Beckman, Karen Redrobe. 2014. Animating Film Theory. Electronic resource. Durham: Duke University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1647711.
Bendazzi, Giannalberto. 2015a. Animation: Volume I: Foundations - The Golden Age. Independence: CRC Press. http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4689249.
———. 2015b. Animation: Volume II: The Birth of a Style - The Three Markets. Independence: CRC Press. http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4689309.
———. 2015c. Animation: Volume III: Contemporary Times. Independence: CRC Press. http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4689314.
Blain, John M. 2016. The Complete Guide to Blender Graphics: Computer Modeling & Animation. 3rd Edition. Boca Raton: CRC Press.
Blair, Preston. 1997. Cartoon Animation. Laguna Hills, Calif: Walter Foster.
Buchan, Suzanne, ed. 2006. Animated ‘Worlds’. Eastleigh: John Libbey Publishing.
———. 2013a. Pervasive Animation. Vol. AFI film readers. New York: Routledge.
———, ed. 2013b. Pervasive Animation. Electronic book. Vol. AFI film readers. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1356326.
Camper, Fred. 2007. ‘The Films of Robert Breer’. In Aurora 2007: Possible Worlds. AURORA.
Carels, Edwin. 2006. ‘Animation = A Multiplication of Artforms?’ In The Animate! Book: Rethinking Animation, 14–22. London: LUX.
———. 2010. ‘Biometry and Antibodies. Modernising Animation / Animating Modernity’. In Animism: 1. Lukas & Sternberg.
Carels, Edwin, and Kate Macfarlane. 2012. Graphology: Drawing From Automatism and Automation. London: Drawing Room.
Catmull, Edwin E., and Amy Wallace. 2014. Creativity, Inc: Overcoming the Unseen Forces That Stand in the Way of True Inspiration. London: Bantam Press.
Christiansen, Mark. 2014. Adobe After Effects CC: Visual Effects and Compositing Studio Techniques. Peachpit.
Comer, Stuart. 2009. Film and Video Art. London: Tate.
Crafton, Donald. 1993. Before Mickey: Animated Film, 1898-1928. New Edition. Chicago, Ill: University of Chicago Press.
———. 2013. Shadow of a Mouse: Performance, Belief, and World-Making in Animation. Berkeley, California: University of California Press.
Crook, Ian, and Peter Beare. 2016. Motion Graphics: Principles and Proccesses From the Ground Up. Vol. Required reading range. Course reader. London: Fairchild Books.
Darley, Andrew. 2000. ‘Simulation and Hyperrealism: Computer Animation: Second-Order Realism’. In Visual Digital Culture: Surface Play and Spectacle in New Media Genres, 81–101. London, New York: Routledge.
———. 2007. ‘Bones of Contention: Thoughts on the Study’. Animation 2 (1): 63–76. https://doi.org/10.1177/1746847706068902.
Dorfman, Ariel, and Armand Mattelart. 1991. How to Read Donald Duck: Imperialist Ideology in the Disney Comic. New Enlarged Edition. New York: International General.
Eisenstein, Sergei, and Jay Leyda. 1988. Eisenstein on Disney. Vol. Eisenstein texts. London: Methuen.
Elsaesser, Thomas. 2009a. ‘Tales of Epiphany and Entropy: Paranarrative World on YouTube’. Electronic book. In Film Theory and Contemporary Hollywood Movies, 150–72. New York: Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=431808.
———. 2009b. ‘Tales of Epiphany and Entropy: Paranarrative Worlds on Youtube’. In Film Theory and Contemporary Hollywood Movies, 150–72. New York; London: Routledge.
Faulkner, Andrew, and Conrad Chavez. 2017. Adobe Photoshop CC: 2017 Release. Vol. Classroom in a Book : The Official Training Workbook From Adobe Systems. San Jose: AdobePress.
Furniss, Maureen. 2017. Animation: The Global History. London: Thames & Hudson.
Gehman, Chris. 2005. The Sharpest Point: Animation at the End of Cinema. YYZ Books.
Gunning, Tom. 2013a. ‘The Transforming Image: The Roots of Animation in Metamorphosis and Motion’. In Pervasive Animation, edited by Suzanne Buchan, AFI film readers:53–70. New York: Routledge.
