1.
Segalen V, Schlick YR. Essay on Exoticism: An Aesthetics of Diversity [Internet]. Durham: Duke University Press; 2002. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780822383727
2.
Segalen V, Schlick YR. Essay on Exoticism: An Aesthetics of Diversity. Essay on Exoticism: An Aesthetics of Diversity. Durham: Duke University Press; 2002.
3.
Lang F. The Tiger of Eschnapur and The Indian Tomb. [S.l.]: Fantoma; 2003.
4.
Shedde M, Hediger V. Come on, Baby, Be My Tiger. Inventing India on the German Screen in Der Tiger von Eschnapur and Das indische Grabmal. Import Export: Cultural Transfer : India, Germany, Austria. Berlin: Parthas; 2005.
5.
Osten F. Shiraz | You Tube [Internet]. 2015. Available from: https://www.youtube.com/watch?v=20v_CYsENEo
6.
Flaherty R, Hudd W. Elephant Boy.
7.
Powell M, Pressburger E, ITV Studios, Granada Ventures. Black Narcissus (Part of The Powell and Pressburger collection). [England]: Granada Ventures (ITV DVD) [distributor]; 2006.
8.
Black Narcissus [Internet]. Channel 4; Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/0015D381?bcast=70178691
9.
Lang F. The Tiger of Eschnapur and The Indian Tomb. [S.l.]: Fantoma; 2003.
10.
Renoir J. The river. [S.l.]: Criterion Collection; 2005.
11.
Forster EM, Lean D. A Passage to India. S.l: MGM.;
12.
Heat and Dust | Box of Broadcasts [Internet]. FilmFour; 2010. Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/000018C4?bcast=53084273
13.
Octopussy (1983) [Internet]. ITV London; Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/0008CB26?bcast=121379035
14.
Octopussy (1983) [Internet]. ITV London; Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/0008CB26?bcast=121379035
15.
Malle L. Calcutta. Eclipse Series 2: The Documentaries of Louis Malle (The Criterion Collection).
16.
Morahan C, O’Brien J, Ashcroft P. The jewel in the crown. [S.l.]: Granada; 2005.
17.
Indian Summers [Internet]. Available from: https://learningonscreen.ac.uk/ondemand/search.php/prog?q%5B0%5D%5Bv%5D=Indian+Summers+&search_type=1&is_available=&q%5B0%5D%5Bindex%5D=title&source=&date_type=0&date=1990-01-01-00-00&date_start%5B1%5D=01&date_start%5B2%5D=01&date_start%5B0%5D=1990&date_start%5B3%5D=00&date_start%5B4%5D=00&date_end%5B1%5D=05&date_end%5B2%5D=16&date_end%5B0%5D=2017&date_end%5B3%5D=01&date_end%5B4%5D=00&institution=&sort=relevance
18.
Eat, Pray, Love | Box of Broadcasts [Internet]. Channel 5; 2016. Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/01E66515?bcast=120880063
19.
Eat Pray Love. Eg. Artificial Eye; 2012.
20.
The Punitive Theater of the Western Gaze: Staging Orientalism in Eat Pray Love. Conference Papers -- International Communication Association [Internet]. 2012;1–38. Available from: http://search.ebscohost.com/login.aspx?direct=true&db=ufh&AN=85900773&site=ehost-live
21.
The World of Suzie Wong.
22.
Marshall R, Ohgo S. Memoirs of a Geisha. Eg. Artificial Eye;
23.
Cronenberg D. M. Butterfly. [S.l.]: Widemedia; 2011.
24.
Bui T. Three Seasons | Box of Broadcasts [Internet]. BBC2 England; 2009. Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/004FCB79?bcast=36523125
25.
Lee A. Lust, Caution. 2007.
26.
The Beach | Box of Broadcasts [Internet]. E4; 2012. Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/001CEFA6?bcast=84987930
27.
Chelsom P. Hector and the Search for Happiness. Twentieth Century-Fox; 2017.
28.
Madden J. The Best Exotic Marigold Hotel | Box of Broadcasts [Internet]. Channel 4; 2017. Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/02E37C34?bcast=123810039
29.
