Beckman, Karen Redrobe, Animating Film Theory (Durham: Duke University Press, 2014) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1647711>
Bendazzi, Giannalberto, Animation: Volume I: Foundations - The Golden Age (Independence: CRC Press, 2015) <http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4689249>
———, Animation: Volume II: The Birth of a Style - The Three Markets (Independence: CRC Press, 2015) <http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4689309>
———, Animation: Volume III: Contemporary Times (Independence: CRC Press, 2015) <http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4689314>
Blain, John M., The Complete Guide to Blender Graphics: Computer Modeling & Animation, 3rd Edition (Boca Raton: CRC Press, 2016)
Blair, Preston, Cartoon Animation (Laguna Hills, Calif: Walter Foster, 1997)
Buchan, Suzanne, ed., Animated ‘Worlds’ (Eastleigh: John Libbey Publishing, 2006)
———, Pervasive Animation (New York: Routledge, 2013), AFI film readers
———, ed., Pervasive Animation, 2013, AFI film readers <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1356326>
Camper, Fred, ‘The Films of Robert Breer’, in Aurora 2007: Possible Worlds (AURORA, 2007)
Carels, Edwin, ‘Animation = A Multiplication of Artforms?’, in The Animate! Book: Rethinking Animation (London: LUX, 2006), pp. 14–22
———, ‘Biometry and Antibodies. Modernising Animation / Animating Modernity’, in Animism: 1 (Lukas & Sternberg, 2010)
Carels, Edwin, and Kate Macfarlane, Graphology: Drawing From Automatism and Automation (London: Drawing Room, 2012)
Catmull, Edwin E., and Amy Wallace, Creativity, Inc: Overcoming the Unseen Forces That Stand in the Way of True Inspiration (London: Bantam Press, 2014)
Christiansen, Mark, Adobe After Effects CC: Visual Effects and Compositing Studio Techniques (Peachpit, 2014)
Comer, Stuart, Film and Video Art (London: Tate, 2009)
Crafton, Donald, Before Mickey: Animated Film, 1898-1928, New Edition (Chicago, Ill: University of Chicago Press, 1993)
———, Shadow of a Mouse: Performance, Belief, and World-Making in Animation (Berkeley, California: University of California Press, 2013)
Crook, Ian, and Peter Beare, Motion Graphics: Principles and Proccesses From the Ground Up (London: Fairchild Books, 2016), Required reading range. Course reader
Darley, Andrew, ‘Bones of Contention: Thoughts on the Study’, Animation, 2.1 (2007), 63–76 <https://doi.org/10.1177/1746847706068902>
———, ‘Simulation and Hyperrealism: Computer Animation: Second-Order Realism’, in Visual Digital Culture: Surface Play and Spectacle in New Media Genres (London, New York: Routledge, 2000), pp. 81–101
Dorfman, Ariel, and Armand Mattelart, How to Read Donald Duck: Imperialist Ideology in the Disney Comic, New Enlarged Edition (New York: International General, 1991)
Eisenstein, Sergei, and Jay Leyda, Eisenstein on Disney (London: Methuen, 1988), Eisenstein texts
Elsaesser, Thomas, ‘Tales of Epiphany and Entropy: Paranarrative World on YouTube’, in Film Theory and Contemporary Hollywood Movies (New York: Routledge, 2009), pp. 150–72 <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=431808>
———, ‘Tales of Epiphany and Entropy: Paranarrative Worlds on Youtube’, in Film Theory and Contemporary Hollywood Movies (New York; London: Routledge, 2009), pp. 150–72
Faulkner, Andrew, and Conrad Chavez, Adobe Photoshop CC: 2017 Release (San Jose: AdobePress, 2017), Classroom in a Book : The Official Training Workbook From Adobe Systems
Furniss, Maureen, Animation: The Global History (London: Thames & Hudson, 2017)
Gehman, Chris, The Sharpest Point: Animation at the End of Cinema (YYZ Books, 2005)
Gunning, Tom, ‘The Transforming Image: The Roots of Animation in Metamorphosis and Motion’, in Pervasive Animation, ed. by Suzanne Buchan (New York: Routledge, 2013), AFI film readers, 53–70
