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N. Klein, ‘Movie F/X: Making Heads Roll’, in The Vatican to Vegas: A History of Special Effects, New York: New Press, 2004, pp. 213–228.
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S. McCloud, Making Comics: Storytelling Secrets of Comics, Manga and Graphic Novels, 1st Edition. New York: Harper, 2006.
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S. McCloud, ‘The Vocabulary of Comics’, in Understanding Comics: The Invisible Art, New York: Harper Collins, 2001, pp. 24–59.
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N. M. Klein, Seven Minutes: The Life and Death of the American Animated Cartoon. London: Verso, 1996.
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P. Ward, ‘Animated Interactions: Animation Aesthetics and the World of the “Interactive” Documentary’, in Animated ‘Worlds’, Eastleigh: John Libbey Publishing, 2006, pp. 113–129.
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F. Thomas and O. Johnston, ‘The Principles of Animation’, in The Illusion of Life: Disney Animation, 1st Hyperion Edition., New York: Hyperion, 1995, pp. 46–69.
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R. Williams, The Animator’s Survival Kit, Expanded Edition. London: Faber, 2009.
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J. S. Krasner, Motion Graphic Design: Applied History and Aesthetics, 3rd Edition. Abingdon: Focal Press, 2013.
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J. S. Krasner, Motion Graphic Design: Applied History and Aesthetics, Third edition. Abingdon: Focal Press, 2013 [Online]. Available: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780240824703
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N. Klein, ‘Animation and Animorphs’, in Meta-Morphing: Visual Transformation and the Culture of Quick-Change, Minneapolis: University of Minnesota Press, 2000, pp. 21–40.
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A. Faulkner and C. Chavez, Adobe Photoshop CC: 2017 Release, vol. Classroom in a Book : The Official Training Workbook From Adobe Systems. San Jose: AdobePress, 2017.
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D. Crafton, Before Mickey: Animated Film, 1898-1928, New Edition. Chicago, Ill: University of Chicago Press, 1993.
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T. Sito, Drawing the Line: The Untold Story of the Animation Unions From Bosko to Bart Simpson. Lexington, Ky: University Press of Kentucky, 2006 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=792211
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T. Sito, Moving Innovation: A History of Computer Animation. Cambridge, Massachusetts: The MIT Press, 2013 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3339617
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F. Thomas and O. Johnston, The Illusion of Life: Disney Animation, 1st Hyperion Edition. New York: Hyperion, 1995.
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M. Furniss, Animation: The Global History. London: Thames & Hudson, 2017.
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P. Ward, ‘’I Was Dreaming I Was Awake, and Then I Woke Up and Found Myself Asleep’: Dreaming, Spectacle and Reality in Waking Life’, in The Spectacle of the Real: From Hollywood to ‘Reality’ TV and Beyond, Bristol: Intellect, 2005, pp. 161–172.
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P. Ward, ‘’I Was Dreaming I Was Awake, and Then I Woke Up and Found Myself Asleep’: Dreaming, Spectacle and Reality in Waking Life’, in The Spectacle of the Real: From Hollywood to ‘Reality’ TV and Beyond, Bristol: Intellect, 2005, pp. 161–172 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=283031
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E. Carels, ‘Biometry and Antibodies. Modernising Animation / Animating Modernity’, in Animism: 1, Lukas & Sternberg, 2010.
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S. Buchan, Pervasive Animation, vol. AFI film readers. New York: Routledge, 2013.
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S. Buchan, Ed., Pervasive Animation, vol. AFI film readers. 2013 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1356326
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J. Pilling, Animating the Unconscious: Desire, Sexuality and Animation. London: Wallflower Press, 2012.
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B. Gyncild and L. Fridsma, Adobe After Effects CC: 2017 Release, vol. Classroom in a book. San Jose, California: Adobe, 2017.
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E. E. Catmull and A. Wallace, Creativity, Inc: Overcoming the Unseen Forces That Stand in the Way of True Inspiration. London: Bantam Press, 2014.
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F. Camper, ‘The Films of Robert Breer’, in Aurora 2007: Possible Worlds, AURORA, 2007.
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E. R. Tufte, Beautiful Evidence. Cheshire, Conn: Graphics Press, 2006.
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E. Hooks, Acting for Animators, 4th Edition. London: Routledge, 2017.
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T. Leighton, Art and the Moving Image: A Critical Reader. London: Tate Pub, 2008.
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D. Crafton, Shadow of a Mouse: Performance, Belief, and World-Making in Animation. Berkeley, California: University of California Press, 2013.
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L. Manovich, ‘The Illusions’, in The Language of New Media, First MIT Press pbk. edition., Cambridge, Massachusetts: The MIT Press, 2001, pp. 161–186 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=6246549
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C. Gehman, The Sharpest Point: Animation at the End of Cinema. YYZ Books, 2005.
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T. Takahashi, ‘Meticulously, Recklessly Worked Upon: Direct Animation, the Auratic and the Index’, in The Sharpest Point: Animation at the End of Cinema, YYZ Books, 2005, pp. 166–178.
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P. Hebert, ‘Cinema, Animation and Other Arts: An Unanswered Question’, in The Sharpest Point: Animation at the End of Cinema, YYZ Books, 2005, pp. 179–188.