Chadha G. Bride and Prejudice. [S.l.]: Pathe; 2004.
30.
Bride and Prejudice | Box of Broadcasts [Internet]. FilmFour; 2004. Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/006986DC?bcast=120659077
31.
Chopra Y, Kapoor A. Lamhe.
32.
Chopra A. Dilwale Dulhania Le Jayenge. India: Yash Raj Films; 2002.
33.
Johar K. Kuch Kuch Hota Hai. Sony Music Home Entertainment; 2003.
34.
Johar K. Kabhi Khushi Kabhie Gham. Sony Music Home Entertainment; 2003.
35.
Johar K. Kabhi Khushi Kabhie Gham | Box of Broadcasts [Internet]. Channel 4; 2013. Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/001C025B?bcast=102226390
36.
Zhang Y, Li G. Ju Dou. [S.l.]: MagicPlay Entertainment; 2006.
37.
Lu SH. National Cinema, Cultural Critique, Transnational Capital: The Films of Zhang Yimou. Transnational Chinese Cinemas: Identity, Nationhood, Gender. Honolulu: University of Hawaii Press; 1997. p. 105–136.
38.
Lu SH. National Cinema, Cultural Critique, Transnational Capital: The Films of Zhang Yimou. Transnational Chinese Cinemas: Identity, Nationhood, Gender [Internet]. Honolulu: University of Hawaii Press; 1997. Available from: https://ebookcentral.proquest.com/lib/rhul/reader.action?docID=3413197&ppg=119
39.
Caige C. Yellow Earth | YouTube [Internet]. 2013. Available from: https://www.youtube.com/watch?v=sEqfyZGYVrM
40.
Zhang Y. Red Sorghum. [S.l.]: Drakes Avenue;
41.
Yimou Z. Red Sorghum | Box of Broadcasts [Internet]. FilmFour; 2017. Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/0000B744?bcast=123722832
42.
Zhang Y. Raise the Red Lantern. MGM; 2007.
43.
Kaige C. Farewell My Concubine. [S.l: s.n.]; 2002.
44.
Zhang Yimou, Ge You. To Live.
45.
Kar-Wai W. Days of Being Wild.
46.
Assayas O. Irma Vep. [S.l.]: Second Sight;
47.
Assayas O. Irma Vep. [S.l.]: Second Sight;
48.
Kar-Wai W. In the Mood for Love. Tartan Video; 2001.
49.
In the Mood for Love | Box of Broadcasts [Internet]. FilmFour; 2015. Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/001596F2?bcast=115284419
50.
Kar-Wai W. 2046. [S.l.]: Mei Ah Entertainment; 2004.
51.
Kar-Wai W. 2046 | Box of Broadcasts [Internet]. FilmFour; 2011. Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/0055A799?bcast=68090971
52.
Kar Wai W. Happy Together [Internet]. San Francisco, California, USA: The Criterion Collection; 1997. Available from: https://rhul.kanopy.com/node/11814071
53.
Sivan S. The Terrorist. [S.l.]: Tartan; 2002.
54.
Sivan S. Before the Rains. Eg. Artificial Eye; 2010.
55.
Hung TA. The Scent of Green Papaya. [S.l.]: Second Sight; 2002.
56.
Negra D. Ethnic Food Fetishism, Whiteness, and Nostalgia in Recent Film and Television. Velvet Light Trap [Internet]. 2002;Fall:62–76. Available from: http://search.proquest.com/fiaf/docview/222864620/AC30A571AEBE41DAPQ/1
57.
Arau A. Like Water for Chocolate. Arrow Films; 2005.
58.
Axel G. Babette’s Feast | Box of Broadcasts [Internet]. FilmFour; 2015. Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/001432ED?bcast=116790635
59.
Batra R. Lunchbox. Artificial Eye; 2014.
60.
The Lunchbox  | Box of Broadcasts [Internet]. BBC4; 2017. Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/077D3761?bcast=123706052
61.
Parmar P. Nina’s Heavenly Delights. Verve Pictures; 2007.
62.
