‘Aguirre, Wrath of God | Box of Broadcasts’ (BBC2 England) <https://learningonscreen.ac.uk/ondemand/index.php/prog/005403A1?bcast=44778681>
Agzenay, Asma, Returning the Gaze: The Manichean Drama of Postcolonial Exoticism (Oxford: Peter Lang, 2015) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9783035306910>
Akin, Fatih, ‘Soul Kitchen’
Arau, Alfonso, ‘Like Water for Chocolate’ (Arrow Films, 2005)
Assayas, Olivier, ‘Irma Vep’ ([S.l.]: Second Sight)
———, ‘Irma Vep’ ([S.l.]: Second Sight)
‘At the Height of Summer | Box of Broadcasts’ (BBC2 England, 2007) <https://learningonscreen.ac.uk/ondemand/index.php/prog/004EDA89?bcast=28033170>
Axel, Gabriel, ‘Babette’s Feast | Box of Broadcasts’ (FilmFour, 2015) <https://learningonscreen.ac.uk/ondemand/index.php/prog/001432ED?bcast=116790635>
Batra, Ritesh, ‘Lunchbox’ (Artificial Eye, 2014)
Bell, James, ed., Electric Shadows: A Century of Chinese Cinema (London: BFI, 2014)
Berges, Paul Mayeda, ‘The Mistress of Spices | Box of Broadcasts’ (FilmFour, 2011) <https://learningonscreen.ac.uk/ondemand/index.php/prog/007FBF13?bcast=67639874>
Berry, Chris, Mary Ann Farquhar, and Dawsonera, China on Screen: Cinema and Nation (Aberdeen, Hong Kong: Hong Kong University Press, 2006) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9789882206045>
‘Black Narcissus’ (Channel 4) <https://learningonscreen.ac.uk/ondemand/index.php/prog/0015D381?bcast=70178691>
Bongie, Chris, Exotic Memories: Literature, Colonialism, and the Fin De Siècle (Stanford, Calif: Stanford University Press, 1991)
Boulmetis, Tassos, ‘A Touch Of Spice’, 2003
Boyle, Danny, ‘Slumdog Millionaire’ (20th Century Fox, 2009)
———, ‘Slumdog Millionaire | Box of Broadcasts’ (More4, 2017) <https://learningonscreen.ac.uk/ondemand/index.php/prog/00ED7F59?bcast=123871654>
‘Bride and Prejudice | Box of Broadcasts’ (FilmFour, 2004) <https://learningonscreen.ac.uk/ondemand/index.php/prog/006986DC?bcast=120659077>
‘Bride and Prejudice (2004)’ (FilmFour) <https://learningonscreen.ac.uk/ondemand/index.php/prog/006986DC?bcast=120659077>
Bui, Tony, ‘Three Seasons | Box of Broadcasts’ (BBC2 England, 2009) <https://learningonscreen.ac.uk/ondemand/index.php/prog/004FCB79?bcast=36523125>
Bustamante, Jayro, ‘Ixcanul’ (New York: Kino Lorber, 2017)
Butler, Martin, ‘Tanna’
C. J. Scheiner, The Encyclopedia of Erotic Literature: 001 (Barricade Books, 1996)
———, The Encyclopedia of Erotic Literature: 2 (Barricade Books, 1996)
Caige, Chen, ‘Yellow Earth | YouTube’, 2013 <https://www.youtube.com/watch?v=sEqfyZGYVrM>
Caro, Niki, ‘Whale Rider’ ([S.l.]: Icon Home Entertainment, 2003)
———, ‘Whale Rider | Box of Broadcasts’ (BBC2 England, 2012) <https://learningonscreen.ac.uk/ondemand/index.php/prog/005A1506?bcast=77720433>
Chadha, Gurinder, ‘Bride and Prejudice’ ([S.l.]: Pathe, 2004)
———, ‘Viceroy’s House’
———, ‘What’s Cooking?’ ([S.l.]: Lions Gate Home Entertainment, 2008)
Chadha, Gurinder, and Aishwariya Rai Bachchan, ‘Bride and Prejudice’ ([S.l.]: Pathe, 2004)
Chakrabarty, Dipesh, Provincializing Europe: Postcolonial Thought and Historical Difference (Princeton, N.J.: Princeton University Press, 2000), Princeton studies in culture/power/history
