A Golden Age of Podcasting? Evaluating Serial in the Context of Podcast His... (2015). Journal of Radio & Audio Media. http://search.ebscohost.com/login.aspx?direct=true&db=cms&AN=111070378&site=ehost-live
A Very Fatal Murder (Mockumentary) | The Onion. (n.d.). https://web.archive.org/web/20210308170830/https://www.theonion.com/c/a-very-fatal-murder
Alan Hook. (2016). A Transmedia Topology of ‘Making a Murderer’. VIEW Journal of European Television History and Culture, 5(10), 124–139. https://doi.org/10.18146/JETHC117
All Killa No Filla. (n.d.). https://allkillanofilla.libsyn.com/
And That’s Why We Drink. (n.d.). https://www.andthatswhywedrink.com/listen/
Auden, W. H. (1948). The Guilty Vicarage: Notes on the Detective Story by an Addict. Harper’s Magazine, May. https://harpers.org/archive/1948/05/the-guilty-vicarage/
Backderf, D. (2017). My Friend Dahmer. Abrams ComicArts.
Berlant, L. G. (2008). The Female Complaint: The Unfinished Business of Sentimentality in American Culture. Duke University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1169928
Binyon, T. J. (2009). ‘Murder Will Out’: The Detective in Fiction From Poe to the Present. Faber.
Bold, C. (2012). US Popular Print Culture, 1860-1920 (Vol. 6). Oxford University Press.
Boyle, D. (1994). Shallow Grave | Box of Broadcasts. FilmFour. https://learningonscreen.ac.uk/ondemand/index.php/prog/0015C0DA?bcast=114769310
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Bruzzi, S. (2016). Making a Genre: The Case of the Contemporary True Crime Documentary. Law and Humanities, 10(2), 249–280. https://doi.org/10.1080/17521483.2016.1233741
Butler, J. (2005). Against Ethical Violence. In Giving an Account of Oneself (1st Edition, pp. 41–82). Fordham University Press.
Capote, T. (2012). In Cold Blood. Penguin.
Caron, T. (2013). ‘Black and White and Read All Over’: Representing Race in Mat Johnson and Warren Pleece’s Incognegro: A Graphic Mystery. In Comics and the U.S. South (pp. 138–160). University Press of Mississippi.
Chandler, R. (1950). The Simple Art of Murder (1st Vintage Books Edition). Vintage Books.
Chandler, R. (2018). The Long Goodbye. Createspace Independent Publishing Platform.
Chaney, M. A. (2007). Drawing on History in Recent African American Graphic Novels. MELUS, 32(3), 175–200. https://www.jstor.org/stable/30029796
Chute, H. (2008). Comics as Literature? Reading Graphic Narrative. PMLA, 123(2), 452–465. https://www.jstor.org/stable/25501865
Chute, H. L. (2016a). Disaster Drawn: Visual Witness, Comics, and Documentary Form. The Belknap Press of Harvard University Press.
Chute, H. L. (2016b). Disaster Drawn: Visual Witness, Comics, and Documentary Form. Harvard University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=4404086
Cooper, B., & Murphy, M. (2000). Taking Chances: Speculation and Games of Detection in Dashiell Hammett’s ‘Red Harvest’. Mosaic: An Interdisciplinary Critical Journal, 33(1), 145–460. https://www.jstor.org/stable/44030576
Corredera, V. (2016). "Not a Moor exactly”: Shakespeare, Serial, and Modern Constructions of Race. Shakespeare Quarterly, 67(1), 30–50. https://doi.org/10.1353/shq.2016.0009
Courtney, N. (n.d.). Outside Dupin’s Closet of Reason: (Homo)sexual Repression and Racialized Terror in Poe’s "The Murders in the Rue Morgue. Poe Studies. http://muse.jhu.edu/article/535601/pdf
Crime Writers On... (n.d.). http://www.crimewriterson.com/
Criminal: A Podcast About Crime. (n.d.). https://thisiscriminal.com/
de Lestrade, J.-X. (2013). Death on the Staircase: The Last Chance | Box of Broadcasts. BBC4. https://learningonscreen.ac.uk/ondemand/index.php/prog/02F1F2D6?bcast=93687622
De Quincey, T. (1837). On Murder Considered as One of the Fine Arts. Project Gutenberg. http://www.gutenberg.org/ebooks/10708?msg=welcome_stranger
De Quincey, T. (2015). On Murder Considered as One of the Fine Arts. Penguin Classics.
