‘Aguirre, Wrath of God | Box of Broadcasts’. n.d. BBC2 England. https://learningonscreen.ac.uk/ondemand/index.php/prog/005403A1?bcast=44778681.
Agzenay, Asma. 2015. Returning the Gaze: The Manichean Drama of Postcolonial Exoticism. Electronic resource. Oxford: Peter Lang. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9783035306910.
Akin, Fatih. n.d. ‘Soul Kitchen’.
Arau, Alfonso. 2005. ‘Like Water for Chocolate’. Arrow Films.
Assayas, Olivier. n.d. ‘Irma Vep’. [S.l.]: Second Sight.
———. n.d. ‘Irma Vep’. [S.l.]: Second Sight.
‘At the Height of Summer | Box of Broadcasts’. 2007. BBC2 England. https://learningonscreen.ac.uk/ondemand/index.php/prog/004EDA89?bcast=28033170.
Axel, Gabriel. 2015. ‘Babette’s Feast | Box of Broadcasts’. FilmFour. https://learningonscreen.ac.uk/ondemand/index.php/prog/001432ED?bcast=116790635.
Batra, Ritesh. 2014. ‘Lunchbox’. Artificial Eye.
Bell, James, ed. 2014. Electric Shadows: A Century of Chinese Cinema. London: BFI.
Berges, Paul Mayeda. 2011. ‘The Mistress of Spices | Box of Broadcasts’. FilmFour. https://learningonscreen.ac.uk/ondemand/index.php/prog/007FBF13?bcast=67639874.
Berry, Chris, Mary Ann Farquhar, and Dawsonera. 2006. China on Screen: Cinema and Nation. Electronic book. Aberdeen, Hong Kong: Hong Kong University Press. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9789882206045.
‘Black Narcissus’. n.d. Channel 4. https://learningonscreen.ac.uk/ondemand/index.php/prog/0015D381?bcast=70178691.
Bongie, Chris. 1991. Exotic Memories: Literature, Colonialism, and the Fin De Siècle. Stanford, Calif: Stanford University Press.
Boulmetis, Tassos. 2003. ‘A Touch Of Spice’.
Boyle, Danny. 2009. ‘Slumdog Millionaire’. 20th Century Fox.
———. 2017. ‘Slumdog Millionaire | Box of Broadcasts’. More4. https://learningonscreen.ac.uk/ondemand/index.php/prog/00ED7F59?bcast=123871654.
‘Bride and Prejudice | Box of Broadcasts’. 2004. FilmFour. https://learningonscreen.ac.uk/ondemand/index.php/prog/006986DC?bcast=120659077.
‘Bride and Prejudice (2004)’. n.d. FilmFour. https://learningonscreen.ac.uk/ondemand/index.php/prog/006986DC?bcast=120659077.
Bui, Tony. 2009. ‘Three Seasons | Box of Broadcasts’. BBC2 England. https://learningonscreen.ac.uk/ondemand/index.php/prog/004FCB79?bcast=36523125.
Bustamante, Jayro. 2017. ‘Ixcanul’. New York: Kino Lorber.
Butler, Martin. n.d. ‘Tanna’.
C. J. Scheiner. 1996a. The Encyclopedia of Erotic Literature: 001. Barricade Books.
———. 1996b. The Encyclopedia of Erotic Literature: 2. Barricade Books.
Caige, Chen. 2013. ‘Yellow Earth | YouTube’. https://www.youtube.com/watch?v=sEqfyZGYVrM.
Caro, Niki. 2003. ‘Whale Rider’. [S.l.]: Icon Home Entertainment.
———. 2012. ‘Whale Rider | Box of Broadcasts’. BBC2 England. https://learningonscreen.ac.uk/ondemand/index.php/prog/005A1506?bcast=77720433.
Chadha, Gurinder. 2004. ‘Bride and Prejudice’. [S.l.]: Pathe.
———. 2008. ‘What’s Cooking?’ [S.l.]: Lions Gate Home Entertainment.
———. n.d. ‘Viceroy’s House’.
