1.
Klein N. Movie F/X: Making Heads Roll. In: The Vatican to Vegas: A History of Special Effects. New Press; 2004:213-228.
2.
McCloud S. Making Comics: Storytelling Secrets of Comics, Manga and Graphic Novels. 1st Edition. Harper; 2006.
3.
McCloud S. The Vocabulary of Comics. In: Understanding Comics: The Invisible Art. Harper Collins; 2001:24-59.
4.
O’Pray M. The Animated Film. In: The Oxford Guide to Film Studies. Oxford University Press; 1998:434-439.
5.
Carels E. Animation = A Multiplication of Artforms? In: The Animate! Book: Rethinking Animation. LUX; 2006:14-22.
6.
Darley A. Bones of Contention: Thoughts on the Study. Animation. 2007;2(1):63-76. doi:10.1177/1746847706068902
7.
Leslie E. Preclusion Experimental. In: Hollywood Flatlands: Animation, Critical Theory and the Avant-Garde. Verso; 2002:166-178.
8.
Leslie E. Hollywood Flatlands: Animation, Critical Theory and the Avant-Garde. Verso; 2004.
9.
Klein NM. Seven Minutes: The Life and Death of the American Animated Cartoon. Verso; 1996.
10.
Ward P. Animated Interactions: Animation Aesthetics and the World of the ‘Interactive’ Documentary. In: Animated ‘Worlds’. John Libbey Publishing; 2006:113-129.
11.
Thomas F, Johnston O. The Principles of Animation. In: The Illusion of Life: Disney Animation. 1st Hyperion Edition. Hyperion; 1995:46-69.
12.
Williams R. The Animator’s Survival Kit. Expanded Edition. Faber; 2009.
13.
Christiansen M. Adobe After Effects CC: Visual Effects and Compositing Studio Techniques. Peachpit; 2014.
14.
Meyer T, Meyer C. After Effects Apprentice: Real-World Skills for the Aspiring Motion Graphics Artist. 4th Edition. Routledge; 2016.
15.
Meyer T, Meyer C. After Effects Apprentice: Real-World Skills for the Aspiring Motion Graphics Artist. 4th Edition. Routledge; 2016. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4443374
16.
Krasner JS. Motion Graphic Design: Applied History and Aesthetics. 3rd Edition. Focal Press; 2013.
17.
Krasner JS. Motion Graphic Design: Applied History and Aesthetics. Third edition. Focal Press; 2013. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780240824703
18.
Klein N. Animation and Animorphs. In: Meta-Morphing: Visual Transformation and the Culture of Quick-Change. University of Minnesota Press; 2000:21-40.
19.
Faulkner A, Chavez C. Adobe Photoshop CC: 2017 Release. Vol Classroom in a Book : The Official Training Workbook From Adobe Systems. AdobePress; 2017.
20.
Tufte ER. Visual Explanations: Images and Quantities, Evidence and Narrative. Graphics; 1997.
21.
Crafton D. Before Mickey: Animated Film, 1898-1928. New Edition. University of Chicago Press; 1993.
22.
Sito T. Drawing the Line: The Untold Story of the Animation Unions From Bosko to Bart Simpson. University Press of Kentucky; 2006. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=792211
23.
Sito T. Moving Innovation: A History of Computer Animation. The MIT Press; 2013. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3339617
24.
Thomas F, Johnston O. The Illusion of Life: Disney Animation. 1st Hyperion Edition. Hyperion; 1995.
25.
Furniss M. Animation: The Global History. Thames & Hudson; 2017.
26.
Ward P. ’I Was Dreaming I Was Awake, and Then I Woke Up and Found Myself Asleep’: Dreaming, Spectacle and Reality in Waking Life. In: The Spectacle of the Real: From Hollywood to ‘Reality’ TV and Beyond. Intellect; 2005:161-172.
27.