Del Visco, S. (2016). Legality and the Spectacle of Murder: A Review of Netflix’s Making a Murderer (2015–). Humanity & Society, 40(2), 212–214. https://doi.org/10.1177/0160597616639624
Delamater, J. H., & Prigozy, R. (1998). The Detective in American Fiction, Film, and Television (Vol. 63). Greenwood Press.
DeLillo, D. (1991). Libra. Penguin.
Demme, J. (1991). The Silence of the Lambs | Box of Broadcasts. https://learningonscreen.ac.uk/ondemand/index.php/prog/00031BC4?bcast=127493680
Demme, J. (2003). The Silence of the Lambs. MGM.
Downing, L. (2013a). The Beast in Man: Jack and The Rippers Who Came After. In The Subject of Murder: Gender, Exceptionality, and the Modern Killer (pp. 72–96). The University of Chicago Press.
Downing, L. (2013b). The Beast in Man: Jack and The Rippers Who Came After. In The Subject of Murder: Gender, Exceptionality, and the Modern Killer (pp. 72–96). The University of Chicago Press. https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=1124352
Drucker, J. (2008). Graphic Devices: Narration and Navigation. Narrative, 16(2), 121–139. https://www.jstor.org/stable/30219279
Duquette, E. (2013). The Office of The Dead Letter. Arizona Quarterly, 69(4), 25–58. https://muse.jhu.edu/article/528934
Dussere, E. (2013). America Is Elsewhere: The Noir Tradition in the Age of Consumer Culture. Oxford University Press. http://dx.doi.org/10.1093/acprof:oso/9780199969913.001.0001
Eco, U. (1985). Innovation and Repetition: Between Modern and Post-Modern Aesthetics. Daedalus, 114(4), 161–184. https://www.jstor.org/stable/20025015
Ellroy, J. (2006). My Mother and the Dahlia. The Virginia Quarterly Review, 82(3), 214–222. https://www.jstor.org/stable/26444559
Ellroy, J. (2010). My Dark Places. Windmill.
Ellroy, J. (2011a). The Black Dahlia. Windmill.
Ellroy, J. (2011b). The Hilliker Curse: My Pursuit of Women. Windmill.
Evil Genius: The True Story of America’s Most Diabolical Bank Heist | Netflix. (2018). Netflix. https://www.netflix.com/title/80158319
Freedman, C., & Kendrick, C. (1991). Forms of Labor in Dashiell Hammett’s Red Harvest. PMLA, 106(2), 209–221. https://doi.org/10.2307/462658
Fried, A. (2010). Crime in Comics and the Graphic Novel. In A Companion to Crime Fiction (pp. 332–343). Wiley-Blackwell.
Friedersdorf, C. (2014). The Backlash Against Serial’s ’White Privilege’—and Why It’s Wrong - The Atlantic. The Atlantic. https://www.theatlantic.com/politics/archive/2014/12/unpacking-the-social-justice-critique-of-serial/383071/
Gilmore, L. (2001). Represent Yourself. In The Limits of Autobiography: Trauma and Testimony (pp. 16–44). Cornell University Press.
Gilmore, M. T. (2006). Popular Forms. In Surface and Depth: The Quest for Legibility in American Culture (New Edition, pp. 75–95). Oxford University Press Inc.
Green, K. (2017). Casting JonBenet | Netflix. Netflix. https://www.netflix.com/title/80142316
Halttunen, K. (1998). Murder Most Foul: The Killer and the American Gothic Imagination. Harvard University Press.
Halttunen, K. (2009). Murder Most Foul: The Killer and the American Gothic Imagination. Harvard University Press. http://ebookcentral.proquest.com/lib/rhul/detail.action?docID=3300770
Hammett, D. (2012). Red Harvest. Orion.
Hawthorne, N. (1837). Wakefield. http://homepage.ntu.edu.tw/~karchung/Wakefield.pdf
Heise, T. (2005). ‘Going Blood-Simple Like the Natives’: Contagious Urban Spaces and Modern Power in Dashiell Hammett’s ‘Red Harvest’. Modern Fiction Studies, 51(3), 485–512. https://www.jstor.org/stable/26287045
Herrmann, B. (2005). Psycho. Universal.
