‘A Golden Age of Podcasting? Evaluating Serial in the Context of Podcast His...’, Journal of Radio & Audio Media, 2015 <http://search.ebscohost.com/login.aspx?direct=true&db=cms&AN=111070378&site=ehost-live>
‘A Very Fatal Murder (Mockumentary) | The Onion’ <https://web.archive.org/web/20210308170830/https://www.theonion.com/c/a-very-fatal-murder>
Alan Hook, ‘A Transmedia Topology of “Making a Murderer”’, VIEW Journal of European Television History and Culture, 5.10 (2016), 124–39 <https://doi.org/10.18146/JETHC117>
‘All Killa No Filla’ <https://allkillanofilla.libsyn.com/>
‘And That’s Why We Drink’ <https://www.andthatswhywedrink.com/listen/>
Auden, Wystan Hugh, ‘The Guilty Vicarage: Notes on the Detective Story by an Addict’, Harper’s Magazine, May, 1948 <https://harpers.org/archive/1948/05/the-guilty-vicarage/>
Backderf, Derf, My Friend Dahmer (New York: Abrams ComicArts, 2017)
Berlant, Lauren Gail, The Female Complaint: The Unfinished Business of Sentimentality in American Culture (Durham, N.C.: Duke University Press, 2008) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1169928>
Binyon, T. J., ‘Murder Will Out’: The Detective in Fiction From Poe to the Present (London: Faber, 2009)
Bold, Christine, US Popular Print Culture, 1860-1920 (Oxford: Oxford University Press, 2012), vi
Boyle, Danny, ‘Shallow Grave’ (4DVD, 2009)
———, ‘Shallow Grave | Box of Broadcasts’ (FilmFour, 1994) <https://learningonscreen.ac.uk/ondemand/index.php/prog/0015C0DA?bcast=114769310>
Bruzzi, Stella, ‘Making a Genre: The Case of the Contemporary True Crime Documentary’, Law and Humanities, 10.2 (2016), 249–80 <https://doi.org/10.1080/17521483.2016.1233741>
Butler, Judith, ‘Against Ethical Violence’, in Giving an Account of Oneself, 1st Edition (New York: Fordham University Press, 2005), pp. 41–82
Capote, Truman, In Cold Blood (London: Penguin, 2012)
Caron, Tim, ‘“Black and White and Read All Over”: Representing Race in Mat Johnson and Warren Pleece’s Incognegro: A Graphic Mystery’, in Comics and the U.S. South (University Press of Mississippi, 2013), pp. 138–60
Chandler, Raymond, The Long Goodbye (Createspace Independent Publishing Platform, 2018)
———, The Simple Art of Murder, 1st Vintage Books Edition (New York: Vintage Books, 1950)
Chaney, Michael A., ‘Drawing on History in Recent African American Graphic Novels’, MELUS, 32.3 (2007), 175–200 <https://www.jstor.org/stable/30029796>
Chute, Hillary, ‘Comics as Literature? Reading Graphic Narrative’, PMLA, 123.2 (2008), 452–65 <https://www.jstor.org/stable/25501865>
Chute, Hillary L., Disaster Drawn: Visual Witness, Comics, and Documentary Form (Cambridge, Massachusetts: The Belknap Press of Harvard University Press, 2016)
———, Disaster Drawn: Visual Witness, Comics, and Documentary Form (Cambridge, Mass: Harvard University Press, 2016) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4404086>
Cooper, Brian, and Margueritte Murphy, ‘Taking Chances: Speculation and Games of Detection in Dashiell Hammett’s “Red Harvest”’, Mosaic: An Interdisciplinary Critical Journal, 33.1 (2000), 145–460 <https://www.jstor.org/stable/44030576>