Ward P. ’I Was Dreaming I Was Awake, and Then I Woke Up and Found Myself Asleep’: Dreaming, Spectacle and Reality in Waking Life. In: The Spectacle of the Real: From Hollywood to ‘Reality’ TV and Beyond. Intellect; 2005:161-172. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=283031
28.
Carels E. Biometry and Antibodies. Modernising Animation / Animating Modernity. In: Animism: 1. Lukas & Sternberg; 2010.
29.
Buchan S. Pervasive Animation. Vol AFI film readers. Routledge; 2013.
30.
Buchan S, ed. Pervasive Animation. Vol AFI film readers.; 2013. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1356326
31.
Pilling J. Animating the Unconscious: Desire, Sexuality and Animation. Wallflower Press; 2012.
32.
Gyncild B, Fridsma L. Adobe After Effects CC: 2017 Release. Vol Classroom in a book. Adobe; 2017.
33.
Catmull EE, Wallace A. Creativity, Inc: Overcoming the Unseen Forces That Stand in the Way of True Inspiration. Bantam Press; 2014.
34.
Camper F. The Films of Robert Breer. In: Aurora 2007: Possible Worlds. AURORA; 2007.
35.
Rosenberg D, Grafton A. Cartographies of Time. 1st Paperback Edition. Princeton Architectural Press; 2010.
36.
Tufte ER. Beautiful Evidence. Graphics Press; 2006.
37.
Hooks E. Acting for Animators. 4th Edition. Routledge; 2017.
38.
Comer S. Film and Video Art. Tate; 2009.
39.
Leighton T. Art and the Moving Image: A Critical Reader. Tate Pub; 2008.
40.
Crafton D. Shadow of a Mouse: Performance, Belief, and World-Making in Animation. University of California Press; 2013.
41.
Sullivan K. Ideas for the Animated Short: Finding and Building Stories. 2nd Edition. Focal Press; 2013.
42.
Shaw A. Design for Motion: Fundamentals and Techniques of Motion Design. (Shaw D, ed.). Focal Press; 2016.
43.
Darley A. Simulation and Hyperrealism: Computer Animation: Second-Order Realism. In: Visual Digital Culture: Surface Play and Spectacle in New Media Genres. Routledge; 2000:81-101.
44.
Lamarre T. From Animation to Anime: Drawing Movements and Moving Drawings. Japan Forum. 2002;14(2):329-367. doi:10.1080/09555800220136400
45.
Manovich L. The Illusions. In: The Language of New Media. 1st MIT Press pbk. ed. MIT Press; 2002. http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=138702
46.
Manovich L. The Illusions. In: The Language of New Media. First MIT Press pbk. edition. The MIT Press; 2001:161-186. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=6246549
47.
Gehman C. The Sharpest Point: Animation at the End of Cinema. YYZ Books; 2005.
48.
Takahashi T. Meticulously, Recklessly Worked Upon: Direct Animation, the Auratic and the Index. In: The Sharpest Point: Animation at the End of Cinema. YYZ Books; 2005:166-178.
49.
Hebert P. Cinema, Animation and Other Arts: An Unanswered Question. In: The Sharpest Point: Animation at the End of Cinema. YYZ Books; 2005:179-188.
50.
Ward P. Rotoshop in Context: Computer Rotoscoping and Animation Aesthetics. Animation Journal. 2004;12:32-52. https://search.proquest.com/fiaf/docview/198948145/92671FACB143449CPQ/1?accountid=11455
51.
Lamarre T. Cartoon Film Theory: Imamura Taihei on Animation, Documentary and Photography. In: Animating Film Theory. Duke University Press; 2014:221-251.
52.
Beckman KR. Animating Film Theory. Duke University Press; 2014. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1647711
53.
Bendazzi G. Animation: Volume I: Foundations - The Golden Age. CRC Press; 2015. http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4689249
54.
Bendazzi G. Animation: Volume II: The Birth of a Style - The Three Markets. CRC Press; 2015. http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4689309
55.
Bendazzi G. Animation: Volume III: Contemporary Times. CRC Press; 2015. http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4689314
56.
