‘Aguirre, Wrath of God | Box of Broadcasts’ (no date). BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/005403A1?bcast=44778681.
Agzenay, A. (2015) Returning the Gaze: The Manichean Drama of Postcolonial Exoticism [electronic resource]. Oxford: Peter Lang. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9783035306910.
Akin, F. (no date) ‘Soul Kitchen’.
Arau, A. (2005) ‘Like Water for Chocolate’. Arrow Films.
Assayas, O. (no date a) ‘Irma Vep’. [S.l.]: Second Sight.
Assayas, O. (no date b) ‘Irma Vep’. [S.l.]: Second Sight.
‘At the Height of Summer | Box of Broadcasts’ (2007). BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/004EDA89?bcast=28033170.
Axel, G. (2015) ‘Babette’s Feast | Box of Broadcasts’. FilmFour. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/001432ED?bcast=116790635.
Batra, R. (2014) ‘Lunchbox’. Artificial Eye.
Bell, J. (ed.) (2014) Electric Shadows: A Century of Chinese Cinema. London: BFI.
Berges, P.M. (2011) ‘The Mistress of Spices | Box of Broadcasts’. FilmFour. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/007FBF13?bcast=67639874.
Berry, C., Farquhar, M.A., and Dawsonera (2006) China on screen: cinema and nation [electronic book]. Aberdeen, Hong Kong: Hong Kong University Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9789882206045.
‘Black Narcissus’ (no date). Channel 4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0015D381?bcast=70178691.
Bongie, C. (1991) Exotic Memories: Literature, Colonialism, and the Fin De Siècle. Stanford, Calif: Stanford University Press.
Boulmetis, T. (2003) ‘A Touch Of Spice’.
Boyle, D. (2009) ‘Slumdog Millionaire’. 20th Century Fox.
Boyle, D. (2017) ‘Slumdog Millionaire | Box of Broadcasts’. More4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00ED7F59?bcast=123871654.
‘Bride and Prejudice | Box of Broadcasts’ (2004). FilmFour. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/006986DC?bcast=120659077.
‘Bride and Prejudice (2004)’ (no date). FilmFour. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/006986DC?bcast=120659077.
Bui, T. (2009) ‘Three Seasons | Box of Broadcasts’. BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/004FCB79?bcast=36523125.
Bustamante, J. (2017) ‘Ixcanul’. New York: Kino Lorber.
Butler, M. (no date) ‘Tanna’.
C. J. Scheiner (1996a) The Encyclopedia of Erotic Literature: 001. Barricade Books.
C. J. Scheiner (1996b) The Encyclopedia of Erotic Literature: 2. Barricade Books.
Caige, C. (2013) ‘Yellow Earth | YouTube’. Available at: https://www.youtube.com/watch?v=sEqfyZGYVrM.
Caro, N. (2003) ‘Whale Rider’. [S.l.]: Icon Home Entertainment.
Caro, N. (2012) ‘Whale Rider | Box of Broadcasts’. BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/005A1506?bcast=77720433.
Chadha, G. (2004) ‘Bride and Prejudice’. [S.l.]: Pathe.
Chadha, G. (2008) ‘What’s Cooking?’ [S.l.]: Lions Gate Home Entertainment.
Chadha, G. (no date) ‘Viceroy’s House’.
Chadha, G. and Bachchan, A.R. (2004) ‘Bride and prejudice’. [S.l.]: Pathe.
Chakrabarty, D. (2000) Provincializing Europe: postcolonial thought and historical difference. Princeton, N.J.: Princeton University Press.
Chakrabarty, Dipesh. (2000) Provincializing Europe: Postcolonial Thought and Historical Difference. Princeton University Press. Available at: http://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;idno=heb04798.
Chan, F. (2017) Cosmopolitan Cinema: Cross-Cultural Encounters in East Asian Film. London: I.B. Tauris.
Chaudhuri, S. (2005) Contemporary World Cinema: Europe, the Middle East, East Asia and South Asia. Edinburgh: Edinburgh University Press.