Parmar P. Nina’s Heavenly Delights | Box of Broadcasts [Internet]. BBC2 England; 2012. Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/00F891FF?bcast=87532560
63.
Akin F. Soul Kitchen.
64.
Lee A. Eat, Drink, Man, Woman.
65.
Chadha G. What’s Cooking? [S.l.]: Lions Gate Home Entertainment; 2008.
66.
Berges PM. The Mistress of Spices | Box of Broadcasts [Internet]. FilmFour; 2011. Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/007FBF13?bcast=67639874
67.
Boulmetis T. A Touch Of Spice. 2003.
68.
Hallstrom L. The Hundred-Foot Journey. EntertainmentOne; 2015.
69.
Kawase N. Sweet Bean. [S.l.]: Eureka Entertainment; 2016.
70.
Butler M. Tanna.
71.
Lamont Lindstrom. Award-Winning Film Tanna Sets Romeo and Juliet in the South Pacific | The Conversation [Internet]. 2015. Available from: http://theconversation.com/award-winning-film-tanna-sets-romeo-and-juliet-in-the-south-pacific-49874
72.
Murnau FW. Tabu: A Story of the South Seas. [S.l.]: Eureka; 2007.
73.
Flaherty R. Nanook of the North. Criterion; 1999.
74.
Kostner K. Dances with Wolves | Box of Broadcasts [Internet]. BBC2 England; 2009. Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/00CE3502?bcast=32492020
75.
Kunuk Z. Atanarjuat: The Fast Runner. [S.l.]: Optimum Releasing; 2005.
76.
Kunuk Z. Atanarjuat: The Fast Runner | Box of Broadcasts [Internet]. BBC2 England; 2008. Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/00517264?bcast=28429480
77.
Noyce P. Rabbit Proof Fence. [S.l.]: Buena; 2002.
78.
Noyce P. Rabbit-Proof Fence | Box of Broadcasts [Internet]. BBC2 England; 2002. Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/00572E42?bcast=124112921
79.
Caro N. Whale Rider. [S.l.]: Icon Home Entertainment; 2003.
80.
Caro N. Whale Rider | Box of Broadcasts [Internet]. BBC2 England; 2012. Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/005A1506?bcast=77720433
81.
De Heer R. Ten Canoes. [S.l.]: Film Finance; 2007.
82.
Guerra C, Torres N. Embrace Of The Serpent.
83.
Guerra C, Torres N. Embrace Of The Serpent.
84.
Press Kit: Embrace of the Serpent [Internet]. Available from: http://press.peccapics.co.uk/Theatrical/Embrace%20Of%20The%20Serpent/Embrace%20of%20the%20Serpent%20Press%20Notes.pdf
85.
Prasch, Thomas1. Embrace of the Serpent. Film & History (03603695) [Internet]. 360AD;46(03603695):93–95. Available from: https://muse.jhu.edu/article/643315
86.
Herzog W. Aguirre: The Wrath of God. [S.l.]: Anchor Bay; 2004.
87.
Aguirre, Wrath of God | Box of Broadcasts [Internet]. BBC2 England; Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/005403A1?bcast=44778681
88.
Herzog W, Cardinale C. Fitzcarraldo. [S.l.]: Anchor Bay; 2004.
89.
Fitzcarraldo | Box of Broadcasts [Internet]. FilmFour; 1982. Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/00A33D86?bcast=115219686
90.
Joffe R. The Mission. [S.l.]: Warner Home Video; 2003.
91.
Joffe R. The Mission | Box of Bradcasts [Internet]. BBC1 London; Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/017E5B06?bcast=120540498
92.
Guzmán P. The Pearl Button. [S.l.]: New Wave Films; 2015.
93.
Bustamante J. Ixcanul. New York: Kino Lorber; 2017.
94.
Mehta D. Water. Twentieth Century Fox Home Entertainment; 2006.
95.
Mehta D. Water | Box of Broadcasts [Internet]. BBC2 England; 2011. Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/014BBBE4?bcast=60555334
96.
