1.
Segalen V, Schlick YR. Essay on Exoticism: An Aesthetics of Diversity. Duke University Press; 2002. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780822383727
2.
Segalen V, Schlick YR. Essay on Exoticism: An Aesthetics of Diversity. In: Essay on Exoticism: An Aesthetics of Diversity. Duke University Press; 2002.
3.
Lang F. The Tiger of Eschnapur and The Indian Tomb. Published online 2003.
4.
Shedde M, Hediger V. Come on, Baby, Be My Tiger. Inventing India on the German Screen in Der Tiger von Eschnapur and Das indische Grabmal. In: Import Export: Cultural Transfer : India, Germany, Austria. Parthas; 2005.
5.
Osten F. Shiraz | You Tube. Published online 2015. https://www.youtube.com/watch?v=20v_CYsENEo
6.
Flaherty R, Hudd W. Elephant Boy.
7.
Powell M, Pressburger E, ITV Studios, Granada Ventures. Black Narcissus (Part of The Powell and Pressburger collection). Published online 2006.
8.
Black Narcissus. https://learningonscreen.ac.uk/ondemand/index.php/prog/0015D381?bcast=70178691
9.
Lang F. The Tiger of Eschnapur and The Indian Tomb. Published online 2003.
10.
Renoir J. The river. Published online 2005.
11.
Forster EM, Lean D. A Passage to India.
12.
Heat and Dust | Box of Broadcasts. Published online 2010. https://learningonscreen.ac.uk/ondemand/index.php/prog/000018C4?bcast=53084273
13.
Octopussy (1983). https://learningonscreen.ac.uk/ondemand/index.php/prog/0008CB26?bcast=121379035
14.
Octopussy (1983). https://learningonscreen.ac.uk/ondemand/index.php/prog/0008CB26?bcast=121379035
15.
Malle L. Calcutta. Eclipse Series 2: The Documentaries of Louis Malle (The Criterion Collection).
16.
Morahan C, O’Brien J, Ashcroft P. The jewel in the crown. Published online 2005.
17.
Indian Summers. https://learningonscreen.ac.uk/ondemand/search.php/prog?q%5B0%5D%5Bv%5D=Indian+Summers+&search_type=1&is_available=&q%5B0%5D%5Bindex%5D=title&source=&date_type=0&date=1990-01-01-00-00&date_start%5B1%5D=01&date_start%5B2%5D=01&date_start%5B0%5D=1990&date_start%5B3%5D=00&date_start%5B4%5D=00&date_end%5B1%5D=05&date_end%5B2%5D=16&date_end%5B0%5D=2017&date_end%5B3%5D=01&date_end%5B4%5D=00&institution=&sort=relevance
18.
Eat, Pray, Love | Box of Broadcasts. Published online 2016. https://learningonscreen.ac.uk/ondemand/index.php/prog/01E66515?bcast=120880063
19.
Eat Pray Love. Published online 2012.
20.
The Punitive Theater of the Western Gaze: Staging Orientalism in Eat Pray Love. Conference Papers -- International Communication Association. Published online 2012:1-38. http://search.ebscohost.com/login.aspx?direct=true&db=ufh&AN=85900773&site=ehost-live
21.
The World of Suzie Wong.
22.
Marshall R, Ohgo S. Memoirs of a Geisha.
23.
Cronenberg D. M. Butterfly. Published online 2011.
24.
Bui T. Three Seasons | Box of Broadcasts. Published online 2009. https://learningonscreen.ac.uk/ondemand/index.php/prog/004FCB79?bcast=36523125
25.
Lee A. Lust, Caution. Published online 2007.
26.
The Beach | Box of Broadcasts. Published online 2012. https://learningonscreen.ac.uk/ondemand/index.php/prog/001CEFA6?bcast=84987930
27.
Chelsom P. Hector and the Search for Happiness. Published online 2017.
28.
Madden J. The Best Exotic Marigold Hotel | Box of Broadcasts. Published online 2017. https://learningonscreen.ac.uk/ondemand/index.php/prog/02E37C34?bcast=123810039
29.
Chadha G. Bride and Prejudice. Published online 2004.
30.
Bride and Prejudice | Box of Broadcasts. Published online 2004. https://learningonscreen.ac.uk/ondemand/index.php/prog/006986DC?bcast=120659077
31.
Chopra Y, Kapoor A. Lamhe.
32.
Chopra A. Dilwale Dulhania Le Jayenge. Published online 2002.
33.
Johar K. Kuch Kuch Hota Hai. Published online 2003.
34.