Corredera, Vanessa, ‘"Not a Moor Exactly”: Shakespeare, Serial, and Modern Constructions of Race’, Shakespeare Quarterly, 67.1 (2016), 30–50 <https://doi.org/10.1353/shq.2016.0009>
Courtney, Novosat, ‘Outside Dupin’s Closet of Reason: (Homo)Sexual Repression and Racialized Terror in Poe’s "The Murders in the Rue Morgue’, Poe Studies <http://muse.jhu.edu/article/535601/pdf>
‘Crime Writers On...’ <http://www.crimewriterson.com/>
‘Criminal: A Podcast About Crime’ <https://thisiscriminal.com/>
De Quincey, Thomas, On Murder Considered as One of the Fine Arts (London: Penguin Classics, 2015)
———, On Murder Considered as One of the Fine Arts (Project Gutenberg, 1837) <http://www.gutenberg.org/ebooks/10708?msg=welcome_stranger>
Del Visco, Stephen, ‘Legality and the Spectacle of Murder: A Review of Netflix’s Making a Murderer (2015–)’, Humanity & Society, 40.2 (2016), 212–14 <https://doi.org/10.1177/0160597616639624>
Delamater, Jerome H., and Ruth Prigozy, The Detective in American Fiction, Film, and Television (Westport, Conn: Greenwood Press, 1998), lxiii
DeLillo, Don, Libra (Harmondsworth: Penguin, 1991)
Demme, Jonathan, ‘The Silence of the Lambs’ (S.l.: MGM, 2003)
———, ‘The Silence of the Lambs | Box of Broadcasts’, 1991 <https://learningonscreen.ac.uk/ondemand/index.php/prog/00031BC4?bcast=127493680>
Downing, Lisa, ‘The Beast in Man: Jack and The Rippers Who Came After’, in The Subject of Murder: Gender, Exceptionality, and the Modern Killer (Chicago: The University of Chicago Press, 2013), pp. 72–96
———, ‘The Beast in Man: Jack and The Rippers Who Came After’, in The Subject of Murder: Gender, Exceptionality, and the Modern Killer (Chicago: The University of Chicago Press, 2013), pp. 72–96 <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1124352>
Drucker, Johanna, ‘Graphic Devices: Narration and Navigation’, Narrative, 16.2 (2008), 121–39 <https://www.jstor.org/stable/30219279>
Duquette, Elizabeth, ‘The Office of The Dead Letter’, Arizona Quarterly, 69.4 (2013), 25–58 <https://muse.jhu.edu/article/528934>
Dussere, Erik, America Is Elsewhere: The Noir Tradition in the Age of Consumer Culture (New York: Oxford University Press, 2013) <http://dx.doi.org/10.1093/acprof:oso/9780199969913.001.0001>
Eco, Umberto, ‘Innovation and Repetition: Between Modern and Post-Modern Aesthetics’, Daedalus, 114.4 (1985), 161–84 <https://www.jstor.org/stable/20025015>
Ellroy, James, My Dark Places (London: Windmill, 2010)
———, ‘My Mother and the Dahlia’, The Virginia Quarterly Review, 82.3 (2006), 214–22 <https://www.jstor.org/stable/26444559>
———, The Black Dahlia (London: Windmill, 2011)
———, The Hilliker Curse: My Pursuit of Women (London: Windmill, 2011)
‘Evil Genius: The True Story of America’s Most Diabolical Bank Heist | Netflix’ (Netflix, 2018) <https://www.netflix.com/title/80158319>
Freedman, Carl, and Christopher Kendrick, ‘Forms of Labor in Dashiell Hammett’s Red Harvest’, PMLA, 106.2 (1991), 209–21 <https://doi.org/10.2307/462658>
Fried, Arthur, ‘Crime in Comics and the Graphic Novel’, in A Companion to Crime Fiction (Oxford: Wiley-Blackwell, 2010), pp. 332–43
Friedersdorf, Conor, ‘The Backlash Against Serial’s ’White Privilege’—and Why It’s Wrong - The Atlantic’, The Atlantic, 2014 <https://www.theatlantic.com/politics/archive/2014/12/unpacking-the-social-justice-critique-of-serial/383071/>