Chaudhuri S. Snake Charmers and Child Brides: Deepa Mehta’s                            , ‘Exotic’ Representation, and the Cross‐cultural Spectatorship of South Asian Migrant Cinema. South Asian Popular Culture. 2009;7(1):7–20.
97.
Taraporevala S. Salaam Bombay! Special Edition. United Kingdom: Arrow Films; 2009.
98.
Joy Luck Club (1993) [Internet]. BBC2 England; Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/000CD89B?bcast=34087522
99.
Chinese Box.
100.
Nair M. The Namesake: The Greatest Journey Are the Ones That Bring You Home. [S.l.]: Twentieth century fox; 2007.
101.
Ozpetek F, Bose’ L. Harem Suare.
102.
Leung Chiu Wai T, Loc LV, Hung TA. Cyclo. [S.l.]: Dreamix; 2004.
103.
Hung TA. At the height of summer. [S.l.]: Artificial Eye; 2002.
104.
At the Height of Summer | Box of Broadcasts [Internet]. BBC2 England; 2007. Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/004EDA89?bcast=28033170
105.
Three Seasons (1999) [Internet]. BBC2 England; Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/004FCB79?bcast=36523125
106.
Chadha G, Bachchan AR. Bride and prejudice. [S.l.]: Pathe; 2004.
107.
Bride and Prejudice (2004) [Internet]. FilmFour; Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/006986DC?bcast=120659077
108.
Chadha G. Viceroy’s House.
109.
Lee A, Chao W, Lichtenstein M. The wedding banquet. [S.l: [s.n.]; 2010.
110.
Boyle D. Slumdog Millionaire. 20th Century Fox; 2009.
111.
Boyle D. Slumdog Millionaire | Box of Broadcasts [Internet]. More4; 2017. Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/00ED7F59?bcast=123871654
112.
Mudambi A. Another Look At Orientalism: (An)Othering in. Howard Journal of Communications. 2013;24(3):275–292.
113.
Madden J. The Best Exotic Marigold Hotel | Box of Broadcasts [Internet]. Channel 4; 2017. Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/02E37C34?bcast=123810039
114.
Agzenay A. Returning the Gaze: The Manichean Drama of Postcolonial Exoticism [Internet]. Oxford: Peter Lang; 2015. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9783035306910
115.
Bell J, editor. Electric Shadows: A Century of Chinese Cinema. London: BFI; 2014.
116.
Studlar G, Bernstein M. Visions of the East: Orientalism in Film. London: Tauris; 1997.
117.
Bongie C. Exotic Memories: Literature, Colonialism, and the Fin De Siècle. Stanford, Calif: Stanford University Press; 1991.
118.
Chakrabarty D. Provincializing Europe: postcolonial thought and historical difference. Princeton, N.J.: Princeton University Press; 2000.
119.
Chakrabarty, Dipesh. Provincializing Europe: Postcolonial Thought and Historical Difference [Internet]. Princeton University Press; 2000. Available from: http://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb04798
120.
Chaudhuri S. Contemporary World Cinema: Europe, the Middle East, East Asia and South Asia. Edinburgh: Edinburgh University Press; 2005.
121.
Chan F. Cosmopolitan Cinema: Cross-Cultural Encounters in East Asian Film. London: I.B. Tauris; 2017.
122.
Chow R. Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema. New York: Columbia University Press; 1995.
123.
De Luca T, Jorge NB. Slow Cinema. Edinburgh: Edinburgh University Press; 2016.
124.
De Luca T. Slow Cinema [Internet]. Jorge NB, editor. Edinburgh: Edinburgh University Press; 2016. Available from: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4306147
125.
Dennison S, Lim SH. Remapping World Cinema: Identity, Culture and Politics in Film. London: Wallflower Press; 2006.
126.
de Valck M. Film Festivals: From European Geopolitics to Global Cinephilia. Amsterdam: Amsterdam University Press; 2007.
127.
Valck M de. Film Festivals: From European Geopolitics to Global Cinephilia [Internet]. [Amsterdam]: Amsterdam University Press; 2007. Available from: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=419760
128.