Johar K. Kabhi Khushi Kabhie Gham. Published online 2003.
35.
Johar K. Kabhi Khushi Kabhie Gham | Box of Broadcasts. Published online 2013. https://learningonscreen.ac.uk/ondemand/index.php/prog/001C025B?bcast=102226390
36.
Zhang Y, Li G. Ju Dou. Published online 2006.
37.
Lu SH. National Cinema, Cultural Critique, Transnational Capital: The Films of Zhang Yimou. In: Transnational Chinese Cinemas: Identity, Nationhood, Gender. University of Hawaii Press; 1997:105-136.
38.
Lu SH. National Cinema, Cultural Critique, Transnational Capital: The Films of Zhang Yimou. In: Transnational Chinese Cinemas: Identity, Nationhood, Gender. University of Hawaii Press; 1997. https://ebookcentral.proquest.com/lib/rhul/reader.action?docID=3413197&ppg=119
39.
Caige C. Yellow Earth | YouTube. Published online 2013. https://www.youtube.com/watch?v=sEqfyZGYVrM
40.
Zhang Y. Red Sorghum.
41.
Yimou Z. Red Sorghum | Box of Broadcasts. Published online 2017. https://learningonscreen.ac.uk/ondemand/index.php/prog/0000B744?bcast=123722832
42.
Zhang Y. Raise the Red Lantern. Published online 2007.
43.
Kaige C. Farewell My Concubine. Published online 2002.
44.
Zhang Yimou, Ge You. To Live.
45.
Kar-Wai W. Days of Being Wild.
48.
Kar-Wai W. In the Mood for Love. Published online 2001.
49.
In the Mood for Love | Box of Broadcasts. Published online 2015. https://learningonscreen.ac.uk/ondemand/index.php/prog/001596F2?bcast=115284419
50.
Kar-Wai W. 2046. Published online 2004.
51.
Kar-Wai W. 2046 | Box of Broadcasts. Published online 2011. https://learningonscreen.ac.uk/ondemand/index.php/prog/0055A799?bcast=68090971
52.
Kar Wai W. Happy Together. Published online 1997. https://rhul.kanopy.com/node/11814071
53.
Sivan S. The Terrorist. Published online 2002.
54.
Sivan S. Before the Rains. Published online 2010.
55.
Hung TA. The Scent of Green Papaya. Published online 2002.
56.
Negra D. Ethnic Food Fetishism, Whiteness, and Nostalgia in Recent Film and Television. Velvet Light Trap. 2002;Fall:62-76. http://search.proquest.com/fiaf/docview/222864620/AC30A571AEBE41DAPQ/1
57.
Arau A. Like Water for Chocolate. Published online 2005.
58.
Axel G. Babette’s Feast | Box of Broadcasts. Published online 2015. https://learningonscreen.ac.uk/ondemand/index.php/prog/001432ED?bcast=116790635
59.
Batra R. Lunchbox. Published online 2014.
60.
The Lunchbox | Box of Broadcasts. Published online 2017. https://learningonscreen.ac.uk/ondemand/index.php/prog/077D3761?bcast=123706052
61.
Parmar P. Nina’s Heavenly Delights. Published online 2007.
62.
Parmar P. Nina’s Heavenly Delights | Box of Broadcasts. Published online 2012. https://learningonscreen.ac.uk/ondemand/index.php/prog/00F891FF?bcast=87532560
63.
Akin F. Soul Kitchen.
64.
Lee A. Eat, Drink, Man, Woman.
65.
Chadha G. What’s Cooking? Published online 2008.
66.
Berges PM. The Mistress of Spices | Box of Broadcasts. Published online 2011. https://learningonscreen.ac.uk/ondemand/index.php/prog/007FBF13?bcast=67639874
67.
Boulmetis T. A Touch Of Spice. Published online 2003.
68.
Hallstrom L. The Hundred-Foot Journey. Published online 2015.
69.
Kawase N. Sweet Bean. 2016;153.
71.
Lamont Lindstrom. Award-Winning Film Tanna Sets Romeo and Juliet in the South Pacific | The Conversation. Published online 2015. http://theconversation.com/award-winning-film-tanna-sets-romeo-and-juliet-in-the-south-pacific-49874
72.
Murnau FW. Tabu: A Story of the South Seas. 2007;4.
73.
Flaherty R. Nanook of the North. Published online 1999.
74.
Kostner K. Dances with Wolves | Box of Broadcasts. Published online 2009. https://learningonscreen.ac.uk/ondemand/index.php/prog/00CE3502?bcast=32492020
75.
