Aguirre, Wrath of God | Box of Broadcasts. (n.d.). BBC2 England. https://learningonscreen.ac.uk/ondemand/index.php/prog/005403A1?bcast=44778681
Agzenay, A. (2015). Returning the Gaze: The Manichean Drama of Postcolonial Exoticism [Electronic resource]. Peter Lang. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9783035306910
Akin, F. (n.d.). Soul Kitchen.
Arau, A. (2005). Like Water for Chocolate. Arrow Films.
Assayas, O. (n.d.-a). Irma Vep. Second Sight.
Assayas, O. (n.d.-b). Irma Vep. Second Sight.
At the Height of Summer | Box of Broadcasts. (2007). BBC2 England. https://learningonscreen.ac.uk/ondemand/index.php/prog/004EDA89?bcast=28033170
Axel, G. (2015). Babette’s Feast | Box of Broadcasts. FilmFour. https://learningonscreen.ac.uk/ondemand/index.php/prog/001432ED?bcast=116790635
Batra, R. (2014). Lunchbox. Artificial Eye.
Bell, J. (Ed.). (2014). Electric Shadows: A Century of Chinese Cinema. BFI.
Berges, P. M. (2011). The Mistress of Spices | Box of Broadcasts. FilmFour. https://learningonscreen.ac.uk/ondemand/index.php/prog/007FBF13?bcast=67639874
Berry, C., Farquhar, M. A., & Dawsonera. (2006). China on screen: cinema and nation [Electronic book]. Hong Kong University Press. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9789882206045
Black Narcissus. (n.d.). Channel 4. https://learningonscreen.ac.uk/ondemand/index.php/prog/0015D381?bcast=70178691
Bongie, C. (1991). Exotic Memories: Literature, Colonialism, and the Fin De Siècle. Stanford University Press.
Boulmetis, T. (2003). A Touch Of Spice.
Boyle, D. (2009). Slumdog Millionaire. 20th Century Fox.
Boyle, D. (2017). Slumdog Millionaire | Box of Broadcasts. More4. https://learningonscreen.ac.uk/ondemand/index.php/prog/00ED7F59?bcast=123871654
Bride and Prejudice | Box of Broadcasts. (2004). FilmFour. https://learningonscreen.ac.uk/ondemand/index.php/prog/006986DC?bcast=120659077
Bride and Prejudice (2004). (n.d.). FilmFour. https://learningonscreen.ac.uk/ondemand/index.php/prog/006986DC?bcast=120659077
Bui, T. (2009). Three Seasons | Box of Broadcasts. BBC2 England. https://learningonscreen.ac.uk/ondemand/index.php/prog/004FCB79?bcast=36523125
Bustamante, J. (2017). Ixcanul. Kino Lorber.
Butler, M. (n.d.). Tanna.
C. J. Scheiner. (1996a). The Encyclopedia of Erotic Literature: 001. Barricade Books.
C. J. Scheiner. (1996b). The Encyclopedia of Erotic Literature: 2. Barricade Books.
Caige, C. (2013). Yellow Earth | YouTube. https://www.youtube.com/watch?v=sEqfyZGYVrM
Caro, N. (2003). Whale Rider. Icon Home Entertainment.
Caro, N. (2012). Whale Rider | Box of Broadcasts. BBC2 England. https://learningonscreen.ac.uk/ondemand/index.php/prog/005A1506?bcast=77720433
Chadha, G. (n.d.). Viceroy’s House.
Chadha, G. (2004). Bride and Prejudice. Pathe.
Chadha, G. (2008). What’s Cooking? Lions Gate Home Entertainment.
Chadha, G., & Bachchan, A. R. (2004). Bride and prejudice. Pathe.
Chakrabarty, D. (2000). Provincializing Europe: postcolonial thought and historical difference: Vol. Princeton studies in culture/power/history. Princeton University Press.
Chakrabarty, Dipesh. (2000). Provincializing Europe: Postcolonial Thought and Historical Difference. Princeton University Press. http://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb04798
Chan, F. (2017). Cosmopolitan Cinema: Cross-Cultural Encounters in East Asian Film: Vol. Tauris world cinema series. I.B. Tauris.