Chakrabarty, Dipesh., Provincializing Europe: Postcolonial Thought and Historical Difference (Princeton University Press, 2000) <http://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb04798>
Chan, Felicia, Cosmopolitan Cinema: Cross-Cultural Encounters in East Asian Film (London: I.B. Tauris, 2017), Tauris world cinema series
Chaudhuri, Shohini, Contemporary World Cinema: Europe, the Middle East, East Asia and South Asia (Edinburgh: Edinburgh University Press, 2005)
———, ‘Snake Charmers and Child Brides: Deepa Mehta’s , “Exotic” Representation, and the Cross‐cultural Spectatorship of South Asian Migrant Cinema’, South Asian Popular Culture, 7.1 (2009), 7–20 <https://doi.org/10.1080/14746680802704956>
Chelsom, Peter, ‘Hector and the Search for Happiness’ (Twentieth Century-Fox, 2017)
‘Chinese Box’
Chopra, Aditya, ‘Dilwale Dulhania Le Jayenge’ (India: Yash Raj Films, 2002)
Chopra, Yash, and Anil Kapoor, ‘Lamhe’
Chow, Rey, Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema (New York: Columbia University Press, 1995), Film and culture
Cronenberg, David, ‘M. Butterfly’ ([S.l.]: Widemedia, 2011)
De Heer, Rolf, ‘Ten Canoes’ ([S.l.]: Film Finance, 2007)
De Luca, Tiago, Slow Cinema, ed. by Nuno Barradas Jorge (Edinburgh: Edinburgh University Press, 2016), Traditions in world cinema <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4306147>
De Luca, Tiago, and Nuno Barradas Jorge, Slow Cinema (Edinburgh: Edinburgh University Press, 2016), Traditions in world cinema
Dennison, Stephanie, and Song Hwee Lim, Remapping World Cinema: Identity, Culture and Politics in Film (London: Wallflower Press, 2006)
Dudrah, Rajinder Kumar, Bollywood Travels: Culture, Diaspora and Border Crossings in Popular Hindi Cinema (London: Routledge, 2012), Routledge contemporary South Asia series
Dwyer, Rachel, 100 Bollywood Films (London: BFI, 2005), BFI screen guides
———, Bollywood’s India: Hindi Cinema as a Guide to Contemporary India (London: Reaktion Books, 2014)
‘Eat Pray Love’ (Eg. Artificial Eye, 2012)
‘Eat, Pray, Love | Box of Broadcasts’ (Channel 5, 2016) <https://learningonscreen.ac.uk/ondemand/index.php/prog/01E66515?bcast=120880063>
Evans, Michael Robert, The Fast Runner: Filming the Legend of Atanarjuat (Lincoln: University of Nebraska Press, 2010), Indigenous films
Fitz, Angelika, Import Export: Cultural Transfer : India, Germany, Austria (Berlin: Parthas, 2005)
‘Fitzcarraldo | Box of Broadcasts’ (FilmFour, 1982) <https://learningonscreen.ac.uk/ondemand/index.php/prog/00A33D86?bcast=115219686>
Flaherty, Robert, ‘Nanook of the North’ (Criterion, 1999)
Flaherty, Robert, and Walter Hudd, ‘Elephant Boy’
Forsdick, Charles, ‘Revisiting Exoticism: From Colonialism to Postcolonialism’, in Francophone Postcolonial Studies: A Critical Introduction, ed. by Charles Forsdick and David Murphy, 2003, pp. 46–55 <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=564734>
———, Victor Segalen and the Aesthetics of Diversity: Journeys Between Cultures (Oxford: Oxford University Press, 2000)
Forster, E. M., and David Lean, ‘A Passage to India’ (S.l: MGM.)
