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‘A Very Fatal Murder (Mockumentary) | The Onion’. Web. <https://web.archive.org/web/20210308170830/https://www.theonion.com/c/a-very-fatal-murder>.
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‘And That’s Why We Drink’. Web. <https://www.andthatswhywedrink.com/listen/>.
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Backderf, Derf. My Friend Dahmer. New York: Abrams ComicArts, 2017. Print.
Berlant, Lauren Gail. The Female Complaint: The Unfinished Business of Sentimentality in American Culture. Durham, N.C.: Duke University Press, 2008. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1169928>.
Binyon, T. J. ‘Murder Will Out’: The Detective in Fiction From Poe to the Present. London: Faber, 2009. Print.
Bold, Christine. US Popular Print Culture, 1860-1920. Vol. 6. Oxford: Oxford University Press, 2012. Print.
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Bruzzi, Stella. ‘Making a Genre: The Case of the Contemporary True Crime Documentary’. Law and Humanities 10.2 (2016): 249–280. Web.
Butler, Judith. ‘Against Ethical Violence’. Giving an Account of Oneself. 1st Edition. New York: Fordham University Press, 2005. 41–82. Print.
Capote, Truman. In Cold Blood. London: Penguin, 2012. Print.
Caron, Tim. ‘“Black and White and Read All Over”: Representing Race in Mat Johnson and Warren Pleece’s Incognegro: A Graphic Mystery’. Comics and the U.S. South. University Press of Mississippi, 2013. 138–160. Print.
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Chute, Hillary. ‘Comics as Literature? Reading Graphic Narrative’. PMLA 123.2 (2008): 452–465. Web. <https://www.jstor.org/stable/25501865>.
Chute, Hillary L. Disaster Drawn: Visual Witness, Comics, and Documentary Form. Cambridge, Massachusetts: The Belknap Press of Harvard University Press, 2016. Print.
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Cooper, Brian, and Margueritte Murphy. ‘Taking Chances: Speculation and Games of Detection in Dashiell Hammett’s “Red Harvest”’. Mosaic: An Interdisciplinary Critical Journal 33.1 (2000): 145–460. Web. <https://www.jstor.org/stable/44030576>.
Corredera, Vanessa. ‘"Not a Moor Exactly”: Shakespeare, Serial, and Modern Constructions of Race’. Shakespeare Quarterly 67.1 (2016): 30–50. Web.
Courtney, Novosat. ‘Outside Dupin’s Closet of Reason: (Homo)Sexual Repression and Racialized Terror in Poe’s "The Murders in the Rue Morgue’. Poe Studies n. pag. Web. <http://muse.jhu.edu/article/535601/pdf>.
‘Crime Writers On...’ Web. <http://www.crimewriterson.com/>.
‘Criminal: A Podcast About Crime’. N.p., n.d. Web. <https://thisiscriminal.com/>.
de Lestrade, Jean-Xavier. ‘Death on the Staircase: The Last Chance | Box of Broadcasts’. 4 Feb. 2013. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/02F1F2D6?bcast=93687622>.
De Quincey, Thomas. On Murder Considered as One of the Fine Arts. London: Penguin Classics, 2015. Print.
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Del Visco, Stephen. ‘Legality and the Spectacle of Murder: A Review of Netflix’s Making a Murderer (2015–)’. Humanity & Society 40.2 (2016): 212–214. Web.
Delamater, Jerome H., and Ruth Prigozy. The Detective in American Fiction, Film, and Television. Vol. 63. Westport, Conn: Greenwood Press, 1998. Print.
DeLillo, Don. Libra. Harmondsworth: Penguin, 1991. Print.
Demme, Jonathan. ‘The Silence of the Lambs’. 2003 : n. pag. Print.
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Downing, Lisa. ‘The Beast in Man: Jack and The Rippers Who Came After’. The Subject of Murder: Gender, Exceptionality, and the Modern Killer. Chicago: The University of Chicago Press, 2013. 72–96. Print.