Chadha, Gurinder, and Aishwariya Rai Bachchan. 2004. ‘Bride and Prejudice’. [S.l.]: Pathe.
Chakrabarty, Dipesh. 2000. Provincializing Europe: Postcolonial Thought and Historical Difference. Vol. Princeton studies in culture/power/history. Princeton, N.J.: Princeton University Press.
Chakrabarty, Dipesh. 2000. Provincializing Europe: Postcolonial Thought and Historical Difference. Princeton University Press. http://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb04798.
Chan, Felicia. 2017. Cosmopolitan Cinema: Cross-Cultural Encounters in East Asian Film. Vol. Tauris world cinema series. London: I.B. Tauris.
Chaudhuri, Shohini. 2005. Contemporary World Cinema: Europe, the Middle East, East Asia and South Asia. Edinburgh: Edinburgh University Press.
———. 2009. ‘Snake Charmers and Child Brides: Deepa Mehta’s , “Exotic” Representation, and the Cross‐cultural Spectatorship of South Asian Migrant Cinema’. South Asian Popular Culture 7 (1): 7–20. https://doi.org/10.1080/14746680802704956.
Chelsom, Peter. 2017. ‘Hector and the Search for Happiness’. Twentieth Century-Fox.
‘Chinese Box’. n.d.
Chopra, Aditya. 2002. ‘Dilwale Dulhania Le Jayenge’. India: Yash Raj Films.
Chopra, Yash, and Anil Kapoor. n.d. ‘Lamhe’.
Chow, Rey. 1995. Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema. Vol. Film and culture. New York: Columbia University Press.
Cronenberg, David. 2011. ‘M. Butterfly’. [S.l.]: Widemedia.
De Heer, Rolf. 2007. ‘Ten Canoes’. [S.l.]: Film Finance.
De Luca, Tiago. 2016. Slow Cinema. Electronic resource. Edited by Nuno Barradas Jorge. Vol. Traditions in world cinema. Edinburgh: Edinburgh University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4306147.
De Luca, Tiago, and Nuno Barradas Jorge. 2016. Slow Cinema. Vol. Traditions in world cinema. Edinburgh: Edinburgh University Press.
Dennison, Stephanie, and Song Hwee Lim. 2006. Remapping World Cinema: Identity, Culture and Politics in Film. London: Wallflower Press.
Dudrah, Rajinder Kumar. 2012. Bollywood Travels: Culture, Diaspora and Border Crossings in Popular Hindi Cinema. Vol. Routledge contemporary South Asia series. London: Routledge.
Dwyer, Rachel. 2005. 100 Bollywood Films. Vol. BFI screen guides. London: BFI.
———. 2014. Bollywood’s India: Hindi Cinema as a Guide to Contemporary India. London: Reaktion Books.
‘Eat Pray Love’. 2012. Eg. Artificial Eye.
‘Eat, Pray, Love | Box of Broadcasts’. 2016. Channel 5. https://learningonscreen.ac.uk/ondemand/index.php/prog/01E66515?bcast=120880063.
Evans, Michael Robert. 2010. The Fast Runner: Filming the Legend of Atanarjuat. Vol. Indigenous films. Lincoln: University of Nebraska Press.
Fitz, Angelika. 2005. Import Export: Cultural Transfer : India, Germany, Austria. Berlin: Parthas.
‘Fitzcarraldo | Box of Broadcasts’. 1982. FilmFour. https://learningonscreen.ac.uk/ondemand/index.php/prog/00A33D86?bcast=115219686.
Flaherty, Robert. 1999. ‘Nanook of the North’. Criterion.
Flaherty, Robert, and Walter Hudd. n.d. ‘Elephant Boy’.
Forsdick, Charles. 2000. Victor Segalen and the Aesthetics of Diversity: Journeys Between Cultures. Oxford: Oxford University Press.
———. 2003. ‘Revisiting Exoticism: From Colonialism to Postcolonialism’. Electronic book. In Francophone Postcolonial Studies: A Critical Introduction, edited by Charles Forsdick and David Murphy, 46–55. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=564734.