Gehlawat, Ajay, ed., The Slumdog Phenomenon: A Critical Anthology (London: Anthem Press, 2013), New perspectives on world cinema
———, The Slumdog Phenomenon: A Critical Anthology, New perspectives on world cinema <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1130120>
Gopal, Sangita, and Sujata Moorti, Global Bollywood: Travels of Hindi Song and Dance (Minneapolis: University of Minnesota Press, 2008)
Griffiths, Alison, Wondrous Difference: Cinema, Anthropology, & Turn-of-the-Century Visual Culture (New York: Columbia University Press, 2002)
Guerra, Ciro, and Nilbio Torres, ‘Embrace Of The Serpent’
———, ‘Embrace Of The Serpent’
Guzmán, Patricio, ‘The Pearl Button’ ([S.l.]: New Wave Films, 2015)
Hallstrom, Lasse, ‘The Hundred-Foot Journey’ (EntertainmentOne, 2015)
Harper, Graeme, and Jonathan Rayner, Cinema and Landscape (Bristol: Intellect, 2010) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=537265>
‘Heat and Dust | Box of Broadcasts’ (FilmFour, 2010) <https://learningonscreen.ac.uk/ondemand/index.php/prog/000018C4?bcast=53084273>
Heldke, Lisa M., Exotic Appetites: Ruminations of a Food Adventurer (London: Routledge, 2016)
Herzog, Werner, ‘Aguirre: The Wrath of God’ ([S.l.]: Anchor Bay, 2004)
Herzog, Werner, and Claudia Cardinale, ‘Fitzcarraldo’ ([S.l.]: Anchor Bay, 2004)
Hooks, Bell, ‘Eating the Other: Desire and Resistance’, in Black Looks: Race and Representation (Boston, Mass: South End, 1992), pp. 21–39
Huggan, Graham, Postcolonial Exotic, The: Marketing the Margins
———, The Postcolonial Exotic: Marketing the Margins (London: Routledge, 2001)
Hung, Tran Anh, ‘At the Height of Summer’ ([S.l.]: Artificial Eye, 2002)
———, ‘The Scent of Green Papaya’ ([S.l.]: Second Sight, 2002)
‘In the Mood for Love | Box of Broadcasts’ (FilmFour, 2015) <https://learningonscreen.ac.uk/ondemand/index.php/prog/001596F2?bcast=115284419>
‘Indian Summers’ <https://learningonscreen.ac.uk/ondemand/search.php/prog?q%5B0%5D%5Bv%5D=Indian+Summers+&search_type=1&is_available=&q%5B0%5D%5Bindex%5D=title&source=&date_type=0&date=1990-01-01-00-00&date_start%5B1%5D=01&date_start%5B2%5D=01&date_start%5B0%5D=1990&date_start%5B3%5D=00&date_start%5B4%5D=00&date_end%5B1%5D=05&date_end%5B2%5D=16&date_end%5B0%5D=2017&date_end%5B3%5D=01&date_end%5B4%5D=00&institution=&sort=relevance>
Joffe, Roland, ‘The Mission’ ([S.l.]: Warner Home Video, 2003)
———, ‘The Mission | Box of Bradcasts’ (BBC1 London) <https://learningonscreen.ac.uk/ondemand/index.php/prog/017E5B06?bcast=120540498>
Johar, Karan, ‘Kabhi Khushi Kabhie Gham’ (Sony Music Home Entertainment, 2003)
———, ‘Kuch Kuch Hota Hai’ (Sony Music Home Entertainment, 2003)
Johar, Karen, ‘Kabhi Khushi Kabhie Gham | Box of Broadcasts’ (Channel 4, 2013) <https://learningonscreen.ac.uk/ondemand/index.php/prog/001C025B?bcast=102226390>
‘Joy Luck Club (1993)’ (BBC2 England) <https://learningonscreen.ac.uk/ondemand/index.php/prog/000CD89B?bcast=34087522>
Kaige, Chen, ‘Farewell My Concubine’ ([S.l: s.n.], 2002)
Kaplan, E. Ann, Looking for the Other: Feminism, Film and the Imperial Gaze (New York: Routledge, 1997)