---. ‘The Beast in Man: Jack and The Rippers Who Came After’. The Subject of Murder: Gender, Exceptionality, and the Modern Killer. Chicago: The University of Chicago Press, 2013. 72–96. Web. <https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1124352>.
Drucker, Johanna. ‘Graphic Devices: Narration and Navigation’. Narrative 16.2 (2008): 121–139. Web. <https://www.jstor.org/stable/30219279>.
Duquette, Elizabeth. ‘The Office of The Dead Letter’. Arizona Quarterly 69.4 (2013): 25–58. Web. <https://muse.jhu.edu/article/528934>.
Dussere, Erik. America Is Elsewhere: The Noir Tradition in the Age of Consumer Culture. New York: Oxford University Press, 2013. Web. <http://dx.doi.org/10.1093/acprof:oso/9780199969913.001.0001>.
Eco, Umberto. ‘Innovation and Repetition: Between Modern and Post-Modern Aesthetics’. Daedalus 114.4 (1985): 161–184. Web. <https://www.jstor.org/stable/20025015>.
Ellroy, James. My Dark Places. London: Windmill, 2010. Print.
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‘Evil Genius: The True Story of America’s Most Diabolical Bank Heist | Netflix’. 2018. Web. <https://www.netflix.com/title/80158319>.
Freedman, Carl, and Christopher Kendrick. ‘Forms of Labor in Dashiell Hammett’s Red Harvest’. PMLA 106.2 (1991): 209–221. Web.
Fried, Arthur. ‘Crime in Comics and the Graphic Novel’. A Companion to Crime Fiction. Oxford: Wiley-Blackwell, 2010. 332–343. Print.
Friedersdorf, Conor. ‘The Backlash Against Serial’s ’White Privilege’—and Why It’s Wrong - The Atlantic’. The Atlantic (2014): n. pag. Web. <https://www.theatlantic.com/politics/archive/2014/12/unpacking-the-social-justice-critique-of-serial/383071/>.
Gilmore, Leigh. ‘Represent Yourself’. The Limits of Autobiography: Trauma and Testimony. Ithaca: Cornell University Press, 2001. 16–44. Print.
Gilmore, Michael T. ‘Popular Forms’. Surface and Depth: The Quest for Legibility in American Culture. New Edition. New York: Oxford University Press Inc, 2006. 75–95. Print.
Green, Kitty. ‘Casting JonBenet | Netflix’. 2017. Web. <https://www.netflix.com/title/80142316>.
Halttunen, Karen. Murder Most Foul: The Killer and the American Gothic Imagination. Cambridge, Mass: Harvard University Press, 1998. Print.
---. Murder Most Foul: The Killer and the American Gothic Imagination. Cambridge: Harvard University Press, 2009. Web. <http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3300770>.
Hammett, Dashiell. Red Harvest. London: Orion, 2012. Print.
Hawthorne, Nathaniel. ‘Wakefield’. 1837. Web. <http://homepage.ntu.edu.tw/~karchung/Wakefield.pdf>.
Heise, Thomas. ‘“Going Blood-Simple Like the Natives”: Contagious Urban Spaces and Modern Power in Dashiell Hammett’s “Red Harvest”’. Modern Fiction Studies 51.3 (2005): 485–512. Web. <https://www.jstor.org/stable/26287045>.
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Hogue, Cynthia. ‘“Lives - like Dollars”: Dickinson and the Poetics of Witness’. The Emily Dickinson Journal 15.2 (2006): 40–46. Web.
Horsley, Lee. The Noir Thriller. Basingstoke: Palgrave Macmillan, 2009. Print.
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‘In the Dark Podcast | APM Reports’. Web. <https://www.apmreports.org/in-the-dark>.
James A. W. Heffernan. ‘The Simpson Trial and the Forgotten Trauma of Lynching: A Response to Shoshana Felman’. Critical Inquiry 25.4 (1999): n. pag. Web. <https://www-jstor-org.ezproxy01.rhul.ac.uk/stable/1344104?seq=1#metadata_info_tab_contents>.