———. 2013b. ‘The Transforming Image: The Roots of Animation in Metamorphosis and Motion’. Electronic book. In Pervasive Animation, edited by Suzanne Buchan, AFI film readers:52–70. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1356326.
Gyncild, Brie, and Lisa Fridsma. 2017. Adobe After Effects CC: 2017 Release. Vol. Classroom in a book. San Jose, California: Adobe.
Harmon, Katharine. 2004. You Are Here: Personal Geographies and Other Maps of the Imagination. New York: Princeton Architectural Press.
Hebert, Pierre. 2005. ‘Cinema, Animation and Other Arts: An Unanswered Question’. In The Sharpest Point: Animation at the End of Cinema, 179–88. YYZ Books.
Hooks, Ed. 2017. Acting for Animators. 4th Edition. London: Routledge.
Horrocks, Roger. 2010. Art That Moves: The Work of Len Lye. Auckland: Auckland University Press. http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1531092.
Klein, Norman. 2000. ‘Animation and Animorphs’. In Meta-Morphing: Visual Transformation and the Culture of Quick-Change, 21–40. Minneapolis: University of Minnesota Press.
———. 2004. ‘Movie F/X: Making Heads Roll’. In The Vatican to Vegas: A History of Special Effects, 213–28. New York: New Press.
Klein, Norman M. 1996. Seven Minutes: The Life and Death of the American Animated Cartoon. London: Verso.
———. 2004. The Vatican to Vegas: A History of Special Effects. New York: New Press.
Krasner, Jon S. 2013a. Motion Graphic Design: Applied History and Aesthetics. 3rd Edition. Abingdon: Focal Press.
———. 2013b. Motion Graphic Design: Applied History and Aesthetics. Electronic resource. Third edition. Abingdon: Focal Press. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780240824703.
Lamarre, Thomas. 2002. ‘From Animation to Anime: Drawing Movements and Moving Drawings’. Japan Forum 14 (2): 329–67. https://doi.org/10.1080/09555800220136400.
LaMarre, Thomas. 2009. The Anime Machine: A Media Theory of Animation. Minneapolis, Minn: University of Minnesota Press.
Lamarre, Thomas. 2013a. ‘Coming to Life: Cartoon Animals and Natural Philosophy’. In Pervasive Animation, edited by Suzanne Buchan, AFI film readers:117–42. New York: Routledge.
———. 2013b. ‘Coming to Life: Cartoon Animals and Natural Philosophy’. Electronic book. In Pervasive Animation, edited by Suzanne Buchan, AFI film readers:117–42. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1356326.
———. 2014. ‘Cartoon Film Theory: Imamura Taihei on Animation, Documentary and Photography’. In Animating Film Theory, 221–51. Durham: Duke University Press.
Leighton, Tanya. 2008. Art and the Moving Image: A Critical Reader. London: Tate Pub.
Leslie, Esther. 2002. ‘Preclusion Experimental’. In Hollywood Flatlands: Animation, Critical Theory and the Avant-Garde, 166–78. London: Verso.
———. 2004. Hollywood Flatlands: Animation, Critical Theory and the Avant-Garde. London: Verso.
Lye, Len. 2014. Len Lye: Motion Sketch. Drawing Center, U.S.
Manovich, Lev. 2001. ‘The Illusions’. In The Language of New Media, First MIT Press pbk. edition, 161–86. Cambridge, Massachusetts: The MIT Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=6246549.
———. 2002. ‘The Illusions’. In The Language of New Media, 1st MIT Press pbk. ed. Cambridge, Mass: MIT Press. http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=138702.
McCloud, Scott. 2001. ‘The Vocabulary of Comics’. In Understanding Comics: The Invisible Art, 24–59. New York: Harper Collins.
———. 2006. Making Comics: Storytelling Secrets of Comics, Manga and Graphic Novels. 1st Edition. New York: Harper.
Meyer, Trish, and Chris Meyer. 2016a. After Effects Apprentice: Real-World Skills for the Aspiring Motion Graphics Artist. 4th Edition. New York: Routledge.
———. 2016b. After Effects Apprentice: Real-World Skills for the Aspiring Motion Graphics Artist. Electronic resource. 4th Edition. New York: Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4443374.
Obrist, Hans-Ulrich. 2014. Mapping It Out: An Alternative Atlas of Contemporary Cartographies. London: Thames & Hudson.