Kar Wai, Wong, ‘Happy Together’ (San Francisco, California, USA: The Criterion Collection, 1997) <https://rhul.kanopy.com/node/11814071>
Kar-Wai, Wong, ‘2046’ ([S.l.]: Mei Ah Entertainment, 2004)
———, ‘2046 | Box of Broadcasts’ (FilmFour, 2011) <https://learningonscreen.ac.uk/ondemand/index.php/prog/0055A799?bcast=68090971>
———, ‘Days of Being Wild’
———, ‘In the Mood for Love’ (Tartan Video, 2001)
Kawase, Naomi, ‘Sweet Bean’ ([S.l.]: Eureka Entertainment, 2016)
Khoo, Olivia, The Chinese Exotic: Modern Diasporic Femininity (Hong Kong: Hong Kong University Press, 2007), TransAsia: screen cultures <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=677431>
Kostner, Kevin, ‘Dances with Wolves | Box of Broadcasts’ (BBC2 England, 2009) <https://learningonscreen.ac.uk/ondemand/index.php/prog/00CE3502?bcast=32492020>
Kunuk, Zacharias, ‘Atanarjuat: The Fast Runner’ ([S.l.]: Optimum Releasing, 2005)
———, ‘Atanarjuat: The Fast Runner | Box of Broadcasts’ (BBC2 England, 2008) <https://learningonscreen.ac.uk/ondemand/index.php/prog/00517264?bcast=28429480>
Lamont Lindstrom, ‘Award-Winning Film Tanna Sets Romeo and Juliet in the South Pacific | The Conversation’, 2015 <http://theconversation.com/award-winning-film-tanna-sets-romeo-and-juliet-in-the-south-pacific-49874>
Lang, Fritz, ‘The Tiger of Eschnapur and The Indian Tomb’ ([S.l.]: Fantoma, 2003)
———, ‘The Tiger of Eschnapur and The Indian Tomb’ ([S.l.]: Fantoma, 2003)
Lau, Lisa, ‘Re-Orientalism: The Perpetration and Development of Orientalism by Orientals’, Modern Asian Studies, 43.02 (2009) <https://doi.org/10.1017/S0026749X07003058>
Lau, Lisa, and Ana Cristina Mendes, Re-Orientalism and South Asian Identity Politics: The Oriental Other Within (London: Routledge, 2014), Routledge contemporary South Asia series
Lee, Ang, ‘Eat, Drink, Man, Woman’
———, ‘Lust, Caution’, 2007
Lee, Ang, Winston Chao, and Mitchell Lichtenstein, ‘The Wedding Banquet’ ([S.l: [s.n.], 2010)
Lefebvre, Martin, Landscape and Film (New York: Routledge, 2006), AFI film readers
Leung Chiu Wai, Tony, Le Van Loc, and Tran Anh Hung, ‘Cyclo’ ([S.l.]: Dreamix, 2004)
Levi-Strauss, Claude, Tristes Tropiques (Paris: Plon, 1955), Terre humaine
Lewis, Simon, ‘What Is Spectacle?’, Journal of Popular Film and Television, 42.4 (2014), 214–21 <https://doi.org/10.1080/01956051.2014.923370>
Lim, Song Hwee, Celluloid Comrades: Representations of Male Homosexuality in Contemporary Chinese Cinemas (Honolulu, T.H.: University of Hawai’i Press, 2006)
———, Tsai Ming-Liang and a Cinema of Slowness (Honolulu: University of Hawai’i Press, 2014)
Lim, Song Hwee, and Julian Ward, The Chinese Cinema Book (London: BFI Publishing, 2011) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5982216>
Lu, Sheldon H., ‘National Cinema, Cultural Critique, Transnational Capital: The Films of Zhang Yimou’, in Transnational Chinese Cinemas: Identity, Nationhood, Gender (Honolulu: University of Hawaii Press, 1997), pp. 105–36
———, ‘National Cinema, Cultural Critique, Transnational Capital: The Films of Zhang Yimou’, in Transnational Chinese Cinemas: Identity, Nationhood, Gender (Honolulu: University of Hawaii Press, 1997) <https://ebookcentral.proquest.com/lib/rhul/reader.action?docID=3413197&ppg=119>
