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B. Kershaw and H. Nicholson, Research Methods in Theatre and Performance, vol. Research methods for the arts and humanities. Edinburgh: Edinburgh University Press, 2011.
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B. Kershaw and H. Nicholson, Research Methods in Theatre and Performance. Edinburgh: Edinburgh University Press, 2011 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=714134
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K. Sieg, ‘Towards a Civic Contract of Performance: Pitfalls of Decolonizing the Exhibitionary Complex at Brett Bailey’s Exhibit B’, Theatre Research International, vol. 40, no. 03, pp. 250–271, 2015, doi: 10.1017/S0307883315000346.
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P. Pavis, ‘Part Nine: Analysing Performance’, in Performance Analysis: An Introductory Coursebook, C. Counsell and L. Wolf, Eds. London: Routledge, 1985 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=14097
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R. Nelson, ‘Introduction: The What, Where, When and Why of ‘Practice as Research’, in Practice as Research in the Arts: Principles, Protocols, Pedagogies, Resistances, Basingstoke: Palgrave Macmillan, 2013, pp. 3–22.
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R. Nelson, ‘Introduction: The What, Where, When and Why of ‘Practice as Research’, in Practice as Research in the Arts: Principles, Protocols, Pedagogies, Resistances, Basingstoke: Palgrave Macmillan, 2013, pp. 3–22 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137282910
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M. Gale and A. Featherstone, ‘The Imperative of the Archive’, in Research Methods in Theatre and Performance, Edinburgh: Edinburgh University Press, 2011, pp. 17–40.
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M. Gale and A. Featherstone, ‘The Imperative of the Archive’, in Research Methods in Theatre and Performance, Edinburgh: Edinburgh University Press, 2011, pp. 17–40 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://lib.myilibrary.com?id=313325
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H. Roms, ‘How and Why are Performances Documented?’, in Thinking Through Theatre and Performance, M. Bleeker, A. Kear, J. Kelleher, and H. Roms, Eds. London: Methuen Drama, 2019, pp. 223–239.
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‘Archive | National Theatre’. [Online]. Available: https://www.nationaltheatre.org.uk/about-the-national-theatre/archive
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A. Whitehead, ‘Collective Memory’, in Memory, 1st ed., London: Routledge, 2009.
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A. Whitehead, ‘Collective Memory’, in Memory, London: Routledge, 2008 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203888049
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M. Hirsch, ‘The Generation of Postmemory’, Poetics Today, vol. 29, no. 1, pp. 103–128, 2008, doi: 10.1215/03335372-2007-019.
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R. Nelson, ‘Introduction: The What, Where, When and Why of ‘Practice as Research’, in Practice as Research in the Arts: Principles, Protocols, Pedagogies, Resistances, Basingstoke: Palgrave Macmillan, 2013, pp. 3–22 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781137282910
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R. McCutcheon, ‘Affective Bodies in Dynamic Space - Research - Royal Holloway, University of London’. 2016 [Online]. Available: https://pure.royalholloway.ac.uk/portal/en/publications/affective-bodies-in-dynamic-space(5c738586-ad68-4f21-8be7-1c1b3251bcb8).html
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M. Bleeker, A. Kear, J. Kelleher, and H. Roms, Eds., ‘Thinking Through’, in Thinking Through Theatre and Performance, London: Methuen Drama, 2019.
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J. McKinney and P. Butterworth, The Cambridge Introduction to Scenography. Cambridge: Cambridge University Press, 2009.
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J. McKinney and P. Butterworth, The Cambridge Introduction to Scenography. Cambridge: Cambridge University Press, 2009.
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J. McKinney and S. Palmer, Eds., Scenography Expanded: An Introduction to Contemporary Performance Design. London: Bloomsbury Methuen Drama, 2017.
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T. Ostermeier and P. M. Boenisch, The Theatre of Thomas Ostermeier. London: Routledge, 2016.
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T. Ostermeier and P. M. Boenisch, ‘7.4 AFTER RICHARD: MISSION “ENSEMBLE ACTING” (JUNE 2015)’, in The Theatre of Thomas Ostermeier, Routledge, 2016 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315690810
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C. Anderson, ‘How to Give a Killer Presentation’, Harvard Business Review, vol. 91, no. 6, pp. 1–6, 2013 [Online]. Available: http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=87716149&site=ehost-live
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E. Fischer-Lichte, The Routledge Introduction to Theatre and Performance Studies, English Language edition. London: Routledge, Taylor & Francis Group, 2014.
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E. Fischer-Lichte, The Routledge Introduction to Theatre and Performance Studies. 2014 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203068731
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J. Biggam, Succeeding With Your Master’s Dissertation: A Step-by-Step Handbook. Maidenhead: McGraw Hill/Open University Press, 2008.
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J. Biggam, Succeeding With Your Master’s Dissertation: A Step-by-Step Handbook. Maidenhead: Open University Press, 2008 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.myilibrary.com?id=144979
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J. Grix, ‘The “Nuts and Bolts” of Research’, in Demystifying Postgraduate Research: From MA to PhD, Edgbaston: University of Birmingham Press, 2001, pp. 25–50.
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J. Grix, ‘The “Nuts and Bolts” of Research’, in Demystifying Postgraduate Research: From MA to PhD, Edgbaston: University of Birmingham Press, 2001, pp. 25–50 [Online]. Available: http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780567271051
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C. Nichol and L. Uytterhoeven, What Moves You?: Shaping Your Dissertation in Dance. London: Routledge, 2017.
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C. Nichol and L. Uytterhoeven, What Moves You?: Shaping Your Dissertation in Dance. London: Routledge, 2017 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781315718781
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J. Gibaldi, MLA Handbook for Writers of Research Papers, 7th ed. New York: Modern Language Association of America, 2009.