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P. Ward, ‘Rotoshop in Context: Computer Rotoscoping and Animation Aesthetics’, Animation Journal, vol. 12, pp. 32–52, 2004 [Online]. Available: https://search.proquest.com/fiaf/docview/198948145/92671FACB143449CPQ/1?accountid=11455
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T. Lamarre, ‘Cartoon Film Theory: Imamura Taihei on Animation, Documentary and Photography’, in Animating Film Theory, Durham: Duke University Press, 2014, pp. 221–251.
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K. R. Beckman, Animating Film Theory. Durham: Duke University Press, 2014 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1647711
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G. Bendazzi, Animation: Volume I: Foundations - The Golden Age. Independence: CRC Press, 2015 [Online]. Available: http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4689249
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G. Bendazzi, Animation: Volume II: The Birth of a Style - The Three Markets. Independence: CRC Press, 2015 [Online]. Available: http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4689309
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G. Bendazzi, Animation: Volume III: Contemporary Times. Independence: CRC Press, 2015 [Online]. Available: http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4689314
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J. M. Blain, The Complete Guide to Blender Graphics: Computer Modeling & Animation, 3rd Edition. Boca Raton: CRC Press, 2016.
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P. Blair, Cartoon Animation. Laguna Hills, Calif: Walter Foster, 1997.
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L. Lye, Len Lye: Motion Sketch. Drawing Center, U.S., 2014.
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E. Carels and K. Macfarlane, Graphology: Drawing From Automatism and Automation. London: Drawing Room, 2012.
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I. Crook and P. Beare, Motion Graphics: Principles and Proccesses From the Ground Up, vol. Required reading range. Course reader. London: Fairchild Books, 2016.
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S. Eisenstein and J. Leyda, Eisenstein on Disney, vol. Eisenstein texts. London: Methuen, 1988.
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J. Svankmajer, ‘Animating the Fantastic’, Afterimage, vol. 13, 1987.
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K. Harmon, You Are Here: Personal Geographies and Other Maps of the Imagination. New York: Princeton Architectural Press, 2004.
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R. Horrocks, Art That Moves: The Work of Len Lye. Auckland: Auckland University Press, 2010 [Online]. Available: http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1531092
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N. M. Klein, The Vatican to Vegas: A History of Special Effects. New York: New Press, 2004.
[66]
T. LaMarre, The Anime Machine: A Media Theory of Animation. Minneapolis, Minn: University of Minnesota Press, 2009.
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H.-U. Obrist, Mapping It Out: An Alternative Atlas of Contemporary Cartographies. London: Thames & Hudson, 2014.
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J. Pilling, A Reader in Animation Studies. London: John Libbey, 1997.
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J. Pilling, A Reader in Animation Studies. London: John Libbey, 1997 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1977966
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R. Wright, ‘Computer Baroque: Computer Animation 1987-1995 | Animate Projects Archive’, 2009. [Online]. Available: http://animateprojectsarchive.org/writing/essay_archive/r_wright
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J. Pilling, Animating the Unconscious: Desire, Sexuality and Animation. London: Wallflower Press, 2012.
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D. Rosenberg and A. Grafton, Cartographies of Time, 1st Paperback Edition. New York: Princeton Architectural Press, 2010.
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N. Sammond, Birth of an Industry: Blackface Minstrelsy and the Rise of American Animation. Durham: Duke University Press, 2015.
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N. Sammond, Birth of an Industry: Blackface Minstrelsy and the Rise of American Animation. Durham: Duke University Press, 2015 [Online]. Available: https://ebookcentral-proquest-com.royalholloway.idm.oclc.org/lib/rhul/detail.action?docID=2124360
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P. Wells and S. Moore, The Fundamentals of Animation, 2nd Edition. London: Fairchild Books, 2016.
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A. Dorfman and A. Mattelart, How to Read Donald Duck: Imperialist Ideology in the Disney Comic, New Enlarged Edition. New York: International General, 1991.
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T. Elsaesser, ‘Tales of Epiphany and Entropy: Paranarrative Worlds on Youtube’, in Film Theory and Contemporary Hollywood Movies, New York; London: Routledge, 2009, pp. 150–172.
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T. Elsaesser, ‘Tales of Epiphany and Entropy: Paranarrative World on YouTube’, in Film Theory and Contemporary Hollywood Movies, New York: Routledge, 2009, pp. 150–172 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=431808
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T. Gunning, ‘The Transforming Image: The Roots of Animation in Metamorphosis and Motion’, in Pervasive Animation, vol. AFI film readers, S. Buchan, Ed. New York: Routledge, 2013, pp. 53–70.
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T. Gunning, ‘The Transforming Image: the Roots of Animation in Metamorphosis and Motion’, in Pervasive Animation, vol. AFI film readers, S. Buchan, Ed. 2013, pp. 52–70 [Online]. Available: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1356326
[81]
S. Buchan, Ed., Animated ‘Worlds’. Eastleigh: John Libbey Publishing, 2006.
[82]
T. Lamarre, ‘Coming to Life: Cartoon Animals and Natural Philosophy’, in Pervasive Animation, vol. AFI film readers, S. Buchan, Ed. New York: Routledge, 2013, pp. 117–142.
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T. Lamarre, ‘Coming to Life: Cartoon Animals and Natural Philosophy’, in Pervasive Animation, vol. AFI film readers, S. Buchan, Ed. 2013, pp. 117–142 [Online]. Available: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1356326