Forster, E. M., and David Lean. n.d. ‘A Passage to India’. S.l: MGM.
Gehlawat, Ajay, ed. 2013. The Slumdog Phenomenon: A Critical Anthology. Vol. New perspectives on world cinema. London: Anthem Press.
———. n.d. The Slumdog Phenomenon: A Critical Anthology. Electronic book. Vol. New perspectives on world cinema. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1130120.
Gopal, Sangita, and Sujata Moorti. 2008. Global Bollywood: Travels of Hindi Song and Dance. Minneapolis: University of Minnesota Press.
Griffiths, Alison. 2002. Wondrous Difference: Cinema, Anthropology, & Turn-of-the-Century Visual Culture. New York: Columbia University Press.
Guerra, Ciro, and Nilbio Torres. n.d. ‘Embrace Of The Serpent’.
———. n.d. ‘Embrace Of The Serpent’.
Guzmán, Patricio. 2015. ‘The Pearl Button’. [S.l.]: New Wave Films.
Hallstrom, Lasse. 2015. ‘The Hundred-Foot Journey’. EntertainmentOne.
Harper, Graeme, and Jonathan Rayner. 2010. Cinema and Landscape. Electronic book. Bristol: Intellect. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=537265.
‘Heat and Dust | Box of Broadcasts’. 2010. FilmFour. https://learningonscreen.ac.uk/ondemand/index.php/prog/000018C4?bcast=53084273.
Heldke, Lisa M. 2016. Exotic Appetites: Ruminations of a Food Adventurer. London: Routledge.
Herzog, Werner. 2004. ‘Aguirre: The Wrath of God’. [S.l.]: Anchor Bay.
Herzog, Werner, and Claudia Cardinale. 2004. ‘Fitzcarraldo’. [S.l.]: Anchor Bay.
Hooks, Bell. 1992. ‘Eating the Other: Desire and Resistance’. In Black Looks: Race and Representation, 21–39. Boston, Mass: South End.
Huggan, Graham. 2001. The Postcolonial Exotic: Marketing the Margins. London: Routledge.
———. n.d. Postcolonial Exotic, The: Marketing the Margins.
Hung, Tran Anh. 2002a. ‘At the Height of Summer’. [S.l.]: Artificial Eye.
———. 2002b. ‘The Scent of Green Papaya’. [S.l.]: Second Sight.
‘In the Mood for Love | Box of Broadcasts’. 2015. FilmFour. https://learningonscreen.ac.uk/ondemand/index.php/prog/001596F2?bcast=115284419.
‘Indian Summers’. n.d. https://learningonscreen.ac.uk/ondemand/search.php/prog?q%5B0%5D%5Bv%5D=Indian+Summers+&search_type=1&is_available=&q%5B0%5D%5Bindex%5D=title&source=&date_type=0&date=1990-01-01-00-00&date_start%5B1%5D=01&date_start%5B2%5D=01&date_start%5B0%5D=1990&date_start%5B3%5D=00&date_start%5B4%5D=00&date_end%5B1%5D=05&date_end%5B2%5D=16&date_end%5B0%5D=2017&date_end%5B3%5D=01&date_end%5B4%5D=00&institution=&sort=relevance.
Joffe, Roland. 2003. ‘The Mission’. [S.l.]: Warner Home Video.
———. n.d. ‘The Mission | Box of Bradcasts’. BBC1 London. https://learningonscreen.ac.uk/ondemand/index.php/prog/017E5B06?bcast=120540498.
Johar, Karan. 2003a. ‘Kabhi Khushi Kabhie Gham’. Sony Music Home Entertainment.
———. 2003b. ‘Kuch Kuch Hota Hai’. Sony Music Home Entertainment.
Johar, Karen. 2013. ‘Kabhi Khushi Kabhie Gham | Box of Broadcasts’. Channel 4. https://learningonscreen.ac.uk/ondemand/index.php/prog/001C025B?bcast=102226390.
‘Joy Luck Club (1993)’. n.d. BBC2 England. https://learningonscreen.ac.uk/ondemand/index.php/prog/000CD89B?bcast=34087522.
