Bibliography for EN3116: On Murder BETA

‘A Golden Age of Podcasting? Evaluating Serial in the Context of Podcast His...’ 2015. Journal of Radio & Audio Media. http://search.ebscohost.com/login.aspx?direct=true&db=cms&AN=111070378&site=ehost-live.

‘A Very Fatal Murder (Mockumentary) | The Onion’. n.d. https://web.archive.org/web/20210308170830/https://www.theonion.com/c/a-very-fatal-murder.

Alan Hook. 2016. ‘A Transmedia Topology of “Making a Murderer”’. VIEW Journal of European Television History and Culture 5 (10): 124–39. https://doi.org/10.18146/JETHC117.

‘All Killa No Filla’. n.d. https://allkillanofilla.libsyn.com/.

‘And That’s Why We Drink’. n.d. https://www.andthatswhywedrink.com/listen/.

Auden, Wystan Hugh. 1948. ‘The Guilty Vicarage: Notes on the Detective Story by an Addict’. Harper’s Magazine, no. May. https://harpers.org/archive/1948/05/the-guilty-vicarage/.

Backderf, Derf. 2017. My Friend Dahmer. New York: Abrams ComicArts.

Berlant, Lauren Gail. 2008. The Female Complaint: The Unfinished Business of Sentimentality in American Culture. Durham, N.C.: Duke University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1169928.

Binyon, T. J. 2009. ‘Murder Will Out’: The Detective in Fiction From Poe to the Present. London: Faber.

Bold, Christine. 2012. US Popular Print Culture, 1860-1920. Vol. 6. Oxford: Oxford University Press.

Boyle, Danny. 1994. ‘Shallow Grave | Box of Broadcasts’. FilmFour. https://learningonscreen.ac.uk/ondemand/index.php/prog/0015C0DA?bcast=114769310.

———. 2009. ‘Shallow Grave’. 4DVD.

Bruzzi, Stella. 2016. ‘Making a Genre: The Case of the Contemporary True Crime Documentary’. Law and Humanities 10 (2): 249–80. https://doi.org/10.1080/17521483.2016.1233741.

Butler, Judith. 2005. ‘Against Ethical Violence’. In Giving an Account of Oneself, 1st Edition, 41–82. New York: Fordham University Press.

Capote, Truman. 2012. In Cold Blood. London: Penguin.

Caron, Tim. 2013. ‘“Black and White and Read All Over”: Representing Race in Mat Johnson and Warren Pleece’s Incognegro: A Graphic Mystery’. In Comics and the U.S. South, 138–60. University Press of Mississippi.

Chandler, Raymond. 1950. The Simple Art of Murder. 1st Vintage Books Edition. New York: Vintage Books.

———. 2018. The Long Goodbye. Createspace Independent Publishing Platform.

Chaney, Michael A. 2007. ‘Drawing on History in Recent African American Graphic Novels’. MELUS 32 (3): 175–200. https://www.jstor.org/stable/30029796.

Chute, Hillary. 2008. ‘Comics as Literature? Reading Graphic Narrative’. PMLA 123 (2): 452–65. https://www.jstor.org/stable/25501865.

Chute, Hillary L. 2016a. Disaster Drawn: Visual Witness, Comics, and Documentary Form. Cambridge, Massachusetts: The Belknap Press of Harvard University Press.

———. 2016b. Disaster Drawn: Visual Witness, Comics, and Documentary Form. Cambridge, Mass: Harvard University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4404086.

Cooper, Brian, and Margueritte Murphy. 2000. ‘Taking Chances: Speculation and Games of Detection in Dashiell Hammett’s “Red Harvest”’. Mosaic: An Interdisciplinary Critical Journal 33 (1): 145–460. https://www.jstor.org/stable/44030576.

Corredera, Vanessa. 2016. ‘"Not a Moor Exactly”: Shakespeare, Serial, and Modern Constructions of Race’. Shakespeare Quarterly 67 (1): 30–50. https://doi.org/10.1353/shq.2016.0009.