Gilmore, Leigh, ‘Represent Yourself’, in The Limits of Autobiography: Trauma and Testimony (Ithaca: Cornell University Press, 2001), pp. 16–44
Gilmore, Michael T., ‘Popular Forms’, in Surface and Depth: The Quest for Legibility in American Culture, New Edition (New York: Oxford University Press Inc, 2006), pp. 75–95
Green, Kitty, ‘Casting JonBenet | Netflix’ (Netflix, 2017) <https://www.netflix.com/title/80142316>
Halttunen, Karen, Murder Most Foul: The Killer and the American Gothic Imagination (Cambridge, Mass: Harvard University Press, 1998)
———, Murder Most Foul: The Killer and the American Gothic Imagination (Cambridge: Harvard University Press, 2009) <http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3300770>
Hammett, Dashiell, Red Harvest (London: Orion, 2012)
Hawthorne, Nathaniel, ‘Wakefield’, 1837 <http://homepage.ntu.edu.tw/~karchung/Wakefield.pdf>
Heise, Thomas, ‘“Going Blood-Simple Like the Natives”: Contagious Urban Spaces and Modern Power in Dashiell Hammett’s “Red Harvest”’, Modern Fiction Studies, 51.3 (2005), 485–512 <https://www.jstor.org/stable/26287045>
Herrmann, Bernard, ‘Psycho’ (Universal, 2005)
Hitchcock, Alfred, ‘Psycho | Box of Broadcasts’ (FilmFour, 1960) <https://learningonscreen.ac.uk/ondemand/index.php/prog/0000E859?bcast=122012920>
Hogue, Cynthia, ‘“Lives - like Dollars”: Dickinson and the Poetics of Witness’, The Emily Dickinson Journal, 15.2 (2006), 40–46 <https://doi.org/10.1353/edj.2006.0036>
Horsley, Lee, The Noir Thriller (Basingstoke: Palgrave Macmillan, 2009)
———, The Noir Thriller (Basingstoke: Palgrave, 2001) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=555504>
‘In the Dark Podcast | APM Reports’ <https://www.apmreports.org/in-the-dark>
James A. W. Heffernan, ‘The Simpson Trial and the Forgotten Trauma of Lynching: A Response to Shoshana Felman’, Critical Inquiry, 25.4 (1999) <https://www-jstor-org.ezproxy01.rhul.ac.uk/stable/1344104?seq=1#metadata_info_tab_contents>
Jenkins, Patty, ‘Monster’, 2003
———, ‘Monster | Box of Broadcasts’ (FilmFour, 2003) <https://learningonscreen.ac.uk/ondemand/index.php/prog/004D318C?bcast=56640669>
Johnson, Mat, and Warren Pleece, Incognegro: A Graphic Mystery, New Edition (Milwaukie: Berger Books, 2018)
Kang, Jay Caspian, ‘“Serial” and White Reporter Privilege | The Awl’, 2014 <https://web.archive.org/web/20141116022727/https://www.theawl.com/2014/11/serial-and-white-reporter-privilege>
Kennedy, Liam, ‘“Man I’m All Torn Up Inside”: Analyzing Audience Responses To’, Crime, Media, Culture: An International Journal, 14.3 (2018), 391–408 <https://doi.org/10.1177/1741659017721275>
Kilgariff, Karen, and Georgia Hardstark, ‘My Favorite Murder with Karen Kilgariff and Georgia Hardstark’ <https://www.myfavoritemurder.com/>
Kozaczka, Edward, ‘Death as Truth in Edgar Allan Poe’s “The Murders in the Rue Morgue”’, The Edgar Allan Poe Review, 12.1 (2011), 59–71 <https://www.jstor.org/stable/41506433>
Lee, Maurice S., Uncertain Chances: Science, Skepticism, and Belief in Nineteenth-Century American Literature (Oxford: Oxford University Press, 2013) <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780199797677>