Madden, John, ‘The Best Exotic Marigold Hotel | Box of Broadcasts’ (Channel 4, 2017) <https://learningonscreen.ac.uk/ondemand/index.php/prog/02E37C34?bcast=123810039>
———, ‘The Best Exotic Marigold Hotel | Box of Broadcasts’ (Channel 4, 2017) <https://learningonscreen.ac.uk/ondemand/index.php/prog/02E37C34?bcast=123810039>
Malle, Louis, ‘Calcutta’, Eclipse Series 2: The Documentaries of Louis Malle (The Criterion Collection)
Marshall, Rob, and Suzuka Ohgo, ‘Memoirs of a Geisha’ (Eg. Artificial Eye)
Mehta, Deepa, ‘Water’ (Twentieth Century Fox Home Entertainment, 2006)
———, ‘Water | Box of Broadcasts’ (BBC2 England, 2011) <https://learningonscreen.ac.uk/ondemand/index.php/prog/014BBBE4?bcast=60555334>
Mendes, Ana Cristina, ‘Showcasing India Unshining: Film Tourism in Danny Boyle’s’, Third Text, 24.4 (2010), 471–79 <https://doi.org/10.1080/09528822.2010.491379>
Morahan, Christopher, Jim O’Brien, and Peggy Ashcroft, ‘The Jewel in the Crown’ ([S.l.]: Granada, 2005)
Mudambi, Anjana, ‘Another Look At Orientalism: (An)Othering In’, Howard Journal of Communications, 24.3 (2013), 275–92 <https://doi.org/10.1080/10646175.2013.805990>
Murnau, F. W., ‘Tabu: A Story of the South Seas’ ([S.l.]: Eureka, 2007)
Nagib, Lcia, Christopher Perriam, and Rajinder Kumar Dudrah, Theorizing World Cinema (London: I.B. Tauris, 2012), Tauris world cinema series <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=903320>
Nagib, Lucia, Christopher Perriam, and Rajinder Kumar Dudrah, Theorizing World Cinema (London: I.B. Tauris, 2012), Tauris world cinema series
Nair, Mira, ‘The Namesake: The Greatest Journey Are the Ones That Bring You Home’ ([S.l.]: Twentieth century fox, 2007)
Negra, Diane, ‘Ethnic Food Fetishism, Whiteness, and Nostalgia in Recent Film and Television’, Velvet Light Trap, Fall (2002), 62–76 <http://search.proquest.com/fiaf/docview/222864620/AC30A571AEBE41DAPQ/1>
Neumeyer, David, The Oxford Handbook of Film Music Studies (Oxford: Oxford University Press, 2015), Oxford handbooks
———, The Oxford Handbook of Film Music Studies (New York: Oxford University Press, 2013) <https://dx.doi.org/10.1093/oxfordhb/9780195328493.001.0001>
Nichols, Bill, ‘Discovering Form, Inferring Meaning: New Cinemas and the Film Festival Circuit’, Film Quarterly, 47.3 (1994), 16–30 <https://doi.org/10.2307/1212956>
Noyce, Philip, ‘Rabbit-Proof Fence | Box of Broadcasts’ (BBC2 England, 2002) <https://learningonscreen.ac.uk/ondemand/index.php/prog/00572E42?bcast=124112921>
Noyce, Phillip, ‘Rabbit Proof Fence’ ([S.l.]: Buena, 2002)
‘Octopussy (1983)’ (ITV London) <https://learningonscreen.ac.uk/ondemand/index.php/prog/0008CB26?bcast=121379035>
‘———’ (ITV London) <https://learningonscreen.ac.uk/ondemand/index.php/prog/0008CB26?bcast=121379035>
Oliete-Aldea, Elena, Hybrid Heritage on Screen: The ‘Raj Revival’ in the Thatcher Era (Basingstoke, Hampshire: Palgrave Macmillan, 2015) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4001034>
Osten, Franz, ‘Shiraz | You Tube’, 2015 <https://www.youtube.com/watch?v=20v_CYsENEo>