Courtney, Novosat. n.d. ‘Outside Dupin’s Closet of Reason: (Homo)Sexual Repression and Racialized Terror in Poe’s "The Murders in the Rue Morgue’. Poe Studies. http://muse.jhu.edu/article/535601/pdf.

‘Crime Writers On...’ n.d. http://www.crimewriterson.com/.

‘Criminal: A Podcast About Crime’. n.d. https://thisiscriminal.com/.

De Quincey, Thomas. 1837. On Murder Considered as One of the Fine Arts. Project Gutenberg. http://www.gutenberg.org/ebooks/10708?msg=welcome_stranger.

———. 2015. On Murder Considered as One of the Fine Arts. London: Penguin Classics.

Del Visco, Stephen. 2016. ‘Legality and the Spectacle of Murder: A Review of Netflix’s Making a Murderer (2015–)’. Humanity & Society 40 (2): 212–14. https://doi.org/10.1177/0160597616639624.

Delamater, Jerome H., and Ruth Prigozy. 1998. The Detective in American Fiction, Film, and Television. Vol. 63. Westport, Conn: Greenwood Press.

DeLillo, Don. 1991. Libra. Harmondsworth: Penguin.

Demme, Jonathan. 1991. ‘The Silence of the Lambs | Box of Broadcasts’. https://learningonscreen.ac.uk/ondemand/index.php/prog/00031BC4?bcast=127493680.

———. 2003. ‘The Silence of the Lambs’. S.l.: MGM.

Downing, Lisa. 2013a. ‘The Beast in Man: Jack and The Rippers Who Came After’. In The Subject of Murder: Gender, Exceptionality, and the Modern Killer, 72–96. Chicago: The University of Chicago Press.

———. 2013b. ‘The Beast in Man: Jack and The Rippers Who Came After’. In The Subject of Murder: Gender, Exceptionality, and the Modern Killer, 72–96. Chicago: The University of Chicago Press. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1124352.

Drucker, Johanna. 2008. ‘Graphic Devices: Narration and Navigation’. Narrative 16 (2): 121–39. https://www.jstor.org/stable/30219279.

Duquette, Elizabeth. 2013. ‘The Office of The Dead Letter’. Arizona Quarterly 69 (4): 25–58. https://muse.jhu.edu/article/528934.

Dussere, Erik. 2013. America Is Elsewhere: The Noir Tradition in the Age of Consumer Culture. New York: Oxford University Press. http://dx.doi.org/10.1093/acprof:oso/9780199969913.001.0001.

Eco, Umberto. 1985. ‘Innovation and Repetition: Between Modern and Post-Modern Aesthetics’. Daedalus 114 (4): 161–84. https://www.jstor.org/stable/20025015.

Ellroy, James. 2006. ‘My Mother and the Dahlia’. The Virginia Quarterly Review 82 (3): 214–22. https://www.jstor.org/stable/26444559.

———. 2010. My Dark Places. London: Windmill.

———. 2011a. The Black Dahlia. London: Windmill.

———. 2011b. The Hilliker Curse: My Pursuit of Women. London: Windmill.

‘Evil Genius: The True Story of America’s Most Diabolical Bank Heist | Netflix’. 2018. Netflix. https://www.netflix.com/title/80158319.

Freedman, Carl, and Christopher Kendrick. 1991. ‘Forms of Labor in Dashiell Hammett’s Red Harvest’. PMLA 106 (2): 209–21. https://doi.org/10.2307/462658.

Fried, Arthur. 2010. ‘Crime in Comics and the Graphic Novel’. In A Companion to Crime Fiction, 332–43. Oxford: Wiley-Blackwell.

Friedersdorf, Conor. 2014. ‘The Backlash Against Serial’s ’White Privilege’—and Why It’s Wrong - The Atlantic’. The Atlantic, December. https://www.theatlantic.com/politics/archive/2014/12/unpacking-the-social-justice-critique-of-serial/383071/.