Dwyer R. Bollywood’s India: Hindi Cinema as a Guide to Contemporary India. London: Reaktion Books; 2014.
129.
Dwyer R. 100 Bollywood films. London: BFI; 2005.
130.
Dudrah RK. Bollywood Travels: Culture, Diaspora and Border Crossings in Popular Hindi Cinema. London: Routledge; 2012.
131.
Evans MR. The Fast Runner: Filming the Legend of Atanarjuat. Lincoln: University of Nebraska Press; 2010.
132.
Forsdick C. Victor Segalen and the Aesthetics of Diversity: Journeys Between Cultures. Oxford: Oxford University Press; 2000.
133.
Forsdick C. Revisiting Exoticism: From Colonialism to Postcolonialism. In: Forsdick C, Murphy D, editors. Francophone Postcolonial Studies: A Critical Introduction [Internet]. 2003. p. 46–55. Available from: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=564734
134.
C. J. Scheiner. The Encyclopedia of Erotic Literature: 001. Barricade Books; 1996.
135.
C. J. Scheiner. The Encyclopedia of Erotic Literature: 2. Barricade Books; 1996.
136.
Fitz A. Import Export: Cultural Transfer : India, Germany, Austria. Berlin: Parthas; 2005.
137.
Gehlawat A, editor. The Slumdog Phenomenon: A Critical Anthology. London: Anthem Press; 2013.
138.
Gehlawat A. The Slumdog Phenomenon: A Critical Anthology [Internet]. Available from: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1130120
139.
Gopal S, Moorti S. Global Bollywood: Travels of Hindi Song and Dance. Minneapolis: University of Minnesota Press; 2008.
140.
Griffiths A. Wondrous Difference: Cinema, Anthropology, & Turn-of-the-Century Visual Culture. New York: Columbia University Press; 2002.
141.
Harper G, Rayner J. Cinema and Landscape [Internet]. Bristol: Intellect; 2010. Available from: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=537265
142.
Heldke LM. Exotic Appetites: Ruminations of a Food Adventurer. London: Routledge; 2016.
143.
Hooks B. Eating the Other: Desire and Resistance. Black Looks: Race and Representation. Boston, Mass: South End; 1992. p. 21–39.
144.
Huggan G. The Postcolonial Exotic: Marketing the Margins. London: Routledge; 2001.
145.
Huggan G. Postcolonial Exotic, The: Marketing the Margins.
146.
Kaplan EA. Looking for the Other: Feminism, Film and the Imperial Gaze. New York: Routledge; 1997.
147.
Khoo O. The Chinese Exotic: Modern Diasporic Femininity [Internet]. Hong Kong: Hong Kong University Press; 2007. Available from: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=677431
148.
Lau L, Mendes AC. Re-Orientalism and South Asian Identity Politics: The Oriental Other Within. London: Routledge; 2014.
149.
Lau L. Re-Orientalism: The Perpetration and Development of Orientalism by Orientals. Modern Asian Studies. 2009;43(02).
150.
Lefebvre M. Landscape and Film. New York: Routledge; 2006.
151.
Scarles C. Mediating the Tourist Experience: From Brochures to Virtual Encounters [Internet]. Lester JA, editor. Farnham, Surrey: Ashgate; 2013. Available from: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1531633
152.
Levi-Strauss C. Tristes Tropiques. Paris: Plon; 1955.
153.
Lewis S. What Is Spectacle? Journal of Popular Film and Television. 2014;42(4):214–221.
154.
Lim SH. Celluloid Comrades: Representations of Male Homosexuality in Contemporary Chinese Cinemas. Honolulu, T.H.: University of Hawai’i Press; 2006.
155.
Lim SH. Tsai Ming-Liang and a Cinema of Slowness. Honolulu: University of Hawai’i Press; 2014.
156.
Lim SH, Ward J. The Chinese Cinema Book [Internet]. London: BFI Publishing; 2011. Available from: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5982216
157.
Mendes AC. Showcasing India Unshining: Film Tourism in Danny Boyle’s. Third Text. 2010;24(4):471–479.
158.