Kaige, Chen. 2002. ‘Farewell My Concubine’. [S.l: s.n.].
Kaplan, E. Ann. 1997. Looking for the Other: Feminism, Film and the Imperial Gaze. New York: Routledge.
Kar Wai, Wong. 1997. ‘Happy Together’. San Francisco, California, USA: The Criterion Collection. https://rhul.kanopy.com/node/11814071.
Kar-Wai, Wong. 2001. ‘In the Mood for Love’. Tartan Video.
———. 2004. ‘2046’. [S.l.]: Mei Ah Entertainment.
———. 2011. ‘2046 | Box of Broadcasts’. FilmFour. https://learningonscreen.ac.uk/ondemand/index.php/prog/0055A799?bcast=68090971.
———. n.d. ‘Days of Being Wild’.
Kawase, Naomi. 2016. ‘Sweet Bean’. [S.l.]: Eureka Entertainment.
Khoo, Olivia. 2007. The Chinese Exotic: Modern Diasporic Femininity. Electronic resource. Vol. TransAsia: screen cultures. Hong Kong: Hong Kong University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=677431.
Kostner, Kevin. 2009. ‘Dances with Wolves | Box of Broadcasts’. BBC2 England. https://learningonscreen.ac.uk/ondemand/index.php/prog/00CE3502?bcast=32492020.
Kunuk, Zacharias. 2005. ‘Atanarjuat: The Fast Runner’. [S.l.]: Optimum Releasing.
———. 2008. ‘Atanarjuat: The Fast Runner | Box of Broadcasts’. BBC2 England. https://learningonscreen.ac.uk/ondemand/index.php/prog/00517264?bcast=28429480.
Lamont Lindstrom. 2015. ‘Award-Winning Film Tanna Sets Romeo and Juliet in the South Pacific | The Conversation’. http://theconversation.com/award-winning-film-tanna-sets-romeo-and-juliet-in-the-south-pacific-49874.
Lang, Fritz. 2003a. ‘The Tiger of Eschnapur and The Indian Tomb’. [S.l.]: Fantoma.
———. 2003b. ‘The Tiger of Eschnapur and The Indian Tomb’. [S.l.]: Fantoma.
Lau, Lisa. 2009. ‘Re-Orientalism: The Perpetration and Development of Orientalism by Orientals’. Modern Asian Studies 43 (02). https://doi.org/10.1017/S0026749X07003058.
Lau, Lisa, and Ana Cristina Mendes. 2014. Re-Orientalism and South Asian Identity Politics: The Oriental Other Within. Vol. Routledge contemporary South Asia series. London: Routledge.
Lee, Ang. 2007. ‘Lust, Caution’.
———. n.d. ‘Eat, Drink, Man, Woman’.
Lee, Ang, Winston Chao, and Mitchell Lichtenstein. 2010. ‘The Wedding Banquet’. [S.l: [s.n.].
Lefebvre, Martin. 2006. Landscape and Film. Vol. AFI film readers. New York: Routledge.
Leung Chiu Wai, Tony, Le Van Loc, and Tran Anh Hung. 2004. ‘Cyclo’. [S.l.]: Dreamix.
Levi-Strauss, Claude. 1955. Tristes Tropiques. Vol. Terre humaine. Paris: Plon.
Lewis, Simon. 2014. ‘What Is Spectacle?’ Journal of Popular Film and Television 42 (4): 214–21. https://doi.org/10.1080/01956051.2014.923370.
Lim, Song Hwee. 2006. Celluloid Comrades: Representations of Male Homosexuality in Contemporary Chinese Cinemas. Honolulu, T.H.: University of Hawai’i Press.
———. 2014. Tsai Ming-Liang and a Cinema of Slowness. Honolulu: University of Hawai’i Press.
Lim, Song Hwee, and Julian Ward. 2011. The Chinese Cinema Book. London: BFI Publishing. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5982216.