Chaudhuri, S. (2005). Contemporary World Cinema: Europe, the Middle East, East Asia and South Asia. Edinburgh University Press.
Chaudhuri, S. (2009). Snake Charmers and Child Brides: Deepa Mehta’s , ‘Exotic’ Representation, and the Cross‐cultural Spectatorship of South Asian Migrant Cinema. South Asian Popular Culture, 7(1), 7–20. https://doi.org/10.1080/14746680802704956
Chelsom, P. (2017). Hector and the Search for Happiness. Twentieth Century-Fox.
Chinese Box. (n.d.).
Chopra, A. (2002). Dilwale Dulhania Le Jayenge. Yash Raj Films.
Chopra, Y., & Kapoor, A. (n.d.). Lamhe.
Chow, R. (1995). Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema: Vol. Film and culture. Columbia University Press.
Cronenberg, D. (2011). M. Butterfly. Widemedia.
De Heer, R. (2007). Ten Canoes. Film Finance.
De Luca, T. (2016). Slow Cinema: Vol. Traditions in world cinema (N. B. Jorge, Ed.) [Electronic resource]. Edinburgh University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4306147
De Luca, T., & Jorge, N. B. (2016). Slow Cinema: Vol. Traditions in world cinema. Edinburgh University Press.
de Valck, M. (2007). Film Festivals: From European Geopolitics to Global Cinephilia: Vol. Film culture in transition. Amsterdam University Press.
Dennison, S., & Lim, S. H. (2006). Remapping World Cinema: Identity, Culture and Politics in Film. Wallflower Press.
Dudrah, R. K. (2012). Bollywood Travels: Culture, Diaspora and Border Crossings in Popular Hindi Cinema: Vol. Routledge contemporary South Asia series. Routledge.
Dwyer, R. (2005). 100 Bollywood films: Vol. BFI screen guides. BFI.
Dwyer, R. (2014). Bollywood’s India: Hindi Cinema as a Guide to Contemporary India. Reaktion Books.
Eat Pray Love. (2012). Eg. Artificial Eye.
Eat, Pray, Love | Box of Broadcasts. (2016). Channel 5. https://learningonscreen.ac.uk/ondemand/index.php/prog/01E66515?bcast=120880063
Evans, M. R. (2010). The Fast Runner: Filming the Legend of Atanarjuat: Vol. Indigenous films. University of Nebraska Press.
Fitz, A. (2005). Import Export: Cultural Transfer : India, Germany, Austria. Parthas.
Fitzcarraldo | Box of Broadcasts. (1982). FilmFour. https://learningonscreen.ac.uk/ondemand/index.php/prog/00A33D86?bcast=115219686
Flaherty, R. (1999). Nanook of the North. Criterion.
Flaherty, R., & Hudd, W. (n.d.). Elephant Boy.
Forsdick, C. (2000). Victor Segalen and the Aesthetics of Diversity: Journeys Between Cultures. Oxford University Press.
Forsdick, C. (2003). Revisiting Exoticism: From Colonialism to Postcolonialism [Electronic book]. In C. Forsdick & D. Murphy (Eds.), Francophone Postcolonial Studies: A Critical Introduction (pp. 46–55). https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=564734
Forster, E. M., & Lean, D. (n.d.). A Passage to India. MGM.
Gehlawat, A. (n.d.). The Slumdog Phenomenon: A Critical Anthology: Vol. New perspectives on world cinema [Electronic book]. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1130120
Gehlawat, A. (Ed.). (2013). The Slumdog Phenomenon: A Critical Anthology: Vol. New perspectives on world cinema. Anthem Press.
Gopal, S., & Moorti, S. (2008). Global Bollywood: Travels of Hindi Song and Dance. University of Minnesota Press.
Griffiths, A. (2002). Wondrous Difference: Cinema, Anthropology, & Turn-of-the-Century Visual Culture. Columbia University Press.
Guerra, C., & Torres, N. (n.d.-a). Embrace Of The Serpent.
Guerra, C., & Torres, N. (n.d.-b). Embrace Of The Serpent.