Hitchcock, A. (1960). Psycho | Box of Broadcasts. FilmFour. https://learningonscreen.ac.uk/ondemand/index.php/prog/0000E859?bcast=122012920
Hogue, C. (2006). ‘Lives - like Dollars’: Dickinson and the Poetics of Witness. The Emily Dickinson Journal, 15(2), 40–46. https://doi.org/10.1353/edj.2006.0036
Horsley, L. (2001). The Noir Thriller. Palgrave. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=555504
Horsley, L. (2009). The Noir Thriller. Palgrave Macmillan.
In the Dark Podcast | APM Reports. (n.d.). https://www.apmreports.org/in-the-dark
James A. W. Heffernan. (1999). The Simpson Trial and the Forgotten Trauma of Lynching: A Response to Shoshana Felman. Critical Inquiry, 25(4). https://www-jstor-org.ezproxy01.rhul.ac.uk/stable/1344104?seq=1#metadata_info_tab_contents
Jenkins, P. (2003a). Monster.
Jenkins, P. (2003b). Monster | Box of Broadcasts. FilmFour. https://learningonscreen.ac.uk/ondemand/index.php/prog/004D318C?bcast=56640669
Johnson, M., & Pleece, W. (2018). Incognegro: A Graphic Mystery (New Edition). Berger Books.
Kang, J. C. (2014, November 13). ‘Serial’ and White Reporter Privilege | The Awl. https://web.archive.org/web/20141116022727/https://www.theawl.com/2014/11/serial-and-white-reporter-privilege
Kennedy, L. (2018). ‘Man I’m All Torn Up Inside’: Analyzing Audience Responses To. Crime, Media, Culture: An International Journal, 14(3), 391–408. https://doi.org/10.1177/1741659017721275
Kilgariff, K., & Hardstark, G. (n.d.). My Favorite Murder with Karen Kilgariff and Georgia Hardstark. https://www.myfavoritemurder.com/
Kozaczka, E. (2011). Death as Truth in Edgar Allan Poe’s ‘The Murders in the Rue Morgue’. The Edgar Allan Poe Review, 12(1), 59–71. https://www.jstor.org/stable/41506433
Lee, M. S. (2013). Uncertain Chances: Science, Skepticism, and Belief in Nineteenth-Century American Literature. Oxford University Press. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780199797677
Lemay, J. A. L. (1982). The Psychology of ‘The Murders in the Rue Morgue’. American Literature, 54(2), 165–188. https://doi.org/10.2307/2926129
Making a Murderer. (2015). Netflix.
Marling, W. (1995). The American Roman Noir: Hammett, Cain, and Chandler. University of Georgia Press.
Marling, W. (2010). City of Sleuths. In The Cambridge Companion to the Literature of Los Angeles (pp. 111–122). Cambridge University Press. https://doi.org/10.1017/CCOL9780521514705
McCloud, S. (1994). Understanding Comics: The Invisible Art.
McDaniel, R. (2005). Narrative and Crime. Michigan Quarterly Review, XLIV(4). https://quod.lib.umich.edu/cgi/t/text/text-idx?cc=mqr;c=mqr;c=mqrarchive;idno=act2080.0044.432;view=text;rgn=main;xc=1;g=mqrg
McDermid, V. (2014). Forensics: The Anatomy of Crime. Profile Books.
Meyers, M. (2017). My Friend Dahmer.
Mihaies, M., & Camiller, P. (2014). The Metaphysics of Detective Marlowe: Style, Vision, Hard-Boiled Repartee, Thugs, and Death-Dealing Damsels in Raymond Chandler’s Novels. Lexington Books. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1584879
Miller, N. K. (2007). The Entangled Self: Genre Bondage in the Age of the Memoir. PMLA, 122(2), 537–548. https://www.jstor.org/stable/25501720
Mindhunter | Netflix. (2017). Netflix. https://www.netflix.com/title/80114855
Mindhunter - Episode 1 | Netflix. (2017). Netflix. https://www.netflix.com/title/80114855
Moynihan, S. (2015). "Watch Me Go Invisible”: Representing Racial Passing in Mat Johnson and Warren Pleece’s Incognegro. South Central Review, 32(3), 45–69. https://muse.jhu.edu/article/602170
Nelson, M. (2012). The Art of Cruelty: A Reckoning. W.W. Norton & Company.
Nelson, M. (2016). Jane: A Murder. Counterpoint.