Ozpetek, Ferzan, and Lucia Bose’, ‘Harem Suare’
Parmar, Patribha, ‘Nina’s Heavenly Delights | Box of Broadcasts’ (BBC2 England, 2012) <https://learningonscreen.ac.uk/ondemand/index.php/prog/00F891FF?bcast=87532560>
Parmar, Pratibha, ‘Nina’s Heavenly Delights’ (Verve Pictures, 2007)
Ponzanesi, Sandra, The Postcolonial Cultural Industry: Icons, Markets, Mythologies (Basingstoke: Palgrave Macmillan, 2014) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1699405>
Powell, Michael, Emeric Pressburger, ITV Studios, and Granada Ventures, ‘Black Narcissus (Part of The Powell and Pressburger Collection)’ ([England]: Granada Ventures (ITV DVD) [distributor], 2006)
Prasch, Thomas1, ‘Embrace of the Serpent.’, Film & History (03603695), 46.03603695 (360AD), 93–95 <https://muse.jhu.edu/article/643315>
‘Press Kit: Embrace of the Serpent’ <http://press.peccapics.co.uk/Theatrical/Embrace%20Of%20The%20Serpent/Embrace%20of%20the%20Serpent%20Press%20Notes.pdf>
Pugsley, Peter, Tradition, Culture and Aesthetics in Contemporary Asian Cinema (Farnham, Surrey, England: Ashgate, 2013) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4425569>
Rangarajan, Padma, Imperial Babel: Translation, Exoticism, and the Long Nineteenth Century (New York: Fordham University Press, 2014)
Renoir, Jean, ‘The River’ ([S.l.]: Criterion Collection, 2005)
Rony, Fatimah Tobing, The Third Eye: Race, Cinema, and Ethnographic Spectacle (Durham, NC: Duke University Press, 1996)
Root, Deborah, Cannibal Culture: Art, Appropriation, and the Commodification of Difference (Boulder: Westview Press, 1996)
Rosaldo, Renato, ‘Imperialist Nostalgia’, in Culture & Truth: The Remaking of Social Analysis (London: Routledge, 1993), pp. 68–87
Said, Edward W., Orientalism (Harmondsworth: Penguin, 1991)
Santaolalla, Isabel, ‘New’ Exoticisms: Changing Patterns in the Construction of Otherness (Amsterdam: Rodopi, 2000), Postmodern studies
Scarles, Caroline, Mediating the Tourist Experience: From Brochures to Virtual Encounters, ed. by Jo-Anne Lester (Farnham, Surrey: Ashgate, 2013), Current developments in the geographies of leisure and tourism <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1531633>
Schmidt, Benjamin, Inventing Exoticism: Geography, Globalism, and Europe’s Early Modern World (Philadelphia: University of Pennsylvania Press, 2015), Material texts
Segalen, Victor, and Yael Rachel Schlick, Essay on Exoticism: An Aesthetics of Diversity (Durham: Duke University Press, 2002) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780822383727>
———, ‘Essay on Exoticism: An Aesthetics of Diversity’, in Essay on Exoticism: An Aesthetics of Diversity (Durham: Duke University Press, 2002)
Sexton, Jamie, ‘The Allure of Otherness: Transnational Cult Film Fandom and the Exoticist Assumption’, Transnational Cinemas, 8.1 (2017), 5–19 <https://doi.org/10.1080/20403526.2016.1245922>
Shedde, Meenakshi, and Vinzenze Hediger, ‘Come on, Baby, Be My Tiger. Inventing India on the German Screen in Der Tiger von Eschnapur and Das Indische Grabmal’, in Import Export: Cultural Transfer : India, Germany, Austria (Berlin: Parthas, 2005)