Chaudhuri, S. (2009) ‘Snake Charmers and Child Brides: Deepa Mehta’s                            , “Exotic” Representation, and the Cross‐cultural Spectatorship of South Asian Migrant Cinema’, South Asian Popular Culture, 7(1), pp. 7–20. Available at: https://doi.org/10.1080/14746680802704956.
Chelsom, P. (2017) ‘Hector and the Search for Happiness’. Twentieth Century-Fox.
‘Chinese Box’ (no date).
Chopra, A. (2002) ‘Dilwale Dulhania Le Jayenge’. India: Yash Raj Films.
Chopra, Y. and Kapoor, A. (no date) ‘Lamhe’.
Chow, R. (1995) Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema. New York: Columbia University Press.
Cronenberg, D. (2011) ‘M. Butterfly’. [S.l.]: Widemedia.
De Heer, R. (2007) ‘Ten Canoes’. [S.l.]: Film Finance.
De Luca, T. (2016) Slow Cinema [electronic resource]. Edited by N.B. Jorge. Edinburgh: Edinburgh University Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4306147.
De Luca, T. and Jorge, N.B. (2016) Slow Cinema. Edinburgh: Edinburgh University Press.
Dennison, S. and Lim, S.H. (2006) Remapping World Cinema: Identity, Culture and Politics in Film. London: Wallflower Press.
Dudrah, R.K. (2012) Bollywood Travels: Culture, Diaspora and Border Crossings in Popular Hindi Cinema. London: Routledge.
Dwyer, R. (2005) 100 Bollywood films. London: BFI.
Dwyer, R. (2014) Bollywood’s India: Hindi Cinema as a Guide to Contemporary India. London: Reaktion Books.
‘Eat Pray Love’ (2012). Eg. Artificial Eye.
‘Eat, Pray, Love | Box of Broadcasts’ (2016). Channel 5. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/01E66515?bcast=120880063.
Evans, M.R. (2010) The Fast Runner: Filming the Legend of Atanarjuat. Lincoln: University of Nebraska Press.
Fitz, A. (2005) Import Export: Cultural Transfer : India, Germany, Austria. Berlin: Parthas.
‘Fitzcarraldo | Box of Broadcasts’ (1982). FilmFour. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00A33D86?bcast=115219686.
Flaherty, R. (1999) ‘Nanook of the North’. Criterion.
Flaherty, R. and Hudd, W. (no date) ‘Elephant Boy’.
Forsdick, C. (2000) Victor Segalen and the Aesthetics of Diversity: Journeys Between Cultures. Oxford: Oxford University Press.
Forsdick, C. (2003) ‘Revisiting Exoticism: From Colonialism to Postcolonialism’, in C. Forsdick and D. Murphy (eds) Francophone Postcolonial Studies: A Critical Introduction, pp. 46–55. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=564734.
Forster, E.M. and Lean, D. (no date) ‘A Passage to India’. S.l: MGM.
Gehlawat, A. (ed.) (2013) The Slumdog Phenomenon: A Critical Anthology. London: Anthem Press.
Gehlawat, A. (no date) The Slumdog Phenomenon: A Critical Anthology [electronic book]. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1130120.
Gopal, S. and Moorti, S. (2008) Global Bollywood: Travels of Hindi Song and Dance. Minneapolis: University of Minnesota Press.
Griffiths, A. (2002) Wondrous Difference: Cinema, Anthropology, & Turn-of-the-Century Visual Culture. New York: Columbia University Press.
Guerra, C. and Torres, N. (no date a) ‘Embrace Of The Serpent’.
Guerra, C. and Torres, N. (no date b) ‘Embrace Of The Serpent’.
Guzmán, P. (2015) ‘The Pearl Button’. [S.l.]: New Wave Films.
Hallstrom, L. (2015) ‘The Hundred-Foot Journey’. EntertainmentOne.
Harper, G. and Rayner, J. (2010) Cinema and Landscape [electronic book]. Bristol: Intellect. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=537265.
‘Heat and Dust | Box of Broadcasts’ (2010). FilmFour. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/000018C4?bcast=53084273.
Heldke, L.M. (2016) Exotic Appetites: Ruminations of a Food Adventurer. London: Routledge.
Herzog, W. (2004) ‘Aguirre: The Wrath of God’. [S.l.]: Anchor Bay.