Lemay, J. A. Leo, ‘The Psychology of “The Murders in the Rue Morgue”’, American Literature, 54.2 (1982), 165–88 <https://doi.org/10.2307/2926129>
de Lestrade, Jean-Xavier, ‘Death on the Staircase: The Last Chance | Box of Broadcasts’ (BBC4, 2013) <https://learningonscreen.ac.uk/ondemand/index.php/prog/02F1F2D6?bcast=93687622>
‘Making a Murderer’ (Netflix, 2015)
Marling, William, ‘City of Sleuths’, in The Cambridge Companion to the Literature of Los Angeles (Cambridge: Cambridge University Press, 2010), pp. 111–22 <https://doi.org/10.1017/CCOL9780521514705>
———, The American Roman Noir: Hammett, Cain, and Chandler (Athens, Ga: University of Georgia Press, 1995)
McCloud, Scott, Understanding Comics: The Invisible Art, 1994
McDaniel, Raymond, ‘Narrative and Crime’, Michigan Quarterly Review, XLIV.4 (2005) <https://quod.lib.umich.edu/cgi/t/text/text-idx?cc=mqr;c=mqr;c=mqrarchive;idno=act2080.0044.432;view=text;rgn=main;xc=1;g=mqrg>
McDermid, Val, Forensics: The Anatomy of Crime (London: Profile Books, 2014)
Meyers, Marc, ‘My Friend Dahmer’, 2017
Mihaies, Mircea, and Patrick Camiller, The Metaphysics of Detective Marlowe: Style, Vision, Hard-Boiled Repartee, Thugs, and Death-Dealing Damsels in Raymond Chandler’s Novels (Lanham, MD: Lexington Books, 2014) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1584879>
Miller, Nancy K., ‘The Entangled Self: Genre Bondage in the Age of the Memoir’, PMLA, 122.2 (2007), 537–48 <https://www.jstor.org/stable/25501720>
‘Mindhunter | Netflix’ (Netflix, 2017) <https://www.netflix.com/title/80114855>
‘Mindhunter - Episode 1 | Netflix’ (Netflix, 2017) <https://www.netflix.com/title/80114855>
Moynihan, Sinéad, ‘"Watch Me Go Invisible”: Representing Racial Passing in Mat Johnson and Warren Pleece’s Incognegro’, South Central Review, 32.3 (2015), 45–69 <https://muse.jhu.edu/article/602170>
Nelson, Maggie, Jane: A Murder (Berkeley: Counterpoint, 2016)
———, The Art of Cruelty: A Reckoning (New York: W.W. Norton & Company, 2012)
———, The Red Parts (London: Vintage, 2017)
Nickerson, Catherine, ‘Murder as Social Criticism’, American Literary History, 9.4 (1997), 744–57 <https://doi.org/10.1093/alh/9.4.744>
Nickerson, Catherine Ross, ed., The Cambridge Companion to American Crime Fiction (Cambridge: Cambridge University Press, 2010) <https://ezproxy01.rhul.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521199377>
———, The Web of Iniquity: Early Detective Fiction by American Women (Durham, NC: Duke University Press, 1998)
Novosat, Courtney, ‘Outside Dupin’s Closet of Reason: (Homo)Sexual Repression and Racialized Terror in Poe’s "The Murders in the Rue Morgue”’, Poe Studies, 45.1 (2012), 78–106 <https://muse.jhu.edu/article/535601/summary>
‘OJ: Made in America - Part 1’ (BBC4, 2017) <https://learningonscreen.ac.uk/ondemand/index.php/prog/0EE52660?bcast=124134647>
‘OJ: Made in America - Part 2’ (BBC4, 2017) <https://learningonscreen.ac.uk/ondemand/index.php/prog/0EEF788B?bcast=124145109>
‘OJ: Made in America - Part 3’ (BBC4, 2017) <https://learningonscreen.ac.uk/ondemand/index.php/prog/0EEF7F98?bcast=124149572>
‘OJ: Made in America - Part 4’ (BBC4, 2017) <https://learningonscreen.ac.uk/ondemand/index.php/prog/0EEF855E?bcast=124157022>