Guzmán, P. (2015). The Pearl Button. New Wave Films.
Hallstrom, L. (2015). The Hundred-Foot Journey. EntertainmentOne.
Harper, G., & Rayner, J. (2010). Cinema and Landscape [Electronic book]. Intellect. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=537265
Heat and Dust | Box of Broadcasts. (2010). FilmFour. https://learningonscreen.ac.uk/ondemand/index.php/prog/000018C4?bcast=53084273
Heldke, L. M. (2016). Exotic Appetites: Ruminations of a Food Adventurer. Routledge.
Herzog, W. (2004). Aguirre: The Wrath of God: Vol. Herzog / Kinski : a film legacy. Anchor Bay.
Herzog, W., & Cardinale, C. (2004). Fitzcarraldo: Vol. Herzog / Kinski : a film legacy. Anchor Bay.
Hooks, B. (1992). Eating the Other: Desire and Resistance. In Black Looks: Race and Representation (pp. 21–39). South End.
Huggan, G. (n.d.). Postcolonial Exotic, The: Marketing the Margins.
Huggan, G. (2001). The Postcolonial Exotic: Marketing the Margins. Routledge.
Hung, T. A. (2002a). At the height of summer. Artificial Eye.
Hung, T. A. (2002b). The Scent of Green Papaya. Second Sight.
In the Mood for Love | Box of Broadcasts. (2015). FilmFour. https://learningonscreen.ac.uk/ondemand/index.php/prog/001596F2?bcast=115284419
Indian Summers. (n.d.). https://learningonscreen.ac.uk/ondemand/search.php/prog?q%5B0%5D%5Bv%5D=Indian+Summers+&search_type=1&is_available=&q%5B0%5D%5Bindex%5D=title&source=&date_type=0&date=1990-01-01-00-00&date_start%5B1%5D=01&date_start%5B2%5D=01&date_start%5B0%5D=1990&date_start%5B3%5D=00&date_start%5B4%5D=00&date_end%5B1%5D=05&date_end%5B2%5D=16&date_end%5B0%5D=2017&date_end%5B3%5D=01&date_end%5B4%5D=00&institution=&sort=relevance
Joffe, R. (n.d.). The Mission | Box of Bradcasts. BBC1 London. https://learningonscreen.ac.uk/ondemand/index.php/prog/017E5B06?bcast=120540498
Joffe, R. (2003). The Mission. Warner Home Video.
Johar, K. (2003a). Kabhi Khushi Kabhie Gham. Sony Music Home Entertainment.
Johar, K. (2003b). Kuch Kuch Hota Hai. Sony Music Home Entertainment.
Johar, K. (2013). Kabhi Khushi Kabhie Gham | Box of Broadcasts. Channel 4. https://learningonscreen.ac.uk/ondemand/index.php/prog/001C025B?bcast=102226390
Joy Luck Club (1993). (n.d.). BBC2 England. https://learningonscreen.ac.uk/ondemand/index.php/prog/000CD89B?bcast=34087522
Kaige, C. (2002). Farewell My Concubine. s.n.].
Kaplan, E. A. (1997). Looking for the Other: Feminism, Film and the Imperial Gaze. Routledge.
Kar Wai, W. (1997). Happy Together. The Criterion Collection. https://rhul.kanopy.com/node/11814071
Kar-Wai, W. (n.d.). Days of Being Wild.
Kar-Wai, W. (2001). In the Mood for Love. Tartan Video.
Kar-Wai, W. (2004). 2046. Mei Ah Entertainment.
Kar-Wai, W. (2011). 2046 | Box of Broadcasts. FilmFour. https://learningonscreen.ac.uk/ondemand/index.php/prog/0055A799?bcast=68090971
Kawase, N. (2016). Sweet Bean (Vol. 153). Eureka Entertainment.
Khoo, O. (2007). The Chinese Exotic: Modern Diasporic Femininity: Vol. TransAsia: screen cultures [Electronic resource]. Hong Kong University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=677431
Kostner, K. (2009). Dances with Wolves | Box of Broadcasts. BBC2 England. https://learningonscreen.ac.uk/ondemand/index.php/prog/00CE3502?bcast=32492020
Kunuk, Z. (2005). Atanarjuat: The Fast Runner. Optimum Releasing.