Herzog, W. and Cardinale, C. (2004) ‘Fitzcarraldo’. [S.l.]: Anchor Bay.
Hooks, B. (1992) ‘Eating the Other: Desire and Resistance’, in Black Looks: Race and Representation. Boston, Mass: South End, pp. 21–39.
Huggan, G. (2001) The Postcolonial Exotic: Marketing the Margins. London: Routledge.
Huggan, G. (no date) Postcolonial Exotic, The: Marketing the Margins.
Hung, T.A. (2002a) ‘At the height of summer’. [S.l.]: Artificial Eye.
Hung, T.A. (2002b) ‘The Scent of Green Papaya’. [S.l.]: Second Sight.
‘In the Mood for Love | Box of Broadcasts’ (2015). FilmFour. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/001596F2?bcast=115284419.
‘Indian Summers’ (no date). Available at: https://learningonscreen.ac.uk/ondemand/search.php/prog?q%5B0%5D%5Bv%5D=Indian+Summers+&search_type=1&is_available=&q%5B0%5D%5Bindex%5D=title&source=&date_type=0&date=1990-01-01-00-00&date_start%5B1%5D=01&date_start%5B2%5D=01&date_start%5B0%5D=1990&date_start%5B3%5D=00&date_start%5B4%5D=00&date_end%5B1%5D=05&date_end%5B2%5D=16&date_end%5B0%5D=2017&date_end%5B3%5D=01&date_end%5B4%5D=00&institution=&sort=relevance.
Joffe, R. (2003) ‘The Mission’. [S.l.]: Warner Home Video.
Joffe, R. (no date) ‘The Mission | Box of Bradcasts’. BBC1 London. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/017E5B06?bcast=120540498.
Johar, K. (2003a) ‘Kabhi Khushi Kabhie Gham’. Sony Music Home Entertainment.
Johar, K. (2003b) ‘Kuch Kuch Hota Hai’. Sony Music Home Entertainment.
Johar, K. (2013) ‘Kabhi Khushi Kabhie Gham | Box of Broadcasts’. Channel 4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/001C025B?bcast=102226390.
‘Joy Luck Club (1993)’ (no date). BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/000CD89B?bcast=34087522.
Kaige, C. (2002) ‘Farewell My Concubine’. [S.l: s.n.].
Kaplan, E.A. (1997) Looking for the Other: Feminism, Film and the Imperial Gaze. New York: Routledge.
Kar Wai, W. (1997) ‘Happy Together’. San Francisco, California, USA: The Criterion Collection. Available at: https://rhul.kanopy.com/node/11814071.
Kar-Wai, W. (2001) ‘In the Mood for Love’. Tartan Video.
Kar-Wai, W. (2004) ‘2046’. [S.l.]: Mei Ah Entertainment.
Kar-Wai, W. (2011) ‘2046 | Box of Broadcasts’. FilmFour. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0055A799?bcast=68090971.
Kar-Wai, W. (no date) ‘Days of Being Wild’.
Kawase, N. (2016) ‘Sweet Bean’. [S.l.]: Eureka Entertainment.
Khoo, O. (2007) The Chinese Exotic: Modern Diasporic Femininity [electronic resource]. Hong Kong: Hong Kong University Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=677431.
Kostner, K. (2009) ‘Dances with Wolves | Box of Broadcasts’. BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00CE3502?bcast=32492020.
Kunuk, Z. (2005) ‘Atanarjuat: The Fast Runner’. [S.l.]: Optimum Releasing.
Kunuk, Z. (2008) ‘Atanarjuat: The Fast Runner | Box of Broadcasts’. BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00517264?bcast=28429480.
Lamont Lindstrom (2015) ‘Award-Winning Film Tanna Sets Romeo and Juliet in the South Pacific | The Conversation’. Available at: http://theconversation.com/award-winning-film-tanna-sets-romeo-and-juliet-in-the-south-pacific-49874.
Lang, F. (2003a) ‘The Tiger of Eschnapur and The Indian Tomb’. [S.l.]: Fantoma.
Lang, F. (2003b) ‘The Tiger of Eschnapur and The Indian Tomb’. [S.l.]: Fantoma.