Lu, Sheldon H. 1997a. ‘National Cinema, Cultural Critique, Transnational Capital: The Films of Zhang Yimou’. In Transnational Chinese Cinemas: Identity, Nationhood, Gender, 105–36. Honolulu: University of Hawaii Press.
———. 1997b. ‘National Cinema, Cultural Critique, Transnational Capital: The Films of Zhang Yimou’. In Transnational Chinese Cinemas: Identity, Nationhood, Gender. Honolulu: University of Hawaii Press. https://ebookcentral.proquest.com/lib/rhul/reader.action?docID=3413197&ppg=119.
Madden, John. 2017a. ‘The Best Exotic Marigold Hotel | Box of Broadcasts’. Channel 4. https://learningonscreen.ac.uk/ondemand/index.php/prog/02E37C34?bcast=123810039.
———. 2017b. ‘The Best Exotic Marigold Hotel | Box of Broadcasts’. Channel 4. https://learningonscreen.ac.uk/ondemand/index.php/prog/02E37C34?bcast=123810039.
Malle, Louis. n.d. ‘Calcutta’. Eclipse Series 2: The Documentaries of Louis Malle (The Criterion Collection).
Marshall, Rob, and Suzuka Ohgo. n.d. ‘Memoirs of a Geisha’. Eg. Artificial Eye.
Mehta, Deepa. 2006. ‘Water’. Twentieth Century Fox Home Entertainment.
———. 2011. ‘Water | Box of Broadcasts’. BBC2 England. https://learningonscreen.ac.uk/ondemand/index.php/prog/014BBBE4?bcast=60555334.
Mendes, Ana Cristina. 2010. ‘Showcasing India Unshining: Film Tourism in Danny Boyle’s’. Third Text 24 (4): 471–79. https://doi.org/10.1080/09528822.2010.491379.
Morahan, Christopher, Jim O’Brien, and Peggy Ashcroft. 2005. ‘The Jewel in the Crown’. [S.l.]: Granada.
Mudambi, Anjana. 2013. ‘Another Look At Orientalism: (An)Othering In’. Howard Journal of Communications 24 (3): 275–92. https://doi.org/10.1080/10646175.2013.805990.
Murnau, F. W. 2007. ‘Tabu: A Story of the South Seas’. [S.l.]: Eureka.
Nagib, Lcia, Christopher Perriam, and Rajinder Kumar Dudrah. 2012. Theorizing World Cinema. Electronic book. Vol. Tauris world cinema series. London: I.B. Tauris. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=903320.
Nagib, Lucia, Christopher Perriam, and Rajinder Kumar Dudrah. 2012. Theorizing World Cinema. Vol. Tauris world cinema series. London: I.B. Tauris.
Nair, Mira. 2007. ‘The Namesake: The Greatest Journey Are the Ones That Bring You Home’. [S.l.]: Twentieth century fox.
Negra, Diane. 2002. ‘Ethnic Food Fetishism, Whiteness, and Nostalgia in Recent Film and Television’. Velvet Light Trap Fall: 62–76. http://search.proquest.com/fiaf/docview/222864620/AC30A571AEBE41DAPQ/1.
Neumeyer, David. 2013. The Oxford Handbook of Film Music Studies. Electronic book. New York: Oxford University Press. https://dx.doi.org/10.1093/oxfordhb/9780195328493.001.0001.
———. 2015. The Oxford Handbook of Film Music Studies. Vol. Oxford handbooks. Oxford: Oxford University Press.
Nichols, Bill. 1994. ‘Discovering Form, Inferring Meaning: New Cinemas and the Film Festival Circuit’. Film Quarterly 47 (3): 16–30. https://doi.org/10.2307/1212956.
Noyce, Philip. 2002. ‘Rabbit-Proof Fence | Box of Broadcasts’. BBC2 England. https://learningonscreen.ac.uk/ondemand/index.php/prog/00572E42?bcast=124112921.
Noyce, Phillip. 2002. ‘Rabbit Proof Fence’. [S.l.]: Buena.
‘Octopussy (1983)’. n.d. ITV London. https://learningonscreen.ac.uk/ondemand/index.php/prog/0008CB26?bcast=121379035.