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Johnson, Mat, and Warren Pleece. Incognegro: A Graphic Mystery. New Edition. Milwaukie: Berger Books, 2018. Print.
Kang, Jay Caspian. ‘“Serial” and White Reporter Privilege | The Awl’. N.p., 13 Nov. 2014. Web. <https://web.archive.org/web/20141116022727/https://www.theawl.com/2014/11/serial-and-white-reporter-privilege>.
Kennedy, Liam. ‘“Man I’m All Torn Up Inside”: Analyzing Audience Responses To’. Crime, Media, Culture: An International Journal 14.3 (2018): 391–408. Web.
Kilgariff, Karen, and Georgia Hardstark. ‘My Favorite Murder with Karen Kilgariff and Georgia Hardstark’. Web. <https://www.myfavoritemurder.com/>.
Kozaczka, Edward. ‘Death as Truth in Edgar Allan Poe’s “The Murders in the Rue Morgue”’. The Edgar Allan Poe Review 12.1 (2011): 59–71. Web. <https://www.jstor.org/stable/41506433>.
Lee, Maurice S. Uncertain Chances: Science, Skepticism, and Belief in Nineteenth-Century American Literature. Oxford: Oxford University Press, 2013. Web. <http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780199797677>.
Lemay, J. A. Leo. ‘The Psychology of “The Murders in the Rue Morgue”’. American Literature 54.2 (1982): 165–188. Web.
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McDermid, Val. Forensics: The Anatomy of Crime. London: Profile Books, 2014. Print.
Meyers, Marc. ‘My Friend Dahmer’. 2017 : n. pag. Print.
Mihaies, Mircea, and Patrick Camiller. The Metaphysics of Detective Marlowe: Style, Vision, Hard-Boiled Repartee, Thugs, and Death-Dealing Damsels in Raymond Chandler’s Novels. Lanham, MD: Lexington Books, 2014. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1584879>.
Miller, Nancy K. ‘The Entangled Self: Genre Bondage in the Age of the Memoir’. PMLA 122.2 (2007): 537–548. Web. <https://www.jstor.org/stable/25501720>.
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Moynihan, Sinéad. ‘"Watch Me Go Invisible”: Representing Racial Passing in Mat Johnson and Warren Pleece’s Incognegro’. South Central Review 32.3 (2015): 45–69. Web. <https://muse.jhu.edu/article/602170>.
Nelson, Maggie. Jane: A Murder. Berkeley: Counterpoint, 2016. Print.
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Nickerson, Catherine Ross, ed. The Cambridge Companion to American Crime Fiction. Cambridge: Cambridge University Press, 2010. Web. <https://ezproxy01.rhul.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521199377>.
---. The Web of Iniquity: Early Detective Fiction by American Women. Durham, NC: Duke University Press, 1998. Print.
Novosat, Courtney. ‘Outside Dupin’s Closet of Reason: (Homo)Sexual Repression and Racialized Terror in Poe’s "The Murders in the Rue Morgue”’. Poe Studies 45.1 (2012): 78–106. Web. <https://muse.jhu.edu/article/535601/summary>.
‘OJ: Made in America - Part 1’. 2017. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/0EE52660?bcast=124134647>.
‘OJ: Made in America - Part 2’. 2017. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/0EEF788B?bcast=124145109>.
‘OJ: Made in America - Part 3’. 2017. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/0EEF7F98?bcast=124149572>.
‘OJ: Made in America - Part 4’. 2017. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/0EEF855E?bcast=124157022>.
‘OJ: Made in America - Part 5’. 2017. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/0EEF8787?bcast=124176429>.
‘OJ: Made in America Ep 1’. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/0EE52660?bcast=124134647>.
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Paquet, Lili. ‘Literary Forensic Rhetoric: Maps, Emotional Assent, and Rhetorical Space in Serial and Making a Murderer’. Law and Humanities 12.1 (2018): 71–92. Web. <https://www.tandfonline.com/doi/abs/10.1080/17521483.2018.1457243>.
