tab_contents.
Locke, R.P. (1993) ‘Reflections on Orientalism in Opera (And Musical Theater)’, Revista de Musicología, 16(6). Available at: https://doi.org/10.2307/20796920.
Locke, R.P. (1998) ‘Cutthroats and Casbah Dancers, Muezzins and Timeless Sands: Musical Images of the Middle East’, 19th-Century Music, 22(1), pp. 20–53. Available at: https://doi.org/10.2307/746790.
Locke, R.P. (2005) ‘Beyond the Exotic: How “Eastern” Is Aida?’, Cambridge Opera Journal, 17(2). Available at: https://www.jstor.org/stable/3878257?seq=1#metadata_info_tab_contents.
Locke, R.P. (2009a) Musical exoticism: images and reflections. Cambridge: Cambridge University Press.
Locke, R.P. (2009b) Musical exoticism: images and reflections. Cambridge: Cambridge University Press.
Locke, R.P. (2009c) Musical exoticism: images and reflections. Cambridge: Cambridge University Press.
Locke, R.P. (2012) ‘On Exoticism, Western Art Music, and the Words We Use’, Archiv für Musikwissenschaft [Preprint]. Available at: https://www.jstor.org/stable/23375158?seq=1#metadata_info_tab_contents.
Locke, R.P. (2015) Music and the Exotic From the Renaissance to Mozart. Available at: https://www.fulcrum.org/concern/monographs/kw52j8644.
Locke, R.P. (2017) Music and the exotic from the Renaissance to Mozart. Cambridge: Cambridge University Press.
Longobardi, R.S. (2009) ‘Re-Producing Klinghoffer: Opera and Arab Identity Before and After 9/11’, Journal of the Society for American Music, 3(03). Available at: https://doi.org/10.1017/S1752196309990435.
Machin-Autenrieth, M. (2017) Flamenco, Regionalism, and Musical Heritage in Southern Spain. London: Routledge. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315582504.
Machin-Autenrieth, M. and University of London. School of Oriental and African Studies (2017) Flamenco, regionalism and musical heritage in southern Spain. London: Routledge.
Mackenzie, J.M. (1995) ‘Chapter 1: The Orientalism Debate’, in Orientalism: History, Theory, and the Arts. Manchester: Manchester University Press.
MacKenzie, J.M. (1995) Orientalism: History, Theory, and the Arts. Manchester: Manchester University Press.
May, T. (2006) The John Adams Reader: Essential Writings on an American Composer. Pompton Plains, N.J.: Amadeus.
Meintjes, L. (1990) ‘Paul Simon’s Graceland, South Africa, and the Mediation of Musical Meaning’, Ethnomusicology, 34(1). Available at: https://doi.org/10.2307/852356.
Melman, B. (1990) Women’s Orients: English Women and the Middle East, 1718-1918: Sexuality, Religion and Work. Basingstoke: Macmillan.
O’Connell, J.M. (2005) ‘In the Time of Alaturka: Identifying Difference in Musical Discourse’, Ethnomusicology, 49(2). Available at: https://www.jstor.org/stable/20174375.
Pasler, J. (2006) ‘Theorizing Race in Nineteenth-Century France: Music as Emblem of Identity’, The Musical Quarterly, 89(4). Available at: https://www.jstor.org/stable/25172849?seq=1#metadata_info_tab_contents.
Perlove, N. (2000) ‘Inherited Sound Images: Native American Exoticism in Aaron Copland’s Duo for Flute and Piano’, American Music, 18(1). Available at: https://doi.org/10.2307/3052390.
Piotrowska, A.G. (2016) ‘About Twin Song Festivals in Eastern and Western Europe: Intervision and Eurovision’, International Review of the Aesthetics and Sociology of Music, 47(1). Available at: https://www.jstor.org/stable/43869457?seq=1#metadata_info_tab_contents.
Pisani, M.V. (2005a) Imagining native America in music. New Haven, Conn: Yale University Press.
Pisani, M.V. (2005b) Imagining native America in music. New Haven, Conn: Yale University Press.
Pratt, M.L. (1992a) Imperial Eyes: Travel Writing and Transculturation. London: Routledge.
Pratt, M.L. (1992b) Imperial Eyes: Travel Writing and Transculturation. London: Routledge. Available at: http://www.myilibrary.com?id=35437.
Raykoff, I. (2007) ‘Camping on the Borders of Europe’, in A Song for Europe: Popular Music and Politics in the Eurovision Song Contest. Aldershot: Ashgate.
Riiser, S. (2010) ‘National Identity and the West-Eastern Divan Orchestra’, Music and Arts in Action, 2(2), pp. 19–37. Available at: http://www.musicandartsinaction.net/index.php/maia/article/view/nationalidentity.