‘OJ: Made in America - Part 5’ (BBC4, 2017) <https://learningonscreen.ac.uk/ondemand/index.php/prog/0EEF8787?bcast=124176429>
‘OJ: Made in America Ep 1’ (BBC4) <https://learningonscreen.ac.uk/ondemand/index.php/prog/0EE52660?bcast=124134647>
‘OJ: Made in America Playlist’ <https://learningonscreen.ac.uk/ondemand/playlists/195487>
Paquet, Lili, ‘Literary Forensic Rhetoric: Maps, Emotional Assent, and Rhetorical Space in Serial and Making a Murderer’, Law and Humanities, 12.1 (2018), 71–92 <https://doi.org/10.1080/17521483.2018.1457243>
Pepper, Andrew, ‘"Hegemony Protected by the Armour of Coercion”: Dashiell Hammett’s Red Harvest and the State’, Journal of American Studies, 44.2 (2010), 333–49 <https://doi.org/10.1017/S0021875809990806>
———, The Contemporary American Crime Novel: Race, Ethnicity, Gender, Class (Edinburgh: Edinburgh University Press, 2000)
Poe, Edgar Allan, Murders in the Rue Morgue and Other Stories (Koln: Konemann, 1995)
———, The Murders in the Rue Morgue (Edgar Allan Poe Society of Baltimore, 1841) <https://www.eapoe.org/works/tales/morgueb.htm>
Porter, Dennis, The Pursuit of Crime: Art and Ideology in Detective Fiction (New Haven: Yale University Press, 1981)
Priestman, Martin, ed., The Cambridge Companion to Crime Fiction (Cambridge: Cambridge University Press, 2003)
———, ed., The Cambridge Companion to Crime Fiction (Cambridge: Cambridge University Press, 2003) <https://ezproxy01.rhul.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL0521803993>
Punnett, Ian, Toward a Theory of True Crime Narratives: A Textual Analysis (Routledge, 2018)
Punnett, Ian Case, Toward a Theory of True Crime Narratives: A Textual Analysis, 1st Edition (Milton: Routledge, 2018) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5259915>
Rabinowtiz, Peter, ‘They Shoot Tigers, Don’t They? Path and Counterpoint in The Long Goodbye’, in A Companion to Narrative Theory (Malden, Mass: Blackwell, 2008), pp. 181–91
———, ‘They Shoot Tigers, Don’t They? Path and Counterpoint in The Long Goodbye’, in A Companion to Narrative Theory (Oxford: Blackwell, 2005), pp. 181–91 <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781405151962>
Robinson, Miriam Michelle, Dreams for Dead Bodies: Blackness, Labor, and the Corpus of American Detective Fiction (Ann Arbor, Michigan: University of Michigan Press, 2016) <https://doi.org/10.3998/mpub.8749028>
Routledge, Christopher, ‘A Matter of Disguise: Locating the Self in Raymond Chandler’s “The Big Sleep” and “The Long Good-Bye”’, Studies in the Novel, 29.1 (1997), 94–107 <https://www.jstor.org/stable/29533187>
Rzepka, Charles J., and Lee Horsley, A Companion to Crime Fiction (Oxford: Wiley-Blackwell, 2010)
Schwartz, Richard B., Nice and Noir: Contemporary American Crime Fiction (Columbia: University of Missouri Press, 2002)
‘Serial - Series 1’, 2014 <https://serialpodcast.org/season-one>
Shakespeare, William, Julius Caesar, 3rd Edition (Cambridge: Cambridge University Press, 2016)
———, Julius Caesar, ed. by David Daniell (London: Arden Shakespeare, 2003) <http://dx.doi.org/10.5040/9781408160282.00000040>
———, Macbeth (London: Bloomsbury Arden Shakespeare, 2015)
