Anderson, Chris. 2013. ‘How to Give a Killer Presentation’. Harvard Business Review 91 (6): 1–6. http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=87716149&site=ehost-live.
‘Archive | National Theatre’. n.d. https://www.nationaltheatre.org.uk/about-the-national-theatre/archive.
Balme, Christopher B. 2008. The Cambridge Introduction to Theatre Studies. Vol. Cambridge introductions to literature. Cambridge, UK: Cambridge University Press.
Biggam, John. 2008a. Succeeding With Your Master’s Dissertation: A Step-by-Step Handbook. Maidenhead: McGraw Hill/Open University Press.
———. 2008b. Succeeding With Your Master’s Dissertation: A Step-by-Step Handbook. Maidenhead: Open University Press. http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=144979.
Bleeker, Maaike, Adrian Kear, Joe Kelleher, and Heike Roms, eds. 2019. ‘Thinking Through’. In Thinking Through Theatre and Performance. London: Methuen Drama.
Fischer-Lichte, Erika. 2014a. The Routledge Introduction to Theatre and Performance Studies. English Language edition. London: Routledge, Taylor & Francis Group.
———. 2014b. The Routledge Introduction to Theatre and Performance Studies. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203068731.
Gale, Maggie, and Ann Featherstone. 2011a. ‘The Imperative of the Archive’. In Research Methods in Theatre and Performance, 17–40. Edinburgh: Edinburgh University Press.
———. 2011b. ‘The Imperative of the Archive’. In Research Methods in Theatre and Performance, 17–40. Edinburgh: Edinburgh University Press. http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=313325.
Giannachi, Gabriella and Project Muse. 2016. Archive Everything: Mapping the Everyday. Cambridge, MA: The MIT Press. https://muse.jhu.edu/book/49155/.
Gibaldi, Joseph. 2009. MLA Handbook for Writers of Research Papers. 7th ed. New York: Modern Language Association of America.
Grix, Jonathan. 2001a. ‘The “Nuts and Bolts” of Research’. In Demystifying Postgraduate Research: From MA to PhD, 25–50. Edgbaston: University of Birmingham Press.
———. 2001b. ‘The “Nuts and Bolts” of Research’. In Demystifying Postgraduate Research: From MA to PhD, 25–50. Edgbaston: University of Birmingham Press. http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780567271051.
Hirsch, Marianne. 2008. ‘The Generation of Postmemory’. Poetics Today 29 (1): 103–28. https://doi.org/10.1215/03335372-2007-019.
Kershaw, Baz, and Helen Nicholson. 2011a. Research Methods in Theatre and Performance. Vol. Research methods for the arts and humanities. Edinburgh: Edinburgh University Press.
———. 2011b. Research Methods in Theatre and Performance. Edinburgh: Edinburgh University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=714134.
McCutcheon, Rebecca. 2016. ‘Affective Bodies in Dynamic Space - Research - Royal Holloway, University of London’. https://pure.royalholloway.ac.uk/portal/en/publications/affective-bodies-in-dynamic-space(5c738586-ad68-4f21-8be7-1c1b3251bcb8).html.
McKinney, Joslin, and Philip Butterworth. 2009a. The Cambridge Introduction to Scenography. Cambridge: Cambridge University Press.
———. 2009b. The Cambridge Introduction to Scenography. Cambridge: Cambridge University Press.
McKinney, Joslin, and Scott Palmer, eds. 2017. Scenography Expanded: An Introduction to Contemporary Performance Design. London: Bloomsbury Methuen Drama.
Nelson, Robin. 2013a. ‘Introduction: The What, Where, When and Why of ‘Practice as Research’. In Practice as Research in the Arts: Principles, Protocols, Pedagogies, Resistances, 3–22. Basingstoke: Palgrave Macmillan.
———. 2013b. ‘Introduction: The What, Where, When and Why of ‘Practice as Research’. In Practice as Research in the Arts: Principles, Protocols, Pedagogies, Resistances, 3–22. Basingstoke: Palgrave Macmillan. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137282910.
———. 2013c. ‘Introduction: The What, Where, When and Why of ‘Practice as Research’. In Practice as Research in the Arts: Principles, Protocols, Pedagogies, Resistances, 3–22. Basingstoke: Palgrave Macmillan.
———. 2013d. ‘Introduction: The What, Where, When and Why of ‘Practice as Research’. In Practice as Research in the Arts: Principles, Protocols, Pedagogies, Resistances, 3–22. Basingstoke: Palgrave Macmillan. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137282910.
Nichol, Charlotte, and Lise Uytterhoeven. 2017a. What Moves You?: Shaping Your Dissertation in Dance. London: Routledge.
———. 2017b. What Moves You?: Shaping Your Dissertation in Dance. London: Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315718781.
Ostermeier, Thomas, and Peter M. Boenisch. 2016a. ‘7.4 AFTER RICHARD: MISSION “ENSEMBLE ACTING” (JUNE 2015)’. In The Theatre of Thomas Ostermeier. Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315690810.
———. 2016b. The Theatre of Thomas Ostermeier. London: Routledge.
Pavis, Patrice. 1985. ‘Part Nine: Analysing Performance’. In Performance Analysis: An Introductory Coursebook, edited by Colin Counsell and Laurie Wolf. London: Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=14097.
Roms, Heike. 2019. ‘How and Why Are Performances Documented?’ In Thinking Through Theatre and Performance, edited by Maaike Bleeker, Adrian Kear, Joe Kelleher, and Heike Roms, 223–39. London: Methuen Drama.
Sieg, Katrin. 2015. ‘Towards a Civic Contract of Performance: Pitfalls of Decolonizing the Exhibitionary Complex at Brett Bailey’s Exhibit B’. Theatre Research International 40 (03): 250–71. https://doi.org/10.1017/S0307883315000346.
Spivak, Gayatri Chakravorty. 1994. ‘Can the Subaltern Speak?’ In Colonial Discourse and Post-Colonial Theory: A Reader, 66–111. Columbia University Press.
Whitehead, Anne. 2008. ‘Collective Memory’. In Memory. London: Routledge. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203888049.
———. 2009. ‘Collective Memory’. In Memory, 1st ed. London: Routledge.