Beckman, Karen Redrobe. Animating Film Theory. Durham: Duke University Press, 2014. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1647711>.
Bendazzi, Giannalberto. Animation: Volume I: Foundations - The Golden Age. Independence: CRC Press, 2015. Web. <http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4689249>.
---. Animation: Volume II: The Birth of a Style - The Three Markets. Independence: CRC Press, 2015. Web. <http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4689309>.
---. Animation: Volume III: Contemporary Times. Independence: CRC Press, 2015. Web. <http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4689314>.
Blain, John M. The Complete Guide to Blender Graphics: Computer Modeling & Animation. 3rd Edition. Boca Raton: CRC Press, 2016. Print.
Blair, Preston. Cartoon Animation. Laguna Hills, Calif: Walter Foster, 1997. Print.
Buchan, Suzanne, ed. Animated ‘Worlds’. Eastleigh: John Libbey Publishing, 2006. Print.
---. Pervasive Animation. AFI film readers. New York: Routledge, 2013. Print.
---, ed. Pervasive Animation. AFI film readers. N.p., 2013. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1356326>.
Camper, Fred. ‘The Films of Robert Breer’. Aurora 2007: Possible Worlds. AURORA, 2007. Print.
Carels, Edwin. ‘Animation = A Multiplication of Artforms?’ The Animate! Book: Rethinking Animation. London: LUX, 2006. 14–22. Print.
---. ‘Biometry and Antibodies. Modernising Animation / Animating Modernity’. Animism: 1. Lukas & Sternberg, 2010. Print.
Carels, Edwin, and Kate Macfarlane. Graphology: Drawing From Automatism and Automation. London: Drawing Room, 2012. Print.
Catmull, Edwin E., and Amy Wallace. Creativity, Inc: Overcoming the Unseen Forces That Stand in the Way of True Inspiration. London: Bantam Press, 2014. Print.
Christiansen, Mark. Adobe After Effects CC: Visual Effects and Compositing Studio Techniques. Peachpit, 2014. Print.
Comer, Stuart. Film and Video Art. London: Tate, 2009. Print.
Crafton, Donald. Before Mickey: Animated Film, 1898-1928. New Edition. Chicago, Ill: University of Chicago Press, 1993. Print.
---. Shadow of a Mouse: Performance, Belief, and World-Making in Animation. Berkeley, California: University of California Press, 2013. Print.
Crook, Ian, and Peter Beare. Motion Graphics: Principles and Proccesses From the Ground Up. Required reading range. Course reader. London: Fairchild Books, 2016. Print.
Darley, Andrew. ‘Bones of Contention: Thoughts on the Study’. Animation 2.1 (2007): 63–76. Web.
---. ‘Simulation and Hyperrealism: Computer Animation: Second-Order Realism’. Visual Digital Culture: Surface Play and Spectacle in New Media Genres. London, New York: Routledge, 2000. 81–101. Print.
Dorfman, Ariel, and Armand Mattelart. How to Read Donald Duck: Imperialist Ideology in the Disney Comic. New Enlarged Edition. New York: International General, 1991. Print.
Eisenstein, Sergei, and Jay Leyda. Eisenstein on Disney. Eisenstein texts. London: Methuen, 1988. Print.
Elsaesser, Thomas. ‘Tales of Epiphany and Entropy: Paranarrative World on YouTube’. Film Theory and Contemporary Hollywood Movies. New York: Routledge, 2009. 150–172. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=431808>.
---. ‘Tales of Epiphany and Entropy: Paranarrative Worlds on Youtube’. Film Theory and Contemporary Hollywood Movies. New York; London: Routledge, 2009. 150–172. Print.
Faulkner, Andrew, and Conrad Chavez. Adobe Photoshop CC: 2017 Release. Classroom in a Book : The Official Training Workbook From Adobe Systems. San Jose: AdobePress, 2017. Print.
Furniss, Maureen. Animation: The Global History. London: Thames & Hudson, 2017. Print.
Gehman, Chris. The Sharpest Point: Animation at the End of Cinema. YYZ Books, 2005. Print.
Gunning, Tom. ‘The Transforming Image: The Roots of Animation in Metamorphosis and Motion’. Pervasive Animation. Ed. Suzanne Buchan. AFI film readers. New York: Routledge, 2013. 53–70. Print.