Shohat, Ella, and Robert Stam, Unthinking Eurocentrism: Multiculturalism and the Media (London: Routledge, 1994), Sightlines
Sivan, Santosh, ‘Before the Rains’ (Eg. Artificial Eye, 2010)
———, ‘The Terrorist’ ([S.l.]: Tartan, 2002)
Studlar, Gaylyn, and Matthew Bernstein, Visions of the East: Orientalism in Film (London: Tauris, 1997)
Taraporevala, Sooni, ‘Salaam Bombay!’ (United Kingdom: Arrow Films, 2009)
Taylor, Timothy Dean, Beyond Exoticism: Western Music and the World (Durham: Duke University Press, 2007), Refiguring American music
Teo, Stephen, Chinese Martial Arts Cinema: The Wuxia Tradition (Edinburgh: Edinburgh University Press, 2009), Traditions in world cinema
———, Chinese Martial Arts Cinema: The Wuxia Tradition (Edinburgh: Edinburgh University Press, 2009), Traditions in world cinema <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=434312>
‘The Beach | Box of Broadcasts’ (E4, 2012) <https://learningonscreen.ac.uk/ondemand/index.php/prog/001CEFA6?bcast=84987930>
‘The Lunchbox | Box of Broadcasts’ (BBC4, 2017) <https://learningonscreen.ac.uk/ondemand/index.php/prog/077D3761?bcast=123706052>
‘The Punitive Theater of the Western Gaze: Staging Orientalism in Eat Pray Love.’, Conference Papers -- International Communication Association, 2012, 1–38 <http://search.ebscohost.com/login.aspx?direct=true&db=ufh&AN=85900773&site=ehost-live>
‘The World of Suzie Wong’
‘Three Seasons (1999)’ (BBC2 England) <https://learningonscreen.ac.uk/ondemand/index.php/prog/004FCB79?bcast=36523125>
Tzanelli, Rodanthi, The Cinematic Tourist: Explorations in Globalization, Culture and Resistance (London: Routledge, 2010), International library of sociology
———, The Cinematic Tourist: Explorations in Globalization, Culture and Resistance (London: Routledge, 2007), International library of sociology <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=356210>
Urry, John, The Tourist Gaze 3.0, 3rd ed (Thousand Oaks, CA: SAGE, 2011)
Urry, John, and Jonas Larsen, The Tourist Gaze 3.0 (Los Angeles, [Calif.]: SAGE, 2011), Theory, culture&society <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=786870>
de Valck, Marijke, Film Festivals: From European Geopolitics to Global Cinephilia (Amsterdam: Amsterdam University Press, 2007), Film culture in transition
Valck, Marijke de, Film Festivals: From European Geopolitics to Global Cinephilia ([Amsterdam]: Amsterdam University Press, 2007), Film culture in transition <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=419760>
Wong, Cindy H., Film Festivals: Culture, People, and Power on the Global Screen (New Brunswick, N.J.: Rutgers University Press, 2011)
Yimou, Zhang, ‘Red Sorghum | Box of Broadcasts’ (FilmFour, 2017) <https://learningonscreen.ac.uk/ondemand/index.php/prog/0000B744?bcast=123722832>
Zhang, Yimou, ‘Raise the Red Lantern’ (MGM, 2007)
———, ‘Red Sorghum’ ([S.l.]: Drakes Avenue)
Zhang Yimou and Ge You, ‘To Live’
Zhang, Yimou, and Gong Li, ‘Ju Dou’ ([S.l.]: MagicPlay Entertainment, 2006)
Zhang, Yingjin, Chinese National Cinema (New York: Routledge, 2004)