———, Macbeth, ed. by Kenneth Muir (London: Bloomsbury, 1997) <http://dx.doi.org/10.5040/9781408160244.00000006>
Shoshana Felman, ‘Forms of Judicial Blindness, or the Evidence of What Cannot Be Seen: Traumatic Narratives and Legal Repetitions in the O. J. Simpson Case and in Tolstoy’s “The Kreutzer Sonata”’, Critical Inquiry, 23.4 (1997) <https://www-jstor-org.ezproxy01.rhul.ac.uk/stable/1344048?seq=1#metadata_info_tab_contents>
Sussex, Lucy, Women Writers and Detectives in Nineteenth-Century Crime Fiction: The Mothers of the Mystery Genre, 1st ed. 2010 (Basingstoke: Palgrave Macmillan, 2016)
‘Teaching Culture: Imagined Communities and National Fantasies in the O.J. S...’, Journal of Language, Identity & Education, 2003 <http://search.ebscohost.com/login.aspx?direct=true&db=cms&AN=11472775&site=ehost-live>
‘The Black Dahlia: Elizabeth Short | SoundCloud’ (Unsolved Murders: True Crime Stories Podcast) <https://soundcloud.com/unsolvedmurders/e11-the-black-dahlia-elizabeth-short>
‘The Doorstep Murder | BBC Radio Scotland’ <https://www.bbc.co.uk/programmes/p067wdql/episodes/downloads>
‘The Keepers | Netflix’ (Netflix, 2017) <https://www.netflix.com/title/80122179>
‘The Staircase | Netflix’ (Netflix, 2018) <https://www.netflix.com/title/80233441>
Thomas Heise, ‘“Going Blood-Simple Like the Natives”: Contagious Urban Spaces and Modern Power in Dashiell Hammett’s “Red Harvest”’, Modern Fiction Studies, 51.3 (2005) <https://www.jstor.org/stable/26287045?seq=3#metadata_info_tab_contents>
Thompson, Jon, Fiction, Crime, and Empire: Clues to Modernity and Postmodernism (Urbana: University of Illinois Press, 1993)
Todorov, Tzvetan, ‘The Typology of Detective Fiction’, in The Poetics of Prose (Oxford: Blackwell, 1966), pp. 42–52
———, ‘The Typology of Detective Fiction’, in The Poetics of Prose (New York, 1977) <http://faculty.washington.edu/akn/typology.pdf>
‘True Crime Garage’ <https://www.truecrimegarage.com/listen>
‘Undisclosed Information—Serial Is My Favourite Murder: Examining Motivations in the True Crime Podcast Audience.’, Journal of Radio & Audio Media, 2018 <http://search.ebscohost.com/login.aspx?direct=true&db=cms&AN=129102391&site=ehost-live>
Van Dine, S. S., ‘Twenty Rules for Writing Detective Stories | The Thrilling Detective’ (The Thrilling Detective, 1928) <https://web.archive.org/web/20201207120946/http://www.thrillingdetective.com/trivia/triv288.html>
Van Dover, J. Kenneth, ed., The Critical Response to Raymond Chandler (Westport, Connecticut: Greenwood Press, 1995), xviii
Victor, Metta Fuller, The Dead Letter (Durham, N.C.: Duke University Press, 2003)
———, The Dead Letter (Durham: Duke University Press, 2003) <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1167941>
‘Victoriocity’ <https://www.victoriocity.com/listen/>
‘Wakefield by Nathaniel Hawthorne’ <http://homepage.ntu.edu.tw/~karchung/Wakefield.pdf>
Whitlock, Gillian, ‘Autographics: The Seeing “I” of the Comics’, Modern Fiction Studies, 52.4 (2006), 965–78 <https://www.jstor.org/stable/26286679>
Zumoff, J.A., ‘The Politics of Dashiell Hammett’s “Red Harvest”’, Mosaic: An Interdisciplinary Critical Journal, 40.4 (2007), 119–34 <https://www.jstor.org/stable/44030397>