‘———’. n.d. ITV London. https://learningonscreen.ac.uk/ondemand/index.php/prog/0008CB26?bcast=121379035.
Oliete-Aldea, Elena. 2015. Hybrid Heritage on Screen: The ‘Raj Revival’ in the Thatcher Era. Electronic resource. Basingstoke, Hampshire: Palgrave Macmillan. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4001034.
Osten, Franz. 2015. ‘Shiraz | You Tube’. https://www.youtube.com/watch?v=20v_CYsENEo.
Ozpetek, Ferzan, and Lucia Bose’. n.d. ‘Harem Suare’.
Parmar, Patribha. 2012. ‘Nina’s Heavenly Delights | Box of Broadcasts’. BBC2 England. https://learningonscreen.ac.uk/ondemand/index.php/prog/00F891FF?bcast=87532560.
Parmar, Pratibha. 2007. ‘Nina’s Heavenly Delights’. Verve Pictures.
Ponzanesi, Sandra. 2014. The Postcolonial Cultural Industry: Icons, Markets, Mythologies. Electronic resource. Basingstoke: Palgrave Macmillan. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1699405.
Powell, Michael, Emeric Pressburger, ITV Studios, and Granada Ventures. 2006. ‘Black Narcissus (Part of The Powell and Pressburger Collection)’. [England]: Granada Ventures (ITV DVD) [distributor].
Prasch, Thomas1. 360AD. ‘Embrace of the Serpent.’ Film & History (03603695) 46 (03603695): 93–95. https://muse.jhu.edu/article/643315.
‘Press Kit: Embrace of the Serpent’. n.d. http://press.peccapics.co.uk/Theatrical/Embrace%20Of%20The%20Serpent/Embrace%20of%20the%20Serpent%20Press%20Notes.pdf.
Pugsley, Peter. 2013. Tradition, Culture and Aesthetics in Contemporary Asian Cinema. Electronic resource. Farnham, Surrey, England: Ashgate. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4425569.
Rangarajan, Padma. 2014. Imperial Babel: Translation, Exoticism, and the Long Nineteenth Century. New York: Fordham University Press.
Renoir, Jean. 2005. ‘The River’. [S.l.]: Criterion Collection.
Rony, Fatimah Tobing. 1996. The Third Eye: Race, Cinema, and Ethnographic Spectacle. Durham, NC: Duke University Press.
Root, Deborah. 1996. Cannibal Culture: Art, Appropriation, and the Commodification of Difference. Boulder: Westview Press.
Rosaldo, Renato. 1993. ‘Imperialist Nostalgia’. In Culture & Truth: The Remaking of Social Analysis, 68–87. London: Routledge.
Said, Edward W. 1991. Orientalism. Harmondsworth: Penguin.
Santaolalla, Isabel. 2000. ‘New’ Exoticisms: Changing Patterns in the Construction of Otherness. Vol. Postmodern studies. Amsterdam: Rodopi.
Scarles, Caroline. 2013. Mediating the Tourist Experience: From Brochures to Virtual Encounters. Electronic resource. Edited by Jo-Anne Lester. Vol. Current developments in the geographies of leisure and tourism. Farnham, Surrey: Ashgate. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1531633.
Schmidt, Benjamin. 2015. Inventing Exoticism: Geography, Globalism, and Europe’s Early Modern World. Vol. Material texts. Philadelphia: University of Pennsylvania Press.
Segalen, Victor, and Yael Rachel Schlick. 2002a. Essay on Exoticism: An Aesthetics of Diversity. Electronic resource. Durham: Duke University Press. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780822383727.
———. 2002b. ‘Essay on Exoticism: An Aesthetics of Diversity’. In Essay on Exoticism: An Aesthetics of Diversity. Durham: Duke University Press.
Sexton, Jamie. 2017. ‘The Allure of Otherness: Transnational Cult Film Fandom and the Exoticist Assumption’. Transnational Cinemas 8 (1): 5–19. https://doi.org/10.1080/20403526.2016.1245922.