Blain JM. The Complete Guide to Blender Graphics: Computer Modeling & Animation. 3rd Edition. CRC Press; 2016.
57.
Blair P. Cartoon Animation. Walter Foster; 1997.
58.
Lye L. Len Lye: Motion Sketch. Drawing Center, U.S.; 2014.
59.
Carels E, Macfarlane K. Graphology: Drawing From Automatism and Automation. Drawing Room; 2012.
60.
Crook I, Beare P. Motion Graphics: Principles and Proccesses From the Ground Up. Vol Required reading range. Course reader. Fairchild Books; 2016.
61.
Eisenstein S, Leyda J. Eisenstein on Disney. Vol Eisenstein texts. Methuen; 1988.
62.
Svankmajer J. Animating the Fantastic. Afterimage. 1987;13.
63.
Harmon K. You Are Here: Personal Geographies and Other Maps of the Imagination. Princeton Architectural Press; 2004.
64.
Horrocks R. Art That Moves: The Work of Len Lye. Auckland University Press; 2010. http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1531092
65.
Klein NM. The Vatican to Vegas: A History of Special Effects. New Press; 2004.
66.
LaMarre T. The Anime Machine: A Media Theory of Animation. University of Minnesota Press; 2009.
67.
Obrist HU. Mapping It Out: An Alternative Atlas of Contemporary Cartographies. Thames & Hudson; 2014.
68.
Pilling J. A Reader in Animation Studies. John Libbey; 1997.
69.
Pilling J. A Reader in Animation Studies. John Libbey; 1997. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1977966
70.
Wright R. Computer Baroque: Computer Animation 1987-1995 | Animate Projects Archive. Published 2009. http://animateprojectsarchive.org/writing/essay_archive/r_wright
71.
Pilling J. Animating the Unconscious: Desire, Sexuality and Animation. Wallflower Press; 2012.
72.
Rosenberg D, Grafton A. Cartographies of Time. 1st Paperback Edition. Princeton Architectural Press; 2010.
73.
Sammond N. Birth of an Industry: Blackface Minstrelsy and the Rise of American Animation. Duke University Press; 2015.
74.
Sammond N. Birth of an Industry: Blackface Minstrelsy and the Rise of American Animation. Duke University Press; 2015. https://ebookcentral-proquest-com.royalholloway.idm.oclc.org/lib/rhul/detail.action?docID=2124360
75.
Wells P, Moore S. The Fundamentals of Animation. 2nd Edition. Fairchild Books; 2016.
76.
Dorfman A, Mattelart A. How to Read Donald Duck: Imperialist Ideology in the Disney Comic. New Enlarged Edition. International General; 1991.
77.
Elsaesser T. Tales of Epiphany and Entropy: Paranarrative Worlds on Youtube. In: Film Theory and Contemporary Hollywood Movies. Routledge; 2009:150-172.
78.
Elsaesser T. Tales of Epiphany and Entropy: Paranarrative World on YouTube. In: Film Theory and Contemporary Hollywood Movies. Routledge; 2009:150-172. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=431808
79.
Gunning T. The Transforming Image: The Roots of Animation in Metamorphosis and Motion. In: Buchan S, ed. Pervasive Animation. Vol AFI film readers. Routledge; 2013:53-70.
80.
Gunning T. The Transforming Image: the Roots of Animation in Metamorphosis and Motion. In: Buchan S, ed. Pervasive Animation. Vol AFI film readers. ; 2013:52-70. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1356326
81.
Buchan S, ed. Animated ‘Worlds’. John Libbey Publishing; 2006.
82.
Lamarre T. Coming to Life: Cartoon Animals and Natural Philosophy. In: Buchan S, ed. Pervasive Animation. Vol AFI film readers. Routledge; 2013:117-142.
83.
Lamarre T. Coming to Life: Cartoon Animals and Natural Philosophy. In: Buchan S, ed. Pervasive Animation. Vol AFI film readers. ; 2013:117-142. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1356326