———, ‘The Transforming Image: The Roots of Animation in Metamorphosis and Motion’, in Pervasive Animation, ed. by Suzanne Buchan, 2013, AFI film readers, 52–70 <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1356326>
Gyncild, Brie, and Lisa Fridsma, Adobe After Effects CC: 2017 Release (San Jose, California: Adobe, 2017), Classroom in a book
Harmon, Katharine, You Are Here: Personal Geographies and Other Maps of the Imagination (New York: Princeton Architectural Press, 2004)
Hebert, Pierre, ‘Cinema, Animation and Other Arts: An Unanswered Question’, in The Sharpest Point: Animation at the End of Cinema (YYZ Books, 2005), pp. 179–88
Hooks, Ed, Acting for Animators, 4th Edition (London: Routledge, 2017)
Horrocks, Roger, Art That Moves: The Work of Len Lye (Auckland: Auckland University Press, 2010) <http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1531092>
Klein, Norman, ‘Animation and Animorphs’, in Meta-Morphing: Visual Transformation and the Culture of Quick-Change (Minneapolis: University of Minnesota Press, 2000), pp. 21–40
———, ‘Movie F/X: Making Heads Roll’, in The Vatican to Vegas: A History of Special Effects (New York: New Press, 2004), pp. 213–28
Klein, Norman M., Seven Minutes: The Life and Death of the American Animated Cartoon (London: Verso, 1996)
———, The Vatican to Vegas: A History of Special Effects (New York: New Press, 2004)
Krasner, Jon S., Motion Graphic Design: Applied History and Aesthetics, 3rd Edition (Abingdon: Focal Press, 2013)
———, Motion Graphic Design: Applied History and Aesthetics, Third edition (Abingdon: Focal Press, 2013) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780240824703>
Lamarre, Thomas, ‘Cartoon Film Theory: Imamura Taihei on Animation, Documentary and Photography’, in Animating Film Theory (Durham: Duke University Press, 2014), pp. 221–51
———, ‘Coming to Life: Cartoon Animals and Natural Philosophy’, in Pervasive Animation, ed. by Suzanne Buchan (New York: Routledge, 2013), AFI film readers, 117–42
———, ‘Coming to Life: Cartoon Animals and Natural Philosophy’, in Pervasive Animation, ed. by Suzanne Buchan, 2013, AFI film readers, 117–42 <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1356326>
———, ‘From Animation to Anime: Drawing Movements and Moving Drawings’, Japan Forum, 14.2 (2002), 329–67 <https://doi.org/10.1080/09555800220136400>
LaMarre, Thomas, The Anime Machine: A Media Theory of Animation (Minneapolis, Minn: University of Minnesota Press, 2009)
Leighton, Tanya, Art and the Moving Image: A Critical Reader (London: Tate Pub, 2008)
Leslie, Esther, Hollywood Flatlands: Animation, Critical Theory and the Avant-Garde (London: Verso, 2004)
———, ‘Preclusion Experimental’, in Hollywood Flatlands: Animation, Critical Theory and the Avant-Garde (London: Verso, 2002), pp. 166–78
Lye, Len, Len Lye: Motion Sketch (Drawing Center, U.S., 2014)
Manovich, Lev, ‘The Illusions’, in The Language of New Media, 1st MIT Press pbk. ed (Cambridge, Mass: MIT Press, 2002) <http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=138702>
———, ‘The Illusions’, in The Language of New Media, First MIT Press pbk. edition (Cambridge, Massachusetts: The MIT Press, 2001), pp. 161–86 <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=6246549>
McCloud, Scott, Making Comics: Storytelling Secrets of Comics, Manga and Graphic Novels, 1st Edition (New York: Harper, 2006)
———, ‘The Vocabulary of Comics’, in Understanding Comics: The Invisible Art (New York: Harper Collins, 2001), pp. 24–59
Meyer, Trish, and Chris Meyer, After Effects Apprentice: Real-World Skills for the Aspiring Motion Graphics Artist, 4th Edition (New York: Routledge, 2016)
———, After Effects Apprentice: Real-World Skills for the Aspiring Motion Graphics Artist, 4th Edition (New York: Routledge, 2016) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4443374>