Nelson, M. (2017). The Red Parts. Vintage.
Nickerson, C. (1997). Murder as Social Criticism. American Literary History, 9(4), 744–757. https://doi.org/10.1093/alh/9.4.744
Nickerson, C. R. (1998). The Web of Iniquity: Early Detective Fiction by American Women. Duke University Press.
Nickerson, C. R. (Ed.). (2010). The Cambridge Companion to American Crime Fiction. Cambridge University Press. https://ezproxy01.rhul.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521199377
Novosat, C. (2012). Outside Dupin’s Closet of Reason: (Homo)sexual Repression and Racialized Terror in Poe’s "The Murders in the Rue Morgue”. Poe Studies, 45(1), 78–106. https://muse.jhu.edu/article/535601/summary
OJ: Made in America - Part 1. (2017). BBC4. https://learningonscreen.ac.uk/ondemand/index.php/prog/0EE52660?bcast=124134647
OJ: Made in America - Part 2. (2017). BBC4. https://learningonscreen.ac.uk/ondemand/index.php/prog/0EEF788B?bcast=124145109
OJ: Made in America - Part 3. (2017). BBC4. https://learningonscreen.ac.uk/ondemand/index.php/prog/0EEF7F98?bcast=124149572
OJ: Made in America - Part 4. (2017). BBC4. https://learningonscreen.ac.uk/ondemand/index.php/prog/0EEF855E?bcast=124157022
OJ: Made in America - Part 5. (2017). BBC4. https://learningonscreen.ac.uk/ondemand/index.php/prog/0EEF8787?bcast=124176429
OJ: Made in America Ep 1. (n.d.). BBC4. https://learningonscreen.ac.uk/ondemand/index.php/prog/0EE52660?bcast=124134647
OJ: Made in America Playlist. (n.d.). https://learningonscreen.ac.uk/ondemand/playlists/195487
Paquet, L. (2018). Literary Forensic Rhetoric: Maps, Emotional Assent, and Rhetorical Space in Serial and Making a Murderer. Law and Humanities, 12(1), 71–92. https://doi.org/10.1080/17521483.2018.1457243
Pepper, A. (2000). The Contemporary American Crime Novel: Race, Ethnicity, Gender, Class. Edinburgh University Press.
Pepper, A. (2010). "Hegemony Protected by the Armour of Coercion”: Dashiell Hammett’s Red Harvest and the State. Journal of American Studies, 44(2), 333–349. https://doi.org/10.1017/S0021875809990806
Poe, E. A. (1841). The Murders in the Rue Morgue. Edgar Allan Poe Society of Baltimore. https://www.eapoe.org/works/tales/morgueb.htm
Poe, E. A. (1995). Murders in the Rue Morgue and Other Stories. Konemann.
Porter, D. (1981). The Pursuit of Crime: Art and Ideology in Detective Fiction. Yale University Press.
Priestman, M. (Ed.). (2003a). The Cambridge Companion to Crime Fiction. Cambridge University Press.
Priestman, M. (Ed.). (2003b). The Cambridge Companion to Crime Fiction. Cambridge University Press. https://ezproxy01.rhul.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL0521803993
Punnett, I. (2018). Toward a Theory of True Crime Narratives: A Textual Analysis. Routledge.
Punnett, I. C. (2018). Toward a Theory of True Crime Narratives: A Textual Analysis (1st Edition). Routledge. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=5259915
Rabinowtiz, P. (2005). They Shoot Tigers, Don’t They? Path and Counterpoint in The Long Goodbye. In A Companion to Narrative Theory (pp. 181–191). Blackwell. http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781405151962
Rabinowtiz, P. (2008). They Shoot Tigers, Don’t They? Path and Counterpoint in The Long Goodbye. In A Companion to Narrative Theory (pp. 181–191). Blackwell.
Robinson, M. M. (2016). Dreams for Dead Bodies: Blackness, Labor, and the Corpus of American Detective Fiction. University of Michigan Press. https://doi.org/10.3998/mpub.8749028
Routledge, C. (1997). A Matter of Disguise: Locating the Self in Raymond Chandler’s ‘The Big Sleep’ and ‘The Long Good-Bye’. Studies in the Novel, 29(1), 94–107. https://www.jstor.org/stable/29533187
Rzepka, C. J., & Horsley, L. (2010). A Companion to Crime Fiction. Wiley-Blackwell.