Lau, L. (2009) ‘Re-Orientalism: The Perpetration and Development of Orientalism by Orientals’, Modern Asian Studies, 43(02). Available at: https://doi.org/10.1017/S0026749X07003058.
Lau, L. and Mendes, A.C. (2014) Re-Orientalism and South Asian Identity Politics: The Oriental Other Within. London: Routledge.
Lee, A. (2007) ‘Lust, Caution’.
Lee, A. (no date) ‘Eat, Drink, Man, Woman’.
Lee, A., Chao, W. and Lichtenstein, M. (2010) ‘The wedding banquet’. [S.l: [s.n.].
Lefebvre, M. (2006) Landscape and Film. New York: Routledge.
Leung Chiu Wai, T., Loc, L.V. and Hung, T.A. (2004) ‘Cyclo’. [S.l.]: Dreamix.
Levi-Strauss, C. (1955) Tristes Tropiques. Paris: Plon.
Lewis, S. (2014) ‘What Is Spectacle?’, Journal of Popular Film and Television, 42(4), pp. 214–221. Available at: https://doi.org/10.1080/01956051.2014.923370.
Lim, S.H. (2006) Celluloid Comrades: Representations of Male Homosexuality in Contemporary Chinese Cinemas. Honolulu, T.H.: University of Hawai’i Press.
Lim, S.H. (2014) Tsai Ming-Liang and a Cinema of Slowness. Honolulu: University of Hawai’i Press.
Lim, S.H. and Ward, J. (2011) The Chinese Cinema Book. London: BFI Publishing. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5982216.
Lu, S.H. (1997a) ‘National Cinema, Cultural Critique, Transnational Capital: The Films of Zhang Yimou’, in Transnational Chinese Cinemas: Identity, Nationhood, Gender. Honolulu: University of Hawaii Press, pp. 105–136.
Lu, S.H. (1997b) ‘National Cinema, Cultural Critique, Transnational Capital: The Films of Zhang Yimou’, in Transnational Chinese Cinemas: Identity, Nationhood, Gender. Honolulu: University of Hawaii Press. Available at: https://ebookcentral.proquest.com/lib/rhul/reader.action?docID=3413197&ppg=119.
Madden, J. (2017a) ‘The Best Exotic Marigold Hotel | Box of Broadcasts’. Channel 4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/02E37C34?bcast=123810039.
Madden, J. (2017b) ‘The Best Exotic Marigold Hotel | Box of Broadcasts’. Channel 4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/02E37C34?bcast=123810039.
Malle, L. (no date) ‘Calcutta’, Eclipse Series 2: The Documentaries of Louis Malle (The Criterion Collection).
Marshall, R. and Ohgo, S. (no date) ‘Memoirs of a Geisha’. Eg. Artificial Eye.
Mehta, D. (2006) ‘Water’. Twentieth Century Fox Home Entertainment.
Mehta, D. (2011) ‘Water | Box of Broadcasts’. BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/014BBBE4?bcast=60555334.
Mendes, A.C. (2010) ‘Showcasing India Unshining: Film Tourism in Danny Boyle’s’, Third Text, 24(4), pp. 471–479. Available at: https://doi.org/10.1080/09528822.2010.491379.
Morahan, C., O’Brien, J. and Ashcroft, P. (2005) ‘The jewel in the crown’. [S.l.]: Granada.
Mudambi, A. (2013) ‘Another Look At Orientalism: (An)Othering in’, Howard Journal of Communications, 24(3), pp. 275–292. Available at: https://doi.org/10.1080/10646175.2013.805990.
Murnau, F.W. (2007) ‘Tabu: A Story of the South Seas’. [S.l.]: Eureka.
Nagib, Lucia, Perriam, C. and Dudrah, R.K. (2012) Theorizing World Cinema. London: I.B. Tauris.
Nagib, Lcia, Perriam, C. and Dudrah, R.K. (2012) Theorizing World Cinema [electronic book]. London: I.B. Tauris. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=903320.
Nair, M. (2007) ‘The Namesake: The Greatest Journey Are the Ones That Bring You Home’. [S.l.]: Twentieth century fox.