Kunuk Z. Atanarjuat: The Fast Runner. Published online 2005.
76.
Kunuk Z. Atanarjuat: The Fast Runner | Box of Broadcasts. Published online 2008. https://learningonscreen.ac.uk/ondemand/index.php/prog/00517264?bcast=28429480
77.
Noyce P. Rabbit Proof Fence. Published online 2002.
78.
Noyce P. Rabbit-Proof Fence | Box of Broadcasts. Published online 2002. https://learningonscreen.ac.uk/ondemand/index.php/prog/00572E42?bcast=124112921
79.
Caro N. Whale Rider. Published online 2003.
80.
Caro N. Whale Rider | Box of Broadcasts. Published online 2012. https://learningonscreen.ac.uk/ondemand/index.php/prog/005A1506?bcast=77720433
81.
De Heer R. Ten Canoes. Published online 2007.
82.
Guerra C, Torres N. Embrace Of The Serpent.
83.
Guerra C, Torres N. Embrace Of The Serpent.
84.
Press Kit: Embrace of the Serpent. http://press.peccapics.co.uk/Theatrical/Embrace%20Of%20The%20Serpent/Embrace%20of%20the%20Serpent%20Press%20Notes.pdf
85.
Prasch, Thomas1. Embrace of the Serpent. Film & History (03603695). 360AD;46(03603695):93-95. https://muse.jhu.edu/article/643315
86.
Herzog W. Aguirre: The Wrath of God. 2004;Herzog / Kinski : a film legacy.
87.
Aguirre, Wrath of God | Box of Broadcasts. https://learningonscreen.ac.uk/ondemand/index.php/prog/005403A1?bcast=44778681
88.
Herzog W, Cardinale C. Fitzcarraldo. 2004;Herzog / Kinski : a film legacy.
89.
Fitzcarraldo | Box of Broadcasts. Published online 1982. https://learningonscreen.ac.uk/ondemand/index.php/prog/00A33D86?bcast=115219686
90.
Joffe R. The Mission. Published online 2003.
91.
Joffe R. The Mission | Box of Bradcasts. https://learningonscreen.ac.uk/ondemand/index.php/prog/017E5B06?bcast=120540498
92.
Guzmán P. The Pearl Button. Published online 2015.
93.
Bustamante J. Ixcanul. Published online 2017.
94.
Mehta D. Water. Published online 2006.
95.
Mehta D. Water | Box of Broadcasts. Published online 2011. https://learningonscreen.ac.uk/ondemand/index.php/prog/014BBBE4?bcast=60555334
96.
Chaudhuri S. Snake Charmers and Child Brides: Deepa Mehta’s , ‘Exotic’ Representation, and the Cross‐cultural Spectatorship of South Asian Migrant Cinema. South Asian Popular Culture. 2009;7(1):7-20. doi:10.1080/14746680802704956
97.
Taraporevala S. Salaam Bombay! Published online 2009.
98.
Joy Luck Club (1993). https://learningonscreen.ac.uk/ondemand/index.php/prog/000CD89B?bcast=34087522
100.
Nair M. The Namesake: The Greatest Journey Are the Ones That Bring You Home. Published online 2007.
101.
Ozpetek F, Bose’ L. Harem Suare.
102.
Leung Chiu Wai T, Loc LV, Hung TA. Cyclo. Published online 2004.
103.
Hung TA. At the height of summer. Published online 2002.
104.
At the Height of Summer | Box of Broadcasts. Published online 2007. https://learningonscreen.ac.uk/ondemand/index.php/prog/004EDA89?bcast=28033170
105.
Three Seasons (1999). https://learningonscreen.ac.uk/ondemand/index.php/prog/004FCB79?bcast=36523125
106.
Chadha G, Bachchan AR. Bride and prejudice. Published online 2004.
107.
Bride and Prejudice (2004). https://learningonscreen.ac.uk/ondemand/index.php/prog/006986DC?bcast=120659077
108.
Chadha G. Viceroy’s House.
109.
Lee A, Chao W, Lichtenstein M. The wedding banquet. Published online 2010.
110.
Boyle D. Slumdog Millionaire. Published online 2009.
111.
Boyle D. Slumdog Millionaire | Box of Broadcasts. Published online 2017. https://learningonscreen.ac.uk/ondemand/index.php/prog/00ED7F59?bcast=123871654
112.
Mudambi A. Another Look At Orientalism: (An)Othering in. Howard Journal of Communications. 2013;24(3):275-292. doi:10.1080/10646175.2013.805990
113.