Kunuk, Z. (2008). Atanarjuat: The Fast Runner | Box of Broadcasts. BBC2 England. https://learningonscreen.ac.uk/ondemand/index.php/prog/00517264?bcast=28429480
Lamont Lindstrom. (2015). Award-Winning Film Tanna Sets Romeo and Juliet in the South Pacific | The Conversation. http://theconversation.com/award-winning-film-tanna-sets-romeo-and-juliet-in-the-south-pacific-49874
Lang, F. (2003a). The Tiger of Eschnapur and The Indian Tomb. Fantoma.
Lang, F. (2003b). The Tiger of Eschnapur and The Indian Tomb. Fantoma.
Lau, L. (2009). Re-Orientalism: The Perpetration and Development of Orientalism by Orientals. Modern Asian Studies, 43(02). https://doi.org/10.1017/S0026749X07003058
Lau, L., & Mendes, A. C. (2014). Re-Orientalism and South Asian Identity Politics: The Oriental Other Within: Vol. Routledge contemporary South Asia series. Routledge.
Lee, A. (n.d.). Eat, Drink, Man, Woman.
Lee, A. (2007). Lust, Caution.
Lee, A., Chao, W., & Lichtenstein, M. (2010). The wedding banquet. [s.n.].
Lefebvre, M. (2006). Landscape and Film: Vol. AFI film readers. Routledge.
Leung Chiu Wai, T., Loc, L. V., & Hung, T. A. (2004). Cyclo. Dreamix.
Levi-Strauss, C. (1955). Tristes Tropiques: Vol. Terre humaine. Plon.
Lewis, S. (2014). What Is Spectacle? Journal of Popular Film and Television, 42(4), 214–221. https://doi.org/10.1080/01956051.2014.923370
Lim, S. H. (2006). Celluloid Comrades: Representations of Male Homosexuality in Contemporary Chinese Cinemas. University of Hawai’i Press.
Lim, S. H. (2014). Tsai Ming-Liang and a Cinema of Slowness. University of Hawai’i Press.
Lim, S. H., & Ward, J. (2011). The Chinese Cinema Book. BFI Publishing. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5982216
Lu, S. H. (1997a). National Cinema, Cultural Critique, Transnational Capital: The Films of Zhang Yimou. In Transnational Chinese Cinemas: Identity, Nationhood, Gender (pp. 105–136). University of Hawaii Press.
Lu, S. H. (1997b). National Cinema, Cultural Critique, Transnational Capital: The Films of Zhang Yimou. In Transnational Chinese Cinemas: Identity, Nationhood, Gender. University of Hawaii Press. https://ebookcentral.proquest.com/lib/rhul/reader.action?docID=3413197&ppg=119
Madden, J. (2017a). The Best Exotic Marigold Hotel | Box of Broadcasts. Channel 4. https://learningonscreen.ac.uk/ondemand/index.php/prog/02E37C34?bcast=123810039
Madden, J. (2017b). The Best Exotic Marigold Hotel | Box of Broadcasts. Channel 4. https://learningonscreen.ac.uk/ondemand/index.php/prog/02E37C34?bcast=123810039
Malle, L. (n.d.). Calcutta. In Eclipse Series 2: The Documentaries of Louis Malle (The Criterion Collection).
Marshall, R., & Ohgo, S. (n.d.). Memoirs of a Geisha. Eg. Artificial Eye.
Mehta, D. (2006). Water. Twentieth Century Fox Home Entertainment.
Mehta, D. (2011). Water | Box of Broadcasts. BBC2 England. https://learningonscreen.ac.uk/ondemand/index.php/prog/014BBBE4?bcast=60555334
Mendes, A. C. (2010). Showcasing India Unshining: Film Tourism in Danny Boyle’s. Third Text, 24(4), 471–479. https://doi.org/10.1080/09528822.2010.491379
Morahan, C., O’Brien, J., & Ashcroft, P. (2005). The jewel in the crown. Granada.