Negra, D. (2002) ‘Ethnic Food Fetishism, Whiteness, and Nostalgia in Recent Film and Television’, Velvet Light Trap, Fall, pp. 62–76. Available at: http://search.proquest.com/fiaf/docview/222864620/AC30A571AEBE41DAPQ/1.
Neumeyer, D. (2013) The Oxford Handbook of Film Music Studies [electronic book]. New York: Oxford University Press. Available at: https://dx.doi.org/10.1093/oxfordhb/9780195328493.001.0001.
Neumeyer, D. (2015) The Oxford Handbook of Film Music Studies. Oxford: Oxford University Press.
Nichols, B. (1994) ‘Discovering Form, Inferring Meaning: New Cinemas and the Film Festival Circuit’, Film Quarterly, 47(3), pp. 16–30. Available at: https://doi.org/10.2307/1212956.
Noyce, Phillip (2002) ‘Rabbit Proof Fence’. [S.l.]: Buena.
Noyce, Philip (2002) ‘Rabbit-Proof Fence | Box of Broadcasts’. BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00572E42?bcast=124112921.
‘Octopussy (1983)’ (no date a). ITV London. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0008CB26?bcast=121379035.
‘Octopussy (1983)’ (no date b). ITV London. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0008CB26?bcast=121379035.
Oliete-Aldea, E. (2015) Hybrid Heritage on Screen: The ‘Raj Revival’ in the Thatcher Era [electronic resource]. Basingstoke, Hampshire: Palgrave Macmillan. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4001034.
Osten, F. (2015) ‘Shiraz | You Tube’. Available at: https://www.youtube.com/watch?v=20v_CYsENEo.
Ozpetek, F. and Bose’, L. (no date) ‘Harem Suare’.
Parmar, P. (2007) ‘Nina’s Heavenly Delights’. Verve Pictures.
Parmar, P. (2012) ‘Nina’s Heavenly Delights | Box of Broadcasts’. BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00F891FF?bcast=87532560.
Ponzanesi, S. (2014) The Postcolonial Cultural Industry: Icons, Markets, Mythologies [electronic resource]. Basingstoke: Palgrave Macmillan. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1699405.
Powell, M. et al. (2006) ‘Black Narcissus (Part of The Powell and Pressburger collection)’. [England]: Granada Ventures (ITV DVD) [distributor].
Prasch, Thomas1 (360AD) ‘Embrace of the Serpent.’, Film & History (03603695), 46(03603695), pp. 93–95. Available at: https://muse.jhu.edu/article/643315.
‘Press Kit: Embrace of the Serpent’ (no date). Available at: http://press.peccapics.co.uk/Theatrical/Embrace%20Of%20The%20Serpent/Embrace%20of%20the%20Serpent%20Press%20Notes.pdf.
Pugsley, P. (2013) Tradition, Culture and Aesthetics in Contemporary Asian Cinema [electronic resource]. Farnham, Surrey, England: Ashgate. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4425569.
Rangarajan, P. (2014) Imperial Babel: Translation, Exoticism, and the Long Nineteenth Century. New York: Fordham University Press.
Renoir, J. (2005) ‘The river’. [S.l.]: Criterion Collection.
Rony, F.T. (1996) The Third Eye: Race, Cinema, and Ethnographic Spectacle. Durham, NC: Duke University Press.
Root, D. (1996) Cannibal Culture: Art, Appropriation, and the Commodification of Difference. Boulder: Westview Press.
Rosaldo, R. (1993) ‘Imperialist Nostalgia’, in Culture & Truth: The Remaking of Social Analysis. London: Routledge, pp. 68–87.
Said, E.W. (1991) Orientalism. Harmondsworth: Penguin.
Santaolalla, I. (2000) ‘New’ Exoticisms: Changing Patterns in the Construction of Otherness. Amsterdam: Rodopi.
Scarles, C. (2013) Mediating the Tourist Experience: From Brochures to Virtual Encounters [electronic resource]. Edited by J.-A. Lester. Farnham, Surrey: Ashgate. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1531633.