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Punnett, Ian. Toward a Theory of True Crime Narratives: A Textual Analysis. Routledge, 2018. Print.
Punnett, Ian Case. Toward a Theory of True Crime Narratives: A Textual Analysis. 1st Edition. Milton: Routledge, 2018. Web. <https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5259915>.
Rabinowtiz, Peter. ‘They Shoot Tigers, Don’t They? Path and Counterpoint in The Long Goodbye’. A Companion to Narrative Theory. Malden, Mass: Blackwell, 2008. 181–191. Print.
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Robinson, Miriam Michelle. Dreams for Dead Bodies: Blackness, Labor, and the Corpus of American Detective Fiction. Ann Arbor, Michigan: University of Michigan Press, 2016. Web. <http://library.oapen.org/handle/20.500.12657/32704>.
Routledge, Christopher. ‘A Matter of Disguise: Locating the Self in Raymond Chandler’s “The Big Sleep” and “The Long Good-Bye”’. Studies in the Novel 29.1 (1997): 94–107. Web. <https://www.jstor.org/stable/29533187>.
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Shoshana Felman. ‘Forms of Judicial Blindness, or the Evidence of What Cannot Be Seen: Traumatic Narratives and Legal Repetitions in the O. J. Simpson Case and in Tolstoy’s “The Kreutzer Sonata”’. Critical Inquiry 23.4 (1997): n. pag. Web. <https://www-jstor-org.ezproxy01.rhul.ac.uk/stable/1344048?seq=1#metadata_info_tab_contents>.
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‘The Black Dahlia: Elizabeth Short | SoundCloud’. Web. <https://soundcloud.com/unsolvedmurders/e11-the-black-dahlia-elizabeth-short>.
‘The Doorstep Murder | BBC Radio Scotland’. Web. <https://www.bbc.co.uk/programmes/p067wdql/episodes/downloads>.
‘The Keepers | Netflix’. 2017. Web. <https://www.netflix.com/title/80122179>.
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Thomas Heise. ‘“Going Blood-Simple Like the Natives”: Contagious Urban Spaces and Modern Power in Dashiell Hammett’s “Red Harvest”’. Modern Fiction Studies 51.3 (2005): n. pag. Web. <https://www.jstor.org/stable/26287045?seq=3#metadata_info_tab_contents>.
Thompson, Jon. Fiction, Crime, and Empire: Clues to Modernity and Postmodernism. Urbana: University of Illinois Press, 1993. Print.
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‘Undisclosed Information—Serial Is My Favourite Murder: Examining Motivations in the True Crime Podcast Audience.’ Journal of Radio & Audio Media (2018): n. pag. Web. <http://search.ebscohost.com/login.aspx?direct=true&amp;db=cms&amp;AN=129102391&amp;site=ehost-live>.
Van Dine, S. S. ‘Twenty Rules for Writing Detective Stories | The Thrilling Detective’. The Thrilling Detective, 1928. Web. <https://web.archive.org/web/20201207120946/http://www.thrillingdetective.com/trivia/triv288.html>.
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Victor, Metta Fuller. The Dead Letter. Durham, N.C.: Duke University Press, 2003. Print.
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‘Victoriocity’. Web. <https://www.victoriocity.com/listen/>.
‘Wakefield by Nathaniel Hawthorne’. Web. <http://homepage.ntu.edu.tw/~karchung/Wakefield.pdf>.
Whitlock, Gillian. ‘Autographics: The Seeing “I” of the Comics’. Modern Fiction Studies 52.4 (2006): 965–978. Web. <https://www.jstor.org/stable/26286679>.
Zumoff, J.A. ‘The Politics of Dashiell Hammett’s “Red Harvest”’. Mosaic: An Interdisciplinary Critical Journal 40.4 (2007): 119–134. Web. <https://www.jstor.org/stable/44030397>.