Madden J. The Best Exotic Marigold Hotel | Box of Broadcasts. Published online 2017. https://learningonscreen.ac.uk/ondemand/index.php/prog/02E37C34?bcast=123810039
114.
Agzenay A. Returning the Gaze: The Manichean Drama of Postcolonial Exoticism. Peter Lang; 2015. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9783035306910
115.
Bell J, ed. Electric Shadows: A Century of Chinese Cinema. BFI; 2014.
116.
Studlar G, Bernstein M. Visions of the East: Orientalism in Film. Tauris; 1997.
117.
Bongie C. Exotic Memories: Literature, Colonialism, and the Fin De Siècle. Stanford University Press; 1991.
118.
Chakrabarty D. Provincializing Europe: Postcolonial Thought and Historical Difference. Vol Princeton studies in culture/power/history. Princeton University Press; 2000.
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Chakrabarty, Dipesh. Provincializing Europe: Postcolonial Thought and Historical Difference. Princeton University Press; 2000. http://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb04798
120.
Chaudhuri S. Contemporary World Cinema: Europe, the Middle East, East Asia and South Asia. Edinburgh University Press; 2005.
121.
Chan F. Cosmopolitan Cinema: Cross-Cultural Encounters in East Asian Film. Vol Tauris world cinema series. I.B. Tauris; 2017.
122.
Chow R. Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema. Vol Film and culture. Columbia University Press; 1995.
123.
De Luca T, Jorge NB. Slow Cinema. Vol Traditions in world cinema. Edinburgh University Press; 2016.
124.
De Luca T. Slow Cinema. Vol Traditions in world cinema. (Jorge NB, ed.). Edinburgh University Press; 2016. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4306147
125.
Dennison S, Lim SH. Remapping World Cinema: Identity, Culture and Politics in Film. Wallflower Press; 2006.
126.
de Valck M. Film Festivals: From European Geopolitics to Global Cinephilia. Vol Film culture in transition. Amsterdam University Press; 2007.
127.
Valck M de. Film Festivals: From European Geopolitics to Global Cinephilia. Vol Film culture in transition. Amsterdam University Press; 2007. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=419760
128.
Dwyer R. Bollywood’s India: Hindi Cinema as a Guide to Contemporary India. Reaktion Books; 2014.
129.
Dwyer R. 100 Bollywood Films. Vol BFI screen guides. BFI; 2005.
130.
Dudrah RK. Bollywood Travels: Culture, Diaspora and Border Crossings in Popular Hindi Cinema. Vol Routledge contemporary South Asia series. Routledge; 2012.
131.
Evans MR. The Fast Runner: Filming the Legend of Atanarjuat. Vol Indigenous films. University of Nebraska Press; 2010.
132.
Forsdick C. Victor Segalen and the Aesthetics of Diversity: Journeys Between Cultures. Oxford University Press; 2000.
133.
Forsdick C. Revisiting Exoticism: From Colonialism to Postcolonialism. In: Forsdick C, Murphy D, eds. Francophone Postcolonial Studies: A Critical Introduction. ; 2003:46-55. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=564734
134.
C. J. Scheiner. The Encyclopedia of Erotic Literature: 001. Barricade Books; 1996.
135.
C. J. Scheiner. The Encyclopedia of Erotic Literature: 2. Barricade Books; 1996.
136.
Fitz A. Import Export: Cultural Transfer : India, Germany, Austria. Parthas; 2005.
137.
Gehlawat A, ed. The Slumdog Phenomenon: A Critical Anthology. Vol New perspectives on world cinema. Anthem Press; 2013.
138.
Gehlawat A. The Slumdog Phenomenon: A Critical Anthology. Vol New perspectives on world cinema. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1130120
139.
Gopal S, Moorti S. Global Bollywood: Travels of Hindi Song and Dance. University of Minnesota Press; 2008.
140.
Griffiths A. Wondrous Difference: Cinema, Anthropology, & Turn-of-the-Century Visual Culture. Columbia University Press; 2002.
141.
Harper G, Rayner J. Cinema and Landscape. Intellect; 2010. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=537265
142.
Heldke LM. Exotic Appetites: Ruminations of a Food Adventurer. Routledge; 2016.
143.
Hooks B. Eating the Other: Desire and Resistance. In: Black Looks: Race and Representation. South End; 1992:21-39.
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Huggan G. The Postcolonial Exotic: Marketing the Margins. Routledge; 2001.
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Huggan G. Postcolonial Exotic, The: Marketing the Margins.
146.
Kaplan EA. Looking for the Other: Feminism, Film and the Imperial Gaze. Routledge; 1997.