Schmidt, B. (2015) Inventing Exoticism: Geography, Globalism, and Europe’s Early Modern World. Philadelphia: University of Pennsylvania Press.
Segalen, V. and Schlick, Y.R. (2002a) Essay on Exoticism: An Aesthetics of Diversity [electronic resource]. Durham: Duke University Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780822383727.
Segalen, V. and Schlick, Y.R. (2002b) ‘Essay on Exoticism: An Aesthetics of Diversity’, in Essay on Exoticism: An Aesthetics of Diversity. Durham: Duke University Press.
Sexton, J. (2017) ‘The Allure of Otherness: Transnational Cult Film Fandom and the Exoticist Assumption’, Transnational Cinemas, 8(1), pp. 5–19. Available at: https://doi.org/10.1080/20403526.2016.1245922.
Shedde, M. and Hediger, V. (2005) ‘Come on, Baby, Be My Tiger. Inventing India on the German Screen in Der Tiger von Eschnapur and Das indische Grabmal’, in Import Export: Cultural Transfer : India, Germany, Austria. Berlin: Parthas.
Shohat, E. and Stam, R. (1994) Unthinking Eurocentrism: Multiculturalism and the Media. London: Routledge.
Sivan, S. (2002) ‘The Terrorist’. [S.l.]: Tartan.
Sivan, S. (2010) ‘Before the Rains’. Eg. Artificial Eye.
Studlar, G. and Bernstein, M. (1997) Visions of the East: Orientalism in Film. London: Tauris.
Taraporevala, S. (2009) ‘Salaam Bombay!’ United Kingdom: Arrow Films.
Taylor, T.D. (2007) Beyond Exoticism: Western Music and the World. Durham: Duke University Press.
Teo, S. (2009a) Chinese Martial Arts Cinema: The Wuxia Tradition. Edinburgh: Edinburgh University Press.
Teo, S. (2009b) Chinese Martial Arts Cinema: The Wuxia Tradition [electronic book]. Edinburgh: Edinburgh University Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=434312.
‘The Beach | Box of Broadcasts’ (2012). E4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/001CEFA6?bcast=84987930.
‘The Lunchbox  | Box of Broadcasts’ (2017). BBC4. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/077D3761?bcast=123706052.
‘The Punitive Theater of the Western Gaze: Staging Orientalism in Eat Pray Love.’ (2012) Conference Papers -- International Communication Association, pp. 1–38. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=ufh&AN=85900773&site=ehost-live.
‘The World of Suzie Wong’ (no date).
‘Three Seasons (1999)’ (no date). BBC2 England. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/004FCB79?bcast=36523125.
Tzanelli, R. (2007) The Cinematic Tourist: Explorations in Globalization, Culture and Resistance [electronic book]. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=356210.
Tzanelli, R. (2010) The Cinematic Tourist: Explorations in Globalization, Culture and Resistance. London: Routledge.
Urry, J. (2011) The Tourist Gaze 3.0. 3rd ed. Thousand Oaks, CA: SAGE.
Urry, J. and Larsen, J. (2011) The Tourist Gaze 3.0 [electronic book]. Los Angeles, [Calif.]: SAGE. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=786870.
de Valck, M. (2007) Film Festivals: From European Geopolitics to Global Cinephilia. Amsterdam: Amsterdam University Press.
Valck, M. de (2007) Film Festivals: From European Geopolitics to Global Cinephilia [electronic book]. [Amsterdam]: Amsterdam University Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=419760.
Wong, C.H. (2011) Film Festivals: Culture, People, and Power on the Global Screen. New Brunswick, N.J.: Rutgers University Press.
Yimou, Z. (2017) ‘Red Sorghum | Box of Broadcasts’. FilmFour. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0000B744?bcast=123722832.
Zhang, Y. (2004) Chinese National Cinema. New York: Routledge.
Zhang, Y. (2007) ‘Raise the Red Lantern’. MGM.
Zhang, Y. (no date) ‘Red Sorghum’. [S.l.]: Drakes Avenue.
Zhang, Y. and Li, G. (2006) ‘Ju Dou’. [S.l.]: MagicPlay Entertainment.
Zhang Yimou and Ge You (no date) ‘To Live’.