Mudambi, A. (2013). Another Look At Orientalism: (An)Othering in. Howard Journal of Communications, 24(3), 275–292. https://doi.org/10.1080/10646175.2013.805990
Murnau, F. W. (2007). Tabu: A Story of the South Seas (Vol. 4). Eureka.
Nagib, L., Perriam, C., & Dudrah, R. K. (2012a). Theorizing World Cinema: Vol. Tauris world cinema series. I.B. Tauris.
Nagib, L., Perriam, C., & Dudrah, R. K. (2012b). Theorizing World Cinema: Vol. Tauris world cinema series [Electronic book]. I.B. Tauris. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=903320
Nair, M. (2007). The Namesake: The Greatest Journey Are the Ones That Bring You Home. Twentieth century fox.
Negra, D. (2002). Ethnic Food Fetishism, Whiteness, and Nostalgia in Recent Film and Television. Velvet Light Trap, Fall, 62–76. http://search.proquest.com/fiaf/docview/222864620/AC30A571AEBE41DAPQ/1
Neumeyer, D. (2013). The Oxford Handbook of Film Music Studies [Electronic book]. Oxford University Press. https://dx.doi.org/10.1093/oxfordhb/9780195328493.001.0001
Neumeyer, D. (2015). The Oxford Handbook of Film Music Studies: Vol. Oxford handbooks. Oxford University Press.
Nichols, B. (1994). Discovering Form, Inferring Meaning: New Cinemas and the Film Festival Circuit. Film Quarterly, 47(3), 16–30. https://doi.org/10.2307/1212956
Noyce, P. (2002a). Rabbit Proof Fence. Buena.
Noyce, P. (2002b). Rabbit-Proof Fence | Box of Broadcasts. BBC2 England. https://learningonscreen.ac.uk/ondemand/index.php/prog/00572E42?bcast=124112921
Octopussy (1983). (n.d.-a). ITV London. https://learningonscreen.ac.uk/ondemand/index.php/prog/0008CB26?bcast=121379035
Octopussy (1983). (n.d.-b). ITV London. https://learningonscreen.ac.uk/ondemand/index.php/prog/0008CB26?bcast=121379035
Oliete-Aldea, E. (2015). Hybrid Heritage on Screen: The ‘Raj Revival’ in the Thatcher Era [Electronic resource]. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4001034
Osten, F. (2015). Shiraz | You Tube. https://www.youtube.com/watch?v=20v_CYsENEo
Ozpetek, F., & Bose’, L. (n.d.). Harem Suare.
Parmar, P. (2007). Nina’s Heavenly Delights. Verve Pictures.
Parmar, P. (2012). Nina’s Heavenly Delights | Box of Broadcasts. BBC2 England. https://learningonscreen.ac.uk/ondemand/index.php/prog/00F891FF?bcast=87532560
Ponzanesi, S. (2014). The Postcolonial Cultural Industry: Icons, Markets, Mythologies [Electronic resource]. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1699405
Powell, M., Pressburger, E., ITV Studios, & Granada Ventures. (2006). Black Narcissus (Part of The Powell and Pressburger collection). Granada Ventures (ITV DVD) [distributor].
Prasch, Thomas1. (360 C.E.). Embrace of the Serpent. Film & History (03603695), 46(03603695), 93–95. https://muse.jhu.edu/article/643315
Press Kit: Embrace of the Serpent. (n.d.). http://press.peccapics.co.uk/Theatrical/Embrace%20Of%20The%20Serpent/Embrace%20of%20the%20Serpent%20Press%20Notes.pdf
Pugsley, P. (2013). Tradition, Culture and Aesthetics in Contemporary Asian Cinema [Electronic resource]. Ashgate. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4425569
Rangarajan, P. (2014). Imperial Babel: Translation, Exoticism, and the Long Nineteenth Century. Fordham University Press.
Renoir, J. (2005). The river. Criterion Collection.
Rony, F. T. (1996). The Third Eye: Race, Cinema, and Ethnographic Spectacle. Duke University Press.
Root, D. (1996). Cannibal Culture: Art, Appropriation, and the Commodification of Difference. Westview Press.