Shedde, Meenakshi, and Vinzenze Hediger. 2005. ‘Come on, Baby, Be My Tiger. Inventing India on the German Screen in Der Tiger von Eschnapur and Das Indische Grabmal’. In Import Export: Cultural Transfer : India, Germany, Austria. Berlin: Parthas.
Shohat, Ella, and Robert Stam. 1994. Unthinking Eurocentrism: Multiculturalism and the Media. Vol. Sightlines. London: Routledge.
Sivan, Santosh. 2002. ‘The Terrorist’. [S.l.]: Tartan.
———. 2010. ‘Before the Rains’. Eg. Artificial Eye.
Studlar, Gaylyn, and Matthew Bernstein. 1997. Visions of the East: Orientalism in Film. London: Tauris.
Taraporevala, Sooni. 2009. ‘Salaam Bombay!’ United Kingdom: Arrow Films.
Taylor, Timothy Dean. 2007. Beyond Exoticism: Western Music and the World. Vol. Refiguring American music. Durham: Duke University Press.
Teo, Stephen. 2009a. Chinese Martial Arts Cinema: The Wuxia Tradition. Vol. Traditions in world cinema. Edinburgh: Edinburgh University Press.
———. 2009b. Chinese Martial Arts Cinema: The Wuxia Tradition. Electronic book. Vol. Traditions in world cinema. Edinburgh: Edinburgh University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=434312.
‘The Beach | Box of Broadcasts’. 2012. E4. https://learningonscreen.ac.uk/ondemand/index.php/prog/001CEFA6?bcast=84987930.
‘The Lunchbox | Box of Broadcasts’. 2017. BBC4. https://learningonscreen.ac.uk/ondemand/index.php/prog/077D3761?bcast=123706052.
‘The Punitive Theater of the Western Gaze: Staging Orientalism in Eat Pray Love.’ 2012. Conference Papers -- International Communication Association, 1–38. http://search.ebscohost.com/login.aspx?direct=true&db=ufh&AN=85900773&site=ehost-live.
‘The World of Suzie Wong’. n.d.
‘Three Seasons (1999)’. n.d. BBC2 England. https://learningonscreen.ac.uk/ondemand/index.php/prog/004FCB79?bcast=36523125.
Tzanelli, Rodanthi. 2007. The Cinematic Tourist: Explorations in Globalization, Culture and Resistance. Electronic book. Vol. International library of sociology. London: Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=356210.
———. 2010. The Cinematic Tourist: Explorations in Globalization, Culture and Resistance. Vol. International library of sociology. London: Routledge.
Urry, John. 2011. The Tourist Gaze 3.0. 3rd ed. Thousand Oaks, CA: SAGE.
Urry, John, and Jonas Larsen. 2011. The Tourist Gaze 3.0. Electronic book. Vol. Theory, culture&society. Los Angeles, [Calif.]: SAGE. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=786870.
Valck, Marijke de. 2007. Film Festivals: From European Geopolitics to Global Cinephilia. Vol. Film culture in transition. Amsterdam: Amsterdam University Press.
Valck, Marijke de. 2007. Film Festivals: From European Geopolitics to Global Cinephilia. Electronic book. Vol. Film culture in transition. [Amsterdam]: Amsterdam University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=419760.
Wong, Cindy H. 2011. Film Festivals: Culture, People, and Power on the Global Screen. New Brunswick, N.J.: Rutgers University Press.
Yimou, Zhang. 2017. ‘Red Sorghum | Box of Broadcasts’. FilmFour. https://learningonscreen.ac.uk/ondemand/index.php/prog/0000B744?bcast=123722832.
Zhang, Yimou. 2007. ‘Raise the Red Lantern’. MGM.
———. n.d. ‘Red Sorghum’. [S.l.]: Drakes Avenue.
Zhang Yimou and Ge You. n.d. ‘To Live’.
Zhang, Yimou, and Gong Li. 2006. ‘Ju Dou’. [S.l.]: MagicPlay Entertainment.
Zhang, Yingjin. 2004. Chinese National Cinema. New York: Routledge.
