Anderson, Chris. 2013. ‘How to Give a Killer Presentation’. Harvard Business Review 91(6):1–6.
Anon. n.d. ‘Archive | National Theatre’. Retrieved (https://www.nationaltheatre.org.uk/about-the-national-theatre/archive).
Balme, Christopher B. 2008. The Cambridge Introduction to Theatre Studies. Vol. Cambridge introductions to literature. Cambridge, UK: Cambridge University Press.
Biggam, John. 2008a. Succeeding With Your Master’s Dissertation: A Step-by-Step Handbook. Maidenhead: McGraw Hill/Open University Press.
Biggam, John. 2008b. Succeeding With Your Master’s Dissertation: A Step-by-Step Handbook. Maidenhead: Open University Press.
Bleeker, Maaike, Adrian Kear, Joe Kelleher, and Heike Roms, eds. 2019. ‘Thinking Through’. in Thinking Through Theatre and Performance. London: Methuen Drama.
Fischer-Lichte, Erika. 2014a. The Routledge Introduction to Theatre and Performance Studies. English Language edition. London: Routledge, Taylor & Francis Group.
Fischer-Lichte, Erika. 2014b. The Routledge Introduction to Theatre and Performance Studies.
Gale, Maggie, and Ann Featherstone. 2011a. ‘The Imperative of the Archive’. Pp. 17–40 in Research Methods in Theatre and Performance. Edinburgh: Edinburgh University Press.
Gale, Maggie, and Ann Featherstone. 2011b. ‘The Imperative of the Archive’. Pp. 17–40 in Research Methods in Theatre and Performance. Edinburgh: Edinburgh University Press.
Giannachi, Gabriella and Project Muse. 2016. Archive Everything: Mapping the Everyday. Cambridge, MA: The MIT Press.
Gibaldi, Joseph. 2009. MLA Handbook for Writers of Research Papers. 7th ed. New York: Modern Language Association of America.
Grix, Jonathan. 2001a. ‘The “Nuts and Bolts” of Research’. Pp. 25–50 in Demystifying Postgraduate Research: From MA to PhD. Edgbaston: University of Birmingham Press.
Grix, Jonathan. 2001b. ‘The “Nuts and Bolts” of Research’. Pp. 25–50 in Demystifying Postgraduate Research: From MA to PhD. Edgbaston: University of Birmingham Press.
Hirsch, Marianne. 2008. ‘The Generation of Postmemory’. Poetics Today 29(1):103–28. doi: 10.1215/03335372-2007-019.
Kershaw, Baz, and Helen Nicholson. 2011a. Research Methods in Theatre and Performance. Vol. Research methods for the arts and humanities. Edinburgh: Edinburgh University Press.
Kershaw, Baz, and Helen Nicholson. 2011b. Research Methods in Theatre and Performance. Edinburgh: Edinburgh University Press.
McCutcheon, Rebecca. 2016. ‘Affective Bodies in Dynamic Space - Research - Royal Holloway, University of London’.
McKinney, Joslin, and Philip Butterworth. 2009a. The Cambridge Introduction to Scenography. Cambridge: Cambridge University Press.
McKinney, Joslin, and Philip Butterworth. 2009b. The Cambridge Introduction to Scenography. Cambridge: Cambridge University Press.
McKinney, Joslin, and Scott Palmer, eds. 2017. Scenography Expanded: An Introduction to Contemporary Performance Design. London: Bloomsbury Methuen Drama.
Nelson, Robin. 2013a. ‘Introduction: The What, Where, When and Why of ‘Practice as Research’. Pp. 3–22 in Practice as Research in the Arts: Principles, Protocols, Pedagogies, Resistances. Basingstoke: Palgrave Macmillan.
Nelson, Robin. 2013b. ‘Introduction: The What, Where, When and Why of ‘Practice as Research’. Pp. 3–22 in Practice as Research in the Arts: Principles, Protocols, Pedagogies, Resistances. Basingstoke: Palgrave Macmillan.
Nelson, Robin. 2013c. ‘Introduction: The What, Where, When and Why of ‘Practice as Research’. Pp. 3–22 in Practice as Research in the Arts: Principles, Protocols, Pedagogies, Resistances. Basingstoke: Palgrave Macmillan.
Nelson, Robin. 2013d. ‘Introduction: The What, Where, When and Why of ‘Practice as Research’. Pp. 3–22 in Practice as Research in the Arts: Principles, Protocols, Pedagogies, Resistances. Basingstoke: Palgrave Macmillan.
Nichol, Charlotte, and Lise Uytterhoeven. 2017a. What Moves You?: Shaping Your Dissertation in Dance. London: Routledge.
Nichol, Charlotte, and Lise Uytterhoeven. 2017b. What Moves You?: Shaping Your Dissertation in Dance. London: Routledge.
Ostermeier, Thomas, and Peter M. Boenisch. 2016a. ‘7.4 AFTER RICHARD: MISSION “ENSEMBLE ACTING” (JUNE 2015)’. in The Theatre of Thomas Ostermeier. Routledge.
Ostermeier, Thomas, and Peter M. Boenisch. 2016b. The Theatre of Thomas Ostermeier. London: Routledge.
Pavis, Patrice. 1985. ‘Part Nine: Analysing Performance’. in Performance Analysis: An Introductory Coursebook, edited by C. Counsell and L. Wolf. London: Routledge.
Roms, Heike. 2019. ‘How and Why Are Performances Documented?’ Pp. 223–39 in Thinking Through Theatre and Performance, edited by M. Bleeker, A. Kear, J. Kelleher, and H. Roms. London: Methuen Drama.
Sieg, Katrin. 2015. ‘Towards a Civic Contract of Performance: Pitfalls of Decolonizing the Exhibitionary Complex at Brett Bailey’s Exhibit B’. Theatre Research International 40(03):250–71. doi: 10.1017/S0307883315000346.
Spivak, Gayatri Chakravorty. 1994. ‘Can the Subaltern Speak?’ Pp. 66–111 in Colonial Discourse and Post-Colonial Theory: A Reader. Columbia University Press.
Whitehead, Anne. 2008. ‘Collective Memory’. in Memory. London: Routledge.
Whitehead, Anne. 2009. ‘Collective Memory’. in Memory. London: Routledge.