Obrist, Hans-Ulrich, Mapping It Out: An Alternative Atlas of Contemporary Cartographies (London: Thames & Hudson, 2014)
O’Pray, Michael, ‘The Animated Film’, in The Oxford Guide to Film Studies (Oxford: Oxford University Press, 1998), pp. 434–39
Pilling, Jayne, A Reader in Animation Studies (London: John Libbey, 1997)
———, A Reader in Animation Studies (London: John Libbey, 1997) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1977966>
———, Animating the Unconscious: Desire, Sexuality and Animation (London: Wallflower Press, 2012)
———, Animating the Unconscious: Desire, Sexuality and Animation (London: Wallflower Press, 2012)
Rosenberg, Daniel, and Anthony Grafton, Cartographies of Time, 1st Paperback Edition (New York: Princeton Architectural Press, 2010)
———, Cartographies of Time, 1st Paperback Edition (New York: Princeton Architectural Press, 2010)
Sammond, Nicholas, Birth of an Industry: Blackface Minstrelsy and the Rise of American Animation (Durham: Duke University Press, 2015)
———, Birth of an Industry: Blackface Minstrelsy and the Rise of American Animation (Durham: Duke University Press, 2015) <https://ebookcentral-proquest-com.royalholloway.idm.oclc.org/lib/rhul/detail.action?docID=2124360>
Shaw, Austin, Design for Motion: Fundamentals and Techniques of Motion Design, ed. by Danielle Shaw (New York: Focal Press, 2016)
Sito, Tom, Drawing the Line: The Untold Story of the Animation Unions From Bosko to Bart Simpson (Lexington, Ky: University Press of Kentucky, 2006) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=792211>
———, Moving Innovation: A History of Computer Animation (Cambridge, Massachusetts: The MIT Press, 2013) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3339617>
Sullivan, Karen, Ideas for the Animated Short: Finding and Building Stories, 2nd Edition (New York: Focal Press, 2013)
Svankmajer, J., ‘Animating the Fantastic’, Afterimage, 13 (1987)
Takahashi, Tess, ‘Meticulously, Recklessly Worked Upon: Direct Animation, the Auratic and the Index’, in The Sharpest Point: Animation at the End of Cinema (YYZ Books, 2005), pp. 166–78
Thomas, Frank, and Ollie Johnston, The Illusion of Life: Disney Animation, 1st Hyperion Edition (New York: Hyperion, 1995)
———, ‘The Principles of Animation’, in The Illusion of Life: Disney Animation, 1st Hyperion Edition (New York: Hyperion, 1995), pp. 46–69
Tufte, Edward R., Beautiful Evidence (Cheshire, Conn: Graphics Press, 2006)
———, Visual Explanations: Images and Quantities, Evidence and Narrative (Cheshire, Conn: Graphics, 1997)
Ward, Paul, ‘Animated Interactions: Animation Aesthetics and the World of the “Interactive” Documentary’, in Animated ‘Worlds’ (Eastleigh: John Libbey Publishing, 2006), pp. 113–29
———, ‘’I Was Dreaming I Was Awake, and Then I Woke Up and Found Myself Asleep’: Dreaming, Spectacle and Reality in Waking Life’, in The Spectacle of the Real: From Hollywood to ‘Reality’ TV and Beyond (Bristol: Intellect, 2005), pp. 161–72
———, ‘’I Was Dreaming I Was Awake, and Then I Woke Up and Found Myself Asleep’: Dreaming, Spectacle and Reality in Waking Life’, in The Spectacle of the Real: From Hollywood to ‘Reality’ TV and Beyond (Bristol: Intellect, 2005), pp. 161–72 <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=283031>
———, ‘Rotoshop in Context: Computer Rotoscoping and Animation Aesthetics’, Animation Journal, 12 (2004), 32–52 <https://search.proquest.com/fiaf/docview/198948145/92671FACB143449CPQ/1?accountid=11455>
Wells, Paul, and Samantha Moore, The Fundamentals of Animation, 2nd Edition (London: Fairchild Books, 2016)
Williams, Richard, The Animator’s Survival Kit, Expanded Edition (London: Faber, 2009)
Wright, Richard, ‘Computer Baroque: Computer Animation 1987-1995 | Animate Projects Archive’, 2009 <http://animateprojectsarchive.org/writing/essay_archive/r_wright>