Gilmore, Leigh. 2001. ‘Represent Yourself’. In The Limits of Autobiography: Trauma and Testimony, 16–44. Ithaca: Cornell University Press.

Gilmore, Michael T. 2006. ‘Popular Forms’. In Surface and Depth: The Quest for Legibility in American Culture, New Edition, 75–95. New York: Oxford University Press Inc.

Green, Kitty. 2017. ‘Casting JonBenet | Netflix’. Netflix. https://www.netflix.com/title/80142316.

Halttunen, Karen. 1998. Murder Most Foul: The Killer and the American Gothic Imagination. Cambridge, Mass: Harvard University Press.

———. 2009. Murder Most Foul: The Killer and the American Gothic Imagination. Cambridge: Harvard University Press. http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3300770.

Hammett, Dashiell. 2012. Red Harvest. London: Orion.

Hawthorne, Nathaniel. 1837. ‘Wakefield’. http://homepage.ntu.edu.tw/~karchung/Wakefield.pdf.

Heise, Thomas. 2005. ‘“Going Blood-Simple Like the Natives”: Contagious Urban Spaces and Modern Power in Dashiell Hammett’s “Red Harvest”’. Modern Fiction Studies 51 (3): 485–512. https://www.jstor.org/stable/26287045.

Herrmann, Bernard. 2005. ‘Psycho’. Universal.

Hitchcock, Alfred. 1960. ‘Psycho | Box of Broadcasts’. FilmFour. https://learningonscreen.ac.uk/ondemand/index.php/prog/0000E859?bcast=122012920.

Hogue, Cynthia. 2006. ‘“Lives - like Dollars”: Dickinson and the Poetics of Witness’. The Emily Dickinson Journal 15 (2): 40–46. https://doi.org/10.1353/edj.2006.0036.

Horsley, Lee. 2001. The Noir Thriller. Basingstoke: Palgrave. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=555504.

———. 2009. The Noir Thriller. Basingstoke: Palgrave Macmillan.

‘In the Dark Podcast | APM Reports’. n.d. https://www.apmreports.org/in-the-dark.

James A. W. Heffernan. 1999. ‘The Simpson Trial and the Forgotten Trauma of Lynching: A Response to Shoshana Felman’. Critical Inquiry 25 (4). https://www-jstor-org.ezproxy01.rhul.ac.uk/stable/1344104?seq=1#metadata_info_tab_contents.

Jenkins, Patty. 2003a. ‘Monster’.

———. 2003b. ‘Monster | Box of Broadcasts’. FilmFour. https://learningonscreen.ac.uk/ondemand/index.php/prog/004D318C?bcast=56640669.

Johnson, Mat, and Warren Pleece. 2018. Incognegro: A Graphic Mystery. New Edition. Milwaukie: Berger Books.

Kang, Jay Caspian. 2014. ‘“Serial” and White Reporter Privilege | The Awl’. 13 November 2014. https://web.archive.org/web/20141116022727/https://www.theawl.com/2014/11/serial-and-white-reporter-privilege.

Kennedy, Liam. 2018. ‘“Man I’m All Torn Up Inside”: Analyzing Audience Responses To’. Crime, Media, Culture: An International Journal 14 (3): 391–408. https://doi.org/10.1177/1741659017721275.

Kilgariff, Karen, and Georgia Hardstark. n.d. ‘My Favorite Murder with Karen Kilgariff and Georgia Hardstark’. https://www.myfavoritemurder.com/.

Kozaczka, Edward. 2011. ‘Death as Truth in Edgar Allan Poe’s “The Murders in the Rue Morgue”’. The Edgar Allan Poe Review 12 (1): 59–71. https://www.jstor.org/stable/41506433.

Lee, Maurice S. 2013. Uncertain Chances: Science, Skepticism, and Belief in Nineteenth-Century American Literature. Oxford: Oxford University Press. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780199797677.