147.
Khoo O. The Chinese Exotic: Modern Diasporic Femininity. Vol TransAsia: screen cultures. Hong Kong University Press; 2007. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=677431
148.
Lau L, Mendes AC. Re-Orientalism and South Asian Identity Politics: The Oriental Other Within. Vol Routledge contemporary South Asia series. Routledge; 2014.
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Lau L. Re-Orientalism: The Perpetration and Development of Orientalism by Orientals. Modern Asian Studies. 2009;43(02). doi:10.1017/S0026749X07003058
150.
Lefebvre M. Landscape and Film. Vol AFI film readers. Routledge; 2006.
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Scarles C. Mediating the Tourist Experience: From Brochures to Virtual Encounters. Vol Current developments in the geographies of leisure and tourism. (Lester JA, ed.). Ashgate; 2013. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1531633
152.
Levi-Strauss C. Tristes Tropiques. Vol Terre humaine. Plon; 1955.
153.
Lewis S. What Is Spectacle? Journal of Popular Film and Television. 2014;42(4):214-221. doi:10.1080/01956051.2014.923370
154.
Lim SH. Celluloid Comrades: Representations of Male Homosexuality in Contemporary Chinese Cinemas. University of Hawai’i Press; 2006.
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Lim SH. Tsai Ming-Liang and a Cinema of Slowness. University of Hawai’i Press; 2014.
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Lim SH, Ward J. The Chinese Cinema Book. BFI Publishing; 2011. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5982216
157.
Mendes AC. Showcasing India Unshining: Film Tourism in Danny Boyle’s. Third Text. 2010;24(4):471-479. doi:10.1080/09528822.2010.491379
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Nagib L, Perriam C, Dudrah RK. Theorizing World Cinema. Vol Tauris world cinema series. I.B. Tauris; 2012.
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Nagib L, Perriam C, Dudrah RK. Theorizing World Cinema. Vol Tauris world cinema series. I.B. Tauris; 2012. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=903320
160.
Neumeyer D. The Oxford Handbook of Film Music Studies. Vol Oxford handbooks. Oxford University Press; 2015.
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Neumeyer D. The Oxford Handbook of Film Music Studies. Oxford University Press; 2013. https://dx.doi.org/10.1093/oxfordhb/9780195328493.001.0001
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Nichols B. Discovering Form, Inferring Meaning: New Cinemas and the Film Festival Circuit. Film Quarterly. 1994;47(3):16-30. doi:10.2307/1212956
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Oliete-Aldea E. Hybrid Heritage on Screen: The ‘Raj Revival’ in the Thatcher Era. Palgrave Macmillan; 2015. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4001034
164.
Ponzanesi S. The Postcolonial Cultural Industry: Icons, Markets, Mythologies. Palgrave Macmillan; 2014. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1699405
165.
Pugsley P. Tradition, Culture and Aesthetics in Contemporary Asian Cinema. Ashgate; 2013. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4425569
166.
Rangarajan P. Imperial Babel: Translation, Exoticism, and the Long Nineteenth Century. Fordham University Press; 2014.
167.
Rony FT. The Third Eye: Race, Cinema, and Ethnographic Spectacle. Duke University Press; 1996.
168.
Root D. Cannibal Culture: Art, Appropriation, and the Commodification of Difference. Westview Press; 1996.
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Sexton J. The Allure of Otherness: Transnational Cult Film Fandom and the Exoticist Assumption. Transnational Cinemas. 2017;8(1):5-19. doi:10.1080/20403526.2016.1245922
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Teo S. Chinese Martial Arts Cinema: The Wuxia Tradition. Vol Traditions in world cinema. Edinburgh University Press; 2009.
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177.
Taylor TD. Beyond Exoticism: Western Music and the World. Vol Refiguring American music. Duke University Press; 2007.
178.
Tzanelli R. The Cinematic Tourist: Explorations in Globalization, Culture and Resistance. Vol International library of sociology. Routledge; 2010.
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Urry J. The Tourist Gaze 3.0. 3rd ed. SAGE; 2011.
181.
Urry J, Larsen J. The Tourist Gaze 3.0. Vol Theory, culture&society. SAGE; 2011. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=786870
182.
Wong CH. Film Festivals: Culture, People, and Power on the Global Screen. Rutgers University Press; 2011.
183.
Zhang Y. Chinese National Cinema. Routledge; 2004.
184.
Berry C, Farquhar MA, Dawsonera. China on Screen: Cinema and Nation. Hong Kong University Press; 2006. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9789882206045