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Scarles, C. (2013). Mediating the Tourist Experience: From Brochures to Virtual Encounters: Vol. Current developments in the geographies of leisure and tourism (J.-A. Lester, Ed.) [Electronic resource]. Ashgate. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1531633
Schmidt, B. (2015). Inventing Exoticism: Geography, Globalism, and Europe’s Early Modern World: Vol. Material texts. University of Pennsylvania Press.
Segalen, V., & Schlick, Y. R. (2002a). Essay on Exoticism: An Aesthetics of Diversity [Electronic resource]. Duke University Press. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780822383727
Segalen, V., & Schlick, Y. R. (2002b). Essay on Exoticism: An Aesthetics of Diversity. In Essay on Exoticism: An Aesthetics of Diversity. Duke University Press.
Sexton, J. (2017). The Allure of Otherness: Transnational Cult Film Fandom and the Exoticist Assumption. Transnational Cinemas, 8(1), 5–19. https://doi.org/10.1080/20403526.2016.1245922
Shedde, M., & Hediger, V. (2005). Come on, Baby, Be My Tiger. Inventing India on the German Screen in Der Tiger von Eschnapur and Das indische Grabmal. In Import Export: Cultural Transfer : India, Germany, Austria. Parthas.
Shohat, E., & Stam, R. (1994). Unthinking Eurocentrism: Multiculturalism and the Media: Vol. Sightlines. Routledge.
Sivan, S. (2002). The Terrorist. Tartan.
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Studlar, G., & Bernstein, M. (1997). Visions of the East: Orientalism in Film. Tauris.
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Teo, S. (2009a). Chinese Martial Arts Cinema: The Wuxia Tradition: Vol. Traditions in world cinema. Edinburgh University Press.
Teo, S. (2009b). Chinese Martial Arts Cinema: The Wuxia Tradition: Vol. Traditions in world cinema [Electronic book]. Edinburgh University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=434312
The Beach | Box of Broadcasts. (2012). E4. https://learningonscreen.ac.uk/ondemand/index.php/prog/001CEFA6?bcast=84987930
The Lunchbox | Box of Broadcasts. (2017). BBC4. https://learningonscreen.ac.uk/ondemand/index.php/prog/077D3761?bcast=123706052
The Punitive Theater of the Western Gaze: Staging Orientalism in Eat Pray Love. (2012). Conference Papers -- International Communication Association, 1–38. http://search.ebscohost.com/login.aspx?direct=true&db=ufh&AN=85900773&site=ehost-live
The World of Suzie Wong. (n.d.).
Three Seasons (1999). (n.d.). BBC2 England. https://learningonscreen.ac.uk/ondemand/index.php/prog/004FCB79?bcast=36523125
Tzanelli, R. (2007). The Cinematic Tourist: Explorations in Globalization, Culture and Resistance: Vol. International library of sociology [Electronic book]. Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=356210
Tzanelli, R. (2010). The Cinematic Tourist: Explorations in Globalization, Culture and Resistance: Vol. International library of sociology. Routledge.
Urry, J. (2011). The Tourist Gaze 3.0 (3rd ed). SAGE.
Urry, J., & Larsen, J. (2011). The Tourist Gaze 3.0: Vol. Theory, culture&society [Electronic book]. SAGE. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=786870
Valck, M. de. (2007). Film Festivals: From European Geopolitics to Global Cinephilia: Vol. Film culture in transition [Electronic book]. Amsterdam University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=419760
Wong, C. H. (2011). Film Festivals: Culture, People, and Power on the Global Screen. Rutgers University Press.
Yimou, Z. (2017). Red Sorghum | Box of Broadcasts. FilmFour. https://learningonscreen.ac.uk/ondemand/index.php/prog/0000B744?bcast=123722832
Zhang, Y. (n.d.). Red Sorghum. Drakes Avenue.
Zhang, Y. (2004). Chinese National Cinema. Routledge.
Zhang, Y. (2007). Raise the Red Lantern. MGM.
Zhang, Y., & Li, G. (2006). Ju Dou. MagicPlay Entertainment.
Zhang Yimou & Ge You. (n.d.). To Live.