Lemay, J. A. Leo. 1982. ‘The Psychology of “The Murders in the Rue Morgue”’. American Literature 54 (2): 165–88. https://doi.org/10.2307/2926129.

Lestrade, Jean-Xavier de. 2013. ‘Death on the Staircase: The Last Chance | Box of Broadcasts’. BBC4. https://learningonscreen.ac.uk/ondemand/index.php/prog/02F1F2D6?bcast=93687622.

‘Making a Murderer’. 2015. Netflix.

Marling, William. 1995. The American Roman Noir: Hammett, Cain, and Chandler. Athens, Ga: University of Georgia Press.

———. 2010. ‘City of Sleuths’. In The Cambridge Companion to the Literature of Los Angeles, 111–22. Cambridge: Cambridge University Press. https://doi.org/10.1017/CCOL9780521514705.

McCloud, Scott. 1994. Understanding Comics: The Invisible Art.

McDaniel, Raymond. 2005. ‘Narrative and Crime’. Michigan Quarterly Review XLIV (4). https://quod.lib.umich.edu/cgi/t/text/text-idx?cc=mqr;c=mqr;c=mqrarchive;idno=act2080.0044.432;view=text;rgn=main;xc=1;g=mqrg.

McDermid, Val. 2014. Forensics: The Anatomy of Crime. London: Profile Books.

Meyers, Marc. 2017. ‘My Friend Dahmer’.

Mihaies, Mircea, and Patrick Camiller. 2014. The Metaphysics of Detective Marlowe: Style, Vision, Hard-Boiled Repartee, Thugs, and Death-Dealing Damsels in Raymond Chandler’s Novels. Lanham, MD: Lexington Books. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1584879.

Miller, Nancy K. 2007. ‘The Entangled Self: Genre Bondage in the Age of the Memoir’. PMLA 122 (2): 537–48. https://www.jstor.org/stable/25501720.

‘Mindhunter | Netflix’. 2017. Netflix. https://www.netflix.com/title/80114855.

‘Mindhunter - Episode 1 | Netflix’. 2017. Netflix. https://www.netflix.com/title/80114855.

Moynihan, Sinéad. 2015. ‘"Watch Me Go Invisible”: Representing Racial Passing in Mat Johnson and Warren Pleece’s Incognegro’. South Central Review 32 (3): 45–69. https://muse.jhu.edu/article/602170.

Nelson, Maggie. 2012. The Art of Cruelty: A Reckoning. New York: W.W. Norton & Company.

———. 2016. Jane: A Murder. Berkeley: Counterpoint.

———. 2017. The Red Parts. London: Vintage.

Nickerson, Catherine. 1997. ‘Murder as Social Criticism’. American Literary History 9 (4): 744–57. https://doi.org/10.1093/alh/9.4.744.

Nickerson, Catherine Ross. 1998. The Web of Iniquity: Early Detective Fiction by American Women. Durham, NC: Duke University Press.

———, ed. 2010. The Cambridge Companion to American Crime Fiction. Cambridge: Cambridge University Press. https://ezproxy01.rhul.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521199377.

Novosat, Courtney. 2012. ‘Outside Dupin’s Closet of Reason: (Homo)Sexual Repression and Racialized Terror in Poe’s "The Murders in the Rue Morgue”’. Poe Studies 45 (1): 78–106. https://muse.jhu.edu/article/535601/summary.

‘OJ: Made in America - Part 1’. 2017. BBC4. https://learningonscreen.ac.uk/ondemand/index.php/prog/0EE52660?bcast=124134647.

‘OJ: Made in America - Part 2’. 2017. BBC4. https://learningonscreen.ac.uk/ondemand/index.php/prog/0EEF788B?bcast=124145109.

‘OJ: Made in America - Part 3’. 2017. BBC4. https://learningonscreen.ac.uk/ondemand/index.php/prog/0EEF7F98?bcast=124149572.

