Anderson, Chris. ‘How to Give a Killer Presentation’. Harvard Business Review 91.6 (2013): 1–6. Web. <http://search.ebscohost.com/login.aspx?direct=true&amp;db=bth&amp;AN=87716149&amp;site=ehost-live>.
‘Archive | National Theatre’. N.p., n.d. Web. <https://www.nationaltheatre.org.uk/about-the-national-theatre/archive>.
Balme, Christopher B. The Cambridge Introduction to Theatre Studies. Cambridge introductions to literature. Cambridge, UK: Cambridge University Press, 2008. Print.
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---. Succeeding With Your Master’s Dissertation: A Step-by-Step Handbook. Maidenhead: Open University Press, 2008. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=144979>.
Bleeker, Maaike et al., eds. ‘Thinking Through’. Thinking Through Theatre and Performance. London: Methuen Drama, 2019. Print.
Fischer-Lichte, Erika. The Routledge Introduction to Theatre and Performance Studies. English Language edition. London: Routledge, Taylor & Francis Group, 2014. Print.
---. The Routledge Introduction to Theatre and Performance Studies. N.p., 2014. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203068731>.
Gale, Maggie, and Ann Featherstone. ‘The Imperative of the Archive’. Research Methods in Theatre and Performance. Edinburgh: Edinburgh University Press, 2011. 17–40. Print.
---. ‘The Imperative of the Archive’. Research Methods in Theatre and Performance. Edinburgh: Edinburgh University Press, 2011. 17–40. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=313325>.
Giannachi, Gabriella and Project Muse. Archive Everything: Mapping the Everyday. Cambridge, MA: The MIT Press, 2016. Web. <https://muse.jhu.edu/book/49155/>.
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Kershaw, Baz, and Helen Nicholson. Research Methods in Theatre and Performance. Research methods for the arts and humanities. Edinburgh: Edinburgh University Press, 2011. Print.
---. Research Methods in Theatre and Performance. Edinburgh: Edinburgh University Press, 2011. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=714134>.
McCutcheon, Rebecca. ‘Affective Bodies in Dynamic Space - Research - Royal Holloway, University of London’. 2016. Web. <https://pure.royalholloway.ac.uk/portal/en/publications/affective-bodies-in-dynamic-space(5c738586-ad68-4f21-8be7-1c1b3251bcb8).html>.
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Nelson, Robin. ‘Introduction: The What, Where, When and Why of ‘Practice as Research’. Practice as Research in the Arts: Principles, Protocols, Pedagogies, Resistances. Basingstoke: Palgrave Macmillan, 2013. 3–22. Print.
---. ‘Introduction: The What, Where, When and Why of ‘Practice as Research’. Practice as Research in the Arts: Principles, Protocols, Pedagogies, Resistances. Basingstoke: Palgrave Macmillan, 2013. 3–22. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137282910>.
---. ‘Introduction: The What, Where, When and Why of ‘Practice as Research’. Practice as Research in the Arts: Principles, Protocols, Pedagogies, Resistances. Basingstoke: Palgrave Macmillan, 2013. 3–22. Print.
---. ‘Introduction: The What, Where, When and Why of ‘Practice as Research’. Practice as Research in the Arts: Principles, Protocols, Pedagogies, Resistances. Basingstoke: Palgrave Macmillan, 2013. 3–22. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137282910>.
Nichol, Charlotte, and Lise Uytterhoeven. What Moves You?: Shaping Your Dissertation in Dance. London: Routledge, 2017. Print.
---. What Moves You?: Shaping Your Dissertation in Dance. London: Routledge, 2017. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315718781>.
Ostermeier, Thomas, and Peter M. Boenisch. ‘7.4 AFTER RICHARD: MISSION “ENSEMBLE ACTING” (JUNE 2015)’. The Theatre of Thomas Ostermeier. Routledge, 2016. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315690810>.
---. The Theatre of Thomas Ostermeier. London: Routledge, 2016. Print.
Pavis, Patrice. ‘Part Nine: Analysing Performance’. Performance Analysis: An Introductory Coursebook. Ed. Colin Counsell and Laurie Wolf. London: Routledge, 1985. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=14097>.
Roms, Heike. ‘How and Why Are Performances Documented?’ Thinking Through Theatre and Performance. Ed. Maaike Bleeker et al. London: Methuen Drama, 2019. 223–239. Print.
Sieg, Katrin. ‘Towards a Civic Contract of Performance: Pitfalls of Decolonizing the Exhibitionary Complex at Brett Bailey’s Exhibit B’. Theatre Research International 40.03 (2015): 250–271. Web.
Spivak, Gayatri Chakravorty. ‘Can the Subaltern Speak?’ Colonial Discourse and Post-Colonial Theory: A Reader. Columbia University Press, 1994. 66–111. Print.
Whitehead, Anne. ‘Collective Memory’. Memory. 1st ed. London: Routledge, 2009. Print.
---. ‘Collective Memory’. Memory. London: Routledge, 2008. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203888049>.