---. ‘The Transforming Image: The Roots of Animation in Metamorphosis and Motion’. Pervasive Animation. Ed. Suzanne Buchan. AFI film readers. N.p., 2013. 52–70. Web. <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1356326>.
Gyncild, Brie, and Lisa Fridsma. Adobe After Effects CC: 2017 Release. Classroom in a book. San Jose, California: Adobe, 2017. Print.
Harmon, Katharine. You Are Here: Personal Geographies and Other Maps of the Imagination. New York: Princeton Architectural Press, 2004. Print.
Hebert, Pierre. ‘Cinema, Animation and Other Arts: An Unanswered Question’. The Sharpest Point: Animation at the End of Cinema. YYZ Books, 2005. 179–188. Print.
Hooks, Ed. Acting for Animators. 4th Edition. London: Routledge, 2017. Print.
Horrocks, Roger. Art That Moves: The Work of Len Lye. Auckland: Auckland University Press, 2010. Web. <http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1531092>.
Klein, Norman. ‘Animation and Animorphs’. Meta-Morphing: Visual Transformation and the Culture of Quick-Change. Minneapolis: University of Minnesota Press, 2000. 21–40. Print.
---. ‘Movie F/X: Making Heads Roll’. The Vatican to Vegas: A History of Special Effects. New York: New Press, 2004. 213–228. Print.
Klein, Norman M. Seven Minutes: The Life and Death of the American Animated Cartoon. London: Verso, 1996. Print.
---. The Vatican to Vegas: A History of Special Effects. New York: New Press, 2004. Print.
Krasner, Jon S. Motion Graphic Design: Applied History and Aesthetics. 3rd Edition. Abingdon: Focal Press, 2013. Print.
---. Motion Graphic Design: Applied History and Aesthetics. Third edition. Abingdon: Focal Press, 2013. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780240824703>.
Lamarre, Thomas. ‘Cartoon Film Theory: Imamura Taihei on Animation, Documentary and Photography’. Animating Film Theory. Durham: Duke University Press, 2014. 221–251. Print.
---. ‘Coming to Life: Cartoon Animals and Natural Philosophy’. Pervasive Animation. Ed. Suzanne Buchan. AFI film readers. New York: Routledge, 2013. 117–142. Print.
---. ‘Coming to Life: Cartoon Animals and Natural Philosophy’. Pervasive Animation. Ed. Suzanne Buchan. AFI film readers. N.p., 2013. 117–142. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1356326>.
---. ‘From Animation to Anime: Drawing Movements and Moving Drawings’. Japan Forum 14.2 (2002): 329–367. Web.
LaMarre, Thomas. The Anime Machine: A Media Theory of Animation. Minneapolis, Minn: University of Minnesota Press, 2009. Print.
Leighton, Tanya. Art and the Moving Image: A Critical Reader. London: Tate Pub, 2008. Print.
Leslie, Esther. Hollywood Flatlands: Animation, Critical Theory and the Avant-Garde. London: Verso, 2004. Print.
---. ‘Preclusion Experimental’. Hollywood Flatlands: Animation, Critical Theory and the Avant-Garde. London: Verso, 2002. 166–178. Print.
Lye, Len. Len Lye: Motion Sketch. Drawing Center, U.S., 2014. Print.
Manovich, Lev. ‘The Illusions’. The Language of New Media. 1st MIT Press pbk. ed. Cambridge, Mass: MIT Press, 2002. Web. <http://search.ebscohost.com/login.aspx?direct=true&amp;scope=site&amp;db=nlebk&amp;db=nlabk&amp;AN=138702>.
---. ‘The Illusions’. The Language of New Media. First MIT Press pbk. edition. Cambridge, Massachusetts: The MIT Press, 2001. 161–186. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=6246549>.
McCloud, Scott. Making Comics: Storytelling Secrets of Comics, Manga and Graphic Novels. 1st Edition. New York: Harper, 2006. Print.
---. ‘The Vocabulary of Comics’. Understanding Comics: The Invisible Art. New York: Harper Collins, 2001. 24–59. Print.
Meyer, Trish, and Chris Meyer. After Effects Apprentice: Real-World Skills for the Aspiring Motion Graphics Artist. 4th Edition. New York: Routledge, 2016. Print.
---. After Effects Apprentice: Real-World Skills for the Aspiring Motion Graphics Artist. 4th Edition. New York: Routledge, 2016. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4443374>.
Obrist, Hans-Ulrich. Mapping It Out: An Alternative Atlas of Contemporary Cartographies. London: Thames & Hudson, 2014. Print.