‘OJ: Made in America - Part 4’. 2017. BBC4. https://learningonscreen.ac.uk/ondemand/index.php/prog/0EEF855E?bcast=124157022.

‘OJ: Made in America - Part 5’. 2017. BBC4. https://learningonscreen.ac.uk/ondemand/index.php/prog/0EEF8787?bcast=124176429.

‘OJ: Made in America Ep 1’. n.d. BBC4. https://learningonscreen.ac.uk/ondemand/index.php/prog/0EE52660?bcast=124134647.

‘OJ: Made in America Playlist’. n.d. https://learningonscreen.ac.uk/ondemand/playlists/195487.

Paquet, Lili. 2018. ‘Literary Forensic Rhetoric: Maps, Emotional Assent, and Rhetorical Space in Serial and Making a Murderer’. Law and Humanities 12 (1): 71–92. https://doi.org/10.1080/17521483.2018.1457243.

Pepper, Andrew. 2000. The Contemporary American Crime Novel: Race, Ethnicity, Gender, Class. Edinburgh: Edinburgh University Press.

———. 2010. ‘"Hegemony Protected by the Armour of Coercion”: Dashiell Hammett’s Red Harvest and the State’. Journal of American Studies 44 (2): 333–49. https://doi.org/10.1017/S0021875809990806.

Poe, Edgar Allan. 1841. The Murders in the Rue Morgue. Edgar Allan Poe Society of Baltimore. https://www.eapoe.org/works/tales/morgueb.htm.

———. 1995. Murders in the Rue Morgue and Other Stories. Koln: Konemann.

Porter, Dennis. 1981. The Pursuit of Crime: Art and Ideology in Detective Fiction. New Haven: Yale University Press.

Priestman, Martin, ed. 2003a. The Cambridge Companion to Crime Fiction. Cambridge: Cambridge University Press.

———, ed. 2003b. The Cambridge Companion to Crime Fiction. Cambridge: Cambridge University Press. https://ezproxy01.rhul.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL0521803993.

Punnett, Ian. 2018. Toward a Theory of True Crime Narratives: A Textual Analysis. Routledge.

Punnett, Ian Case. 2018. Toward a Theory of True Crime Narratives: A Textual Analysis. 1st Edition. Milton: Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5259915.

Rabinowtiz, Peter. 2005. ‘They Shoot Tigers, Don’t They? Path and Counterpoint in The Long Goodbye’. In A Companion to Narrative Theory, 181–91. Oxford: Blackwell. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781405151962.

———. 2008. ‘They Shoot Tigers, Don’t They? Path and Counterpoint in The Long Goodbye’. In A Companion to Narrative Theory, 181–91. Malden, Mass: Blackwell.

Robinson, Miriam Michelle. 2016. Dreams for Dead Bodies: Blackness, Labor, and the Corpus of American Detective Fiction. Ann Arbor, Michigan: University of Michigan Press. https://doi.org/10.3998/mpub.8749028.

Routledge, Christopher. 1997. ‘A Matter of Disguise: Locating the Self in Raymond Chandler’s “The Big Sleep” and “The Long Good-Bye”’. Studies in the Novel 29 (1): 94–107. https://www.jstor.org/stable/29533187.

Rzepka, Charles J., and Lee Horsley. 2010. A Companion to Crime Fiction. Oxford: Wiley-Blackwell.

Schwartz, Richard B. 2002. Nice and Noir: Contemporary American Crime Fiction. Columbia: University of Missouri Press.

‘Serial - Series 1’. 2014. https://serialpodcast.org/season-one.

Shakespeare, William. 1997. Macbeth. Edited by Kenneth Muir. London: Bloomsbury. http://dx.doi.org/10.5040/9781408160244.00000006.

———. 2003. Julius Caesar. Edited by David Daniell. London: Arden Shakespeare. http://dx.doi.org/10.5040/9781408160282.00000040.

———. 2015. Macbeth. London: Bloomsbury Arden Shakespeare.