O’Pray, Michael. 1998. ‘The Animated Film’. In The Oxford Guide to Film Studies, 434–39. Oxford: Oxford University Press.
Pilling, Jayne. 1997a. A Reader in Animation Studies. London: John Libbey.
———. 1997b. A Reader in Animation Studies. Electronic resource. London: John Libbey. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1977966.
———. 2012a. Animating the Unconscious: Desire, Sexuality and Animation. London: Wallflower Press.
———. 2012b. Animating the Unconscious: Desire, Sexuality and Animation. London: Wallflower Press.
Rosenberg, Daniel, and Anthony Grafton. 2010a. Cartographies of Time. 1st Paperback Edition. New York: Princeton Architectural Press.
———. 2010b. Cartographies of Time. 1st Paperback Edition. New York: Princeton Architectural Press.
Sammond, Nicholas. 2015a. Birth of an Industry: Blackface Minstrelsy and the Rise of American Animation. Durham: Duke University Press.
———. 2015b. Birth of an Industry: Blackface Minstrelsy and the Rise of American Animation. Electronic resource. Durham: Duke University Press. https://ebookcentral-proquest-com.royalholloway.idm.oclc.org/lib/rhul/detail.action?docID=2124360.
Shaw, Austin. 2016. Design for Motion: Fundamentals and Techniques of Motion Design. Edited by Danielle Shaw. New York: Focal Press.
Sito, Tom. 2006. Drawing the Line: The Untold Story of the Animation Unions From Bosko to Bart Simpson. Electronic resource. Lexington, Ky: University Press of Kentucky. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=792211.
———. 2013. Moving Innovation: A History of Computer Animation. Electronic resource. Cambridge, Massachusetts: The MIT Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3339617.
Sullivan, Karen. 2013. Ideas for the Animated Short: Finding and Building Stories. 2nd Edition. New York: Focal Press.
Svankmajer, J. 1987. ‘Animating the Fantastic’. Afterimage 13.
Takahashi, Tess. 2005. ‘Meticulously, Recklessly Worked Upon: Direct Animation, the Auratic and the Index’. In The Sharpest Point: Animation at the End of Cinema, 166–78. YYZ Books.
Thomas, Frank, and Ollie Johnston. 1995a. The Illusion of Life: Disney Animation. 1st Hyperion Edition. New York: Hyperion.
———. 1995b. ‘The Principles of Animation’. In The Illusion of Life: Disney Animation, 1st Hyperion Edition, 46–69. New York: Hyperion.
Tufte, Edward R. 1997. Visual Explanations: Images and Quantities, Evidence and Narrative. Cheshire, Conn: Graphics.
———. 2006. Beautiful Evidence. Cheshire, Conn: Graphics Press.
Ward, Paul. 2004. ‘Rotoshop in Context: Computer Rotoscoping and Animation Aesthetics’. Animation Journal 12: 32–52. https://search.proquest.com/fiaf/docview/198948145/92671FACB143449CPQ/1?accountid=11455.
———. 2005a. ‘’I Was Dreaming I Was Awake, and Then I Woke Up and Found Myself Asleep’: Dreaming, Spectacle and Reality in Waking Life’. In The Spectacle of the Real: From Hollywood to ‘Reality’ TV and Beyond, 161–72. Bristol: Intellect.
———. 2005b. ‘’I Was Dreaming I Was Awake, and Then I Woke Up and Found Myself Asleep’: Dreaming, Spectacle and Reality in Waking Life’. Electronic resource. In The Spectacle of the Real: From Hollywood to ‘Reality’ TV and Beyond, 161–72. Bristol: Intellect. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=283031.
———. 2006. ‘Animated Interactions: Animation Aesthetics and the World of the “Interactive” Documentary’. In Animated ‘Worlds’, 113–29. Eastleigh: John Libbey Publishing.
Wells, Paul, and Samantha Moore. 2016. The Fundamentals of Animation. 2nd Edition. London: Fairchild Books.
Williams, Richard. 2009. The Animator’s Survival Kit. Expanded Edition. London: Faber.
Wright, Richard. 2009. ‘Computer Baroque: Computer Animation 1987-1995 | Animate Projects Archive’. 2009. http://animateprojectsarchive.org/writing/essay_archive/r_wright.