Nagib L, Perriam C, Dudrah RK. Theorizing World Cinema. London: I.B. Tauris; 2012.
159.
Nagib L, Perriam C, Dudrah RK. Theorizing World Cinema [Internet]. London: I.B. Tauris; 2012. Available from: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=903320
160.
Neumeyer D. The Oxford Handbook of Film Music Studies. Oxford: Oxford University Press; 2015.
161.
Neumeyer D. The Oxford Handbook of Film Music Studies [Internet]. New York: Oxford University Press; 2013. Available from: https://dx.doi.org/10.1093/oxfordhb/9780195328493.001.0001
162.
Nichols B. Discovering Form, Inferring Meaning: New Cinemas and the Film Festival Circuit. Film Quarterly. 1994;47(3):16–30.
163.
Oliete-Aldea E. Hybrid Heritage on Screen: The ‘Raj Revival’ in the Thatcher Era [Internet]. Basingstoke, Hampshire: Palgrave Macmillan; 2015. Available from: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4001034
164.
Ponzanesi S. The Postcolonial Cultural Industry: Icons, Markets, Mythologies [Internet]. Basingstoke: Palgrave Macmillan; 2014. Available from: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1699405
165.
Pugsley P. Tradition, Culture and Aesthetics in Contemporary Asian Cinema [Internet]. Farnham, Surrey, England: Ashgate; 2013. Available from: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4425569
166.
Rangarajan P. Imperial Babel: Translation, Exoticism, and the Long Nineteenth Century. New York: Fordham University Press; 2014.
167.
Rony FT. The Third Eye: Race, Cinema, and Ethnographic Spectacle. Durham, NC: Duke University Press; 1996.
168.
Root D. Cannibal Culture: Art, Appropriation, and the Commodification of Difference. Boulder: Westview Press; 1996.
169.
Rosaldo R. Imperialist Nostalgia. Culture & Truth: The Remaking of Social Analysis. London: Routledge; 1993. p. 68–87.
170.
Said EW. Orientalism. Harmondsworth: Penguin; 1991.
171.
Santaolalla I. ‘New’ Exoticisms: Changing Patterns in the Construction of Otherness. Amsterdam: Rodopi; 2000.
172.
Schmidt B. Inventing Exoticism: Geography, Globalism, and Europe’s Early Modern World. Philadelphia: University of Pennsylvania Press; 2015.
173.
Sexton J. The Allure of Otherness: Transnational Cult Film Fandom and the Exoticist Assumption. Transnational Cinemas. 2017;8(1):5–19.
174.
Shohat E, Stam R. Unthinking Eurocentrism: Multiculturalism and the Media. London: Routledge; 1994.
175.
Teo S. Chinese Martial Arts Cinema: The Wuxia Tradition. Edinburgh: Edinburgh University Press; 2009.
176.
Teo S. Chinese Martial Arts Cinema: The Wuxia Tradition [Internet]. Edinburgh: Edinburgh University Press; 2009. Available from: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=434312
177.
Taylor TD. Beyond Exoticism: Western Music and the World. Durham: Duke University Press; 2007.
178.
Tzanelli R. The Cinematic Tourist: Explorations in Globalization, Culture and Resistance. London: Routledge; 2010.
179.
Tzanelli R. The Cinematic Tourist: Explorations in Globalization, Culture and Resistance [Internet]. London: Routledge; 2007. Available from: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=356210
180.
Urry J. The Tourist Gaze 3.0. 3rd ed. Thousand Oaks, CA: SAGE; 2011.
181.
Urry J, Larsen J. The Tourist Gaze 3.0 [Internet]. Los Angeles, [Calif.]: SAGE; 2011. Available from: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=786870
182.
Wong CH. Film Festivals: Culture, People, and Power on the Global Screen. New Brunswick, N.J.: Rutgers University Press; 2011.
183.
Zhang Y. Chinese National Cinema. New York: Routledge; 2004.
184.
Berry C, Farquhar MA, Dawsonera. China on screen: cinema and nation [Internet]. Aberdeen, Hong Kong: Hong Kong University Press; 2006. Available from: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9789882206045