———. 2016. Julius Caesar. 3rd Edition. Cambridge: Cambridge University Press.

Shoshana Felman. 1997. ‘Forms of Judicial Blindness, or the Evidence of What Cannot Be Seen: Traumatic Narratives and Legal Repetitions in the O. J. Simpson Case and in Tolstoy’s “The Kreutzer Sonata”’. Critical Inquiry 23 (4). https://www-jstor-org.ezproxy01.rhul.ac.uk/stable/1344048?seq=1#metadata_info_tab_contents.

Sussex, Lucy. 2016. Women Writers and Detectives in Nineteenth-Century Crime Fiction: The Mothers of the Mystery Genre. 1st ed. 2010. Basingstoke: Palgrave Macmillan.

‘Teaching Culture: Imagined Communities and National Fantasies in the O.J. S...’ 2003. Journal of Language, Identity & Education. http://search.ebscohost.com/login.aspx?direct=true&db=cms&AN=11472775&site=ehost-live.

‘The Black Dahlia: Elizabeth Short | SoundCloud’. n.d. Unsolved Murders: True Crime Stories Podcast. https://soundcloud.com/unsolvedmurders/e11-the-black-dahlia-elizabeth-short.

‘The Doorstep Murder | BBC Radio Scotland’. n.d. https://www.bbc.co.uk/programmes/p067wdql/episodes/downloads.

‘The Keepers | Netflix’. 2017. Netflix. https://www.netflix.com/title/80122179.

‘The Staircase | Netflix’. 2018. Netflix. https://www.netflix.com/title/80233441.

Thomas Heise. 2005. ‘“Going Blood-Simple Like the Natives”: Contagious Urban Spaces and Modern Power in Dashiell Hammett’s “Red Harvest”’. Modern Fiction Studies 51 (3). https://www.jstor.org/stable/26287045?seq=3#metadata_info_tab_contents.

Thompson, Jon. 1993. Fiction, Crime, and Empire: Clues to Modernity and Postmodernism. Urbana: University of Illinois Press.

Todorov, Tzvetan. 1966. ‘The Typology of Detective Fiction’. In The Poetics of Prose, 42–52. Oxford: Blackwell.

———. 1977. ‘The Typology of Detective Fiction’. In The Poetics of Prose. New York. http://faculty.washington.edu/akn/typology.pdf.

‘True Crime Garage’. n.d. https://www.truecrimegarage.com/listen.

‘Undisclosed Information—Serial Is My Favourite Murder: Examining Motivations in the True Crime Podcast Audience.’ 2018. Journal of Radio & Audio Media. http://search.ebscohost.com/login.aspx?direct=true&db=cms&AN=129102391&site=ehost-live.

Van Dine, S. S. 1928. ‘Twenty Rules for Writing Detective Stories | The Thrilling Detective’. The Thrilling Detective. 1928. https://web.archive.org/web/20201207120946/http://www.thrillingdetective.com/trivia/triv288.html.

Van Dover, J. Kenneth, ed. 1995. The Critical Response to Raymond Chandler. Vol. 18. Westport, Connecticut: Greenwood Press.

Victor, Metta Fuller. 2003a. The Dead Letter. Durham, N.C.: Duke University Press.

———. 2003b. The Dead Letter. Durham: Duke University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1167941.

‘Victoriocity’. n.d. https://www.victoriocity.com/listen/.

‘Wakefield by Nathaniel Hawthorne’. n.d. http://homepage.ntu.edu.tw/~karchung/Wakefield.pdf.

Whitlock, Gillian. 2006. ‘Autographics: The Seeing “I” of the Comics’. Modern Fiction Studies 52 (4): 965–78. https://www.jstor.org/stable/26286679.

Zumoff, J.A. 2007. ‘The Politics of Dashiell Hammett’s “Red Harvest”’. Mosaic: An Interdisciplinary Critical Journal 40 (4): 119–34. https://www.jstor.org/stable/44030397.