Robinson, P. (1993) ‘Is “Aida” an Orientalist Opera?’, Cambridge Opera Journal, 5(2). Available at: https://www.jstor.org/stable/823799?seq=1#metadata_info_tab_contents.
Rosenberg, R.E. (2012) ‘Among Compatriots and Savages: The Music of France’s Lost Empire’, The Musical Quarterly, 95(1). Available at: https://www.jstor.org/stable/41478969?seq=1#metadata_info_tab_contents.
Said, E. (2003) ‘Chapter 1: The Scope’, in Orientalism. [New ed.]. London: Penguin.
Said, E.W. (1987) ‘The Imperial Spectacle’, Grand Street, 6(2). Available at: https://doi.org/10.2307/25006961.
Said, E.W. (1994) ‘Introduction’, in Culture and Imperialism. London: Vintage.
Scott, D.B. (1998) ‘Orientalism and Musical Style’, The Musical Quarterly, 82(2). Available at: https://www.jstor.org/stable/742411.
Seta, F.D. and Groos, A. (1991) ‘“O cieli azzurri”: Exoticism and Dramatic Discourse in “Aida”’, Cambridge Opera Journal, 3(1). Available at: https://www.jstor.org/stable/823648?seq=1#metadata_info_tab_contents.
Shay, A. and Sellers-Young, B. (2003) ‘Belly Dance: Orientalism: Exoticism: Self-Exoticism’, Dance Research Journal, 35(1). Available at: https://www.jstor.org/stable/1478477?seq=1#metadata_info_tab_contents.
Solomon, T. (2013) ‘The Oriental Body on the European Stage: Producing Turkish Cultural Identity on the Margins of Europe’, in D. Tragaki (ed.) Empire of song: Europe and nation in the Eurovision Song Contest. Lanham: The Scarecrow Press.
Swedenburg, T. (1997) ‘Saida Sultan/Danna International: Transgender Pop and the Polysemiotics of Sex, Nation, and Ethnicity on the Israeli-Egyptian Border’, The Musical Quarterly, 81(1). Available at: https://www.jstor.org/stable/742451?seq=1#metadata_info_tab_contents.
Taruskin, R. (1997) Defining Russia Musically: Historical and Hermeneutical Essays. Princeton, N.J: Princeton University Press.
Taruskin, R. (2001) ‘Music’s Dangers And The Case For Control: The Dangers of Music and the Case for Control’, New York Times (1923-Current file) [Preprint]. Available at: https://search.proquest.com/docview/92107235?accountid=11455.
Taruskin, R. (2010a) Music in the Nineteenth Century. Oxford: Oxford University Press. Available at: http://www.oxfordwesternmusic.com/view/Volume3/actrade-9780195384833.xml.
Taruskin, R. (2010b) The Oxford History of Western Music: Vol. 3: Music in the Nineteenth Century. Oxford University Press.
Taylor, T.D. (2007a) Beyond Exoticism: Western Music and the World. Durham: Duke University Press.
Taylor, T.D. (2007b) ‘Some Versions of Difference: Discourses of Hybridity in Transnational Musics’, in Beyond Exoticism: Western Music and the World. Durham: Duke University Press.
Tragaki, D. (2013) ‘The Monsters’ Dream: Fantasies of the Empire Within’, in Dafni Tragaki (ed.) Empire of song: Europe and nation in the Eurovision Song Contest. Lanham: The Scarecrow Press.
White, B.W. (2012) Music and Globalization: Critical Encounters. Bloomington: Indiana University Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=670297.
Williams, C. (2012a) Gilbert and Sullivan: gender, genre, parody. New York: Columbia University Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=908700.
Williams, C. (2012b) Gilbert and Sullivan: gender, genre, parody. New York: Columbia University Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=908700.
Willson, R.B. (2009) ‘The Parallax Worlds of the West–Eastern Divan Orchestra’, Journal of the Royal Musical Association, 134(2), pp. 319–347. Available at: https://doi.org/10.1080/02690400903109109.
Winegar, J. (2008) ‘The Humanity Game: Art, Islam, and the War on Terror’, Anthropological Quarterly, 81(3). Available at: https://www.jstor.org/stable/25488228?seq=1#metadata_info_tab_contents.
Wolff, L. (2016) The Singing Turk: Ottoman Power and Operatic Emotions on the European Stage From the Siege of Vienna to the Age of Napoleon. Stanford: Stanford University Press.
Yoshihara, M. (2004) ‘The Flight of the Japanese Butterfly: Orientalism, Nationalism, and Performances of Japanese Womanhood’, American Quarterly, 56(4). Available at: https://www.jstor.org/stable/40068292?seq=1#metadata_info_tab_contents.