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Victor MF. The Dead Letter. Duke University Press; 2003.
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Hammett D. Red Harvest. Orion; 2012.
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Chandler R. The Long Goodbye. Createspace Independent Publishing Platform; 2018.
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Auden WH. The Guilty Vicarage: Notes on the Detective Story by an Addict. Harper’s Magazine. 1948;(May). https://harpers.org/archive/1948/05/the-guilty-vicarage/
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Van Dine SS. Twenty Rules for Writing Detective Stories | The Thrilling Detective. Published 1928. https://web.archive.org/web/20201207120946/http://www.thrillingdetective.com/trivia/triv288.html
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Downing L. The Beast in Man: Jack and The Rippers Who Came After. In: The Subject of Murder: Gender, Exceptionality, and the Modern Killer. The University of Chicago Press; 2013:72-96.
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Nelson M. The Art of Cruelty: A Reckoning. W.W. Norton & Company; 2012.
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de Lestrade JX. Death on the Staircase: The Last Chance | Box of Broadcasts. Published online 4 February 2013. https://learningonscreen.ac.uk/ondemand/index.php/prog/02F1F2D6?bcast=93687622
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Halttunen K. Murder Most Foul: The Killer and the American Gothic Imagination. Harvard University Press; 1998.
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Halttunen K. Murder Most Foul: The Killer and the American Gothic Imagination. Harvard University Press; 2009. http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3300770
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McDermid V. Forensics: The Anatomy of Crime. Profile Books; 2014.
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Nickerson C. Murder as Social Criticism. American Literary History. 1997;9(4):744-757. doi:10.1093/alh/9.4.744
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Punnett IC. Toward a Theory of True Crime Narratives: A Textual Analysis. 1st Edition. Routledge; 2018. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5259915
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Binyon TJ. ‘Murder Will Out’: The Detective in Fiction From Poe to the Present. Faber; 2009.
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Bold C. US Popular Print Culture, 1860-1920. Vol 6. Oxford University Press; 2012.
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Marling W. The American Roman Noir: Hammett, Cain, and Chandler. University of Georgia Press; 1995.
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Nickerson CR, ed. The Cambridge Companion to American Crime Fiction. Cambridge University Press; 2010. https://ezproxy01.rhul.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521199377
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Porter D. The Pursuit of Crime: Art and Ideology in Detective Fiction. Yale University Press; 1981.
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Robinson MM. Dreams for Dead Bodies: Blackness, Labor, and the Corpus of American Detective Fiction. University of Michigan Press; 2016. doi:10.3998/mpub.8749028
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Novosat C. Outside Dupin’s Closet of Reason: (Homo)sexual Repression and Racialized Terror in Poe’s "The Murders in the Rue Morgue”. Poe Studies. 2012;45(1):78-106. https://muse.jhu.edu/article/535601/summary
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Nickerson CR. The Web of Iniquity: Early Detective Fiction by American Women. Duke University Press; 1998.
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Sussex L. Women Writers and Detectives in Nineteenth-Century Crime Fiction: The Mothers of the Mystery Genre. 1st ed. 2010. Palgrave Macmillan; 2016.
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Berlant LG. The Female Complaint: The Unfinished Business of Sentimentality in American Culture. Duke University Press; 2008. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1169928
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Cooper B, Murphy M. Taking Chances: Speculation and Games of Detection in Dashiell Hammett’s ‘Red Harvest’. Mosaic: An Interdisciplinary Critical Journal. 2000;33(1):145-460. https://www.jstor.org/stable/44030576
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Heise T. ‘Going Blood-Simple Like the Natives’: Contagious Urban Spaces and Modern Power in Dashiell Hammett’s ‘Red Harvest’. Modern Fiction Studies. 2005;51(3):485-512. https://www.jstor.org/stable/26287045
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Pepper A. "Hegemony Protected by the Armour of Coercion”: Dashiell Hammett’s Red Harvest and the State. Journal of American Studies. 2010;44(2):333-349. doi:10.1017/S0021875809990806
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Zumoff JA. The Politics of Dashiell Hammett’s ‘Red Harvest’. Mosaic: An Interdisciplinary Critical Journal. 2007;40(4):119-134. https://www.jstor.org/stable/44030397
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Thomas Heise. ‘Going Blood-Simple Like the Natives’: Contagious Urban Spaces and Modern Power in Dashiell Hammett’s ‘Red Harvest’. Modern Fiction Studies. 2005;51(3). https://www.jstor.org/stable/26287045?seq=3#metadata_info_tab_contents
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Marling W. City of Sleuths. In: The Cambridge Companion to the Literature of Los Angeles. Cambridge University Press; 2010:111-122. doi:10.1017/CCOL9780521514705
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Mihaies M, Camiller P. The Metaphysics of Detective Marlowe: Style, Vision, Hard-Boiled Repartee, Thugs, and Death-Dealing Damsels in Raymond Chandler’s Novels. Lexington Books; 2014. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1584879
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Rabinowtiz P. They Shoot Tigers, Don’t They? Path and Counterpoint in The Long Goodbye. In: A Companion to Narrative Theory. Blackwell; 2008:181-191.
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Rabinowtiz P. They Shoot Tigers, Don’t They? Path and Counterpoint in The Long Goodbye. In: A Companion to Narrative Theory. Blackwell; 2005:181-191. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781405151962
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Routledge C. A Matter of Disguise: Locating the Self in Raymond Chandler’s ‘The Big Sleep’ and ‘The Long Good-Bye’. Studies in the Novel. 1997;29(1):94-107. https://www.jstor.org/stable/29533187
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Caron T. ‘Black and White and Read All Over’: Representing Race in Mat Johnson and Warren Pleece’s Incognegro: A Graphic Mystery. In: Comics and the U.S. South. University Press of Mississippi; 2013:138-160.
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Chaney MA. Drawing on History in Recent African American Graphic Novels. MELUS. 2007;32(3):175-200. https://www.jstor.org/stable/30029796
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Paquet L. Literary Forensic Rhetoric: Maps, Emotional Assent, and Rhetorical Space in Serial and Making a Murderer. Law and Humanities. 2018;12(1):71-92. doi:10.1080/17521483.2018.1457243
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A Golden Age of Podcasting? Evaluating Serial in the Context of Podcast His... Journal of Radio & Audio Media. Published online 2015. http://search.ebscohost.com/login.aspx?direct=true&db=cms&AN=111070378&site=ehost-live
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Undisclosed Information—Serial is my Favourite Murder: Examining Motivations in the True Crime Podcast Audience. Journal of Radio & Audio Media. Published online 2018. http://search.ebscohost.com/login.aspx?direct=true&db=cms&AN=129102391&site=ehost-live
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Alan Hook. A Transmedia Topology of ‘Making a Murderer’. VIEW Journal of European Television History and Culture. 2016;5(10):124-139. doi:10.18146/JETHC117
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Teaching Culture: Imagined Communities and National Fantasies in the O.J. S... Journal of Language, Identity & Education. Published online 2003. http://search.ebscohost.com/login.aspx?direct=true&db=cms&AN=11472775&site=ehost-live
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James A. W. Heffernan. The Simpson Trial and the Forgotten Trauma of Lynching: A Response to Shoshana Felman. Critical Inquiry. 1999;25(4). https://www-jstor-org.ezproxy01.rhul.ac.uk/stable/1344104?seq=1#metadata_info_tab_contents
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