O’Pray, Michael. ‘The Animated Film’. The Oxford Guide to Film Studies. Oxford: Oxford University Press, 1998. 434–439. Print.
Pilling, Jayne. A Reader in Animation Studies. London: John Libbey, 1997. Print.
---. A Reader in Animation Studies. London: John Libbey, 1997. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1977966>.
---. Animating the Unconscious: Desire, Sexuality and Animation. London: Wallflower Press, 2012. Print.
---. Animating the Unconscious: Desire, Sexuality and Animation. London: Wallflower Press, 2012. Print.
Rosenberg, Daniel, and Anthony Grafton. Cartographies of Time. 1st Paperback Edition. New York: Princeton Architectural Press, 2010. Print.
---. Cartographies of Time. 1st Paperback Edition. New York: Princeton Architectural Press, 2010. Print.
Sammond, Nicholas. Birth of an Industry: Blackface Minstrelsy and the Rise of American Animation. Durham: Duke University Press, 2015. Print.
---. Birth of an Industry: Blackface Minstrelsy and the Rise of American Animation. Durham: Duke University Press, 2015. Web. <https://ebookcentral-proquest-com.royalholloway.idm.oclc.org/lib/rhul/detail.action?docID=2124360>.
Shaw, Austin. Design for Motion: Fundamentals and Techniques of Motion Design. Ed. Danielle Shaw. New York: Focal Press, 2016. Print.
Sito, Tom. Drawing the Line: The Untold Story of the Animation Unions From Bosko to Bart Simpson. Lexington, Ky: University Press of Kentucky, 2006. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=792211>.
---. Moving Innovation: A History of Computer Animation. Cambridge, Massachusetts: The MIT Press, 2013. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3339617>.
Sullivan, Karen. Ideas for the Animated Short: Finding and Building Stories. 2nd Edition. New York: Focal Press, 2013. Print.
Svankmajer, J. ‘Animating the Fantastic’. Afterimage 13 (1987): n. pag. Print.
Takahashi, Tess. ‘Meticulously, Recklessly Worked Upon: Direct Animation, the Auratic and the Index’. The Sharpest Point: Animation at the End of Cinema. YYZ Books, 2005. 166–178. Print.
Thomas, Frank, and Ollie Johnston. The Illusion of Life: Disney Animation. 1st Hyperion Edition. New York: Hyperion, 1995. Print.
---. ‘The Principles of Animation’. The Illusion of Life: Disney Animation. 1st Hyperion Edition. New York: Hyperion, 1995. 46–69. Print.
Tufte, Edward R. Beautiful Evidence. Cheshire, Conn: Graphics Press, 2006. Print.
---. Visual Explanations: Images and Quantities, Evidence and Narrative. Cheshire, Conn: Graphics, 1997. Print.
Ward, Paul. ‘Animated Interactions: Animation Aesthetics and the World of the “Interactive” Documentary’. Animated ‘Worlds’. Eastleigh: John Libbey Publishing, 2006. 113–129. Print.
---. ‘’I Was Dreaming I Was Awake, and Then I Woke Up and Found Myself Asleep’: Dreaming, Spectacle and Reality in Waking Life’. The Spectacle of the Real: From Hollywood to ‘Reality’ TV and Beyond. Bristol: Intellect, 2005. 161–172. Print.
---. ‘’I Was Dreaming I Was Awake, and Then I Woke Up and Found Myself Asleep’: Dreaming, Spectacle and Reality in Waking Life’. The Spectacle of the Real: From Hollywood to ‘Reality’ TV and Beyond. Bristol: Intellect, 2005. 161–172. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=283031>.
---. ‘Rotoshop in Context: Computer Rotoscoping and Animation Aesthetics’. Animation Journal 12 (2004): 32–52. Web. <https://search.proquest.com/fiaf/docview/198948145/92671FACB143449CPQ/1?accountid=11455>.
Wells, Paul, and Samantha Moore. The Fundamentals of Animation. 2nd Edition. London: Fairchild Books, 2016. Print.
Williams, Richard. The Animator’s Survival Kit. Expanded Edition. London: Faber, 2009. Print.
Wright, Richard. ‘Computer Baroque: Computer Animation 1987-1995 | Animate Projects Archive’. N.p., 2009. Web. <http://animateprojectsarchive.org/writing/essay_archive/r_wright>.