Schwartz, R. B. (2002). Nice and Noir: Contemporary American Crime Fiction. University of Missouri Press.
Serial - series 1. (2014). https://serialpodcast.org/season-one
Shakespeare, W. (1997). Macbeth (K. Muir, Ed.). Bloomsbury. http://dx.doi.org/10.5040/9781408160244.00000006
Shakespeare, W. (2003). Julius Caesar (D. Daniell, Ed.). Arden Shakespeare. http://dx.doi.org/10.5040/9781408160282.00000040
Shakespeare, W. (2015). Macbeth. Bloomsbury Arden Shakespeare.
Shakespeare, W. (2016). Julius Caesar (3rd Edition). Cambridge University Press.
Shoshana Felman. (1997). Forms of Judicial Blindness, or the Evidence of What Cannot Be Seen: Traumatic Narratives and Legal Repetitions in the O. J. Simpson Case and in Tolstoy’s ‘The Kreutzer Sonata’. Critical Inquiry, 23(4). https://www-jstor-org.ezproxy01.rhul.ac.uk/stable/1344048?seq=1#metadata_info_tab_contents
Sussex, L. (2016). Women Writers and Detectives in Nineteenth-Century Crime Fiction: The Mothers of the Mystery Genre (1st ed. 2010). Palgrave Macmillan.
Teaching Culture: Imagined Communities and National Fantasies in the O.J. S... (2003). Journal of Language, Identity & Education. http://search.ebscohost.com/login.aspx?direct=true&db=cms&AN=11472775&site=ehost-live
The Black Dahlia: Elizabeth Short | SoundCloud. (n.d.). Unsolved Murders: True Crime Stories Podcast. https://soundcloud.com/unsolvedmurders/e11-the-black-dahlia-elizabeth-short
The Doorstep Murder | BBC Radio Scotland. (n.d.). https://www.bbc.co.uk/programmes/p067wdql/episodes/downloads
The Keepers | Netflix. (2017). Netflix. https://www.netflix.com/title/80122179
The Staircase | Netflix (Revised and Extended). (2018). Netflix. https://www.netflix.com/title/80233441
Thomas Heise. (2005). ‘Going Blood-Simple Like the Natives’: Contagious Urban Spaces and Modern Power in Dashiell Hammett’s ‘Red Harvest’. Modern Fiction Studies, 51(3). https://www.jstor.org/stable/26287045?seq=3#metadata_info_tab_contents
Thompson, J. (1993). Fiction, Crime, and Empire: Clues to Modernity and Postmodernism. University of Illinois Press.
Todorov, T. (1966). The Typology of Detective Fiction. In The Poetics of Prose (pp. 42–52). Blackwell.
Todorov, T. (1977). The Typology of Detective Fiction. In The Poetics of Prose. http://faculty.washington.edu/akn/typology.pdf
True Crime Garage. (n.d.). https://www.truecrimegarage.com/listen
Undisclosed Information—Serial is my Favourite Murder: Examining Motivations in the True Crime Podcast Audience. (2018). Journal of Radio & Audio Media. http://search.ebscohost.com/login.aspx?direct=true&db=cms&AN=129102391&site=ehost-live
Van Dine, S. S. (1928). Twenty Rules for Writing Detective Stories | The Thrilling Detective. The Thrilling Detective. https://web.archive.org/web/20201207120946/http://www.thrillingdetective.com/trivia/triv288.html
Van Dover, J. K. (Ed.). (1995). The Critical Response to Raymond Chandler (Vol. 18). Greenwood Press.
Victor, M. F. (2003a). The Dead Letter. Duke University Press.
Victor, M. F. (2003b). The Dead Letter. Duke University Press. https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1167941
Victoriocity. (n.d.). https://www.victoriocity.com/listen/
Wakefield by Nathaniel Hawthorne. (n.d.). http://homepage.ntu.edu.tw/~karchung/Wakefield.pdf
Whitlock, G. (2006). Autographics: The Seeing ‘I’ of the Comics. Modern Fiction Studies, 52(4), 965–978. https://www.jstor.org/stable/26286679
Zumoff, J. A. (2007). The Politics of Dashiell Hammett’s ‘Red Harvest’. Mosaic: An Interdisciplinary Critical Journal, 40(4), 119–134. https://www.jstor.org/stable/44030397
